| year of publication | ISBN | author(s) | title |
|---|
| 1958 | 978-0-571-03224-2 | Geoffrey Faber | Jowett |
| 1975 | 978-0-571-03259-4 | Frank Morison | Who Moved the Stone? |
| 1978 | 978-0-571-03848-0 | John Osborne | Look Back in Anger |
| 1960 | 978-0-571-03912-8 | Charles De Gaulle | Edge of the Sword |
| '' | 978-0-571-03971-5 | Henry H. Trivick | Autolithography |
| 1961 | 978-0-571-04094-0 | James Leo Herlihy | All Fall Down |
| 1974 | 978-0-571-04578-5 | T.S. Eliot | Old Possum's Book of Practical Cats |
| 1967 | 978-0-571-04594-5 | Roger Crosnier | Fencing with the Foil |
| '' | 978-0-571-04628-7 | Anthony Baines | Woodwind Instruments and Their History |
| 1969 | 978-0-571-04639-3 | L. Dudley Stamp | Our Developing World |
| 1971 | 978-0-571-04694-2 | Clifford Musgrave | Regency Furniture, 1800-30 (Monographs on Furniture) |
| 1973 | 978-0-571-04702-4 | Harry Garner | Oriental Blue and White (Monographs on Pottery & Porcelain) |
| 1970 | 978-0-571-04703-1 | C. Willett Cunnington · P. E. Cunnington | Handbook of English Costume in the Nineteenth Century |
| 1974 | 978-0-571-04704-8 | Rupert Brooke | The Poetical Works of Rupert Brooke |
| 1976 | 978-0-571-04727-7 | Tom Stoppard | The Real Inspector Hound |
| 1971 | 978-0-571-04736-9 | Arthur Lane | Later Islamic Pottery (Monographs on Pottery & Porcelain) |
| '' | 978-0-571-04739-0 | Harry Garner | Chinese and Japanese Cloisonne Enamels (Arts of the East S.) |
| '' | 978-0-571-04747-5 | Brian Aldiss | Best Science Fiction Stories |
| 1971 | 978-0-571-04750-5 | C.Martin Sharp · Michael J.F. Bowyer | Mosquito |
| 1972 | 978-0-571-04765-9 | Bernard Rackham | Mediaeval English Pottery (Monographs on Pottery & Porcelain) |
| 1975 | 978-0-571-04789-5 | Professor Robert Donington O.B.E. | Interpretation of Early Music |
| 1976 | 978-0-571-04792-5 | T. S. Eliot | Selected Essays |
| 1973 | 978-0-571-04795-6 | Raymond Russell | Harpsichord and Clavichord |
| 1976 | 978-0-571-04818-2 | Robert Donington O.B.E. | Wagner's 'Ring' and its Symbols: The Music and the Myth |
| 1975 | 978-0-571-04832-8 | James Blades | Percussion Instruments and Their History |
| 1974 | 978-0-571-04842-7 | Enid Lakeman | How Democracies Vote: Study of Electoral System |
| 1976 | 978-0-571-04891-5 | Evelyn C. Pearce | Anatomy and Physiology for Nurses Including Notes on Their Clinical Application |
| '' | 978-0-571-04901-1 | Norman Scarfe | Suffolk (Shell Guides) |
| 1978 | 978-0-571-04905-9 | Charles Rosen | The Classical Style: Haydn, Mozart, Beethoven |
| 1980 | 978-0-571-04922-6 | John P. Cushion · W.B. Honey | Handbook of Pottery and Porcelain Marks |
| 1979 | 978-0-571-04923-3 | Eric Walter White | Stravinsky: The Composer and His Works |
| 1976 | 978-0-571-04927-1 | Bernard Leach | Potter's Book |
| 1977 | 978-0-571-04934-9 | Donald Mitchell | The Language of Modern Music |
| 1979 | 978-0-571-04986-8 | Trevor Griffiths | Comedians |
| '' | 978-0-571-04989-9 | Sylvia Plath | Johnny Panic and the Bible of Dreams, and other prose writings |
| 1977 | 978-0-571-04996-7 | Amos Tutuola | The Palm-Wine Drinkard |
| 1969 | 978-0-571-05188-5 | T. S. Eliot | The Cocktail Party (Faber Drama) |
| 1973 | 978-0-571-05265-3 | Nikos Kazantzakis | Zorba the Greek |
| 1978 | 978-0-571-05371-1 | Gerald Durrell | The Overloaded Ark (FF Classics) |
| 1963 | 978-0-571-05380-3 | P. Collison | Cutteslowe Walls (Society Today & Tomorrow) |
| 1960 | 978-0-571-05440-4 | W.H. Oliver | Story of New Zealand |
| 1963 | 978-0-571-05441-1 | Mary Benson | African Patriots: Story of the African National Congress of South Africa |
| '' | 978-0-571-05442-8 | Murray Schafer | British Composers in Interview |
| 1976 | 978-0-571-05444-2 | Kipling | A Choice of Kipling's Verse |
| 1963 | 978-0-571-05445-9 | T. S. Eliot | The Family Reunion (Faber Paper-covered Editions) |
| 1968 | 978-0-571-05502-9 | Harry Levin | James Joyce: A Critical Introduction |
| 1976 | 978-0-571-05579-1 | Lawrence Durrell | Balthazar (Faber Paperbacks) |
| 1975 | 978-0-571-05661-3 | David Jones | In Parenthesis: |
| 1985 | 978-0-571-05664-4 | Djuna Barnes | Nightwood |
| 1934 | 978-0-571-05666-8 | Don Marquis | Archy and Mehitabel |
| 1976 | 978-0-571-05667-5 | Lawrence Durrell | Esprit de Corps: Sketches from Diplomatic Life |
| 1963 | 978-0-571-05679-8 | '' | Justine |
| 2004 | 978-0-571-05686-6 | William Golding | Lord of the Flies: Educational Edition |
| 2002 | 978-0-571-05706-1 | T. S. Eliot | Selected Poems of T. S. Eliot (Faber Poetry) |
| 1959 | 978-0-571-05707-8 | Antonia Forest | End of Term |
| 1994 | 978-0-571-05714-6 | Norah Waugh | The Cut of Men's Clothes |
| 1964 | 978-0-571-05724-5 | Edmund Cooper | Transit: Science Fiction Stories |
| 1958 | 978-0-571-05779-5 | Lawrence Durrell | Mountolive (Faber paper covered editions) |
| 1964 | 978-0-571-05802-0 | William Golding | The Spire |
| 1998 | 978-0-571-05808-2 | Samuel Beckett | Waiting for Godot: A Tragicomedy in Two Acts |
| 1976 | 978-0-571-05841-9 | Lawrence Durrell | Clea |
| 1973 | 978-0-571-05867-9 | Amos Tutuola | My Life in the Bush of Ghosts |
| 1987 | 978-0-571-05871-6 | T.S. Eliot | The Use of Poetry |
| 1961 | 978-0-571-05903-4 | L. M. Boston | A Stranger at Green Knowe |
| 1964 | 978-0-571-05971-3 | L. M. Boston | Enemy at Green Knowe |
| 1958 | 978-0-571-05996-6 | J.W. Dunne | Experiment with Time, An |
| 1977 | 978-0-571-06067-2 | Edward Thomas Dec'd | Selected Poems of Edward Thomas |
| 1951 | 978-0-571-06186-0 | Lawrence Durrell | Bitter Lemons-Oe |
| 1957 | 978-0-571-06202-7 | Adaline Glasheen | Census of "Finnegans Wake" |
| 1946 | 978-0-571-06203-4 | V.H. Drummond | Lady Talavera |
| 1965 | 978-0-571-06206-5 | A.F. Burstall | History of Mechanical Engineering (Technological Today & Tomorrow) |
| 1998 | 978-0-571-06209-6 | Samuel Beckett | Krapp's Last Tape, and Embers |
| 1967 | 978-0-571-06239-3 | John Osborne | Luther |
| 1961 | 978-0-571-06284-3 | William Golding | Free Fall |
| 1973 | 978-0-571-06313-0 | T. S. Eliot | Notes Towards the Definition of Culture |
| '' | 978-0-571-06327-7 | '' | Murder in the Cathedral (Faber Drama) |
| 1975 | 978-0-571-06353-6 | George Ewart Evans | Ask the Fellows Who Cut the Hay |
| 1976 | 978-0-571-06366-6 | William Golding | Lord of the Flies |
| 1974 | 978-0-571-06367-3 | John Osborne | The Entertainer |
| 1986 | 978-0-571-06384-0 | Wallace Stevens | Selected Poems |
| 1976 | 978-0-571-06389-5 | Jean Hugard · Frederick Braue | The Royal Road to Card Magic |
| 1974 | 978-0-571-06410-6 | Siegfried Sassoon | Memoirs of an Infantry Officer |
| 1976 | 978-0-571-06429-8 | Victor Mollo | Bridge in the Menagerie: The Winning Ways of the Hideous Hog |
| 1971 | 978-0-571-06440-3 | Edward Lear | The Complete Nonsense of Edward Lear |
| 1974 | 978-0-571-06454-0 | Siegfried Sassoon | Memoirs of a Fox-hunting Man |
| 1954 | 978-0-571-06460-1 | L. M. Boston | The Children of Green Knowe |
| 1974 | 978-0-571-06492-2 | William Golding | The Spire |
| 1962 | 978-0-571-06521-9 | Antonia Forest | Autumn Term |
| 1957 | 978-0-571-06548-6 | '' | Falconer's Lure |
| 1966 | 978-0-571-06593-6 | David Hirst | Oil and Public Opinion in the Middle East |
| 1966 | 978-0-571-06604-9 | Flannery O'Connor | Everything That Rises Must Converge |
| 1982 | 978-0-571-06616-2 | Don Marquis | Archy'S Life of Mehitabel |
| 1966 | 978-0-571-06624-7 | C.S. Lewis | A Grief Observed (Faber Paperbacks) |
| 1987 | 978-0-571-06653-7 | Samuel Beckett | Happy Days |
| 1959 | 978-0-571-06660-5 | L. M. Boston | River at Green Knowe |
| 1966 | 978-0-571-06665-0 | Seamus Heaney | Death of a Naturalist |
| 1962 | 978-0-571-06671-1 | Catherine Storr | Robin |
| 1975 | 978-0-571-06682-7 | Paul Klee | Paul Klee on Modern Art: Introduction by Herbert Read (Faber Paper Covered Editions) |
| 1966 | 978-0-571-06714-5 | Michael Pitt-Rivers | Dorset (Shell Guides) |
| 1976 | 978-0-571-06722-0 | Lawrence Durrell | Stiff Upper Lip |
| 1960 | 978-0-571-06742-8 | Gwen Raverat | Period Piece - A Cambridge Childhood |
| 1966 | 978-0-571-06747-3 | Norman Scarfe | Suffolk. A Shell Guide. |
| 1974 | 978-0-571-06775-6 | T S Eliot | Illustrated Old Possum's Book of Practical Cats: With Illustrations by Nicolas Bentley |
| 2001 | 978-0-571-06894-4 | T. S. Eliot | Four Quartets (Faber Poetry) |
| 1966 | 978-0-571-06901-9 | Juliette de Bairacli-Levy | Herbal Handbook for Everyone |
| '' | 978-0-571-06904-0 | Alan Bloom | Moisture Gardening |
| 1954 | 978-0-571-06950-7 | William Golding | Lord of the Flies |
| 1975 | 978-0-571-06961-3 | Robert Graves | The White Goddess: A Historical Grammar of Poetic Myth |
| 1961 | 978-0-571-07002-2 | William Golding | Inheritors the |
| 1965 | 978-0-571-07017-6 | Jean Hugard · J.J. Crimmins | Encyclopaedia of Card Tricks |
| 1958 | 978-0-571-07030-5 | L. M. Boston | Chimneys of Green Knowe |
| 1975 | 978-0-571-07062-6 | E. Kadloubovsky · G. E. H. Palmer | Writings from the "Philokalia" on Prayer of the Heart |
| 1976 | 978-0-571-07067-1 | Samuel Beckett | Endgame |
| 1967 | 978-0-571-08006-9 | Denzil Batchelor | Best Cricket Stories |
| '' | 978-0-571-08020-5 | A.J. Barker | Neglected War: Mesopotamia, 1914-18 |
| '' | 978-0-571-08050-2 | James D.R. McConnell | Eton: How it Works |
| '' | 978-0-571-08061-8 | Robert H. Ross | Georgian Revolt: Rise and Fall of a Poetic Ideal, 1910-22 |
| 1969 | 978-0-571-08066-3 | A.T.Q. Stewart | Ulster Crisis: Resistance to Home Rule, 1912-14 |
| 1967 | 978-0-571-08077-9 | David Diringer | The Illuminated Book |
| 1969 | 978-0-571-08078-6 | P.J. Donnelly | Blanc de Chine: Porcelain of Tehuain Fukien (Monographs on Pottery & Porcelain) |
| 1967 | 978-0-571-08093-9 | Rudolph Reti | Thematic Patterns in Sonatas in Beethoven |
| 1967 | 978-0-571-08094-6 | Stanley Sadie | Beethoven (Great Composers S.) |
| 1973 | 978-0-571-08155-4 | W. H. Auden · Louis MacNeice | Letters from Iceland |
| 1986 | 978-0-571-08164-6 | George Ewart Evans | The Horse in the Furrow |
| 2001 | 978-0-571-08178-3 | Sylvia Plath | The Bell Jar (Faber Paper Covered Editions) |
| 1967 | 978-0-571-08181-3 | S.S. Prokof'ev | Story of Peter and the Wolf |
| 1973 | 978-0-571-08182-0 | Tom Stoppard | ROSENCRANTZ AND GUILDENSTERN ARE DEAD |
| 1969 | 978-0-571-08217-9 | S.Peter Dance | Rare Shells |
| '' | 978-0-571-08222-3 | Michael Jenkins | Arakcheev: Grand Vizier of the Russian Empire |
| 1968 | 978-0-571-08284-1 | Ninian Smart | Secular Education and the Logic of Religion (Heslington lectures,1966) |
| 1972 | 978-0-571-08295-7 | Daphne Foskett | Dictionary of British Miniature Painters Up to 1910: Text v. 1 |
| 1970 | 978-0-571-08345-9 | Gunter D. Roth | Handbook for Planet Observers |
| 1981 | 978-0-571-08346-6 | C.A. Trypanis | Greek Poetry: From Homer to Seferis |
| 1967 | 978-0-571-08369-5 | Peter Nichols | A Day in the Death of Joe Egg |
| 1972 | 978-0-571-08381-7 | Maurice Tomlin | English Furniture |
| 1971 | 978-0-571-08395-4 | Alban Berg | Letters to His Wife |
| 1973 | 978-0-571-08411-1 | George Ewart Evans | Where Beards Wag All: The Relevance of Oral Tradition |
| 1968 | 978-0-571-08431-9 | Robert Cook · Kathleen Cook | Southern Greece: Archaeological Guide (Archaeological guides) |
| '' | 978-0-571-08450-0 | Gerald Abraham | Slavonic and Romantic Music: Essays and Studies |
| '' | 978-0-571-08473-9 | F. W Holiday | The Great Orm of Loch Ness: A Practical Inquiry into the Nature and Habits of Water-Monsters |
| 1973 | 978-0-571-08483-8 | William Golding | Lord of the Flies |
| 1968 | 978-0-571-08497-5 | Luke Herrmann | Ruskin and Turner: Study of Ruskin as a Collector of Turner, Based on His Gifts to the University of Oxford |
| 1986 | 978-0-571-08520-0 | Christopher Auden | The Dog Beneath the Skin or Where is Francis? |
| 1968 | 978-0-571-08535-4 | James Morris | Pax Britannica: The Climax of an Empire |
| 1986 | 978-0-571-08575-0 | Sergei Eisenstein | The Film Sense |
| 1975 | 978-0-571-08586-6 | Brian Friel | Philadelphia, Here I Come |
| 1994 | 978-0-571-08594-1 | Norah Waugh | The Cut of Women's Clothes |
| 1986 | 978-0-571-08609-2 | Lawrence Durrell | The Alexandria Quartet: Justine, Balthazar, Mountolive, Clea |
| 1976 | 978-0-571-08611-5 | T.S. Eliot | Murder in the Cathedral |
| 2003 | 978-0-571-08614-6 | Ted Hughes | The Hawk in the Rain |
| 1973 | 978-0-571-08618-4 | Paul Klee | Pedagogical Sketchbook: Introduction by Sibyl Moholy-Nagy |
| 1968 | 978-0-571-08626-9 | Sylvia Plath | Ariel (Faber Paperbacks) |
| 1967 | 978-0-571-08664-1 | Brian Aldiss | Hothouse |
| 1969 | 978-0-571-08699-3 | James Blish | Black Easter, or Faust Aleph-Null (After such knowledge; [in 3vols]/James Blish) |
| 1974 | 978-0-571-08717-4 | Svend Eriksen | Early Neo-classicism in France (Monographs on Furniture) |
| 1969 | 978-0-571-08735-8 | W.H. Auden | Collected Shorter Poems 1927-1957 |
| 1974 | 978-0-571-08744-0 | Jim Hunter | Modern Short Stories I: Bk. 1 |
| 1968 | 978-0-571-08762-4 | Anthony Hill | Data: Directions in Art, Theory and Aesthetics |
| 1975 | 978-0-571-08765-5 | Richard Hamer | A Choice of Anglo-Saxon Verse: Parallel Text |
| '' | 978-0-571-08778-5 | Deneys Reitz · Jan C. Smuts | Commando: A Boer Journal of the Boer War |
| 1971 | 978-0-571-08782-2 | P.V. Glob | Danish Prehistoric Monuments: Denmark from the Stone Age to the Vikings |
| 1969 | 978-0-571-08801-0 | Clive Hart | James Joyce's "Dubliners": Critical Essays |
| 1973 | 978-0-571-08816-4 | Robin Gregory | Trombone: The Instrument and Its Music |
| 1975 | 978-0-571-08822-5 | David Irwin · Francina Irwin | Scottish Painters at Home and Abroad, 1700-1900 |
| 1969 | 978-0-571-08831-7 | Sam Shepard | Five Plays (Chicago, Icarus's Mother, Red Cross, Fourteen Hundred Thousand, Melodrama Play) |
| 1976 | 978-0-571-08832-4 | Erik Tawaststjerna | Sibelius: 1865-1905 v. 1 |
| 1986 | 978-0-571-08833-1 | Erik Tawaststjerna | Sibelius: 1904-14 v. 2 |
| 1969 | 978-0-571-08857-7 | T.S. Eliot | The Complete Poems and Plays of T.S. Eliot |
| 1971 | 978-0-571-08858-4 | James Blades | Percussion Instruments and Their History |
| 1971 | 978-0-571-08898-0 | A.B. Christie · Mary C. Christie | Food Hygiene and Food Hazards |
| 1977 | 978-0-571-08926-0 | Ted Hughes | Selected Poems, 1957-67 |
| 1982 | 978-0-571-08930-7 | Wilson Harris | The Palace of the Peacock |
| 1972 | 978-0-571-08939-0 | George Woodcock | Dawn and the Darkest Hour: Study of Aldous Huxley |
| 1969 | 978-0-571-08949-9 | Anthony Farrar-Hockley | War in the Desert |
| '' | 978-0-571-08959-8 | Roy Daniels | Alexander Mackenzie and the North West (Great Travellers) |
| 1970 | 978-0-571-08962-8 | Harry Harrison | Captive Universe |
| 1971 | 978-0-571-08972-7 | Peter Llewellyn | Rome in the Dark Ages |
| '' | 978-0-571-08977-2 | George Ewart Evans | The Pattern Under the Plough |
| 1973 | 978-0-571-08983-3 | T.S. Eliot | On Poetry and Poets |
| 1977 | 978-0-571-08986-4 | E.E. Cummings | Selected Poems 1923-1958 |
| 1974 | 978-0-571-08988-8 | William Golding | The Pyramid |
| 1962 | 978-0-571-08989-5 | Hugh Braun | Old English Houses |
| 1973 | 978-0-571-09018-1 | Christina Rossetti | A Choice of Rossetti's Verse (Faber Paper Covered Editions) |
| 1975 | 978-0-571-09024-2 | Seamus Heaney | Death of a Naturalist |
| 1978 | 978-0-571-09041-9 | Neil M Gunn | The Silver Darlings |
| 1972 | 978-0-571-09042-6 | Michael Prestwich | War, Politics and Finance Under Edward I |
| 1973 | 978-0-571-09060-0 | Geoffrey Parrinder | Witchcraft: European and African |
| 1969 | 978-0-571-09066-2 | Paul B. Taylor · W. H. Auden | Elder Edda: A Selection |
| 1987 | 978-0-571-09073-0 | William Golding | Brass Butterfly: Play |
| 1986 | 978-0-571-09076-1 | Ted Hughes | Poetry in the Making: An Anthology of Poems and Programmes from "Listening and Writing" |
| 1971 | 978-0-571-09120-1 | Alan Walker | Liszt (Great Composers) |
| '' | 978-0-571-09135-5 | Christine Brooke-Rose | ZBC of Ezra Pound |
| 1970 | 978-0-571-09147-8 | Carlo Falconi | Silence of Pius XII |
| 1971 | 978-0-571-09180-5 | Howard Sackler | Great White Hope |
| 1973 | 978-0-571-09203-1 | Howard Schott | Playing the Harpsichord |
| 1983 | 978-0-571-09223-9 | Lucius Annaeus Seneca · Ted Hughes | Seneca's Oedipus |
| 1975 | 978-0-571-09232-1 | Professor Peter Brown | Augustine of Hippo: A Biography |
| 1985 | 978-0-571-09246-8 | Ted Hughes | Lupercal |
| 1971 | 978-0-571-09262-8 | Richard Wilbur | Walking to Sleep |
| 1969 | 978-0-571-09265-9 | Benito Garozzo · Leon Yallouze | Blue Club |