| year of publication | ISBN | author(s) | title |
|---|
| 2007 | 978-0-240-80740-9 | Michael R. Peres | The Focal Encyclopedia of Photography: Digital Imaging, Theory and Applications History and Science |
| '' | 978-0-240-80747-8 | Goff Hill | The Cable and Telecommunications Professionals' Reference: PSTN, IP and Cellular Networks, and Mathematical Techniques: 1 |
| 2008 | 978-0-240-80748-5 | '' | The Cable and Telecommunications Professionals' Reference: Volume 2 Transport Networks: Vol. 2 |
| 2007 | 978-0-240-80751-5 | Graham A. Jones · David H. Layer · Thomas G. Osenkowsky | National Association of Broadcasters Engineering Handbook |
| 2006 | 978-0-240-80752-2 | Philip Andrews | Raw Workflow from Capture to Archives: A Complete Digital Photographer's Guide to Raw Imaging |
| 2005 | 978-0-240-80753-9 | Walter Mcdowell | Branding Tv: Principles and Practices |
| '' | 978-0-240-80754-6 | Steve Mack · Dan Rayburn | Hands-On Guide to Webcasting: Internet Event and AV Production |
| 2007 | 978-0-240-80755-3 | William Moylan | Understanding and Crafting the Mix: The Art of Recording |
| 2006 | 978-0-240-80756-0 | Chris Johnson | The Practical Zone System for Film and Digital Photography: Classic Tool, Universal Applications |
| '' | 978-0-240-80757-7 | Jeff Rutenbeck | Tech Terms: What Every Telecommunications and Digital Media Professional Should Know |
| 2005 | 978-0-240-80758-4 | Glen Ballou | Handbook for Sound Engineers |
| '' | 978-0-240-80759-1 | Joe Follansbee | Hands-On Guide to Windows Media |
| 2006 | 978-0-240-80760-7 | Steve Wright | Digital Compositing for Film and Video (Focal Press Visual Effects and Animation) |
| 2006 | 978-0-240-80762-1 | Susan Tyler Eastman · Douglas A. Ferguson · Robert Klein | Media Promotion & Marketing for Broadcasting, Cable & the Internet |
| 2007 | 978-0-240-80763-8 | Blain Brown | Motion Picture and Video Lighting |
| 2006 | 978-0-240-80765-2 | Ken Dancyger | The Technique of Film and Video Editing: History, Theory, and Practice |
| '' | 978-0-240-80767-6 | Glenn Rand | Teaching Photography: Tools for the Imaging Educator (Photography Educators Series) |
| '' | 978-0-240-80768-3 | Luke Ahearn | 3D Game Textures: Create Professional Game Art Using Photoshop |
| 2005 | 978-0-240-80772-0 | Matt Hanson | Building Sci-fi Moviescapes |
| 2007 | 978-0-240-80773-7 | Mick Hurbis-Cherrier | Voice and Vision: A Creative Approach to Narrative Film and DV Production |
| 2005 | 978-0-240-80775-1 | Discreet | 3ds max 7 New Features and Production Workflow |
| 2007 | 978-0-240-80779-9 | Bruce Block | The Visual Story: Creating the Visual Structure of Film, TV and Digital Media |
| 2005 | 978-0-240-80781-2 | Pete May | Essential Digital Video Handbook: A Comprehensive Guide to Making Videos That Make Money |
| '' | 978-0-240-80782-9 | Stacy Zemon | The DJ Sales and Marketing Handbook: How to Achieve Success, Grow Your Business, and Get Paid to Party! |
| '' | 978-0-240-80785-0 | Autodesk | Autodesk Combustion 4 Fundamentals Courseware: Combustion No. 4 |
| 2006 | 978-0-240-80787-4 | Tom Hutchison · Amy Macy · Paul Allen | Record Label Marketing |
| 2007 | 978-0-240-80788-1 | Nick Iuppa | Story and Simulations for Serious Games: Tales from the Trenches |
| 2007 | 978-0-240-80789-8 | Laura Blacklow | New Dimensions in Photo Processes: A Step by Step Manual for Alternative Techniques |
| 2005 | 978-0-240-80790-4 | Autodesk | 3ds Max 8 Essentials: Autodesk Media and Entertainment Courseware |
| '' | 978-0-240-80792-8 | '' | 3ds Max 8 New Features and Production Workflow: Autodesk Media and Entertainment Courseware |
| 2006 | 978-0-240-80794-2 | Magan H. Arthur | Expanding a Digital Content Management System: for the Growing Digital Media Enterprise (NAB Executive Technology Briefings) |
| 2007 | 978-0-240-80797-3 | Norman Medoff · Edward J. Fink | Portable Video: News and Field Production: ENG and EFP |
| '' | 978-0-240-80798-0 | David Miles Huber | The MIDI Manual: A Practical Guide to MIDI in the Project Studio (Audio Engineering Society Presents) |
| 2006 | 978-0-240-80805-5 | Mark A. Simon | Storyboards: Motion In Art |
| '' | 978-0-240-80806-2 | Rob Napoli | Scenic Design and Lighting Techniques: A Basic Guide for Theatre |
| '' | 978-0-240-80808-6 | Nfgman | Character Design for Mobile Devices |
| 2006 | 978-0-240-80809-3 | Nancy Reardon · Tom Flynn | On Camera: How To Report, Anchor & Interview: How to Report, Anchor and Interview |
| '' | 978-0-240-80813-0 | Stephen G. Sherwin | Scene Painting Projects for Theatre |
| '' | 978-0-240-80814-7 | Ctein | Digital Restoration From Start to Finish: How to repair old and damaged photographs |
| '' | 978-0-240-80815-4 | Lou Jones | Travel and Photography: Off the Charts |
| '' | 978-0-240-80816-1 | Sam Kauffmann | Avid Editing: A Guide for Beginning and Intermediate Users |
| 2007 | 978-0-240-80819-2 | Fil Hunter · Steven Biver · Paul Fuqua | Light: Science and Magic: An Introduction to Photographic Lighting |
| 2007 | 978-0-240-80820-8 | Nancy Beiman | Prepare to Board! Creating Story and Characters for Animated Features and Shorts: Creating Story and Characters for Animation Features and Shorts |
| 2006 | 978-0-240-80822-2 | Timothy Garrand | Writing for Multimedia and Web, 3E: Content Development for Bloggers and Professionals: A Practical Guide to Content Development for Interactive Media |
| '' | 978-0-240-80827-7 | Ivan Cury | Directing and Producing for Television: A Format Approach |
| 2007 | 978-0-240-80828-4 | Louise Levison | Filmmakers and Financing: Business Plans for Independents (American Film Market Presents) |
| '' | 978-0-240-80829-1 | Tomlinson Holman | Surround Sound: Up and running: 2 |
| 2006 | 978-0-240-80830-7 | Don Davis · Eugene Patronis | Sound System Engineering |
| '' | 978-0-240-80831-4 | Lionel Felix · Damien Stolarz | Hands-On Guide to Video Blogging and Podcasting: Emerging Media Tools for Business Communication (Hands-On Guide Series) |
| '' | 978-0-240-80832-1 | Chris Middleton | Creating Digital Music and Sound: An inspirational introduction for musicians, web designers, animators, videomakers, and game designers. |
| 2007 | 978-0-240-80834-5 | Matt Hanson | Reinventing Music Video-Next Generation |
| 2006 | 978-0-240-80835-2 | Darren Roberts | Hands-On Guide to Flash Communication Server |
| 2007 | 978-0-240-80837-6 | Bob Katz | Mastering Audio: The Art and the Science |
| 2006 | 978-0-240-80838-3 | Joe Farace | Getting Started with Digital Imaging: Tips, tools and techniques for photographers |
| 2007 | 978-0-240-80839-0 | Steven E. Browne | High Definition Postproduction: Editing and Delivering HD Video |
| 2006 | 978-0-240-80840-6 | Michelle Bates | Plastic Cameras: Toying with Creativity |
| 2007 | 978-0-240-80841-3 | Kenneth C. Creech | Electronic Media Law and Regulation |
| 2007 | 978-0-240-80842-0 | Thomas A. Crowell Esq. · Thomas A. Crowell | The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers |
| '' | 978-0-240-80844-4 | David P. Maxson | The IBOC Handbook: Understanding HD Radio (TM) Technology: Understanding HD Radio Technology |
| 2006 | 978-0-240-80845-1 | Mike Mattesi | Force: Dynamic Life Drawing for Animators (Force Drawing Series) |
| '' | 978-0-240-80846-8 | Richard Rickitt | Designing Movie Creatures and Characters: Behind the scenes with the movie masters |
| 2007 | 978-0-240-80847-5 | John A. Luff | Centralized Broadcast Operations (Focal Press Media Technology Professional Series) |
| '' | 978-0-240-80848-2 | Rich Underwood | Roll! Shooting TV News: Shooting TV News:Views from Behind the Lens |
| 2006 | 978-0-240-80849-9 | Ken Dancyger | Alternative Scriptwriting: Successfully Breaking the Rules |
| 2007 | 978-0-240-80850-5 | Michael C Keith | The Radio Station: Broadcast, Satellite & Internet: Broadcast, Satellite and Internet |
| '' | 978-0-240-80851-2 | Stephen Quinn | Online Newsgathering: Research and Reporting for Journalism |
| 2007 | 978-0-240-80852-9 | Robert B. Musburger | An Introduction to Writing for Electronic Media: Scriptwriting Essentials Across the Genres |
| '' | 978-0-240-80853-6 | Tan Huaixiang | Costume Craftwork on a Budget: Clothing, 3-D Makeup, Wigs, Millinery & Accessories: Clothing, 3-D Makeup, Wigs, Millinery and Accessories |
| 2006 | 978-0-240-80854-3 | Brad Hinkel · Ron Reeder | Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative Process Printing |
| 2007 | 978-0-240-80855-0 | Robert Hirsch | Light and Lens: Photography in the Digital Age |
| '' | 978-0-240-80856-7 | John and Barbara Gerlach | Digital Nature Photography: The Art and the Science |
| 2009 | 978-0-240-80857-4 | Rita Kogler Carver | Stagecraft Fundamentals: A Guide and Reference for Theatrical Production |
| 2006 | 978-0-240-80858-1 | Autodesk | 3ds Max 8 MAXScript Essentials |
| 2008 | 978-0-240-80860-4 | Karen Sullivan · Kate Alexander · Gary Schumer | Ideas for the Animated Short: Finding and Building Stories |
| 2007 | 978-0-240-80862-8 | Craig Zerouni | Houdini On the Spot: Time-Saving Tips and Shortcuts from the Pros: Power User Tips and Techniques (On the Spot {Series}) |
| 2006 | 978-0-240-80863-5 | Joe Follansbee | Hands-On Guide to Streaming Media: An Introduction to Delivering On-Demand Media (Hands-On Guides (Focal)) |
| '' | 978-0-240-80864-2 | Shelly Palmer | Television Disrupted: The Transition from Network to Networked TV |
| 2007 | 978-0-240-80865-9 | David Lewis Yewdall | The Practical Art of Motion Picture Sound |
| 2006 | 978-0-240-80866-6 | Babak Ebrahimian | Sculpting Space in the Theater: Conversations with the top set, light and costume designers |
| '' | 978-0-240-80868-0 | David Austerberry | Digital Asset Management |
| 2007 | 978-0-240-80869-7 | Cliff Wootton | Developing Quality Metadata: Building Innovative Tools and Workflow Solutions |
| 2006 | 978-0-240-80872-7 | Peter Pringle · Michael F Starr | Electronic Media Management, Revised |
| 2007 | 978-0-240-80873-4 | Andrew Utterback | Studio Television Production and Directing: Studio-Based Television Production and Directing (Media Manuals) |
| 2006 | 978-0-240-80874-1 | Glenn Kennel | Color and Mastering for Digital Cinema: A Digital Cinema Industry Handbook |
| 2007 | 978-0-240-80875-8 | Sheila Curran Bernard | Documentary Storytelling: Making Stronger and More Dramatic Nonfiction Films |
| 2007 | 978-0-240-80876-5 | Martie Cook | Write to TV: Out of Your Head and Onto the Screen |
| 2006 | 978-0-240-80878-9 | Jim Ver Hague | Flash 3D: Animation, Interactivity, and Games |
| '' | 978-0-240-80881-9 | August E. Grant | Communication Technology Update, 10/e |
| 2007 | 978-0-240-80882-6 | Michael Rabiger | Directing: Film Techniques and Aesthetics |
| 2006 | 978-0-240-80888-8 | Chuck Gloman | Working with Hdv: Shoot, Edit, and Deliver Your High Definition Video |
| 2007 | 978-0-240-80890-1 | Damien Lovegrove | The Complete Guide to Professional Wedding Photography: Creating a More Profitable and Fulfilling Business |
| '' | 978-0-240-80891-8 | Bruce Bartlett · Jenny Bartlett | Recording Music on Location: Capturing the Live Performance |
| 2006 | 978-0-240-80892-5 | James Alburger | The Art of Voice Acting: The Craft and Business of Performing for Voice-Over |
| 2007 | 978-0-240-80893-2 | Joep van der Steen · Ted Boardman | Rendering with mental ray & 3ds Max |
| 2006 | 978-0-240-80894-9 | Christopher Grey | Photoshop Effects for Portrait Photographers |
| 2008 | 978-0-240-80895-6 | Luke Ahearn | 3D Game Environments: Create Professional 3D Game Worlds |
| '' | 978-0-240-80896-3 | Freer | Microstock Photography: How to Make Money from Your Digital Images |
| 2007 | 978-0-240-80897-0 | Arndt von Koenigsmarck | CINEMA 4D 10 Workshop |
| 2008 | 978-0-240-80901-4 | Leon Silverman | Workflow for Digital Cinema (Digital Cinema Industry Handbook) |
| 2007 | 978-0-240-80902-1 | Withrow Steven Et.Al | Character Design for Graphic Novels |
| '' | 978-0-240-80904-5 | Philip Cianci | HDTV and the Transition to Digital Broadcasting: Understanding New Television Technologies |
| 2006 | 978-0-240-80906-9 | Lars-Ingemar Lundstrom | Understanding Digital Television: An Introduction to DVB Systems with Satellite, Cable, Broadband and Terrestrial TV Distribution |
| 2007 | 978-0-240-80907-6 | Jan Roberts-Breslin | Making Media: Foundations of Sound and Image Production |
| 2006 | 978-0-240-80908-3 | Autodesk | 3ds Max 9 Essentials: Autodesk Media and Entertainment Courseware |
| 2007 | 978-0-240-80910-6 | John Skidgel | Producing Flash CS3 Video: Techniques for Video Pros and Web Designers |
| 2007 | 978-0-240-80912-0 | Roger Cusson · Jamie Cardoso | Realistic Architectural Visualization with 3ds Max and mental ray |
| '' | 978-0-240-80915-1 | Mark Sawicki | Filming the Fantastic: A Guide to Visual Effects Cinematography |
| '' | 978-0-240-80916-8 | Jim Owens | Television Sports Production |
| '' | 978-0-240-80917-5 | Joachim Bernhard Schnier | Flash XML Applications: Use AS2 and AS3 to Create Photo Galleries, Menus, and Databases |
| '' | 978-0-240-80918-2 | John Purcell | Dialogue Editing for Motion Pictures: A Guide to the Invisible Art |
| 2007 | 978-0-240-80920-5 | Arnaud Frich | Panoramic Photography: From Composition and Exposure to Final Exhibition |
| 2008 | 978-0-240-80921-2 | Philippe Perebinossoff | Real-World Media Ethics: Inside the Broadcast and Entertainment Industries |
| 2007 | 978-0-240-80922-9 | Stacey Parks | The Insider's Guide to Independent Film Distribution |
| '' | 978-0-240-80924-3 | Paul Allen | Artist Management for the Music Business |
| '' | 978-0-240-80926-7 | Richard Harrington | Photoshop for Video (Digital Video Expert) |
| '' | 978-0-240-80927-4 | Autodesk | Learning Autodesk 3ds Max 2008 Foundation |
| '' | 978-0-240-80929-8 | Jeremy Sutton | Painter X Creativity: Digital Artist's handbook |
| 2007 | 978-0-240-80930-4 | Richard D. Zakia | Perception and Imaging: Photography--A Way of Seeing |
| '' | 978-0-240-80932-8 | Autodesk | 3ds Max MAXScript Essentials (Autodesk 3ds Max 9 Maxscript Essentials) |
| '' | 978-0-240-80933-5 | Diana Weynand · Vance Piccin · Marcus Weise | How Video Works: From Analog to High Definition |
| '' | 978-0-240-80934-2 | Michael Freeman | The Photographer's Eye: Composition and Design for Better Digital Photos [ THE PHOTOGRAPHER'S EYE: COMPOSITION AND DESIGN FOR BETTER DIGITAL PHOTOS ] By Freeman, Michael (Author)May-23-2007 Paperback |
| '' | 978-0-240-80935-9 | Anthony Q. Artis | The Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production: A Down and Dirty DV Production |
| 2008 | 978-0-240-80936-6 | Marcus Geduld | After Effects Expressions |
| 2007 | 978-0-240-80937-3 | John Huntington | Control Systems for Live Entertainment |
| 2007 | 978-0-240-80938-0 | Chris and Trish Meyer | After Effects Apprentice (DV Expert Series) |
| 2008 | 978-0-240-80939-7 | Shirley Read | Exhibiting Photography: A Practical Guide to Choosing a Space, Displaying Your Work, and Everything in Between |
| '' | 978-0-240-80940-3 | Nicholas Proferes | Film Directing Fundamentals: See Your Film Before Shooting |
| '' | 978-0-240-80941-0 | Gretchen Davis · Mindy Hall | The Makeup Artist Handbook: Techniques for Film, Television, Photography, and Theatre |
| '' | 978-0-240-80942-7 | Angela Faris Belt | The Elements of Photography: Understanding and Creating Sophisticated Images |
| 2007 | 978-0-240-80945-8 | Tom Wolsky | Final Cut Express HD 3.5 Editing Workshop (DV Expert Series) |
| '' | 978-0-240-80946-5 | Amitabh Kumar | Mobile TV: DVB-H, DMB, 3G Systems and Rich Media Applications |
| 2007 | 978-0-240-80947-2 | Stefan Richter | Hands-On Guide to Flash Video: Web Video and Flash Media Server |
| '' | 978-0-240-80949-6 | Jason Fincanon | Creating Flash Advertising: From Concept to Tracking_Microsites, Video Ads and More (Hands-On Guides (Focal)) |
| '' | 978-0-240-80953-3 | Anne Powers | Cinema 4D: The Artist's Project Sourcebook (Digital Video Expert) |
| '' | 978-0-240-80954-0 | Wes Simpson · Howard Greenfield | IPTV and Internet Video: Expanding the Reach of Television Broadcasting (NAB Executive Technology Briefings) |
| 2008 | 978-0-240-80955-7 | Sharon Badal | Swimming Upstream: A Lifesaving Guide to Short Film Distribution |
| 2007 | 978-0-240-80957-1 | Dan Rayburn | Streaming and Digital Media: Understanding the Business and Technology (Nab Executive Technology Briefings) |
| 2008 | 978-0-240-80958-8 | Walter McDowell · Alan Batten | Understanding Broadcast and Cable Finance: A Primer for the Non-Financial Manager |
| '' | 978-0-240-80959-5 | Carolyn Handler Miller | Digital Storytelling: A creator's guide to interactive entertainment |
| 2007 | 978-0-240-80960-1 | John Hart | The Art of the Storyboard, 2nd Edition: A Filmmaker's Introduction |
| 2008 | 978-0-240-80963-2 | Steve Wright | Compositing Visual Effects: Essentials for the Aspiring Artist |
| 2007 | 978-0-240-80967-0 | Michael Geoghegan | Podcast Academy: The Business Podcasting Book: The Business Podcasting Book: Launching, Marketing, and Measuring Your Podcast |
| 2007 | 978-0-240-80968-7 | Videomaker | The Videomaker Guide to Video Production |
| 2008 | 978-0-240-80969-4 | Glen Ballou | Handbook for Sound Engineers (Audio Engineering Society Presents) |
| '' | 978-0-240-80970-0 | Jay Rose | Producing Great Sound for Film and Video |
| '' | 978-0-240-80971-7 | Jay Rose | Audio Postproduction for Film and Video: After-the-Shoot solutions, Professional Techniques,and Cookbook Recipes to Make Your Project Sound Better |
| '' | 978-0-240-80973-1 | Sheila Curran Bernard | Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music |
| '' | 978-0-240-80974-8 | Tracy Fullerton | Game Design Workshop: A Playcentric Approach to Creating Innovative Games |
| 2008 | 978-0-240-80976-2 | Lars-Ingemar Lundstrom | Digital Signage Broadcasting: Content Management and Distribution Techniques (Focal Press Media Technology Professional) |
| '' | 978-0-240-80977-9 | John Footen · Joey Faust | The Service-Oriented Media Enterprise: SOA, BPM, and Web Services in Professional Media Systems (Focal Press Media Technology Professional) |
| 2007 | 978-0-240-80978-6 | Yancey Clinton | Game Character Modeling and Animation with 3ds Max |
| '' | 978-0-240-80980-9 | Arndt von Koenigsmarck | Virtual Vixens: 3D Character Modeling and Scene Placement |
| 2008 | 978-0-240-80984-7 | Nanette L. Salvaggio | Basic Photographic Materials and Processes |
| '' | 978-0-240-80989-2 | Jon Krasner | Motion Graphic Design: Applied History and Aesthetics |
| '' | 978-0-240-80990-8 | Steve Hullfish | The Art and Technique of Digital Color Correction |
| 2008 | 978-0-240-80993-9 | Mattesi | Force: Character Design from Life Drawing (Force Drawing Series) |
| 2009 | 978-0-240-80995-3 | Richard Cadena | Electricity for the Entertainment Electrician & Technician |
| '' | 978-0-240-80996-0 | Todd Debreceni | Special Makeup Effects for Stage and Screen: Making and Applying Prosthetics |
| 2007 | 978-0-240-80998-4 | Michael Peres | The Concise Focal Encyclopedia of Photography: From the First Photo on Paper to the Digital Revolution |
| 2008 | 978-0-240-80999-1 | Joe Farace · Barry Staver | Better Available Light Digital Photography: How to Make the Most of Your Night and Low-Light Shots |
| '' | 978-0-240-81000-3 | Midori Kitagawa · Brian Windsor | MoCap for Artists: Workflow and Techniques for Motion Capture |
| '' | 978-0-240-81002-7 | Ray | HD Radio Implementation: The Field Guide for Facility Conversion |
| '' | 978-0-240-81003-4 | Paul Martingell | Better Location Shooting: Techniques for Video Production |
| 2008 | 978-0-240-81004-1 | William J. Byrnes | Management and the Arts |
| 2007 | 978-0-240-81005-8 | Jason Osder · Robbie Carman | Final Cut Pro Workflows: The Independent Studio Handbook |
| 2008 | 978-0-240-81006-5 | Linda Bellingham | Food Styling for Photographers: A Guide to Creating Your Own Appetizing Art |
| 2007 | 978-0-240-81007-2 | Richard Harrington | Final Cut Studio On the Spot (On The Spot {Series}) |
| '' | 978-0-240-81009-6 | Rick Young | The Focal Easy Guide to Final Cut Pro 6 |
| '' | 978-0-240-81010-2 | Chris Meyer · Trish Meyer | Creating Motion Graphics with After Effects: Essential and Advanced Techniques |
| 2009 | 978-0-240-81011-9 | Deena Kaye · James LeBrecht | Sound and Music for the Theatre: The Art and Technique of Design |
| 2010 | 978-0-240-81012-6 | David Riecks | Digital Photo Management: Using metadata to store, protect and find your images: Using Metadata to Store, Protect and Find Your Images (Digital Workflow) |
| 2008 | 978-0-240-81013-3 | Robert Hirsch | Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes |
| 2009 | 978-0-240-81014-0 | Karen Pearlman | Cutting Rhythms: Shaping the Film Edit |
| '' | 978-0-240-81015-7 | Wright | Voice-Over for Animation (Morgan Kaufmann Series in Interactive 3d Technology) |
| 2008 | 978-0-240-81016-4 | Chris Weston | Nature Photography: Insider Secrets from the World’s Top Digital Photography Professionals |
| 2010 | 978-0-240-81020-1 | Joan Van Tassel | Managing Electronic Media: Making, Marketing, and Moving Digital Content |
| 2008 | 978-0-240-81021-8 | Jason Tomaric | Power Filmmaking Kit: Make Your Professional Movie on a Next-to-Nothing Budget |
| '' | 978-0-240-81024-9 | Peter Stewart | Broadcast Journalism: Techniques of Radio and Television News |
| 2008 | 978-0-240-81026-3 | Ernst Wildi | The Hasselblad Manual |
| 2007 | 978-0-240-81027-0 | Philip Andrews | The Complete Raw Workflow Guide: How to get the most from your raw images in Adobe Camera Raw, Lightroom, Photoshop, and Elements |
| 2008 | 978-0-240-81028-7 | Steve Horton · Jeong Mo Yang | Professional Manga: Digital Storytelling with Manga Studio EX |
| '' | 978-0-240-81029-4 | Harrington | Producing Video Podcasts: A Guide for Media Professionals |
| '' | 978-0-240-81030-0 | Michael Essany | Reality Check: The Business and Art of Producing Reality TV |
| '' | 978-0-240-81031-7 | Chris Jackson | Flash + After Effects: Flash Creativity Unleashed |
| '' | 978-0-240-81032-4 | Michele Bousquet | How to Cheat in 3ds Max 2009: Get Spectacular Results Fast |
| 2009 | 978-0-240-81033-1 | Tony White | How to Make Animated Films: Tony White's Complete Masterclass on the Traditional Principals of Animation: Tony White's Masterclass on the Traditional Principles of Animation |
| 2008 | 978-0-240-81040-9 | Amitabh Kumar | Mobile Broadcasting with WiMAX: Principles, Technology, and Applications (Focal Press Media Technology Professional) |
| 2008 | 978-0-240-81041-6 | Jimmy Schaeffler | Digital Signage: Software, Networks, Advertising, and Displays: A Primer for Understanding the Business (NAB Executive Technology Briefings) |
| 2009 | 978-0-240-81042-3 | Al Kovalick | Video Systems in an IT Environment: The Basics of Professional Networked Media and File-based Workflows: The Essentials of Professional Networked Media and File-based Workflows |
| 2008 | 978-0-240-81044-7 | Tom Hutchison | Web Marketing for the Music Business |
| 2009 | 978-0-240-81045-4 | Lloyd Kaufman | Produce Your Own Damn Movie! (Your Own Damn Film School {Series}) |
| 2008 | 978-0-240-81046-1 | Douglas Spotted Eagle | Vegas Pro 8 Editing Workshop |
| '' | 978-0-240-81047-8 | Eric Renner | Pinhole Photography: From Historic Technique to Digital Application (Alternative Process Photography) |
| 2009 | 978-0-240-81049-2 | James Thomas | Script Analysis for Actors, Directors, and Designers |
| '' | 978-0-240-81052-2 | Lloyd Kaufman | Direct Your Own Damn Movie! (Your Own Damn Film School {Series}) |
| 2008 | 978-0-240-81055-3 | Steve Anchell | The Darkroom Cookbook (Alternative Process Photography) |
| 2009 | 978-0-240-81057-7 | David E. Elkins SOC | The Camera Assistant's Manual |
| '' | 978-0-240-81058-4 | Alan R. Stephenson · David E. Reese · Mary E. Beadle | Broadcast Announcing Worktext: A Media Performance Guide (Book & CD Rom) |
| 2008 | 978-0-240-81061-4 | Andrew Gahan | 3ds Max Modeling for Games: Insider's Guide to Game Character, Vehicle, and Environment Modeling: Volume I |
| '' | 978-0-240-81062-1 | August E. Grant · Jennifer H. Meadows | Communication Technology Update and Fundamentals |