| year of publication | ISBN | author(s) | title |
|---|
| 1995 | 978-0-571-17792-9 | Simon Gray | Fat Chance: 'Stephen Fry Quits' Drama |
| 2002 | 978-0-571-17798-1 | Victor Pelevin | Omon Ra |
| 2000 | 978-0-571-17799-8 | Paul Morley | Nothing |
| 1996 | 978-0-571-17801-8 | Orhan Pamuk | The Black Book |
| '' | 978-0-571-17803-2 | William Golding | The Double Tongue |
| '' | 978-0-571-17804-9 | Alan Wakeman · Gordon Baskerville | The Vegan Cookbook |
| '' | 978-0-571-17805-6 | Helen Cresswell | The Bagthorpe Triangle (Bagthorpe Saga) |
| 1997 | 978-0-571-17809-4 | Tom Sutcliffe | Believing in Opera |
| 1996 | 978-0-571-17811-7 | John Boorman · Walter Donohue | Projections 5: Film-makers on Film-making |
| 2002 | 978-0-571-17814-8 | Colin Osman | Racing Pigeons: A Practical Guide to the Sport |
| 1998 | 978-0-571-17815-5 | Hans Werner Henze | Bohemian Fifths: An Autobiography |
| 1996 | 978-0-571-17817-9 | Milan Kundera | Slowness-Csd |
| '' | 978-0-571-17818-6 | Peter Mandelson · Roger Liddle | The Blair Revolution: Can New Labour Deliver? |
| 2001 | 978-0-571-17822-3 | Seamus Heaney | The Spirit Level |
| 1996 | 978-0-571-17827-8 | David Thompson · Ian Christie · Michael Powell | Scorsese on Scorsese |
| 1996 | 978-0-571-17829-2 | Kevin Macdonald | Emeric Pressburger: Life and Death of a Screenwriter: The Life and Death of a Screenwriter |
| 1997 | 978-0-571-17834-6 | Christopher Hampton | Christopher Hampton Plays 1: Total Eclipse; The Philanthropist; Savages; Treats: "Total Eclipse", "The Philanthropist", "Savages", "Treats" v. 1 (Faber Contemporary Classics) |
| '' | 978-0-571-17835-3 | David Hare | David Hare Plays 2: Fanshen; A Map of the World; Saigon; The Bay at Nice; The Secret Rapture: "Fanshen", "Saigon", "A Map of the World", "The Bay at ... Rapture" v. 2 (Faber Contemporary Classics) |
| 1996 | 978-0-571-17840-7 | Yann Martel | Self |
| '' | 978-0-571-17844-5 | Harold Pinter | Plays 1: The Birthday Party, The Room, The Dumb Waiter, A Slight Ache, The Hothouse, A Night Out, The Black and White, The Examina,Vol. 1 (Faber ... and White (Prose), "The Examination" v. 1 |
| 1998 | 978-0-571-17846-9 | John Osborne Dec'd | John Osborne Plays 2: The Entertainer; The Hotel in Amsterdam; West of Suez; Time Present: Hotel in Amsterdam WITH West of Suez AND Time Present AND The Entertainer v. 2 (Faber Contemporary Classics) |
| '' | 978-0-571-17847-6 | '' | John Osborne: Plays 3: Luther, WITH A Patriot for Me, AND Inadmissible Evidence v. 3 (Faber Contemporary Classics) |
| 1996 | 978-0-571-17849-0 | Earl Lovelace | Salt |
| 1999 | 978-0-571-17851-3 | Nicolas Belfrage | Barolo to Valpolicella: The Wines of Northern Italy (Classic Wine Library) |
| '' | 978-0-571-17852-0 | Nicolas Belfrage | Barolo to Valpolicella: The Wines of Northern Italy (Classic Wine Library) |
| 1996 | 978-0-571-17853-7 | John Boorman | Projections 6: Film Makers on Film Makin: Film-makers on Film-making No. 6 |
| 1998 | 978-0-571-17855-1 | Simon Rae | W. G. Grace: A Life |
| 1995 | 978-0-571-17856-8 | Nikos Kazantzakis | The Last Temptation |
| 1995 | 978-0-571-17857-5 | Nikos Kazantzakis | Freedom and Death |
| 1997 | 978-0-571-17864-3 | John Drummond | Speaking of Diaghilev |
| '' | 978-0-571-17866-7 | Kinky Friedman | The Love Song of J. Edgar Hoover |
| 1996 | 978-0-571-17871-1 | Andy Martin | Waiting for Bardot |
| '' | 978-0-571-17877-3 | Michael Hall | Leaving Home: Conducted Tour of 20th Century Music |
| 2002 | 978-0-571-17879-7 | Gaby Wood | Living Dolls: A Magical History of the Quest for Mechanical Life |
| 1996 | 978-0-571-17881-0 | Paul Watkins | Archangel |
| '' | 978-0-571-17887-2 | Colin Spencer · Claire Clifton | Faber Book of Food |
| '' | 978-0-571-17888-9 | Paul Lawrence Rose | Wagner: Race and Revolution |
| 1996 | 978-0-571-17891-9 | Robert Rodriguez | Rebel Without a Crew: Or, How a 23-year-old Film Maker with $7,000 Became a Hollywood Player: How a 23 Year-old Film-maker with 7, 000 Dollars Became a Hollywood Player |
| 1998 | 978-0-571-17892-6 | Krzystof Kieslowski · Krzysztof Piesiewicz | Three Colours Trilogy: Blue, White, Red |
| 1996 | 978-0-571-17898-8 | W.H. Auden | As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks, and Other Light Verse |
| 2005 | 978-0-571-17901-5 | Professor John Carey | The Faber Book of Science |
| 1996 | 978-0-571-17908-4 | Athol Fugard | Valley Song |
| '' | 978-0-571-17911-4 | Wallace Shawn | The Designated Mourner |
| 1997 | 978-0-571-17914-5 | Jon Pierson | Spike, Mike, Slackers & Dykes: Guided Tour Through a Decade of American Independent Cinema |
| 1996 | 978-0-571-17915-2 | Quentin from a Story By Robert Kurtzman Tarantino | From Dusk Till Dawn |
| 1998 | 978-0-571-17916-9 | Giles Foden | The Last King of Scotland |
| '' | 978-0-571-17918-3 | Graham Fuller | Loach on Loach (Directors on Directors) |
| 1996 | 978-0-571-17920-6 | Michael Dibdin | Cosi Fan Tutti (Aurelio Zen series) |
| '' | 978-0-571-17923-7 | J P Cushion · W.B. Honey | A Handbook of Pottery and Porcelain Marks: The Definitive Fifth Edition |
| 1997 | 978-0-571-17928-2 | Jeremy Poolman | Interesting Facts about the State of Arizona |
| '' | 978-0-571-17930-5 | Mavis Cheek | Sleeping Beauties |
| 1997 | 978-0-571-17931-2 | Darian Leader | Why do women write more letters than they post? |
| '' | 978-0-571-17934-3 | Robert Littell | Walking Back the Cat |
| '' | 978-0-571-17936-7 | Rohinton Mistry | A Fine Balance |
| '' | 978-0-571-17943-5 | Milan Kundera | Slowness |
| 2000 | 978-0-571-17945-9 | Thom Jones | Cold Snap |
| 1997 | 978-0-571-17947-3 | Kinky Friedman | God Bless John Wayne |
| '' | 978-0-571-17948-0 | Helen Cresswell | Bagthorpes Besieged (Bagthorpe Saga) |
| 2001 | 978-0-571-17950-3 | Barbara Kingsolver | High Tide in Tucson: Essays from Now or Never |
| 1997 | 978-0-571-17951-0 | Francis Spufford | I May Be Some Time: Ice and the English Imagination |
| 2008 | 978-0-571-17955-8 | Junot Diaz | The Brief Wondrous Life of Oscar Wao |
| 1996 | 978-0-571-17956-5 | Junot Diaz | Drown |
| 1997 | 978-0-571-17957-2 | Barbara Kingsolver | Homeland |
| 2003 | 978-0-571-17959-6 | Various Varga | Conversations with Iannis Xenakis |
| 1997 | 978-0-571-17962-6 | Tobias Hill | Skin-Trade |
| 1996 | 978-0-571-17963-3 | Ethan Coen · Joel Coen | Fargo |
| 1996 | 978-0-571-17966-4 | Various Harrison | Tony Harrison Plays 3: "Poetry or Bust", "Kaisers of Carnuntum" and "Labourers of Herakles" (Contemporary classics) |
| '' | 978-0-571-17968-8 | John Hodge · Irvine Welsh | Trainspotting & Shallow Grave: Screenplays |
| '' | 978-0-571-17969-5 | Mike Figgis | Leaving Las Vegas |
| 1995 | 978-0-571-17980-0 | Jon Savage · Hanif Kureishi | The Faber Book of Pop |
| 1996 | 978-0-571-17989-3 | Adam Phillips | Monogamy |
| 1997 | 978-0-571-17991-6 | Gilbert Adair | Surfing the Zeitgeist |
| 1996 | 978-0-571-17992-3 | Nicholas Pileggi · Martin Scorsese | Casino |
| 1997 | 978-0-571-17993-0 | Lord Richard Rogers | Cities for a Small Planet: Reith Lectures |
| 1996 | 978-0-571-17995-4 | Various Eno | A Year With Swollen Appendices: The Diary of Brian Eno |
| 1999 | 978-0-571-17996-1 | Various Hughes | The Oresteia: A Translation of Aeschylus' Trilogy of Plays (Faber Poetry) |
| 2003 | 978-0-571-17997-8 | Fiona MacCarthy | Byron: Life and Legend |
| '' | 978-0-571-18017-2 | Various Roberts | The Faber Book of Modern Verse |
| 1981 | 978-0-571-18026-4 | Bertrand M. Peek | Planet Jupiter: Observer's Handbook |
| 1982 | 978-0-571-18043-1 | Sam Shepard | Chicago and Other Plays |
| '' | 978-0-571-18047-9 | Julian Jeffs | Sherry |
| 1982 | 978-0-571-18050-9 | W. G. Hoskins | Fieldwork in Local History |
| '' | 978-0-571-18051-6 | W. G. Hoskins | Fieldwork in Local History |
| '' | 978-0-571-18062-2 | Derek Llewellyn-Jones | Everywoman: Gynaecological Guide for Life |
| 1984 | 978-0-571-18081-3 | James Blades | Percussion Instruments and Their History |
| 2001 | 978-0-571-19001-0 | Paul Watkins | Calm at Sunset, Calm at Dawn |
| '' | 978-0-571-19002-7 | '' | In the Blue Light of African Dreams |
| 1996 | 978-0-571-19006-5 | Federico Garcia Lorca · Ted Hughes | Blood Wedding (Bodas de Sangre) |
| '' | 978-0-571-19007-2 | Quentin Tarantino | From Dusk till Dawn |
| 1997 | 978-0-571-19008-9 | Tom Stoppard | Tom Stoppard Plays 2: The Dissolution of Dominic Boot; 'M' is for Moon Among Other Things; If You're Glad I'll Be Frank; Albert's Bridge; Where Are ... State" v. 2 (Faber Contemporary Classics) |
| 1997 | 978-0-571-19011-9 | Peter Cowie | The Godfather Book |
| 2007 | 978-0-571-19012-6 | Peter Cowie | Coppola |
| 1996 | 978-0-571-19014-0 | Yasmina Reza | Art |
| 2000 | 978-0-571-19016-4 | Günter Grass | Too Far Afield |
| 2001 | 978-0-571-19021-8 | Nikos Kazantzakis | Christ Recrucified |
| 1996 | 978-0-571-19023-2 | Marina Carr | Portia Coughlin |
| 1999 | 978-0-571-19025-6 | Steven Soderbergh | Getting Away With It: Or - Further Adventures of the Luckiest Bastard You Ever Saw |
| 1996 | 978-0-571-19027-0 | Harold Pinter | Ashes to Ashes |
| 1997 | 978-0-571-19031-7 | Laura Kasischke | Suspicious River |
| '' | 978-0-571-19033-1 | John Boorman | Projections 7: Film-makers on Film-making No. 7 |
| '' | 978-0-571-19034-8 | Alan Walker | Franz Liszt: The Final Years, 1861-86 v. 3 |
| 1996 | 978-0-571-19041-6 | Ronald Harwood | The Handyman |
| 1997 | 978-0-571-19043-0 | Patrick Matthews | The Wild Bunch: Great Wines From Small Producers |
| 1996 | 978-0-571-19048-5 | Alan Bennett | The Wind in the Willows: Play |
| 1997 | 978-0-571-19051-5 | Russell Stannard | More Letters to Uncle Albert: With Replies from Russell Stannard |
| 1998 | 978-0-571-19052-2 | Nicola Barker | Heading Inland |
| 2004 | 978-0-571-19056-0 | Michael Dibdin | Cosi Fan Tutti (Aurelio Zen 05) |
| '' | 978-0-571-19062-1 | Julie Kavanagh | Secret Muses: The Life of Frederick Ashton |
| 1997 | 978-0-571-19063-8 | Junot Diaz | Drown |
| '' | 978-0-571-19065-2 | Michael Billington | Harold Pinter |
| 1997 | 978-0-571-19066-9 | Simon Garfield | The Wrestling |
| '' | 978-0-571-19068-3 | Mark Urban | UK Eyes Alpha: Inside Story of British Intelligence |
| '' | 978-0-571-19070-6 | Wendy Lesser | A Director Calls |
| '' | 978-0-571-19073-7 | Caryl Phillips | The Nature of Blood |
| '' | 978-0-571-19074-4 | Sam Shepard | Sam Shepard Plays 2: "True West", "Buried Child", "Curse of the Starving Class", "The Tooth of Crime", "La Turista", "Tongues", "Savage/Love" v. 2 (Faber Contemporary Classics) |
| 1998 | 978-0-571-19078-2 | Mavis Cheek | Pause Between Acts |
| 1997 | 978-0-571-19080-5 | Gerald Kaufman | How to be a Minister |
| 1997 | 978-0-571-19081-2 | Brian Glanville | The Story Of The World Cup (new edition) |
| '' | 978-0-571-19088-1 | Peter Carey | Jack Maggs |
| '' | 978-0-571-19089-8 | T. S. Eliot | The Sacred Wood: Essays on Poetry and Criticism |
| '' | 978-0-571-19092-8 | Wallace Shawn | Wallace Shawn Plays 1: A Thought in Three Parts; Marie and Bruce; Aunt Dan and Lemon; The Fever: "Aunt Dan and Lemon", "Marie and Bruce", "The Fever", ... Parts" v. 1 (Faber Contemporary Classics) |
| 1998 | 978-0-571-19093-5 | Athol Fugard | Athol Fugard Plays 1: "Road to Mecca, My Children", "My Africa! A Place with the Pigs", "Playland", "Valley Song" Vol 1 (Faber Contemporary Classics) |
| 1997 | 978-0-571-19095-9 | Thomas Stuttaford | To Your Good Health!: The Wise Drinker's Guide |
| 1998 | 978-0-571-19096-6 | Alex Liddell | Madeira (Faber books on wine) |
| '' | 978-0-571-19097-3 | Alex Liddell | Madeira (Classic Wine Library) |
| 1997 | 978-0-571-19098-0 | Jon Halliday | Sirk on Sirk (Directors on Directors) |
| 1999 | 978-0-571-19099-7 | Keith Johnstone | Impro for Storytellers: Theatresports and the Art of Making Things Happen (Faber Drama) |
| 1997 | 978-0-571-19103-1 | Ted Hughes | Tales from Ovid: Twenty-four Passages from the "Metamorphoses" |
| 1997 | 978-0-571-19114-7 | Darian Leader | Promises Lovers Make When it Gets Late |
| '' | 978-0-571-19115-4 | Lars von Trier | Breaking the Waves: Screenplay |
| '' | 978-0-571-19118-5 | Stephen Spender | World within World: The Autobiography of Stephen Spender (Faber Library) |
| 2004 | 978-0-571-19133-8 | Robin Dunbar | The Human Story |
| 1997 | 978-0-571-19134-5 | Kinky Friedman | Greenwich Killing Time |
| '' | 978-0-571-19136-9 | Sidney Gottlieb | Hitchcock on Hitchcock: Selected Writings and Interviews (Directors on Directors) |
| 1996 | 978-0-571-19137-6 | David Cronenberg | Cronenberg on Cronenberg |
| 2000 | 978-0-571-19140-6 | Lizbeth Goodman | Mythic Women/Real Women: Plays and Performance Pieces by Women (Theatre Books) |
| 1998 | 978-0-571-19142-0 | Michael Hardcastle | Goal Kings Book 1: Shoot Out |
| '' | 978-0-571-19143-7 | Michael Hardcastle | Goal Kings Book 2: Eye for Goal |
| 2000 | 978-0-571-19144-4 | William Golding | Rites of Passage (Sea Trilogy) |
| 2000 | 978-0-571-19145-1 | William Golding | Close Quarters (Sea Trilogy) |
| '' | 978-0-571-19146-8 | '' | Fire Down Below (Sea Trilogy) |
| 1997 | 978-0-571-19147-5 | '' | Lord of the Flies |
| 1999 | 978-0-571-19149-9 | Mary Luckhurst · Gabriella Giannachi | On Directing |
| 1997 | 978-0-571-19150-5 | David Lynch · Barry Gifford | Lost Highway |
| 1996 | 978-0-571-19153-6 | Christopher McQuarrie | The Usual Suspects |
| 2000 | 978-0-571-19161-1 | Various Hahlo | Dramatic Events: How to Run a Successful Workshop |
| 1997 | 978-0-571-19162-8 | Paul Laverty | Carla's Song |
| 1996 | 978-0-571-19163-5 | Wislawa Szymborska | View with a Grain of Sand: Selected Poems |
| 1997 | 978-0-571-19164-2 | P. D. James | Certain Justice-Csd |
| '' | 978-0-571-19165-9 | E. Kadloubovsky · E. M. Palmer · Igumen Chariton of Valamo · Timothy Ware | The Art of Prayer: An Orthodox Anthology |
| '' | 978-0-571-19167-3 | Lennox Lewis · Joe Steeples | Lennox Lewis: The Autobiography of the WBC Heavyweight Champion of the World |
| '' | 978-0-571-19168-0 | Kevin Brownlow | David Lean: A Biography |
| 1997 | 978-0-571-19169-7 | Tom Di Cillo | Box of Moonlight and Notes From Overboard: a Film-Maker's Diary |
| '' | 978-0-571-19175-8 | Patrick McGilligan | Fritz Lang: The Nature of the Beast |
| '' | 978-0-571-19177-2 | Joseph McBride | Steven Spielberg: A Biography |
| '' | 978-0-571-19179-6 | David Hare | Amy's View |
| 1998 | 978-0-571-19181-9 | Sean O'Casey | Sean O'Casey Plays 1: "Juno and the Paycock", "Within the Gates", "Red Roses for Me", "Cock-a-doodle Dandy" Vol 1 (Faber Contemporary Classics) |
| '' | 978-0-571-19183-3 | Stephen Unwin · Kenneth McLeish | A Pocket Guide to Shakespeare's Plays |
| 2000 | 978-0-571-19189-5 | Professor Robert Provine | Laughter: A Scientific Investigation |
| 1998 | 978-0-571-19190-1 | Ian Christie | Gilliam on Gilliam (Directors on Directors) |
| 2002 | 978-0-571-19196-3 | Reggie Nadelson | Hot Poppies (Artie Cohen) |
| 1999 | 978-0-571-19197-0 | Paul Auster | Timbuktu |
| 1998 | 978-0-571-19201-4 | Lorrie Moore | The Faber Book of Contemporary Stories about Childhood |
| 2003 | 978-0-571-19202-1 | Various Cousins | Imagining Reality: Faber Book of the Documentary |
| 1998 | 978-0-571-19204-5 | Venedikt Yerofeev | Moscow Stations |
| 1998 | 978-0-571-19205-2 | Caryl Phillips | The Nature of Blood |
| '' | 978-0-571-19208-3 | Vikram Chandra | Love and Longing in Bombay |
| 2001 | 978-0-571-19210-6 | Joseph Connolly | Stuff |
| 2002 | 978-0-571-19214-4 | Reggie Nadelson | Sex Dolls: An Artie Cohen Thriller (Artie Cohen Mystery) |
| 1997 | 978-0-571-19215-1 | Martin Crimp | Attempts on Her Life (Faber Plays) |
| 2001 | 978-0-571-19216-8 | Peter Carey | True History of the Kelly Gang |
| 2000 | 978-0-571-19217-5 | Michel Ciment | Kazan on Kazan (Directors on Directors) |
| 2003 | 978-0-571-19222-9 | Hanif Kureishi | Love in a Blue Time |
| 1998 | 978-0-571-19223-6 | Elisa Segrave | Ten Men |
| 1999 | 978-0-571-19227-4 | Mavis Cheek | Getting Back Brahms |
| 1998 | 978-0-571-19230-4 | Tobias Hill | Skin |
| '' | 978-0-571-19231-1 | Laura Kasischke | Suspicious River |
| '' | 978-0-571-19234-2 | Hanif Kureishi | My Son, the Fanatic |
| 2001 | 978-0-571-19235-9 | Sylvia Plath | Sylvia Plath: A Critical Guide |
| 1998 | 978-0-571-19240-3 | Caryl Phillips | Extravagant Strangers: A Literature of Belonging |
| 1997 | 978-0-571-19241-0 | Kinky Friedman | Roadkill |
| '' | 978-0-571-19244-1 | Paul Watkins | The Story of My Disappearance |
| 1997 | 978-0-571-19245-8 | Paul McKenna | The Paranormal World of Paul McKenna |
| '' | 978-0-571-19251-9 | William Golding | Pincher Martin |
| 1997 | 978-0-571-19252-6 | William Golding | The Pyramid |
| '' | 978-0-571-19253-3 | Miroslav Holub · David Young · Dana Habova | The Rampage (Faber Poetry) |
| '' | 978-0-571-19256-4 | Scorsese M | Goodfellas - the complete screenplay |
| '' | 978-0-571-19257-1 | William Golding | The Spire |
| '' | 978-0-571-19258-8 | '' | The Inheritors |
| 1998 | 978-0-571-19260-1 | David Mamet | The Old Religion |
| 1998 | 978-0-571-19261-8 | David Mamet | True and False: Heresy and Common Sense for the Actor |
| 2002 | 978-0-571-19263-2 | Ted Hughes | By Heart: 101 Poems to Remember (Faber Poetry) |
| 1997 | 978-0-571-19264-9 | Eric Bogosian | SubUrbia |
| 2001 | 978-0-571-19267-0 | Rosemary George | The Wines of the South of France: From Banyuls to Bellet |
| 1998 | 978-0-571-19268-7 | John Fuller | W. H. Auden: A Commentary |
| 1997 | 978-0-571-19269-4 | Various Berkoff | Free Association: Autobiography |
| '' | 978-0-571-19270-0 | Chekhov/ Tom Stoppard | The Seagull |
| '' | 978-0-571-19271-7 | Tom Stoppard | The Invention of Love |
| 2007 | 978-0-571-19272-4 | John Fuller | W. H. Auden: A Commentary |
| 1997 | 978-0-571-19274-8 | Jack Cardiff | Magic Hour: A Life in Movies |