| year of publication | ISBN | author(s) | title |
|---|
| 1999 | 978-0-571-19707-1 | Tony Harrison | Tony Harrison Plays 1: The Mystery Plays Vol 1 (Faber Contemporary Classics) |
| '' | 978-0-571-19709-5 | April de Angelis | April De Angelis Plays: "Ironmistress", "Hush", "Playhouse Creatures", "The Positive Hour": "Ironmistress", "Hush", "Playhouse Creatures", "The Positive Hour' v. 1 |
| '' | 978-0-571-19710-1 | Brian Friel | Brian Friel Plays 2: Dancing at Lughnasa; Fathers and Sons; Making History; Wonderful Tennessee; Molly Sweeney: "Dancing at Lughnasa", "Fathers and ... Sweeney" v. 2 (Faber Contemporary Classics) |
| '' | 978-0-571-19716-3 | Elliot Perlman | Three Dollars |
| 2004 | 978-0-571-19719-4 | Michael Dibdin | A Long Finish (Aurelio Zen Mystery) |
| 1999 | 978-0-571-19720-0 | Gordon Burn | Happy Like Murderers: The True Story of Fred and Rosemary West |
| '' | 978-0-571-19721-7 | Humphrey Carpenter | Dennis Potter: A Biography: The Authorised Biography |
| 2010 | 978-0-571-19723-1 | Hans Werner Henze | Bohemian Fifths: An Autobiography |
| 2000 | 978-0-571-19725-5 | Antony Beaumont | Alma Mahler-Werfel: Diaries 1898-1902 |
| 1999 | 978-0-571-19726-2 | Paul Ormerod | Butterfly Economics: A New General Theory of Economic and Social Behaviour |
| 1999 | 978-0-571-19727-9 | Lorrie Moore | Birds of America |
| 2008 | 978-0-571-19729-3 | Gordon Burn | Born Yesterday: The News as a Novel |
| 1999 | 978-0-571-19730-9 | Jesse Sheidlower | The F Word |
| '' | 978-0-571-19733-0 | Giles Foden | Ladysmith |
| '' | 978-0-571-19735-4 | Simon Garfield | The Nation's Favourite: The True Adventures of Radio 1 |
| '' | 978-0-571-19736-1 | Roger McGough | The Ring of Words: An Anthology of Poetry for Children |
| '' | 978-0-571-19744-6 | Philip Ardagh | The Hieroglyphs Handbook: Teach Yourself Ancient Egyptian |
| 1998 | 978-0-571-19745-3 | Louis MacNeice | Autumn Journal: A Poem (Faber Poetry) |
| 1999 | 978-0-571-19746-0 | T. S. Eliot | Selected Essays |
| 1998 | 978-0-571-19749-1 | Kinky Friedman | Blast from the Past |
| 1999 | 978-0-571-19750-7 | Tom Stoppard | Tom Stoppard Plays 4: Dalliance; Undiscovered Country; Rough Crossing; On the Razzle; The Seagull: "Dalliance", "Undiscovered Country", "Rough ... Razzle" v. 4 (Faber Contemporary Classics) |
| 1999 | 978-0-571-19751-4 | Tom Stoppard | Tom Stoppard Plays 5: The Real Thing; Night & Day; Hapgood; Indian Ink; Arcadia: "Arcadia", "Real Thing", "Night and Day", "Indian Ink", "Hapgood" v. 5 (Faber Contemporary Classics) |
| 1998 | 978-0-571-19752-1 | David Hare | Via Dolorosa (Faber Plays) |
| '' | 978-0-571-19753-8 | Tony Harrison | Prometheus |
| 1999 | 978-0-571-19757-6 | Gordon Burn | Happy Like Murderers |
| '' | 978-0-571-19768-2 | Christopher Logue | Prince Charming: a Memoir |
| '' | 978-0-571-19771-2 | Tom Baker | The Boy Who Kicked Pigs |
| '' | 978-0-571-19772-9 | Simon Louvish | Man on the Flying Trapeze: Life and Times of W.C. Fields |
| 1999 | 978-0-571-19774-3 | Hanif Kureishi | Hanif Kureishi Plays 1: King and Me; Outskirts; Borderline; Birds of Passage: "King and Me", "Outskirts", "Borderline", "Birds of Passage" v. 1 (Faber Contemporary Classics) |
| 2000 | 978-0-571-19777-4 | Milan Kundera | Life is Elsewhere |
| '' | 978-0-571-19778-1 | John Fletcher | Samuel Beckett: Faber Critical Guide: "Waiting for Godot", "Krapp's Last Tape", "Endgame" (Faber Critical Guides) |
| '' | 978-0-571-19779-8 | Nesta Jones | Brian Friel: Faber Critical Guide: "Making History", "Dancing at Lughnasa", "Philadelphia, Here I Come!", "Translations" (Faber Critical Guides) |
| '' | 978-0-571-19780-4 | Professor Christopher Murray | Sean O'Casey: Faber Critical Guide: "Shadow of a Gunman", "Juno and the Paycock", "Plough and the Stars" |
| '' | 978-0-571-19781-1 | Bill Naismith · Harold Pinter | Harold Pinter: Faber Critical Guides- The Caretaker, The Birthday Party and The Homecoming |
| 2000 | 978-0-571-19782-8 | Jim Hunter | Tom Stoppard: Faber Critical Guide: "Rosencrantz and Guildenstern Are Dead", "Jumpers", "Travesties", "Arcadia" (Faber Critical Guides) |
| 1999 | 978-0-571-19783-5 | Professor Edward Mendelson | Early Auden |
| '' | 978-0-571-19784-2 | Edward Mendelson | Later Auden |
| 2000 | 978-0-571-19787-3 | Alan Ayckbourn | Comic Potential |
| 1998 | 978-0-571-19788-0 | David Hare | The Blue Room freely adapted from Arthur Schnitzler's La Ronde (Faber plays) |
| 1999 | 978-0-571-19790-3 | John Carey | Faber Book of Utopias |
| 1900 | 978-0-571-19791-0 | Neil LaBute | Your Friends and Neighbors |
| 1999 | 978-0-571-19793-4 | Freddie Young | Seventy Light Years |
| '' | 978-0-571-19794-1 | Hon. C.M. Woodhouse D.S.O. | Modern Greece: A Short History |
| '' | 978-0-571-19795-8 | Harmony Korine | A Crackup at the Race Riots |
| 2000 | 978-0-571-19797-2 | Jonathan Lethem | Motherless Brooklyn |
| 1996 | 978-0-571-19801-6 | Abdelwahab Elmessiri | A Land of Stone and Thyme: Palestinian Short Stories |
| 1993 | 978-0-571-19802-3 | Lorrie Moore | I Know Some Things: Stories about Childhood by Contemporary Writers |
| '' | 978-0-571-19803-0 | Caryl Phillips | The European Tribe |
| 1994 | 978-0-571-19814-6 | David Greenberger | Duplex Planet |
| 1994 | 978-0-571-19829-0 | Marc Robinson | Altogether Elsewhere: Writers on Exile |
| '' | 978-0-571-19832-0 | Percival L. Everett | God's Country (The Callaloo Series) |
| '' | 978-0-571-19835-1 | Barry Scott | We Had Joy, We Had Fun |
| '' | 978-0-571-19843-6 | Ian Hamilton | Keepers of the Flame: Literary Estates and the Rise of Biography from Shakespeare to Plath |
| 1995 | 978-0-571-19849-8 | Sven Birkerts | The Gutenberg Elegies: Fate of Reading in an Electronic Age |
| '' | 978-0-571-19851-1 | Scott Bruce · Bill Crawford | Cerealizing America: The Unsweetened Story of American Breakfast Cereal |
| 1995 | 978-0-571-19873-3 | Rodger Streitmatter | Unspeakable: The Rise of the Gay and Lesbian Press in America |
| 1999 | 978-0-571-19877-1 | Margaret Edson | Wit: A Play |
| 1996 | 978-0-571-19879-5 | John Henry Fleming | The Legend of the Barefoot Mailman: A Novel |
| '' | 978-0-571-19890-0 | David Tuller | Cracks in the Iron Closet: Travels in Gay & Lesbian Russia |
| '' | 978-0-571-19892-4 | James Prideaux | Knowing Hepburn and Other Curious Experiences |
| '' | 978-0-571-19898-6 | Groucho Marx | Groucho Marx and Other Short Stories and Tall Tales: The Selected Writings of Groucho Marx |
| '' | 978-0-571-19902-0 | Mark Kingwell | Dreams of the Millennium |
| 1997 | 978-0-571-19903-7 | Arthur Quinn | Hell With the Fire Out: A History of the Modoc War |
| 1998 | 978-0-571-19913-6 | Felice Picano | A House on the Ocean, a House on the Bay: A Memoir |
| 1997 | 978-0-571-19923-5 | Alison Leslie Gold | The Devil's Mistress |
| 1997 | 978-0-571-19930-3 | Alan Carter | U2: the Road to Pop |
| 1998 | 978-0-571-19933-4 | David Brudnoy | Life Is Not a Rehearsal: A Memoir |
| 1999 | 978-0-571-19934-1 | Christine Wallace | Germaine Greer: Untamed Shrew |
| 1998 | 978-0-571-19935-8 | Rosemary Daniell | Woman Who Spilled Words Pb |
| '' | 978-0-571-19936-5 | Felice Picano | A House on the Ocean, a House on the Bay: A Memoir |
| '' | 978-0-571-19937-2 | Arthur Quinn | Hell With the Fire Out: A History of the Modoc War |
| '' | 978-0-571-19942-6 | Ernest Volkman | Gangbusters: the Destruction of America's Last Mafia Dynasty |
| '' | 978-0-571-19944-0 | Barbara Victor | Lady: Aung San Suu Kyi: Nobel Laureate and Burma's Prisoner |
| 1998 | 978-0-571-19950-1 | Ken Cuthbertson | Nobody Said Not to Go: The Life, Loves and Adventures of Emily Hahn |
| 1999 | 978-0-571-19952-5 | Mark Curriden · Leroy Phillips | Contempt of Court: The Turn Of-The-Century Lynching That Launched 100 Years of Federalism |
| 2000 | 978-0-571-19954-9 | Christine Wiltz | The Last Madam: a Life in the New Orleans Underworld |
| 1999 | 978-0-571-19957-0 | Johnny Green | A Riot of Our Own |
| 1998 | 978-0-571-19958-7 | Patrick Gale | Tree Surgery for Beginners |
| 1999 | 978-0-571-19965-5 | Ken Cuthbertson | Nobody Said Not to Go: The Life, Loves, and Adventures of Emily Hahn |
| 2002 | 978-0-571-19982-2 | Stuart Galbraith | The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and Toshiro Mifune |
| 2000 | 978-0-571-19983-9 | Rebecca Gilman | Boy Gets Girl: A Play |
| '' | 978-0-571-19984-6 | Rebecca Gilman | Spinning Into Butter: A Play |
| 2001 | 978-0-571-19986-0 | Michel Ciment | Kubrick: The Definitive Edition |
| 2000 | 978-0-571-19989-1 | MS Susan Dunn | Sister Revolutions: French Lightning, American Light |
| 2001 | 978-0-571-19990-7 | Steven DeRosa | Writing with Hitchcock: The Collaboration of Alfred Hitchcock and John Michael Hayes |
| 2002 | 978-0-571-19991-4 | STUART SPENCER | Playwright's Guidebook, The |
| 2001 | 978-0-571-19994-5 | Michael Bloom | Thinking Like a Director: A Practical Handbook |
| '' | 978-0-571-19995-2 | Carol Ann Duffy | The World's Wife: Poems |
| '' | 978-0-571-19996-9 | David J Skal | The Monster Show: A Cultural History of Horror |
| '' | 978-0-571-19997-6 | DAVID AUBURN | Proof |
| 2001 | 978-0-571-19998-3 | Rebecca Gilman | Glory of Living |
| 2003 | 978-0-571-19999-0 | Harold Guskin | How to Stop Acting |
| 1999 | 978-0-571-20001-6 | Simon Armitage | Short and Sweet: 101 Very Short Poems (Faber Poetry) |
| '' | 978-0-571-20002-3 | Jonathan Sumption | The Albigensian Crusade |
| '' | 978-0-571-20003-0 | Adam Phillips | Darwin's Worms |
| 2005 | 978-0-571-20005-4 | Nicola Humble | Culinary Pleasures: Cook Books and the Transformation of British Cuisine: Cookbooks and the Transformation of British Food |
| 1999 | 978-0-571-20008-5 | Aleksandar Ristovic | Devil's Lunch: Selected Poems (Faber Poetry) |
| 2000 | 978-0-571-20010-8 | Robert Antoni | My Grandmother's Erotic Folktales |
| 1900 | 978-0-571-20011-5 | Marina Carr | Marina Carr Plays 1: "Low in the Dark", "The Mai", "Portia Coughlan", "By the Bog of Cats" v. 1 (Contemporary Classics) |
| 1999 | 978-0-571-20012-2 | Owen Wilson · Wes Anderson | Rushmore: Screenplay (Classic Screenplay) |
| 2001 | 978-0-571-20014-6 | Carole Woddis · Stephen Unwin | A Pocket Guide to Twentieth-Century Drama |
| 2000 | 978-0-571-20016-0 | Andrew Goodman | Gilbert and Sullivan's London |
| 1999 | 978-0-571-20017-7 | Elizabeth Wilson | Jacqueline du Pre |
| 2001 | 978-0-571-20018-4 | Victor Pelevin | The Blue Lantern |
| '' | 978-0-571-20019-1 | Julia Leigh | The Hunter |
| 1999 | 978-0-571-20022-1 | Mavis Cheek | Janice Gentle Gets Sexy |
| '' | 978-0-571-20027-6 | Caryl Phillips | European Tribe |
| 1999 | 978-0-571-20028-3 | Siegfried Sassoon | Memoirs of a Fox-hunting Man (FF Classics) |
| 2000 | 978-0-571-20031-3 | Mark Steyn | Broadway Babies Say Goodnight: Musicals Then and Now |
| 1999 | 978-0-571-20033-7 | Sylvia Plath | The Bell Jar |
| '' | 978-0-571-20038-2 | Vikram Seth | The Golden Gate (FF Classics) |
| '' | 978-0-571-20042-9 | Darren Aronofsky | Pi (Screenplay & The Guerilla Diaries) |
| '' | 978-0-571-20043-6 | Hanif Kureishi | The Buddha of Suburbia (FF Classics) |
| 2001 | 978-0-571-20045-0 | Stephen Skelton | The Wines of Britain and Ireland: A Guide to the Vineyards of England and Ireland |
| '' | 978-0-571-20047-4 | Orhan Pamuk | My Name is Red |
| 2001 | 978-0-571-20049-8 | Aleks Sierz | In-yer-face Theatre: British Drama Today |
| 1999 | 978-0-571-20053-5 | Truman Capote | Lord of the Flies |
| '' | 978-0-571-20055-9 | Don Paterson | The Eyes (Faber Poetry) |
| '' | 978-0-571-20057-3 | John Osborne | Damn You England: Collected Prose |
| '' | 978-0-571-20058-0 | Paul Auster | New York Trilogy (Faber Classics): "City of Glass", "Ghosts" and "Locked Room" (FF Classics) |
| 2002 | 978-0-571-20061-0 | Rick Moody | Garden State |
| 1999 | 978-0-571-20062-7 | Rohinton Mistry | Such a Long Journey |
| '' | 978-0-571-20063-4 | Peter Carey | Oscar and Lucinda (FF Classics) |
| 1999 | 978-0-571-20068-9 | Quentin Tarantino | Pulp Fiction: Screenplay (Faber Classic Screenplay) |
| '' | 978-0-571-20069-6 | Brian Friel | Brian Friel: Essays, Diaries, Interviews: 1964-1999: Essays and Interviews |
| '' | 978-0-571-20073-3 | Kazuo Ishiguro | The Remains of the Day (FF Classics) |
| 2000 | 978-0-571-20076-4 | Wim Wenders | My Time With Antonioni |
| 1999 | 978-0-571-20078-8 | Neil M. Gunn | The Silver Darlings (FF Classics) |
| '' | 978-0-571-20081-8 | Gilbert Adair | A Closed Book |
| '' | 978-0-571-20083-2 | milan kundera | The Unbearable Lightness of Being (FF Classics) |
| 2000 | 978-0-571-20084-9 | Howard Pollack | Aaron Copland: The Life and Work of an Uncommon Man |
| 2000 | 978-0-571-20085-6 | Erica Wagner | Ariel's Gift: a commentary on Birthday Letters by Ted Hughes |
| 1999 | 978-0-571-20086-3 | Hugo Williams | Billy's Rain |
| '' | 978-0-571-20089-4 | Michael Dibdin | Blood Rain |
| '' | 978-0-571-20092-4 | Ronald Harwood | Quartet & Equally Divided (Faber Plays) |
| '' | 978-0-571-20095-5 | Jonathan Sumption | Trial by Battle: The Hundred Years War, Vol. 1: Trial by Battle v. 1 |
| '' | 978-0-571-20098-6 | Andrew Kevin Walker | Seven & 8MM: Screenplays (Classic Screenplay) |
| 1999 | 978-0-571-20099-3 | Gunter Grass | My Century |
| 2000 | 978-0-571-20104-4 | Paul Auster | Timbuktu |
| 2002 | 978-0-571-20105-1 | Malcolm Hayes | Selected Letters of William Walton |
| 2004 | 978-0-571-20106-8 | Andrew O'Hagan | Our Fathers |
| 1999 | 978-0-571-20108-2 | Marc Norman · Tom Stoppard | Shakespeare in Love: Screenplay |
| 2000 | 978-0-571-20111-2 | Jonathan Weiner | Time, Love, Memory |
| 1999 | 978-0-571-20113-6 | Seamus Heaney | Beowulf: A New Translation |
| '' | 978-0-571-20115-0 | Sylvia Plath | Letters Home: Correspondence |
| 2000 | 978-0-571-20116-7 | Tobias Hill | Underground |
| 1999 | 978-0-571-20120-4 | Carol Ann Duffy | Meeting Midnight |
| 2000 | 978-0-571-20121-1 | Andrew Greig | When They Lay Bare |
| '' | 978-0-571-20126-6 | Victor Pelevin | The Clay Machine-Gun |
| 1999 | 978-0-571-20130-3 | Debbie Geller | The Brian Epstein Story |
| 2000 | 978-0-571-20131-0 | Nathan Englander | For the Relief of Unbearable Urges |
| 1999 | 978-0-571-20137-2 | Mona Simpson | Anywhere But Here |
| '' | 978-0-571-20138-9 | Reggie Nadelson | Bloody London (Artie Cohen) |
| 2000 | 978-0-571-20144-0 | Christine Pountney | Last Chance Texaco (Faber Paperback) |
| '' | 978-0-571-20147-1 | Michael Frayn | Headlong |
| 1999 | 978-0-571-20150-1 | Andrew Hagan | Our Fathers |
| 2001 | 978-0-571-20152-5 | Hans Maarten van den Brink | On the Water |
| 2000 | 978-0-571-20155-6 | Lawrence Durrell | Bitter Lemons of Cyprus |
| 2000 | 978-0-571-20156-3 | Debbie Geller | The Brian Epstein Story |
| 2001 | 978-0-571-20157-0 | Ray Carney | Cassavetes on Cassavetes |
| 2000 | 978-0-571-20161-7 | John Lanchester | Mr Phillips |
| 1999 | 978-0-571-20162-4 | Cameron Crowe | Conversations with Wilder |
| 2003 | 978-0-571-20164-8 | Tony Coult | About Friel: The Playwright and the Work (About...the Playwrights & Their Works) |
| 2000 | 978-0-571-20165-5 | Lawrence Durrell | Prospero's Cell (Faber Library 4): Guide to the Landscape and Manners of the Island of Corfu |
| 1999 | 978-0-571-20167-9 | Kinky Friedman | Spanking Watson |
| '' | 978-0-571-20168-6 | Tom Paulin | The Wind Dog (Faber Poetry) |
| 2000 | 978-0-571-20170-9 | Lawrence Durrell | Reflections on a Marine Venus: A Companion to the Landscape of Rhodes |
| 2001 | 978-0-571-20171-6 | John Lanchester | Mr Phillips |
| 2000 | 978-0-571-20175-4 | Barbara Kingsolver | The Poisonwood Bible |
| 2002 | 978-0-571-20176-1 | John Lanchester | Fragrant Harbour |
| 2000 | 978-0-571-20178-5 | Jamie McKendrick | Sky Nails: Poems 1979-1997: Poems, 1979-97 (Faber Poetry) |
| 2002 | 978-0-571-20182-2 | Peter Stephan Jungk · Michael Hofmann | The Snowflake Constant |
| 1999 | 978-0-571-20183-9 | Jo Shapcott | Her Book: Poems 1988-1998: Poems, 1988-98 (Faber Poetry) |
| '' | 978-0-571-20184-6 | Ernest Lehman | North by Northwest: Screenplay (Classic Screenplay) |
| 2001 | 978-0-571-20189-1 | Donald Cammell | Performance (Classic Screenplay) |
| 2000 | 978-0-571-20190-7 | Thom Jones | Sonny Liston was a Friend of Mine |
| 1999 | 978-0-571-20196-9 | Various Various | New Connections '99: New Plays for Young People |
| 2000 | 978-0-571-20197-6 | Simon Garfield | Mauve: How One Man Invented a Colour That Changed the World |
| 1999 | 978-0-571-20198-3 | The Poisonwood Bible |
| 2000 | 978-0-571-20202-7 | Lucy M. Boston | The Children of Green Knowe (Faber Children's Classics) |
| '' | 978-0-571-20203-4 | Apostolos Doxiadis | Uncle Petros and Goldbach's Conjecture |
| 2005 | 978-0-571-20204-1 | Saskia Hamilton | The Letters of Robert Lowell |
| 2000 | 978-0-571-20205-8 | Nicola Barker | Five Miles From Outer Hope |
| '' | 978-0-571-20207-2 | Virginia Euwer Wolff | Make Lemonade (FF Childrens Classics) |
| 2000 | 978-0-571-20211-9 | James Mangold | Girl, Interrupted (Faber and Faber Screenplays) |
| '' | 978-0-571-20212-6 | Catherine Storr | Marianne Dreams (Faber Children's Classics) |
| '' | 978-0-571-20214-0 | Woody Allen | Annie Hall: Screenplay (FF Classics) |
| '' | 978-0-571-20217-1 | Catherine Storr | The Mirror Image Ghost (Faber Children's Classics) |
| '' | 978-0-571-20219-5 | Paul Thomas Anderson | Boogie Nights |
| 1999 | 978-0-571-20220-1 | Simon Armitage | The Forward Book of Poetry 2000 |
| 2000 | 978-0-571-20222-5 | Russell Hoban | The Mouse and His Child (FF Childrens Classics) |
| 2000 | 978-0-571-20223-2 | Andrew Kevin Walker | The Art of Tim Burton's "Sleepy Hollow" |
| '' | 978-0-571-20224-9 | Robert Towne | Chinatown: Screenplay (FF Classics) |
| 1999 | 978-0-571-20225-6 | Ted Hughes | Tales from Ovid: Twenty-four Passages from the "Metamorphoses": Play (Faber Plays) |
| 2000 | 978-0-571-20227-0 | Lucy M. Boston | The River at Green Knowe |
| 2001 | 978-0-571-20228-7 | Richard E. Williams | The Animator's Survival Kit: A Working Manual of Methods, Principles and Formulas for Computer, Stop-motion, Games and Classical Animators (Applied Arts) |
| 2000 | 978-0-571-20229-4 | Kevin Smith | Clerks: Screenplay (Faber Reel Classics) |
| 1999 | 978-0-571-20235-5 | Ted Hughes | Crow: From the Life and Songs of the Crow |
| 2000 | 978-0-571-20239-3 | William Peter Blatty | The Exorcist: Screenplay (FF Classics) |
| 1999 | 978-0-571-20240-9 | Seamus Heaney | Death of a Naturalist |