| year of publication | ISBN | author(s) | title |
|---|
| 1962 | 978-0-240-44722-3 | Gerald Reynolds Sharp | Bolex 8mm. Guide (Camera Guides) |
| 1968 | 978-0-240-44777-3 | W.D. Emanuel | Praktica Prakticamat Guide (Camera Guides) |
| 1971 | 978-0-240-44781-0 | W.F. Berg | Exposure: Theory and Practice (Manual of Phototechnique) |
| 1968 | 978-0-240-44888-6 | Joseph Solomon Friedman | History of Colour Photography (Focal Library Classics) |
| 1988 | 978-0-240-50000-3 | John Burder | Technique of Editing 16mm Film, The (Library of Communication Techniques) |
| 1969 | 978-0-240-50654-8 | Raymond Spottiswoode | The Focal Encyclopedia of Film and Television Techniques |
| 1982 | 978-0-240-50657-9 | Ernest Walter | The Technique of the Film Cutting Room (Library of Communication Techniques) |
| 1969 | 978-0-240-50680-7 | Focal Press | The Focal Encyclopedia of Photography: Desk edition |
| 1970 | 978-0-240-50702-6 | E.J. Wall | History of Three Colour Photography (The focal library) |
| 1971 | 978-0-240-50711-8 | V.S. Mankovsky | Acoustics of Studios and Auditoria (Library of Image & Sound Technology) |
| 1972 | 978-0-240-50766-8 | Freddie Young · Paul Petzold | Work of the Motion Picture Cameraman (Library of Film & TV Practice) |
| 1974 | 978-0-240-50767-5 | J.David Beal | Cine Craft |
| 1975 | 978-0-240-50781-1 | R.M. Schaffert | Electrophotography (The Focal library) |
| 1979 | 978-0-240-50824-5 | Leslie Frederick Alfred Mason | Photographic Processing Chemistry ([The Focal library]) |
| 1974 | 978-0-240-50844-3 | Arthur N. Cox | Photographic Optics (The Manuals of Photo-Technique) |
| 1973 | 978-0-240-50845-0 | Elliott R. Sanger | Rebel in Radio: Story of the New York Times Commercial Radio Station |
| 1974 | 978-0-240-50846-7 | Karel Reisz · Gavin Millar | Technique of Film Editing (Library of Communication Techniques) |
| 1976 | 978-0-240-50857-3 | John Burder | 16mm Film Cutting (Media Manuals) |
| '' | 978-0-240-50903-7 | Michael Langford | Starting Photography |
| 1975 | 978-0-240-50913-6 | C.I. Jacobson · L.A. Mannheim | Enlarging (Manual of Phototechnique) |
| 1977 | 978-0-240-50917-4 | H.Mario Raimondo Souto | Technique of the Motion Picture Camera (Library of Communication Techniques) |
| 1976 | 978-0-240-50932-7 | Horace E. Dobbs | How To Use Your Camera Under Water (A Practical Guide To Underwater Photography) |
| 1977 | 978-0-240-50945-7 | G.G. Attridge · H. J. Walls | Basic Photo Science: How Photography Works (The manual of photo-technique) |
| '' | 978-0-240-50953-2 | Roderick T. Ryan | History of Motion Picture Colour Technology |
| 1978 | 978-0-240-50987-7 | Leonard Gaunt | The Canon SLR Book: Canon A1, AE-1, AT-1, FTb & TX |
| 1979 | 978-0-240-50998-3 | David W. Samuelson | Motion Picture Camera Data (Media Manuals) |
| 1978 | 978-0-240-51014-9 | W.D. Emanuel | Zenith Guide (Camera Guides) |
| 1979 | 978-0-240-51032-3 | Sidney F. Ray | Photographic Lens |
| 1980 | 978-0-240-51035-4 | Clyde Reynolds | The Minolta Xd and Xg Book for Xd-5, Xd-7, Xg-1, and Xg-2 Users (Focal camera books) |
| '' | 978-0-240-51056-9 | Michael Langford | The Story of Photography |
| 1982 | 978-0-240-51061-3 | Jack H. Coote | Monochrome Darkroom Practice: A Manual of Black and White Processing and Printing |
| 1983 | 978-0-240-51117-7 | John Wasley | Black and White Photography (The Photographer's library) |
| 1982 | 978-0-240-51122-1 | J. Turner | Underwater Photography |
| 1984 | 978-0-240-51143-6 | Clyde Reynolds | Camera Movements |
| 1982 | 978-0-240-51186-3 | Ernst Wildi | Hasselblad Manual: A Comprehensive Guide to the System |
| 1984 | 978-0-240-51203-7 | David Kilpatrick | Light and Lighting (The Photographer's library) |
| 1983 | 978-0-240-51208-2 | Andrew Matheson | Leica Rangefinder Way (Camera Way Books) |
| '' | 978-0-240-51225-9 | Gerald Millerson | Video Camera Techniques (Media Manuals) |
| 1988 | 978-0-240-51226-6 | Sidney F. Ray | Applied Photographic Optics: Imaging Systems for Photography, Film and Video |
| 1985 | 978-0-240-51234-1 | Raymond Fielding | Techniques of Special Effects of Cinematography (Library of Communication Techniques) |
| 1986 | 978-0-240-51256-3 | Michael Langford | Basic Photography |
| 1986 | 978-0-240-51257-0 | Michael Langford | Basic Photography |
| '' | 978-0-240-51258-7 | Ernst Wildi | The Hasselblad Manual: A Comprehensive Guide to the System |
| 1990 | 978-0-240-51267-9 | Alan Bermingham | The Video Studio (Media Manuals) |
| 1988 | 978-0-240-51268-6 | Ralph Jacobson · Sidney Ray · Geoffrey G Attridge · Norman Axford | Manual of Photography |
| '' | 978-0-240-51270-9 | John Watkinson | The Art of Digital Audio |
| 1990 | 978-0-240-51287-7 | John Watkinson | The Art of Digital Video |
| 1991 | 978-0-240-51303-4 | Gerald Millerson | Lighting for Video (Media Manuals) |
| '' | 978-0-240-51306-5 | John Watkinson | Rotary Head Digital Audio Tape |
| 1990 | 978-0-240-51310-2 | Harold Whitaker · John Halas | Timing for Animation |
| 1992 | 978-0-240-51313-3 | Francis Rumsey · Tim McCormick | Sound and Recording: An Introduction |
| 1993 | 978-0-240-51320-1 | John Watkinson | Art of Digital Audio |
| 1999 | 978-0-240-51323-2 | Sidney Ray | Scientific Photography and Applied Imaging |
| 1994 | 978-0-240-51324-9 | Gerald Millerson | Effective TV Production (Media Manuals) |
| 1993 | 978-0-240-51326-3 | Douglas Merritt | Graphic Design for Television |
| '' | 978-0-240-51333-1 | Francis Rumsey · John Watkinson | The Digital Interface Handbook |
| 1993 | 978-0-240-51334-8 | John Ratcliff | Timecode: A User's Guide |
| 1992 | 978-0-240-51335-5 | W. Wharton · etc. · Shaun Metcalf · Geoff Platts | Broadcast Transmission Engineering Practice |
| '' | 978-0-240-51338-6 | James Wood | Satellite Communications and DBS Systems |
| 1993 | 978-0-240-51340-9 | Roy Thompson | Grammar of the Edit (Media Manuals) |
| 1994 | 978-0-240-51343-0 | Steven Bernstein | Film Production |
| 1993 | 978-0-240-51348-5 | Michael Langford | Starting Photography |
| 1994 | 978-0-240-51350-8 | Sidney F. Ray | Applied Photographic Optics: Lenses and Optical Systems for Photography, Film, Video and Electronic Imaging |
| 1993 | 978-0-240-51363-8 | Tim Amyes | The Technique of Audio Post-production in Video and Film (Library of Communication Techniques) |
| 1994 | 978-0-240-51364-5 | Bksts | BKSTS Dictionary of Image Technology |
| '' | 978-0-240-51366-9 | Robert McLeish | Radio Production: A Manual for Broadcasters |
| 1996 | 978-0-240-51368-3 | Jack H. Coote | Ilford Monochrome Darkroom Practice: A Manual of Black and White Processing and Printing |
| 1994 | 978-0-240-51371-3 | John Borwick | Loudspeaker and Headphone Handbook |
| '' | 978-0-240-51373-7 | John Watkinson | The Digital Videotape Recorder |
| '' | 978-0-240-51376-8 | Gerald Millerson | Video Camera Techniques (Media Manuals) |
| 1994 | 978-0-240-51378-2 | John Watkinson | An Introduction to Digital Audio (Music Technology) |
| '' | 978-0-240-51380-5 | '' | Introduction to Digital Video |
| '' | 978-0-240-51384-3 | Adrian Davies · Phil Fennessy | An Introduction to Electronic Imaging for Photographers |
| '' | 978-0-240-51391-1 | Avril Rowlands | The Continuity Handbook: A Guide for Single-camera Shooting (Media Manuals S.) |
| '' | 978-0-240-51392-8 | Alan Bermingham | The Video Studio (Media Manuals) |
| 1994 | 978-0-240-51393-5 | Sidney F. Ray | Photographic Imaging and Electronic Photography Pocket Book (Technical pocket book) |
| 1995 | 978-0-240-51394-2 | John Watkinson | Compression in Video and Audio (Music Technology) |
| 1994 | 978-0-240-51395-9 | Alec Nisbett | Sound Studio |
| 1995 | 978-0-240-51396-6 | Francis Rumsey · John Watkinson | Digital Interface Handbook (Music Technology) |
| 1998 | 978-0-240-51398-0 | Roy Thompson | Grammar of the Shot (Media Manuals) |
| 1995 | 978-0-240-51407-9 | Philip Newell | Studio Monitoring Design: A Personal View |
| '' | 978-0-240-51408-6 | Des Lyver · Graham Swainson | Basics of Video Production |
| '' | 978-0-240-51410-9 | Des Lyver | Basics of Video Sound |
| 1996 | 978-0-240-51411-6 | John Watkinson | Television Fundamentals |
| 1995 | 978-0-240-51414-7 | Des Lyver · Graham Swainson | Basics of Video Lighting |
| '' | 978-0-240-51415-4 | Richard Gates | Production Management for Film and Video |
| 1996 | 978-0-240-51417-8 | Richard D. Zakia · Leslie Stroebel | Focal Encyclopedia of Photography |
| 1995 | 978-0-240-51419-2 | Sidney F. Ray | Photographic Applications for Science and Technology Pocket Book (Technical pocket book) |
| 1996 | 978-0-240-51428-4 | David Howard · Jamie Angus | Acoustics and Psychoacoustics: Edited by Francis Rumsey (Music Technology) |
| '' | 978-0-240-51429-1 | Martin Russ | Sound Synthesis and Sampling (Music Technology) |
| 1996 | 978-0-240-51433-8 | Martin Edge | The Underwater Photographer |
| 1974 | 978-0-240-51437-6 | Karel Reisz · Gavin Millar | Technique of Film Editing |
| 1995 | 978-0-240-51438-3 | Mark Galer | Photography: Foundations for Art and Design: Foundations for Art and Design - A Guide to Creative Photography |
| 1997 | 978-0-240-51449-9 | Brian Fitt · Joe Thornley | Lighting Technology: A guide for the entertainment industry. |
| 1996 | 978-0-240-51451-2 | Fraidoon Mazda | Analytical Techniques in Telecommunications (Telecommunications Pocket Guide) |
| '' | 978-0-240-51457-4 | Fraidoon Mazda | Principles of Radio Communications (Telecommunications Pocket Guide) |
| '' | 978-0-240-51459-8 | F. W. Hodgson | Modern Newspaper Practice: A Primer on the Press (Focal Press Journalism) |
| '' | 978-0-240-51461-1 | Geoff Lewis | Communications Technology Handbook |
| '' | 978-0-240-51471-0 | Brendan Hennessy | Writing Feature Articles: A Practical Guide to Methods and Markets (Focal Press Journalism) |
| 1997 | 978-0-240-51472-7 | Paul Kriwaczek | Documentary for the Small Screen |
| 1996 | 978-0-240-51474-1 | Bernard Wilkie | Creating Special Effects for Tv and Video (Media Manuals) |
| 1997 | 978-0-240-51476-5 | Ulf Sandstrom | Stage Lighting Controls |
| 1998 | 978-0-240-51480-2 | David Samuelson | Hands-on Manual for Cinematographers |
| 1998 | 978-0-240-51483-3 | Michael Langford | Story of Photography |
| 1999 | 978-0-240-51484-0 | '' | Starting Photography |
| 1997 | 978-0-240-51485-7 | '' | Basic Photography |
| 1998 | 978-0-240-51486-4 | '' | Advanced Photography |
| 1997 | 978-0-240-51487-1 | Francis Rumsey · Tim Mccormick | Sound and Recording: An Introduction (Music Technology) |
| 1996 | 978-0-240-51488-8 | Professor Richard Taylor | The Encyclopedia of Animation Techniques |
| 1999 | 978-0-240-51492-5 | Gerald Millerson | Television Production |
| 1996 | 978-0-240-51499-4 | Sidney Ray | Applied Photographic Optics: Lenses and Optical Systems for Photography, Film, Video and Electronic Imaging |
| 1999 | 978-0-240-51506-9 | Ross Kirk | Digital Sound Processing for Music and Multimedia (Music Technology) |
| 1998 | 978-0-240-51507-6 | Philip Newell | Recording Spaces |
| 2001 | 978-0-240-51509-0 | John Watkinson | Convergence in Broadcast and Communications Media |
| 978-0-240-51510-6 | John Watkinson | Title: MPEG 2 |
| 1997 | 978-0-240-51511-3 | David Spark | Practical Newspaper Reporting (Journalism Media Manual) |
| 1998 | 978-0-240-51512-0 | John Watkinson | The Art of Sound Reproduction |
| '' | 978-0-240-51514-4 | Roger Hicks · Frances Schultz | Travel Photography |
| '' | 978-0-240-51517-5 | Eduardo Miranda | Computer Sound Synthesis for the Electronic Musician |
| '' | 978-0-240-51519-9 | Martin Evening | Adobe Photoshop 5.0 for Photographers |
| 1999 | 978-0-240-51521-2 | Nigel Hicks | Professional Nature Photography. |
| '' | 978-0-240-51523-6 | Harry C. Box | The Gaffer's Handbook |
| 1999 | 978-0-240-51524-3 | Colin Hart | Television Program Making: Everything you need to know to get started |
| 1998 | 978-0-240-51525-0 | Rod Fairweather | Basic Studio Directing (Media Manuals) |
| 1999 | 978-0-240-51528-1 | Michael Talbot-Smith | Audio Engineer's Reference Book |
| '' | 978-0-240-51529-8 | Steve Heath | Multimedia and Communications Technology |
| '' | 978-0-240-51530-4 | Brian Fitt | A-Z of Lighting Terms |
| 2000 | 978-0-240-51531-1 | Robin Small | Production Safety for Film, Television and Video |
| 1998 | 978-0-240-51532-8 | Michael Harris | Professional Architectural Photography (Professional Photography) |
| 1999 | 978-0-240-51539-7 | J. Ratcliff | Timecode A User's Guide |
| 2002 | 978-0-240-51540-3 | Sidney Ray | Applied Photographic Optics: Lenses and Optical Systems for Photography, Film, Video and Digital Imaging |
| 1999 | 978-0-240-51543-4 | David Spark | Investigative Reporting: A Study in Technique (Journalism Media Manual,) |
| 1998 | 978-0-240-51547-2 | Linda Gage | A Guide to Commercial Radio Journalism |
| 1999 | 978-0-240-51548-9 | Mark Galer | Location Photography: Essential Skills |
| '' | 978-0-240-51549-6 | John Child · Mark Galer | Photographic Lighting: Essential Skills |
| '' | 978-0-240-51550-2 | John Child | Studio Photography: Essential Skills |
| 1999 | 978-0-240-51553-3 | Richard Gates | Production Management for Film and Video |
| '' | 978-0-240-51554-0 | Robert McLeish · Jeff Link | Radio Production: A Manual for Broadcasters |
| '' | 978-0-240-51555-7 | Paul Wheeler | Practical Cinematography |
| 2000 | 978-0-240-51557-1 | Peter Ward | Multiskilling for Television Production |
| 1999 | 978-0-240-51559-5 | Des Lyver · Graham Swainson | Basics of Video Lighting |
| '' | 978-0-240-51560-1 | Des Lyver | Basics of Video Production |
| '' | 978-0-240-51561-8 | '' | Basics of Video Sound |
| 2003 | 978-0-240-51566-3 | Robert Simpson | Lighting Control: Technology and Applications |
| 2001 | 978-0-240-51567-0 | Eduardo Miranda | Composing Music with Computers (Music Technology) |
| 2000 | 978-0-240-51568-7 | Peter Ward | TV Technical Operations: An Introduction (Media Manuals) |
| 2000 | 978-0-240-51571-7 | Andrew Boyd | Broadcast Journalism: Techniques of Radio and TV News |
| 1999 | 978-0-240-51572-4 | Michael Talbot-Smith | Sound Assistance |
| '' | 978-0-240-51573-1 | Philip Newell | Project Studios: A more professional approach |
| 2000 | 978-0-240-51574-8 | Ralph Jacobson · Sidney Ray · Geoffrey G Attridge · Norman Axford | Manual of Photography (Media Manual) |
| 1999 | 978-0-240-51576-2 | Richard Taylor | The Encyclopedia of Animation Techniques |
| '' | 978-0-240-51577-9 | Robert Alexander | The Inventor of Stereo: The life and works of Alan Dower Blumlein |
| 2001 | 978-0-240-51578-6 | John Borwick | Loudspeaker and Headphone Handbook |
| 1999 | 978-0-240-51581-6 | Martin Edge | The Underwater Photographer |
| '' | 978-0-240-51582-3 | Gerald Millerson | Lighting for TV and Film |
| '' | 978-0-240-51583-0 | Philip Alberstat | Independent Producers' Guide to Film and TV Contracts |
| 2000 | 978-0-240-51586-1 | John Watkinson | Art of Digital Video |
| 2000 | 978-0-240-51587-8 | John Watkinson | Art of Digital Audio |
| 2001 | 978-0-240-51588-5 | Andy Bailey | Network Technology for Digital Audio (Music Technology) |
| 2002 | 978-0-240-51590-8 | Adrian Davies | Digital Imaging for Photographers: Fourth Edition |
| 2000 | 978-0-240-51591-5 | Martin Evening | Adobe Photoshop 5.5 for Photographers: A Professional Image Editor's Guide to the Creative Use of Photoshop for the Macintosh and PC |
| '' | 978-0-240-51592-2 | Michael Langford | Basic Photography |
| '' | 978-0-240-51595-3 | David Mellor | A Sound Person's Guide to Video |
| '' | 978-0-240-51596-0 | Roger Derry | PC Audio Editing: From broadcasting to home CD |
| 2001 | 978-0-240-51597-7 | Jim Owens · Gerald Millerson | Video Production Handbook |
| 2006 | 978-0-240-51598-4 | David W. Samuelson | Hands-on Manual of Camera Data |
| 2001 | 978-0-240-51599-1 | Tom Nicholls · Ron Southwell · William Houseley | Managing in the Media |
| 2000 | 978-0-240-51600-4 | Mark Galer | Photography: Foundations for Art and Design - A Guide to Creative Photography |
| '' | 978-0-240-51601-1 | Ian Lewis | Guerrilla TV: Low budget programme making |
| 2000 | 978-0-240-51602-8 | John Herbert | Practising Global Journalism: Exploring reporting issues worldwide |
| '' | 978-0-240-51605-9 | Peter Ward | Digital Video Camerawork (Media Manuals) |
| '' | 978-0-240-51609-7 | David Howard · Jamie Angus | Acoustics and Psychoacoustics (Music Technology) |
| 2002 | 978-0-240-51610-3 | Mike Ward | Journalism Online |
| 2000 | 978-0-240-51612-7 | Michael Talbot-Smith | Sound Engineer's Pocket Book |
| '' | 978-0-240-51613-4 | Avril Rowlands | Continuity Supervisor (Media Manuals) |
| 2001 | 978-0-240-51614-1 | Paul Wheeler | Digital Cinematography |
| 2000 | 978-0-240-51616-5 | Joanne Zorian-Lynn | TV Presentation |
| 2001 | 978-0-240-51622-6 | Angie Taylor | Creative After Effects 5.0: animation, visual effects and motion graphics production for TV and video |
| '' | 978-0-240-51623-3 | Francis Rumsey | Spatial Audio (Music Technology) |
| 2000 | 978-0-240-51627-1 | Philip Newell | Recording Spaces |
| 2001 | 978-0-240-51628-8 | Robert Alexander | The Inventor of Stereo: The Life and Works of Alan Dower Blumlein |
| 2002 | 978-0-240-51629-5 | Tom Crone · Philip Alberstat · Tom Cassels · Estelle Overs | Law and the Media |
| 2000 | 978-0-240-51633-2 | Martin Evening | Adobe Photoshop 6.0 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Mac and PC |
| 2003 | 978-0-240-51634-9 | Richard Rudin | An Introduction to Journalism: Essential techniques and background knowledge |
| 2001 | 978-0-240-51635-6 | Chris Priestman | Web Radio: Radio Production for Internet Streaming |
| 2001 | 978-0-240-51636-3 | Elliot Grove | Raindance Writers' Lab: Write and Sell the Hot Screenplay |
| '' | 978-0-240-51637-0 | John Watkinson | Introduction to Digital Video |
| '' | 978-0-240-51639-4 | Stephen Quinn | Digital Sub-Editing and Design (Focal Journalism) |
| 2002 | 978-0-240-51643-1 | John Watkinson | Introduction to Digital Audio |
| '' | 978-0-240-51644-8 | Tony Grant | Audio for Single Camera Operation (Media Manuals) |
| 2001 | 978-0-240-51648-6 | Kathy Chater | Research for Media Production (Media Manuals) |
| '' | 978-0-240-51649-3 | Peter Ward | Studio and Outside Broadcast Camerawork (Media Manuals) |
| 2001 | 978-0-240-51650-9 | Dominic Case | Film Technology in Post Production (Media Manuals) |
| '' | 978-0-240-51651-6 | Brian Fitt | Lighting Technology: A Guide for the Entertainment Industry |
| 2005 | 978-0-240-51652-3 | Ashley la Grange | Basic Critical Theory for Photographers |
| 2001 | 978-0-240-51654-7 | Jan Maes · Marc Vercammen | Digital Audio Technology: A Guide to CD, MiniDisc, SACD, DVD(A), MP3 and DAT |
| '' | 978-0-240-51656-1 | John Watkinson | The MPEG Handbook: MPEG-1, MPEG-2, MPEG-4 |
| 2002 | 978-0-240-51657-8 | Russell Evans | Practical DV Filmmaking |
| 2001 | 978-0-240-51658-5 | Des Lyver | Basics of the Video Production Diary (Basics of Video S) |
| 2003 | 978-0-240-51659-2 | Susannah Shaw | Stop Motion: Craft Skills for Model Animation (Focal Press Visual Effects and Animation) |