year of publication | ISBN | author(s) | title |
1998 | 978-0-571-16134-8 | Mario Vargas Llosa | The Storyteller |
1991 | 978-0-571-16136-2 | Wendy Cope | The River Girl (Children's Poetry) |
'' | 978-0-571-16139-3 | Andrew Motion | Love in a Life |
1995 | 978-0-571-16143-0 | Mina F. Miller | The Nielsen Companion |
1994 | 978-0-571-16146-1 | Elspeth Huxley | Peter Scott: Painter and Naturalist |
1991 | 978-0-571-16147-8 | Rohinton Mistry | Such a Long Journey-Oe |
1992 | 978-0-571-16153-9 | Raymond Snoddy | Good, the Bad and the Unacceptable: Hard News About the British Press |
1991 | 978-0-571-16160-7 | John McGahern | Amongst Women |
1998 | 978-0-571-16161-4 | John McGahern | The Pornographer |
2004 | 978-0-571-16165-2 | Michael Dibdin | Vendetta (Zen) |
1991 | 978-0-571-16168-3 | Ann Thwaite | A.A.Milne: His Life |
1990 | 978-0-571-16176-8 | Trevor Griffiths | Piano |
1992 | 978-0-571-16180-5 | David Willey | God's Politician: John Paul II at the Vatican |
1991 | 978-0-571-16181-2 | General Sir Frank Kitson K.C.B. C.B.E. M.C. | Low Intensity Operations: Subversion, Insurgency and Peacekeeping |
1990 | 978-0-571-16182-9 | Henry Petroski | The Pencil: A History of Design and Circumstance |
1993 | 978-0-571-16189-8 | Richard Sennett | Authority |
1990 | 978-0-571-16200-0 | Vaclav Havel | Disturbing the Peace: A Conversation with Karel Hvizdala |
1998 | 978-0-571-16202-4 | Mark Steyn | Broadway Babies Say Goodnight: Musicals: Musicals Then and Now |
1991 | 978-0-571-16208-6 | Albert Hourani | History of the Arab Peoples |
1999 | 978-0-571-16212-3 | Mario Vargas Llosa | The Cubs and Other Stories |
1992 | 978-0-571-16213-0 | Ted Hughes | Nessie the Mannerless Monster |
'' | 978-0-571-16223-9 | Simon Gray | The Definitive Simon Gray 1: Butley and Other Plays v. 1 |
'' | 978-0-571-16224-6 | Akira Kurosawa | The Seven Samurai: And Other Screenplays (Classic Screenplay Series) |
'' | 978-0-571-16226-0 | Robin Wood | Hitchcock's Films Revisited |
2002 | 978-0-571-16230-7 | Seamus Heaney | The Cure at Troy: A Version of Sophocles' Philoctetes |
1991 | 978-0-571-16231-4 | Juliette de Bairacli Levy | Cats Naturally: Natural Rearing for Cats: Natural Rearing for Healthier Domestic Cats: Natural Rearing for Healthier Cats |
1992 | 978-0-571-16240-6 | Simon Gray | The Definitive Simon Gray 2: Otherwise Engaged and Other Plays v. 2 |
1993 | 978-0-571-16241-3 | Jeremy J. Beadle | Will Pop Eat Itself?: Pop Music in the Soundbite Era |
1991 | 978-0-571-16251-2 | Caroline Cossey | My Story |
2002 | 978-0-571-16257-4 | Thom Gunn | The Man With Night Sweats |
1991 | 978-0-571-16261-1 | John Osborne | Almost a Gentleman: An Autobiography, 1955-66 |
1990 | 978-0-571-16265-9 | Martin Scorsese · Nicholas Pileggi | Goodfellas (Based on the Book "Wiseguy" by Nicholas Pileggi) |
1997 | 978-0-571-16269-7 | Stephen Banfield | Gerald Finzi: An English Composer |
2002 | 978-0-571-16271-0 | Ian Christie | Arrows of Desire: Films of Michael Powell and Emeric Pressburger |
1999 | 978-0-571-16272-7 | Peter Carey | Bliss |
1991 | 978-0-571-16282-6 | N. Banerjee | Terminal Paradox: Novels of Milan Kundera |
1991 | 978-0-571-16283-3 | Kazuo Ishiguro | A Pale View of Hills |
1992 | 978-0-571-16286-4 | Michele Celeste | Hanging the President |
'' | 978-0-571-16291-8 | Derek Walcott | Collected Poems 1948-1984 |
1991 | 978-0-571-16297-0 | Peter Carey | The Tax Inspector |
1992 | 978-0-571-16309-0 | Lawrence Durrell | The Avignon Quintet: Monsieur, Livia, Constance, Sebastian and Quinx |
1991 | 978-0-571-16320-5 | Ted Hughes | Moon Whales |
'' | 978-0-571-16323-6 | Rosemary Harris | Summers of the Wild Rose |
1992 | 978-0-571-16329-8 | Paul Douglas Carter | Living in a New Country: History, Travelling and Language |
2003 | 978-0-571-16340-3 | Robert Lowell | Collected Poems |
1991 | 978-0-571-16357-1 | Elaine Murphy | After the Asylums: Community Care for the Mentally Ill |
1994 | 978-0-571-16368-7 | Jonathan Steele | Eternal Russia: Yeltsin, Gorbachev and the Mirage of Democracy |
1991 | 978-0-571-16377-9 | John Carey | Violent Effigy: A Study of Dickens' Imagination |
'' | 978-0-571-16391-5 | Hugo Hamilton | The Last Shot |
1992 | 978-0-571-16393-9 | E. Kadloubovsky | Writings from the Philokalia |
1991 | 978-0-571-16402-8 | Marilynne Robinson | Housekeeping |
'' | 978-0-571-16405-9 | Donald Mitchell · Philip Reed | Letters from a Life: Benjamin Britten Volume 1 1923-1939, Volume 2 139-45: Selected Letters and Diaries: 1923-45 v. 1 & 2 |
1998 | 978-0-571-16416-5 | Lorrie Moore | Like Life |
1992 | 978-0-571-16417-2 | Harold Pinter | The Dwarfs |
1991 | 978-0-571-16425-7 | Preston Sturges | Preston Sturges on Preston Sturges |
1991 | 978-0-571-16436-3 | W. H. Auden | Collected Poems |
2000 | 978-0-571-16438-7 | Christopher Frayling | Sergio Leone: Something to Do with Death |
1992 | 978-0-571-16443-1 | Robert McCrum | Story of English-O/E |
'' | 978-0-571-16447-9 | Julian Jeffs | Classic Wine Sherry |
1993 | 978-0-571-16453-0 | Simon Gray | The Definitive Simon Gray 3: v. 3 |
1992 | 978-0-571-16463-9 | Ronald Harwood | Reflected Glory |
1991 | 978-0-571-16466-0 | Orhan Pamuk | The White Castle |
1995 | 978-0-571-16481-3 | Ronald Harwood | Faber Book of the Theatre |
1992 | 978-0-571-16489-9 | Ian Gibson | Lorca's Granada: A Practical Guide |
'' | 978-0-571-16490-5 | L. Wolpert | The Unnatural Nature of Science |
1994 | 978-0-571-16494-3 | James McClure | The Gooseberry Fool: a Kramer & Zondi My |
1993 | 978-0-571-16495-0 | James McClure | The Caterpillar Cop |
1992 | 978-0-571-16502-5 | Patrick McGilligan | George Cukor: A Double Life |
'' | 978-0-571-16517-9 | Wim Wenders | The Logic of Images |
'' | 978-0-571-16521-6 | Vaclav Havel | Open Letters: Selected Prose |
1992 | 978-0-571-16525-4 | Rohinton Mistry | Such a Long Journey |
1997 | 978-0-571-16526-1 | Paul Auster | The Music of Chance |
1999 | 978-0-571-16530-8 | Michael Dibdin | Dirty Tricks (Crime) |
1992 | 978-0-571-16537-7 | Wendy Cope | Twiddling Your Thumbs: Hand Rhymes (Children's Paperback Picture Book) |
'' | 978-0-571-16539-1 | Primo Levi | Collected Poems (Poetry) |
'' | 978-0-571-16546-9 | Bryan Clough · Paul Mungo | Approaching Zero: Data Crime and the Computer Underworld |
1991 | 978-0-571-16567-4 | Alan Ansen | The Table Talk of W.H. Auden |
1995 | 978-0-571-16572-8 | Jeremy Treglown | Roald Dahl: A Life: A Biography |
1994 | 978-0-571-16573-5 | Jeremy Treglown | Roald Dahl: A Biography |
1992 | 978-0-571-16583-4 | Deirdre Madden | Remembering Light and Stone |
1993 | 978-0-571-16595-7 | David MacKenzie | Goat Husbandry |
2002 | 978-0-571-16607-7 | Simon Armitage | Kid |
1992 | 978-0-571-16609-1 | George Barker | Street Ballads |
1996 | 978-0-571-16613-8 | Sylvia Plath | The It-doesn't-matter Suit |
1992 | 978-0-571-16616-9 | Michael Dibdin | Cabal |
1991 | 978-0-571-16619-0 | Seymour M. Hersh | The Samson Option: Israel, America and the Bomb |
2004 | 978-0-571-16632-9 | Peter Carey | The Tax Inspector |
1992 | 978-0-571-16635-0 | John Osborne | Almost a Gentleman: An Autobiography, 1955-66: Vol II: 2 |
1993 | 978-0-571-16636-7 | James McClure | The Song Dog |
1994 | 978-0-571-16643-5 | Ann Thwaite | Waiting for the Party: Life of Frances Hodgson Burnett, Author of the Secret Garden |
1993 | 978-0-571-16647-3 | Brothers Marx | Marx Brothers: Monkey Business, Duck Soup & A Day at the Races (Classic Screenplay Series) |
1992 | 978-0-571-16648-0 | Joel Coen · Ethan Coen | Barton Fink and Miller's Crossing |
1994 | 978-0-571-16659-6 | Simon Gray | The Definitive Simon Gray 4: v. 4 |
1992 | 978-0-571-16663-3 | Albert Hourani | History of the Arab Peoples |
1994 | 978-0-571-16665-7 | Dramaturge Nicholas John | Violetta and Her Sisters: "The Lady of the Camellias": Responses to the Myth |
1992 | 978-0-571-16691-6 | Adam Mars-Jones | The Monopolies of Loss |
'' | 978-0-571-16693-0 | Milan Kundera | The Joke |
'' | 978-0-571-16696-1 | Kinky Friedman | Kinky Friedman Crime Club |
1992 | 978-0-571-16699-2 | Ray Feltwell | Small-Scale Poultry Keeping: A Guide to Free-range Poultry Production |
'' | 978-0-571-16703-6 | Rohinton Mistry | Tales from Firozsha Baag |
2002 | 978-0-571-16705-0 | Wendy Cope | Serious Concerns |
'' | 978-0-571-16709-8 | John McGahern | The Power of Darkness (Plays) |
1993 | 978-0-571-16716-6 | Terence Reese · David Bird | The Art of Good Bidding (Faber Bridge Books) |
2002 | 978-0-571-16717-3 | Andrei Tarkovsky | Time Within Time: Diaries, 1970-86 |
1992 | 978-0-571-16729-6 | John Boorman · Walter Donohue | Projections 1: A Forum For Cinema |
1993 | 978-0-571-16732-6 | Gene Kemp | Roundabout |
1992 | 978-0-571-16741-8 | P. D. James | The Children of Men |
1993 | 978-0-571-16745-6 | W.S. Graham | Aimed at Nobody: Poems from Notebooks |
1992 | 978-0-571-16749-4 | Alan Bennett | The Madness of George III |
2001 | 978-0-571-16755-5 | Ingmar Bergman | Images: My Life in Film |
1993 | 978-0-571-16768-5 | Desmond Hogan | The Ikon Maker |
1992 | 978-0-571-16771-5 | Vaclav Havel | Summer Meditations on Politics,Morality |
1993 | 978-0-571-16775-3 | Russell Stannard | World of 1001 Mysteries |
2004 | 978-0-571-16777-7 | Mario Vargas Llosa | Aunt Julia and the Scriptwriter |
1993 | 978-0-571-16790-6 | Banana Yoshimoto | Kitchen |
1992 | 978-0-571-16791-3 | Jon Savage | England'S Dreaming-Trade: The "Sex Pistols" and Punk Rock |
'' | 978-0-571-16792-0 | Christopher Frayling | Vampyres: Lord Byron to Count Dracula |
1993 | 978-0-571-16800-2 | Kinky Friedman | The Kinky Friedman Crime Club |
'' | 978-0-571-16802-6 | Paul McKenna | The Hypnotic World of Paul McKenna |
1993 | 978-0-571-16804-0 | Frank Mcguinness | Someone Who'll Watch Over Me |
2004 | 978-0-571-16808-8 | Don Paterson | Nil Nil |
1996 | 978-0-571-16809-5 | Mark Urban | Big Boys' Rules: The SAS and the Secret Struggle Against the IRA |
1993 | 978-0-571-16819-4 | Seymour M. Hersh | The Samson Option: Israel, America and the Bomb |
1994 | 978-0-571-16820-0 | James McClure | Snake |
1993 | 978-0-571-16827-9 | Robert Littell | Mother Russia |
2002 | 978-0-571-16828-6 | John Boorman | Projections:A Forum for Film Makers. Issue No. 2: A Year in Film No. 2 |
1993 | 978-0-571-16829-3 | Russell Stannard | Here I Am! |
'' | 978-0-571-16833-0 | Michael Dibdin | Cabal (Zen) |
'' | 978-0-571-16836-1 | Nigel Williams | They Came from SW19 |
1992 | 978-0-571-16845-3 | Christopher Frayling | The Face of Tutankhamun |
1994 | 978-0-571-16853-8 | Kevin Macdonald | Emeric Pressburger: The Life and Death of a Screenwriter |
| 978-0-571-16863-7 | Paul Auster | Moon Palace |
1997 | 978-0-571-16864-4 | '' | The New York Trilogy |
1992 | 978-0-571-16868-2 | Tony Harrison | Square Rounds |
'' | 978-0-571-16871-2 | Paul Auster | Leviathan |
1993 | 978-0-571-16873-6 | Michael Dibdin | The Dying of the Light |
'' | 978-0-571-16881-1 | Desmond Hogan | The Edge of the City: A Scrapbook, 1976-91 |
2015 | 978-0-571-16885-9 | J. McGahern | The Banners of Darkness |
1992 | 978-0-571-16886-6 | Alistair McAlpine | The Servant |
1995 | 978-0-571-16892-7 | Orhan Pamuk | Black Book-Csd |
1993 | 978-0-571-16897-2 | Jan Morris | Venice |
2000 | 978-0-571-16898-9 | Jeremy Treglown | Romancing: The Life and Work of Henry Green |
| 978-0-571-16905-4 | Leviathan |
1992 | 978-0-571-16912-2 | Christopher Logue | Kings: Account of Books 1 and 2 of Homer's "Iliad" |
1992 | 978-0-571-16926-9 | Professor John Carey | The Intellectuals and the Masses: Pride and Prejudice Among the Literary Intelligentsia, 1880-1939 |
1993 | 978-0-571-16932-0 | Weldon Kees | Collected Poems of Weldon Kees |
'' | 978-0-571-16934-4 | Tom Stoppard | Arcadia (Faber Drama) |
1994 | 978-0-571-16939-9 | Susan Price | Ghost Song |
1993 | 978-0-571-16940-5 | Rony Robinson | I Want Doesn't Get |
'' | 978-0-571-16943-6 | Paul Watkins | The Promise of Light |
2004 | 978-0-571-16945-0 | Paul Auster | Leviathan |
1993 | 978-0-571-16946-7 | Deirdre Madden | Remembering Light and Stone |
1998 | 978-0-571-16948-1 | John McGahern | Collected Short Stories |
1995 | 978-0-571-16954-2 | Hugo Hamilton | The Love Test |
1993 | 978-0-571-16967-2 | Jayne Anne Phillips | Black Tickets |
'' | 978-0-571-16968-9 | Jayne Anne Phillips | Machine Dreams |
'' | 978-0-571-16970-2 | June Rose | Marie Stopes and the Sexual Revolution |
1994 | 978-0-571-16971-9 | Lawrence Freedman · Efraim Karsh | The Gulf Conflict: 1990-1991: Diplomacy and War in the New World Order |
2000 | 978-0-571-16972-6 | Lewis Wolpert | The Unnatural Nature of Science |
1993 | 978-0-571-16973-3 | Didier Eribon | Michel Foucault |
1994 | 978-0-571-16974-0 | Christopher Ricks | The Faber Book of America |
1993 | 978-0-571-16976-4 | Christian Graf Von Krockow · Christian von Krockow | The Hour of the Women |
1994 | 978-0-571-16981-8 | Steven Berkoff | Overview |
2001 | 978-0-571-16982-5 | Simon Armitage | Book of Matches |
2000 | 978-0-571-16983-2 | Antony Beaumont | Zemlinsky: Man and His Music |
1994 | 978-0-571-16986-3 | Jim Hunter | Modern Short Stories II: Bk. 2 |
1993 | 978-0-571-16987-0 | A. N. Wilson | The Faber Book of London |
1993 | 978-0-571-16989-4 | Breyten Breytenbach | Return to Paradise |
1998 | 978-0-571-16996-2 | Jenny Uglow | Hogarth: A Life and a World |
1993 | 978-0-571-17001-2 | Ronald Harwood | Collected Plays of Ronald Harwood: "A Family", "The Dresser", "J.J.Farr", "Another Time" |
1994 | 978-0-571-17002-9 | Alan Friedman · John Fielding | Spider's Web: Bush, Saddam, Thatcher and the Decade of Deceit |
1993 | 978-0-571-17007-4 | Garrison Keillor | Leaving Home (A Lake Wobegon Novel) |
'' | 978-0-571-17009-8 | Garrison Keillor | We are Still Married |
1994 | 978-0-571-17015-9 | Banana Yoshimoto | Kitchen |
'' | 978-0-571-17017-3 | Denis Johnson | Angels |
1998 | 978-0-571-17021-0 | Nicola Barker | Love Your Enemies |
1994 | 978-0-571-17022-7 | Adam Phillips | On Kissing, Tickling and Being Bored: Psychoanalytic Essays on the Unexamined Life |
'' | 978-0-571-17028-9 | Michael Dibdin | The Dying of the Light |
'' | 978-0-571-17030-2 | Kinky Friedman | More Kinky Friedman: "Musical Chairs", "Frequent Flyer", "Elvis, Jesus and Coca-cola" |
1994 | 978-0-571-17032-6 | Adam Mars-Jones | The Waters of Thirst |
'' | 978-0-571-17033-3 | Peter Hill | The Messiaen Companion |
'' | 978-0-571-17035-7 | Christopher Ricks | T. S. Eliot and Prejudice |
1993 | 978-0-571-17040-1 | Mike Fox · Richard James | The Even More Complete Chess Addict |
1994 | 978-0-571-17043-2 | Catherine Storr | The Mirror Image Ghost |
'' | 978-0-571-17046-3 | Dennis Potter | Potter on Potter (Directors on Directors) |
'' | 978-0-571-17047-0 | John Boorman · Walter Donohue | Projections 3: Year in Film: Film-makers on Film-making |
1993 | 978-0-571-17048-7 | Philip Larkin | Philip Larkin: Selected Letters |
1994 | 978-0-571-17050-0 | Michael Dibdin | Dead Lagoon |
1993 | 978-0-571-17052-4 | Michael Hofmann | Corona, Corona |
1995 | 978-0-571-17054-8 | Aldo Busi | Uses & Abuses: Journeys, Sleepwalkings & |
1993 | 978-0-571-17056-2 | Solomon Volkov | Balanchine's Tchaikovsky: Conversations with Balanchine on His Life, Ballet and Music |
1994 | 978-0-571-17057-9 | Alistair McAlpine | Letters to a Young Politician: From His Uncle |
1994 | 978-0-571-17060-9 | Tom Paulin | The Faber Book of Vernacular Verse |
1993 | 978-0-571-17063-0 | David Hare | Asking Around: Background to the David Hare Trilogy: A Handbook to the Hare Trilogy |
1994 | 978-0-571-17065-4 | Andrew Motion | Philip Larkin: A Writer's Life |
'' | 978-0-571-17066-1 | Russell Stannard | Uncle Albert and the Quantum Quest |
2001 | 978-0-571-17071-5 | David Hare | The Absence of War |
1994 | 978-0-571-17076-0 | David Mamet | A Whore's Profession: Notes and Essays |
1993 | 978-0-571-17077-7 | Kenneth Baker | The Turbulent Years |
1995 | 978-0-571-17078-4 | Helen Vendler | The Given and the Made: Recent American Poets (T.S. Eliot memorial lectures) |