| year of publication | ISBN | author(s) | title |
|---|
| 2002 | 978-0-571-20241-6 | Andy Beckett | Pinochet in Piccadilly: Britain and Chile's Hidden History |
| 2000 | 978-0-571-20244-7 | Ethan Coen · Joel Coen | Fargo: Screenplay (FF Classics) |
| '' | 978-0-571-20249-2 | Martin Scorsese · Nicholas Pileggi | Goodfellas: Screenplay (FF Classics) |
| 1999 | 978-0-571-20250-8 | Wendy Cope | Making Cocoa for Kingsley Amis (FF Classics) |
| 2001 | 978-0-571-20252-2 | Jo Shapcott | Tender Taxes: Translations from Rainer Maria Rilke |
| 2000 | 978-0-571-20254-6 | Hanif Kureishi | My Beautiful Laundrette: Screenplay (FF Classics) |
| 2001 | 978-0-571-20257-7 | Gordon Burn · Damien Hirst | On the Way to Work |
| 2000 | 978-0-571-20258-4 | Keith Douglas | Keith Douglas: The Complete Poems |
| '' | 978-0-571-20259-1 | Gus Van Sant | My Own Private Idaho: Screenplay (FF Classics) |
| 1999 | 978-0-571-20260-7 | W.H. Auden | Tell Me the Truth About Love: Fifteen Poems |
| '' | 978-0-571-20266-9 | Euripides · Ted Hughes | Alcestis: In a Version by Ted Hughes |
| 2000 | 978-0-571-20268-3 | Timothy Findley | Pilgrim |
| '' | 978-0-571-20269-0 | Ernest Lehman | North by Northwest: Screenplay (FF Classics) |
| 1999 | 978-0-571-20270-6 | T. S. Eliot | The Waste Land and Other Poems |
| 2000 | 978-0-571-20273-7 | Simon Reeve | One Day in September: The Story of the 1972 Munich Olympics Massacre |
| 2002 | 978-0-571-20276-8 | James Wilson | The Dark Clue |
| 2005 | 978-0-571-20277-5 | Christopher Logue | Logue's Homer: Cold Calls: War Music Continued |
| 2000 | 978-0-571-20279-9 | Quentin Tarantino | Reservoir Dogs: Screenplay (FF Classics) |
| 1999 | 978-0-571-20280-5 | Terry Gilliam | Gilliam on Gilliam (Directors on Directors) |
| 2000 | 978-0-571-20282-9 | Baroness P. D. James | The Maul and the Pear Tree: The Ratcliffe Highway Murders 1811 |
| 2004 | 978-0-571-20285-0 | Duncan Sprott | The House of the Eagle: House of the Eagle Bk.1 (Ptolemies Quartet) |
| 2000 | 978-0-571-20287-4 | Pat Simon | Wine-Tasters' Logic: Thinking about Wine - and enjoying it |
| 2004 | 978-0-571-20288-1 | Michael Dibdin | Blood Rain (Aurelio Zen 07) |
| 2006 | 978-0-571-20290-4 | Duncan Sprott | Daughter of the Crocodile: Book 2 of the Ptolemies Quartet: Vol 2 |
| 2000 | 978-0-571-20297-3 | Adam Phillips | Promises, Promises: Essays on Literature and Psychoanalysis |
| 2000 | 978-0-571-20298-0 | Thom Gunn | Boss Cupid (Faber Poetry) |
| '' | 978-0-571-20299-7 | George Lucas | Star Wars: Screenplay (FF Classics) |
| '' | 978-0-571-20300-0 | George Lucas | The Empire Strikes Back: Screenplay (FF Classics) |
| '' | 978-0-571-20303-1 | Paul Auster | The Music of Chance (FF Classics) |
| 2002 | 978-0-571-20304-8 | Sebastian Barry | Annie Dunne |
| 2000 | 978-0-571-20305-5 | George Lucas | The Return of the Jedi: Screenplay (FF Classics) |
| '' | 978-0-571-20308-6 | Vikram Chandra | Red Earth and Pouring Rain (Faber Classics) (Faber Fiction Classics) |
| 2000 | 978-0-571-20312-3 | Günter Grass | My Century |
| '' | 978-0-571-20313-0 | Nikos Kazantzakis | Zorba the Greek (FF Classics) |
| 1999 | 978-0-571-20314-7 | David Robertson | George Mallory |
| 2000 | 978-0-571-20315-4 | Paul Schrader | Taxi Driver: Screenplay (FF Classics) |
| '' | 978-0-571-20316-1 | Jonathan Lethem | Motherless Brooklyn |
| '' | 978-0-571-20317-8 | Professor John Carey | The Faber Book of Utopias |
| '' | 978-0-571-20318-5 | Siegfried Sassoon | Memoirs of an Infantry Officer (FF Classics) |
| 2000 | 978-0-571-20319-2 | Harold Pinter | Collected Screenplays 1: "The Servant", "Pumpkin Eater", "Quiller Memorandum", "Accident", "Last Tycoon", "Langrish", "Go Down" v. 1 |
| '' | 978-0-571-20320-8 | John Hodge | Trainspotting: Screenplay (FF Classics) |
| '' | 978-0-571-20321-5 | Apostolos Doxiadis | Uncle Petros and Goldbach's Conjecture Edition: Reprint |
| '' | 978-0-571-20325-3 | Christopher McQuarrie | The Usual Suspects |
| 2001 | 978-0-571-20328-4 | Marie Darrieussecq | Breathing Underwater |
| 2000 | 978-0-571-20329-1 | Paul Auster | Timbuktu |
| '' | 978-0-571-20332-1 | Richard T. Kelly | The Name of this Book is Dogme95 |
| 2000 | 978-0-571-20333-8 | Simon Armitage | Mister Heracles (Faber Poetry) |
| '' | 978-0-571-20334-5 | Alan Ayckbourn | The Boy Who Fell into a Book |
| '' | 978-0-571-20336-9 | Marie Darrieussecq | My Phantom Husband |
| 2001 | 978-0-571-20338-3 | Sadie Plant | Writing on Drugs |
| 2000 | 978-0-571-20339-0 | M/S Helen Rose | Plays for Children |
| '' | 978-0-571-20341-3 | Christopher Hart | The Harvest |
| '' | 978-0-571-20345-1 | Martin Crimp | Martin Crimp Plays 1: Dealing with Clair; Play with Repeats; Getting Attention; The Treatment: "Dealing with Clair", "Getting Attention", "Play with ... Treatment" v. 1 (Faber Contemporary Classics) |
| 2000 | 978-0-571-20346-8 | Claire Keegan | Antarctica |
| 2002 | 978-0-571-20347-5 | Philip Larkin | Trouble at Willow Gables and Other Fictions |
| 1999 | 978-0-571-20349-9 | Lynne Ramsay | Ratcatcher (Faber and Faber Screenplays) |
| 2000 | 978-0-571-20351-2 | Jan Dalley | Diana Mosley: A Life |
| 2003 | 978-0-571-20354-3 | Philip Ardagh | Awful End |
| 1999 | 978-0-571-20359-8 | Jenny Uglow | Elizabeth Gaskell: A Habit of Stories |
| '' | 978-0-571-20360-4 | Simon Armitage | Millennium Poem: Killing Time (Faber Poetry) |
| 2001 | 978-0-571-20361-1 | Christopher Logue | Prince Charming: A Memoir |
| 2000 | 978-0-571-20366-6 | Giles Foden | Ladysmith |
| '' | 978-0-571-20367-3 | Jean Genet | Querelle of Brest (Faber Classics) (Faber Fiction Classics) |
| '' | 978-0-571-20369-7 | Peter Cowie | Apocalypse Now Book |
| '' | 978-0-571-20372-7 | John McGahern | The Barracks (FF Classics) |
| 2001 | 978-0-571-20374-1 | William Gay | Provinces of Night |
| 2000 | 978-0-571-20376-5 | Seamus Heaney | Beowulf: A New Translation |
| 2000 | 978-0-571-20379-6 | Kinky Friedman | The Mile High Club |
| '' | 978-0-571-20381-9 | Gilbert Adair | A Closed Book |
| '' | 978-0-571-20382-6 | L.P. Hartley | The Shrimp and the Anemone (FF Classics) |
| '' | 978-0-571-20383-3 | Christopher Logue | War Music (Poet to Poet: An Essential Choice of Classic Verse) |
| '' | 978-0-571-20384-0 | Kazuo Ishiguro | When We Were Orphans |
| 2000 | 978-0-571-20385-7 | Hanif Kureishi | Midnight All Day |
| '' | 978-0-571-20389-5 | Baroness P. D. James | An Unsuitable Job for a Woman |
| '' | 978-0-571-20391-8 | Hanif Kureishi | Midnight All Day |
| '' | 978-0-571-20392-5 | '' | Black Album (Faber Classics) (Faber Fiction Classics) |
| '' | 978-0-571-20393-2 | Nick Dear | Nick Dear Plays 1: "Art of Success", "In the Ruins", "Zenobia", "Turn of the Screw" v. 1 (Faber Contemporary Classics) |
| 2000 | 978-0-571-20394-9 | Baroness P. D. James | Innocent Blood |
| '' | 978-0-571-20396-3 | P. D. James | Time to Be in Earnest: A Fragment of Autobiography |
| '' | 978-0-571-20397-0 | Lawrence Durrell | Justine (Faber Fiction Classics) |
| '' | 978-0-571-20399-4 | Baroness P. D. James | The Skull beneath the Skin |
| '' | 978-0-571-20404-5 | Martin Scorsese · Nicholas Pileggi | Goodfellas (screenplay) |
| 2002 | 978-0-571-20405-2 | Baroness P. D. James | Shroud for a Nightingale |
| 2000 | 978-0-571-20406-9 | Barbara Allen · Terry Deary | Flip Quiz 3: Mysteries of the Human Body: Mysteries of the Human Body Bk.3 (The Spark Files Flip Quiz) |
| 2000 | 978-0-571-20407-6 | Caryl Phillips | Cambridge |
| 2002 | 978-0-571-20410-6 | Baroness P. D. James | Unnatural Causes |
| 2000 | 978-0-571-20413-7 | Kevin Smith | Dogma |
| 2002 | 978-0-571-20415-1 | Baroness P. D. James | A Mind to Murder |
| 2001 | 978-0-571-20417-5 | Victor Davis Hanson | Why the West has Won: Carnage and Culture from Salamis to Vietnam |
| 2002 | 978-0-571-20420-5 | Baroness P. D. James | Death of an Expert Witness |
| 2000 | 978-0-571-20424-3 | Michael Frayn | Towards the End of the Morning |
| 2002 | 978-0-571-20425-0 | Baroness P. D. James | Cover Her Face |
| 2000 | 978-0-571-20426-7 | Douglas Dunn | The Donkey's Ears (Faber Poetry) |
| '' | 978-0-571-20428-1 | August Kleinzahler | Live from the Hong Kong Nile Club (Faber Poetry) |
| '' | 978-0-571-20429-8 | Michael Frayn | The Trick of It |
| '' | 978-0-571-20431-1 | Michael Powell | A Life in Movies |
| '' | 978-0-571-20433-5 | Charles Simic | Jackstraws (Faber Poetry) |
| 2000 | 978-0-571-20434-2 | Michael Frayn | A Landing on the Sun |
| '' | 978-0-571-20438-0 | Kinky Friedman | Even More Kinky Friedman |
| 2002 | 978-0-571-20439-7 | Joseph Connolly | S.O.S. |
| 2000 | 978-0-571-20440-3 | Kazuo. Ishiguro | When We Were Orphans |
| '' | 978-0-571-20441-0 | Yasmina Reza | Conversations after a Burial (Faber Plays) |
| '' | 978-0-571-20448-9 | John Carey | Pure Pleasure: A Guide to the 20th Century's Most Enjoyable Books |
| '' | 978-0-571-20450-2 | Baroness P. D. James | An Unsuitable Job for a Woman |
| 2002 | 978-0-571-20452-6 | Stuart Galbraith | Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune |
| 2000 | 978-0-571-20455-7 | Baroness P. D. James | Innocent Blood |
| 2000 | 978-0-571-20460-1 | Baroness P. D. James | The Skull beneath the Skin |
| '' | 978-0-571-20462-5 | Maurice Riordan | Floods (Faber Poetry) |
| 2002 | 978-0-571-20468-7 | Jan Morris | Trieste and the Meaning of Nowhere |
| 2008 | 978-0-571-20469-4 | Amy Raphael | Mike Leigh on Mike Leigh (Directors on Directors) |
| 2002 | 978-0-571-20470-0 | Baroness P. D. James | Shroud for a Nightingale |
| 2000 | 978-0-571-20471-7 | Alan Bennett | The Lady in the Van: Play (Faber Plays) |
| 2001 | 978-0-571-20473-1 | Andrew Greig | That Summer |
| 2002 | 978-0-571-20475-5 | Baroness P. D. James | Unnatural Causes |
| '' | 978-0-571-20480-9 | '' | A Mind to Murder |
| 1999 | 978-0-571-20481-6 | Robert Towne | Chinatown |
| 2000 | 978-0-571-20482-3 | Greil Marcus | Mystery Train: Images of America in Rock 'n' Roll Music |
| 2002 | 978-0-571-20485-4 | Baroness P. D. James | Death of an Expert Witness |
| 2000 | 978-0-571-20489-2 | Paul Schrader | Bringing Out the Dead: Screenplay (Faber and Faber Screenplays) |
| 2002 | 978-0-571-20490-8 | Baroness P. D. James | Cover Her Face |
| 2000 | 978-0-571-20491-5 | Neil LaBute | Bash |
| 2002 | 978-0-571-20492-2 | Roger Lewis | Anthony Burgess |
| 2000 | 978-0-571-20493-9 | Nikos Kazantzakis | God's Pauper |
| '' | 978-0-571-20495-3 | Professor Peter Brown | Augustine of Hippo: A Biography |
| '' | 978-0-571-20497-7 | Harold Pinter | Celebration & The Room (Faber Plays) |
| 2002 | 978-0-571-20498-4 | Rick Moody | Demonology |
| 2002 | 978-0-571-20499-1 | Olaf Olafsson | The Journey Home |
| '' | 978-0-571-20502-8 | Hugh Brody | The Other Side of Eden: Hunter-gatherers, Farmers and the Shaping of the World |
| 2003 | 978-0-571-20504-2 | Frances Wilson | Courtesan'S Revenge: The Life of Harriette Wilson, the Woman Who Blackmailed the King |
| 2000 | 978-0-571-20507-3 | Tim Burton | Burton on Burton |
| 2001 | 978-0-571-20511-0 | Apostolos Doxiadis | Uncle Petros and Goldbach's Conjecture |
| '' | 978-0-571-20513-4 | Mark L. Urban | The Man Who Broke Napoleon's Codes: The Story of George Scovell |
| 2000 | 978-0-571-20514-1 | Tanika Gupta | The Waiting Room (Faber StageScripts) |
| 2001 | 978-0-571-20516-5 | Kazuo Ishiguro | When We Were Orphans |
| 2003 | 978-0-571-20517-2 | Giles Foden | Zanzibar |
| 2000 | 978-0-571-20518-9 | Joel Coen · Ethan Coen | Oh Brother, Where Art Thou? (Faber and Faber Screenplays) |
| '' | 978-0-571-20519-6 | Philip Ridley | Vincent River |
| 2001 | 978-0-571-20521-9 | Sylvia Plath | The Journals of Sylvia Plath |
| 2009 | 978-0-571-20522-6 | Giles Foden | Turbulence |
| 2001 | 978-0-571-20523-3 | Wines of Latin Am Christopher Fielden | The Wines of Argentina, Chile and Latin America: From Chile and Argentina to Mexico (Classic Wine Library) |
| 2004 | 978-0-571-20524-0 | Frances Wilson | The Courtesan's Revenge: The Life of Harriette Wilson, the Woman Who Blackmailed the King |
| 2001 | 978-0-571-20526-4 | Erica Wagner | Ariel's Gift: Ted Hughes, Sylvia Plath and the Story of "Birthday Letters" |
| 2010 | 978-0-571-20527-1 | Giles Foden | Turbulence: Foden |
| 2000 | 978-0-571-20532-5 | Banana Yoshimoto | Asleep |
| 2003 | 978-0-571-20533-2 | Mavis Cheek | Sex Life of My Aunt |
| 2001 | 978-0-571-20536-3 | Timothy Findley | Pilgrim |
| '' | 978-0-571-20537-0 | Banana Yoshimoto | Asleep |
| 2002 | 978-0-571-20538-7 | Mark Urban | The Man Who Broke Napoleon's Codes: The Story of George Scovell |
| 2000 | 978-0-571-20539-4 | Hodge J | The Beach * Independent * film script |
| 2000 | 978-0-571-20540-0 | Jane Smiley | Horse Heaven |
| 2001 | 978-0-571-20541-7 | Mavis Cheek | Mrs Fytton's Country Life |
| 2000 | 978-0-571-20542-4 | Maurice Riordan · Jon Turney | A Quark for Mister Mark: 101 Poems about Science (Faber Poetry) |
| 2003 | 978-0-571-20543-1 | August McGuinness | Miss Julie and The Stronger |
| 2000 | 978-0-571-20544-8 | Zinnie Harris | Further than the Furthest Thing (Ff plays) |
| 2001 | 978-0-571-20547-9 | David Edmonds · John Eidinow | Wittgenstein's Poker |
| '' | 978-0-571-20548-6 | Nicholas Kenyon | Simon Rattle: The Making of a Conductor: From Birmingham to Berlin |
| 2000 | 978-0-571-20549-3 | Marina Carr | On Raftery's Hill (Faber plays) |
| 2003 | 978-0-571-20550-9 | Sean O'Reilly | Love and Sleep: A Romance |
| 2004 | 978-0-571-20551-6 | Lucy Wadham | Lost |
| 2000 | 978-0-571-20552-3 | Christopher Reid | Not to Speak of the Dog: 101 Short Stories in Verse (Faber Poetry) |
| 2001 | 978-0-571-20556-1 | Victor Pelevin | Babylon |
| '' | 978-0-571-20560-8 | Jane Smiley | Horse Heaven |
| 2015 | 978-0-571-20561-5 | Elliot Perlman | The Reasons I Won't be Coming |
| 2000 | 978-0-571-20562-2 | Kazuo Ishiguro | When We Were Orphans |
| 2003 | 978-0-571-20563-9 | Nicholas Rankin | Telegram from Guernica |
| 2001 | 978-0-571-20565-3 | Fred Anderson | Crucible of War: The Seven Years' War and the Fate of Empire in British North America, 1754 - 1766 |
| 2004 | 978-0-571-20568-4 | Nicholas Rankin | Telegram from Guernica: The Extraordinary Life of George Steer, War Correspondent |
| 2001 | 978-0-571-20570-7 | David Burke · Michael Frayn | Celia's Secret: The Copenhagen Papers |
| 2000 | 978-0-571-20574-5 | David Hare | My Zinc Bed (Faber Plays) |
| 2001 | 978-0-571-20575-2 | Harriet Vyner | Groovy Bob: The Life and Times of Robert Fraser |
| 2000 | 978-0-571-20576-9 | Carol Ann Duffy | The Oldest Girl in the World |
| '' | 978-0-571-20579-0 | Various | The Forward Book of Poetry 2001 |
| '' | 978-0-571-20580-6 | Ted Hughes | Euripides' Alcestis: In a Version by Ted Hughes |
| 2003 | 978-0-571-20582-0 | Tobias Jones | Dark Heart of Italy: Travels Through Time and Space Across Italy |
| 2000 | 978-0-571-20585-1 | Peter Lerangis | Sleepy Hollow [film tie-in]: Novelisation |
| 2000 | 978-0-571-20586-8 | Charlie Kaufman | Being John Malkovich: Screenplay (Faber and Faber Screenplays) |
| '' | 978-0-571-20587-5 | Steven Berkoff | Steven Berkoff Plays 3: "Ritual in Blood", "Impressions of a Crucifixion", "Oedipus" v. 3 (Faber Contemporary Classics) |
| 2001 | 978-0-571-20591-2 | John Boorman · Tod Lippy | Projections 11: New York Film-makers on New York Film-making No. 11 |
| 2003 | 978-0-571-20592-9 | Tobias Jones | The Dark Heart of Italy: Travels Through Time and Space Across Italy |
| 2001 | 978-0-571-20593-6 | Alan Ayckbourn | House & Garden |
| '' | 978-0-571-20595-0 | Nicola Barker | Five Miles From Outer Hope |
| '' | 978-0-571-20596-7 | Hugh Brody | The Other Side of Eden: Hunter-gatherers, Farmers and the Shaping of the World |
| 2002 | 978-0-571-20599-8 | Jonathan Lethem | The Wall of the Sky, the Wall of the Eye |
| '' | 978-0-571-20605-6 | '' | As She Climbed Across the Table |
| 2004 | 978-0-571-20606-3 | Gilbert Adair | Buenas Noches, Buenos Aires |
| 2001 | 978-0-571-20608-7 | Wilson Harris | The Dark Jester |
| 2001 | 978-0-571-20609-4 | Paul Goetzee · Philip Ridley | Brokenville & The Pilgrimage: AND The Pilgrimage (Connections) |
| 2005 | 978-0-571-20611-7 | Gilbert Adair | Buenas Noches, Buenos Aires |
| 2004 | 978-0-571-20612-4 | Benedict Allen | The Faber Book of Exploration |
| 2000 | 978-0-571-20614-8 | Sharman Macdonald | After Juliet (Connections) |
| 2001 | 978-0-571-20616-2 | Steven Isserlis CBE | Why Beethoven Threw the Stew: And Lots More Stories About the Lives of Great Composers |
| 2002 | 978-0-571-20617-9 | Benedict Allen | Mad White Giant |
| '' | 978-0-571-20618-6 | Mick Jackson | Five Boys |
| 2001 | 978-0-571-20620-9 | Adam Phillips | Houdini'S Box: The Art of Escape: On the Arts of Escape |
| 2002 | 978-0-571-20622-3 | Benedict Allen | Into the Crocodile Nest: A Journey Inside New Guinea |
| 2010 | 978-0-571-20623-0 | Mick Jackson | The Widow's Tale |
| 2002 | 978-0-571-20626-1 | Pedro Juan Gutiérrez | Dirty Havana Trilogy |
| '' | 978-0-571-20627-8 | Benedict Allen | Hunting the Gugu |
| 2003 | 978-0-571-20631-5 | Darren Aronofsky · Hubert Selby | Requiem for a Dream (Screenplays) |
| 2001 | 978-0-571-20634-6 | Alan Grant | Batman: No Man's Land |