| year of publication | ISBN | author(s) | title |
|---|
| 2003 | 978-0-240-51660-8 | Jan Musgrove | Make-Up, Hair and Costume for Film and Television (Media Manuals) |
| 2004 | 978-0-240-51661-5 | Philip Alberstat | The Insider's Guide to Film Finance |
| 2003 | 978-0-240-51662-2 | Jonathan Higgins | Introduction to SNG and ENG Microwave (Media Manuals) |
| 2001 | 978-0-240-51664-6 | Nik Lever | Real-time 3D Character Animation with Visual C++ |
| 2005 | 978-0-240-51665-3 | Steve Roberts | Character Animation in 3D: Use traditional drawing techniques to produce stunning CGI animation (Focal Press Visual Effects and Animation) |
| '' | 978-0-240-51666-0 | Chris Webster | Animation: The Mechanics of Motion (Focal Press Visual Effects and Animation) |
| 2001 | 978-0-240-51667-7 | Michael Talbot-Smith | Sound Engineering Explained |
| '' | 978-0-240-51668-4 | John Child | Studio Photography: Essential Skills |
| 2002 | 978-0-240-51669-1 | Mark Galer | Location Photography: Essential Skills |
| '' | 978-0-240-51670-7 | John Child · Mark Galer | Photographic Lighting: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51671-4 | Marcia Kuperberg | Guide to Computer Animation: for tv, games, multimedia and web (Focal Press Visual Effects and Animation) |
| 2001 | 978-0-240-51672-1 | Michael Harris | Professional Architectural Photography (Professional Photography) |
| 2004 | 978-0-240-51675-2 | Mitch Mitchell | Visual Effects for Film and Television (Media Manuals) |
| 2003 | 978-0-240-51676-9 | Paul Wheeler | High Definition and 24P Cinematography |
| 2001 | 978-0-240-51678-3 | Roger Shufflebottom | Video Editing with Avid: Media Composer, Symphony, Xpress |
| 2003 | 978-0-240-51679-0 | Mark Gawlinski | Interactive Television Production |
| 2002 | 978-0-240-51680-6 | Francis Rumsey · Tim Mccormick | Sound and Recording: An Introduction (Music Technology) |
| 2002 | 978-0-240-51681-3 | Peter Ward | Picture Composition |
| 2005 | 978-0-240-51684-4 | Roger Crittenden | Fine Cuts: The Art of European Film Editing |
| 2001 | 978-0-240-51685-1 | Michael Talbot-Smith | Audio Engineer's Reference Book |
| '' | 978-0-240-51686-8 | Philip Andrews | Adobe Photoshop Elements: A Visual Introduction to Digital Imaging |
| 2002 | 978-0-240-51687-5 | Jon Tarrant | Digital Camera Techniques |
| 2005 | 978-0-240-51688-2 | Maxine Baker | Documentary in the Digital Age |
| 2002 | 978-0-240-51689-9 | Darren Brooker | Essential CG Lighting Techniques (Focal Press Visual Effects and Animation) |
| '' | 978-0-240-51690-5 | Martin Evening | Adobe Photoshop 7.0 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC |
| 2005 | 978-0-240-51691-2 | Brendan Hennessy | Writing Feature Articles |
| 2004 | 978-0-240-51692-9 | Martin Russ | Sound Synthesis and Sampling (Music Technology) |
| 2002 | 978-0-240-51693-6 | Eduardo Miranda | Computer Sound Design: Synthesis techniques and programming (Music Technology) |
| 2004 | 978-0-240-51694-3 | David Austerberry | Technology of Video and Audio Streaming |
| 2002 | 978-0-240-51695-0 | Herve Benoit | Digital Television: MPEG-1, MPEG-2 and Principles of the DVB System |
| '' | 978-0-240-51697-4 | Roger Derry | PC Audio Editing: For Broadcast, Desktop and CD Audio Production |
| 2003 | 978-0-240-51698-1 | Robin Nichols | Paint Shop Pro 8: The Guide to Creating Professional Images |
| 2004 | 978-0-240-51699-8 | Elliot Grove | Raindance Producers' Lab Lo-To-No Budget Filmmaking |
| 2002 | 978-0-240-51702-5 | Steve Caplin | How to Cheat in Photoshop: The Art of Creating Photorealistic Montages |
| 1983 | 978-0-240-51704-9 | Polaroid Corporation | Storing, Handling and Preserving Polaroid Photographs (Polaroid instant photography) |
| 2003 | 978-0-240-51706-3 | Mike Collins | A Professional Guide to Audio Plug-ins and Virtual Instruments |
| 1984 | 978-0-240-51708-7 | G. Robertson | Photographic Equipment: How to Choose and Buy it |
| 1986 | 978-0-240-51711-7 | Leslie Stroebel | View Camera Technique |
| 2002 | 978-0-240-51714-8 | Harold Whitaker · John Halas | Timing for Animation |
| 1984 | 978-0-240-51715-5 | Ted Schwarz | Starting Your Own Photography Business: A Complete Introduction |
| 1987 | 978-0-240-51719-3 | Ernst Wildi | Medium Format Photography |
| 1985 | 978-0-240-51721-6 | Verne Carlson · Sylvia E. Carlson | Professional Lighting Handbook |
| 1986 | 978-0-240-51730-8 | Alfred A. Blaker | Applied Depth of Field |
| 1984 | 978-0-240-51738-4 | Edward Dmytryk | On Film Editing |
| 1986 | 978-0-240-51747-6 | Michael C. Keith · Joseph M. Krause | The Radio Station |
| 1985 | 978-0-240-51754-4 | Arthur Rothstein | Documentary Photography |
| 1979 | 978-0-240-51767-4 | Jim Stone | Darkroom Dynamics: A Guide to Creative Darkroom Techniques (Alternative Process Photography) |
| 1989 | 978-0-240-51790-2 | Alfred A. Blaker | Handbook for Scientific Photography |
| 1990 | 978-0-240-51796-4 | Fil Hunter · Paul Fuqua | Light: Science and Magic |
| 1989 | 978-0-240-51799-5 | Arthur Schneider | Electronic Post-Production and Videotape Editing |
| 2002 | 978-0-240-51902-9 | Michael Harris | Professional Interior Photography (Professional Photography) |
| '' | 978-0-240-51903-6 | Nik Lever | Flash MX Games: ActionScript for Artists: Art to ActionScript |
| 2002 | 978-0-240-51905-0 | Alex Michael | Animating with Flash MX: Professional Creative Animation Techniques |
| 2003 | 978-0-240-51906-7 | Janet Trewin | Presenting on Tv and Radio: An insider's guide |
| 978-0-240-51907-4 | Creative After Effects 7 |
| 2004 | 978-0-240-51908-1 | EPJ Tozer | Broadcast Engineer's Reference Book |
| 2003 | 978-0-240-51909-8 | John Watkinson | Digital Interface Handbook |
| 2006 | 978-0-240-51910-4 | Carol MacGillivray | 3D for the Web: Interactive 3D Animation Using 3ds Max, Flash and Director (Focal Press Visual Effects and Animation) |
| 2003 | 978-0-240-51911-1 | Alec Nisbett | Sound Studio: Audio Techniques for Radio, Television, Film and Recording |
| 2002 | 978-0-240-51912-8 | Peter Bargh | Photoshop 7.0 A-Z: The Essential Visual Reference Guide |
| '' | 978-0-240-51913-5 | Mark Galer · Les Horvat | Digital Imaging: Essential Skills |
| 2006 | 978-0-240-51914-2 | Duncan | High Performance PA and Concert Sound Systems |
| 2004 | 978-0-240-51915-9 | Rick Snoman | The Dance Music Manual: Tools, toys and techniques |
| 2003 | 978-0-240-51917-3 | Philip Newell | Recording Studio Design (Audio Engineering Society Presents) |
| 2002 | 978-0-240-51918-0 | Philip Andrews | Adobe Photoshop Elements 2.0: A Visual Introduction to Digital Imaging |
| 2003 | 978-0-240-51919-7 | Francis Rumsey | Desktop Audio Technology: Digital Audio and MIDI Principles (Music Technology) |
| 2002 | 978-0-240-51920-3 | Rick Young | Easy Guide to Final Cut Pro 3: For new users and professionals |
| 2004 | 978-0-240-51921-0 | Mike Collins | Choosing and Using Audio and Music Software: A guide to the major software applications for Mac and PC |
| '' | 978-0-240-51924-1 | David Austerberry | Digital Asset Management |
| 2003 | 978-0-240-51925-8 | Rick Young | Focal Easy Guide to Final Cut Pro 4: For new users and professionals |
| '' | 978-0-240-51926-5 | Paul Chantler | Basic Radio Journalism |
| 2007 | 978-0-240-51928-9 | Valerie Geller | Creating Powerful Radio: Getting, Keeping and Growing Audiences News, Talk, Information & Personality Broadcast, HD, Satellite & Internet: Getting, ... Broadcast, HD, Satellite and Internet |
| 2003 | 978-0-240-51929-6 | B. L. Render | Secrets of Figure Creation with Poser 5 |
| '' | 978-0-240-51931-9 | Alex Michael | Understanding Flash MX 2004 ActionScript 2: Basic techniques for creatives |
| 2004 | 978-0-240-51934-0 | Rick Young | Focal Easy Guide to DVD Studio Pro 3: For new users and professionals (The Focal Easy Guide) |
| 2004 | 978-0-240-51935-7 | Saty Raghavachary | Rendering for Beginners: Image synthesis using RenderMan |
| 2003 | 978-0-240-51937-1 | Alan Bermingham | Location Lighting for Television |
| 2004 | 978-0-240-51939-5 | Jenni Mills | The Broadcast Voice |
| '' | 978-0-240-51940-1 | Philip Andrews | Advanced Photoshop Elements for Digital Photographers |
| '' | 978-0-240-51941-8 | Martin D. Wilde | Audio Programming for Interactive Games: The Computer Music of Games |
| '' | 978-0-240-51942-5 | Martin Evening | Adobe Photoshop CS for Photographers: Professional Image Editor's Guide to the Creative Use of Photoshop for the Mac and PC |
| '' | 978-0-240-51943-2 | Mike Collins | Pro Tools for Music Production: Recording, Editing and Mixing |
| 2003 | 978-0-240-51946-3 | Rick Young | Focal Easy Guide to Final Cut Express: For new users and professionals (The Focal Easy Guide) |
| 2004 | 978-0-240-51947-0 | Hilary Wyatt | Audio Post Production for Television and Film: An introduction to technology and techniques |
| 2004 | 978-0-240-51949-4 | Nik Lever | Director MX 2004 Games: Game Development with Director |
| '' | 978-0-240-51951-7 | Mark Galer · Philip Andrews | Photoshop CS: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51953-1 | Steve Caplin | How to Cheat in Photoshop: The art of creating photorealistic montages |
| '' | 978-0-240-51954-8 | Pete Draper | Deconstructing the Elements with 3ds max 6: Create natural fire, earth, air and water without plug-ins |
| '' | 978-0-240-51955-5 | Gary M Davis | Focal Easy Guide to Discreet Combustion 3 |
| 2004 | 978-0-240-51956-2 | Mark Galer | Photography Foundations for Art and Design: A Practical Guide to Creative Photography |
| '' | 978-0-240-51957-9 | Peter Bargh | Photoshop CS A-Z: The essential visual reference guide |
| '' | 978-0-240-51958-6 | Philip Andrews | Adobe Photoshop Elements 3.0: A Visual Introduction to Digital Imaging |
| '' | 978-0-240-51959-3 | Birgitta Hosea | Focal Easy Guide to Flash MX 2004: For New Users and Professionals (Focal Easy Guide Series) |
| 2005 | 978-0-240-51960-9 | Andrea Pejrolo | Creative Sequencing Techniques for Music Production: A practical guide to Logic, Digital Performer, Cubase and Pro Tools |
| 2004 | 978-0-240-51961-6 | Ray A. Rayburn · John Eargle | Eargle's The Microphone Book: From Mono to Stereo to Surround - A Guide to Microphone Design and Application (Audio Engineering Society Presents) |
| 2005 | 978-0-240-51962-3 | Paul Wheeler | Practical Cinematography |
| 2004 | 978-0-240-51963-0 | Nik Lever | Flash MX 2004 Games: Art to ActionScript |
| '' | 978-0-240-51964-7 | John Child · Mark Galer | Photographic Lighting: Essential Skills (Photography Essential Skills) |
| 2006 | 978-0-240-51966-1 | Alex Michael | Animating with Flash 8: Creative Animation Techniques |
| 2006 | 978-0-240-51967-8 | Philip Andrews · Michael Langford | Langford's Starting Photography: A guide to better pictures for film and digital camera users |
| '' | 978-0-240-51969-2 | Roger Derry | PC Audio Editing with Adobe Audition 2.0: Broadcast, desktop and CD audio production |
| 2009 | 978-0-240-51970-8 | Paul Middleton · Steven Gurevitz | Music Technology Workbook: Key concepts and practical projects |
| 2005 | 978-0-240-51971-5 | Mark Galer · Les Horvat | Digital Imaging: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-51972-2 | Robert McLeish · Jeff Link | Radio Production |
| 2007 | 978-0-240-51973-9 | Jonathan Higgins | Satellite Newsgathering |
| 2005 | 978-0-240-51974-6 | Tim Crich | Recording Tips for Engineers: For cleaner, brighter tracks |
| '' | 978-0-240-51975-3 | Trev Wilkins | Focal Easy Guide to Cakewalk Sonar: For new users and professionals (The Focal Easy Guide) |
| '' | 978-0-240-51979-1 | John Child | Studio Photography: Essential Skills |
| 2005 | 978-0-240-51980-7 | Adrian Davies | Focal Digital Imaging A to Z |
| '' | 978-0-240-51981-4 | Ken McMahon · Robin Nichols | Paint Shop Pro 9 for Photographers |
| '' | 978-0-240-51982-1 | Martin Addison | Painter IX for Photographers: Creating Painterly Images Step by Step |
| '' | 978-0-240-51984-5 | Martin Evening | Adobe Photoshop CS2 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC |
| '' | 978-0-240-51985-2 | Steve Caplin | How to Cheat in Photoshop: The art of creating photorealistic montages - updated for CS2 |
| 2005 | 978-0-240-51987-6 | Alistair Dabbs · John Carucci | Adobe Creative Suite 2 Integration: Photoshop, Illustrator, Indesign, Golive, Acrobat, Bridge and Version Cue |
| 2006 | 978-0-240-51988-3 | Martin Edge | The Underwater Photographer: Digital and Traditional Techniques |
| 2005 | 978-0-240-51989-0 | Philip Andrews | Adobe Photoshop Elements 3.0 A - Z: Tools and features illustrated ready reference |
| '' | 978-0-240-51990-6 | '' | Advanced Photoshop Elements 4.0 for Digital Photographers |
| 2006 | 978-0-240-51991-3 | Andrew Rapo | Understanding Macromedia Flash 8 ActionScript 2: Basic Techniques for Creatives |
| '' | 978-0-240-51992-0 | Angie Taylor | Creative After Effects 7: Workflow Techniques for Animation, Visual Effects and Motion Graphics |
| '' | 978-0-240-51995-1 | David Howard · Jamie Angus | Acoustics and Psychoacoustics |
| 2005 | 978-0-240-51996-8 | Francis Rumsey · Tim Mccormick | Sound and Recording: An Introduction |
| 2006 | 978-0-240-51998-2 | Birgitta Hosea | Focal Easy Guide to Macromedia Flash 8: For new users and professionals (The Focal Easy Guide) |
| '' | 978-0-240-51999-9 | Mike Collins | Pro Tools LE and M-Powered: The complete guide |
| 2005 | 978-0-240-52000-1 | Mark Galer · Philip Andrews | Photoshop CS2: Essential Skills (Photography Essential Skills) |
| 2005 | 978-0-240-52001-8 | Brad Hinkel | Focal Easy Guide to Photoshop CS2: Image Editing for New Users and Professionals (Digital Imaging Editing) |
| '' | 978-0-240-52002-5 | Philip Andrews | Adobe Photoshop CS2 A - Z: Tools and features illustrated ready reference |
| 2006 | 978-0-240-52004-9 | Jeff Bellune | The Focal Easy Guide to Adobe ® Encore TM DVD 2.0 |
| 2008 | 978-0-240-52005-6 | John Watkinson | The Art of Digital Video |
| '' | 978-0-240-52006-3 | John Hechtman | The Audio Wiring Guide: How to wire the most popular audio and video connectors |
| '' | 978-0-240-52009-4 | Floyd Toole | Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms (Audio Engineering Society Presents) |
| 2005 | 978-0-240-52010-0 | Gary M Davis | The Focal Easy Guide to Combustion 4: For New Users and Professionals |
| '' | 978-0-240-52011-7 | Philip Andrews | Adobe Photoshop Elements 4.0: A Visual Introduction to Digital Imaging |
| 2006 | 978-0-240-52012-4 | Mark Galer | Photoshop Elements 4.0 Maximum Performance: Professional Image Editing for Photographers |
| 2006 | 978-0-240-52013-1 | Mark Galer | Digital Photography in Available Light: Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52014-8 | Philip Newell · Keith Holland | Loudspeakers: For music recording and reproduction (Audio Engineering Society Presents) |
| 2005 | 978-0-240-52015-5 | Rick Young | Focal Easy Guide to Final Cut Pro 5: For New Users and Professionals |
| 2006 | 978-0-240-52016-2 | Ken McMahon · Robin Nichols | Paint Shop Pro X for Photographers |
| '' | 978-0-240-52017-9 | Philip Andrews | Adobe Photoshop Elements 4.0 A to Z: Tools and features illustrated ready reference |
| '' | 978-0-240-52018-6 | Antony Brown | The Focal Easy Guide to Adobe Audition 2.0: For New Users and Professionals: No. 2 |
| '' | 978-0-240-52019-3 | Pete Draper | Deconstructing the Elements with 3ds Max: Create natural fire, earth, air and water without plug-ins |
| 2006 | 978-0-240-52020-9 | Bob McCarthy | Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment |
| 2007 | 978-0-240-52021-6 | Andrea Pejrolo · Richard DeRosa | Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra |
| 2006 | 978-0-240-52022-3 | Darren Brooker | Essential CG Lighting Techniques with 3ds Max |
| '' | 978-0-240-52023-0 | Nathan Adam · Brady Barnett | Multi-Platinum Pro Tools: Advanced Editing, Pocketing and Autotuning Techniques |
| 2007 | 978-0-240-52024-7 | Jon Tarrant | Understanding Digital Cameras: Getting the Best Image from Capture to Output |
| 2008 | 978-0-240-52027-8 | Rod Wynne-Powell | Mac OS X for Photographers: Optimize Your Mac for Digital Image Workflow and Run Photoshop Fast (Digital Photography Workflow Series) |
| 2007 | 978-0-240-52028-5 | Martin Evening | Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC |
| '' | 978-0-240-52032-2 | Alexander Case | Sound FX: Unlocking the Creative Potential of Recording Studio Effects (Audio Engineering Society Presents) |
| '' | 978-0-240-52033-9 | Martin Addison | Painter X for Photographers: Creating Painterly Images Step by Step |
| 2008 | 978-0-240-52034-6 | Jason Patnode | Character Modeling with Maya and ZBrush: Professional Polygonal Modeling Techniques |
| 2007 | 978-0-240-52035-3 | Michael Langford · Anna Fox · Richard Sawdon Smith | Langford's Basic Photography: The guide for serious photographers |
| '' | 978-0-240-52036-0 | Paul Wheeler | High Definition Cinematography |
| 2009 | 978-0-240-52037-7 | Elizabeth Allen · Sophie Triantaphillidou | The Manual of Photography |
| 2007 | 978-0-240-52038-4 | Efthimia Bilissi · Michael Langford | Langford's Advanced Photography |
| 2008 | 978-0-240-52039-1 | Ken McMahon · Nik Rawlinson | Apple Aperture 2: A workflow guide for digital photographers (Digital Workflow) |
| 2007 | 978-0-240-52040-7 | Christopher Grey | Canon DSLR: The Ultimate Photographer's Guide (Digital Workflow) |
| 2007 | 978-0-240-52044-5 | Trev Wilkins | Access All Areas: A Real World Guide to Gigging and Touring |
| 2006 | 978-0-240-52045-2 | Chi Hang Li · Chris Patmore · Hayden Scott Baron | Making Anime: Create mesmerising manga-style animation with pencils, paint and pixels |
| 2007 | 978-0-240-52046-9 | Derek Lea | Creative Photoshop: Digital Illustration and Art Techniques: Digital Illustration and Art Techniques, Covering Photoshop CS3 (Digital Workflow) |
| 2008 | 978-0-240-52047-6 | Cousins · Hepworth-Sawyer | Logic Pro 8: Audio and Music Production |
| 2006 | 978-0-240-52048-3 | Mark Galer | Adobe Photoshop Elements 5.0 Maximum Performance: Unleash the hidden performance of Elements |
| '' | 978-0-240-52049-0 | Philip Andrews | Adobe Photoshop Elements 5.0: A visual introduction to digital photography |
| 2007 | 978-0-240-52050-6 | Mark Galer | Photography Foundations for Art and Design: The creative photography handbook |
| '' | 978-0-240-52054-4 | Steve Roberts | Character Animation: 2D Skills for Better 3D |
| 2008 | 978-0-240-52055-1 | Shaw | Stop Motion: Craft Skills for Model Animation (Focal Press Visual Effects and Animation) |
| 2007 | 978-0-240-52056-8 | Philip Andrews · Michael Langford | Langford's Starting Photography: The guide to great images with digital or film |
| 2006 | 978-0-240-52057-5 | Philip Andrews | Advanced Photoshop Elements 5.0 for Digital Photographers |
| 2007 | 978-0-240-52058-2 | Chris Georgenes | How to Cheat in Adobe Flash CS3: The art of design and animation |
| '' | 978-0-240-52059-9 | Keith Martin | Creative Suite 3 Integration: Photoshop, Illustrator, Indesign, Dreamweaver, Flash Pro, Acrobat, Bridge and Version Cue |
| '' | 978-0-240-52060-5 | Barry Purves | Stop Motion: Passion, Process and Performance |
| 2007 | 978-0-240-52061-2 | Philip Andrews | Adobe Photoshop Elements 5.0 A-Z: Tools and features illustrated ready reference |
| '' | 978-0-240-52062-9 | Steve Caplin | How to Cheat in Photoshop CS3: The art of creating photorealistic montages |
| '' | 978-0-240-52064-3 | Mark Galer · Philip Andrews | Photoshop CS3 Essential Skills (Photography Essential Skills) |
| '' | 978-0-240-52065-0 | Philip Andrews | Adobe Photoshop CS3 A-Z: Tools and features illustrated ready reference |
| 2006 | 978-0-240-52066-7 | Ken McMahon | Paint Shop Pro Photo XI for Photographers |
| 2007 | 978-0-240-52067-4 | David Huss · David Plotkin | Adobe Photoshop Lightroom 1.1 for the Professional Photographer: The Ultimate Guide for Wedding, Portrait, Sports, Fine Art, Fashion and Photojournalism Photographers |
| '' | 978-0-240-52068-1 | Roey Izhaki | Mixing Audio: Concepts, Practices and Tools |
| 2007 | 978-0-240-52069-8 | S Webber | DJ Skills: The essential guide to Mixing and Scratching |
| '' | 978-0-240-52070-4 | Olivier Cotte | Secrets of Oscar-winning Animation: Behind the scenes of 13 classic short animations |
| '' | 978-0-240-52072-8 | Mark Jenkins | Analog Synthesizers: Understanding, Performing, Buying- from the legacy of Moog to software synthesis |
| '' | 978-0-240-52073-5 | Sam McGuire | Audio Sampling: A Practical Guide |
| '' | 978-0-240-52074-2 | Charles Kriel | How to DVJ: A digital DJ masterclass |
| 2009 | 978-0-240-52075-9 | Collins | Pro Tools 8: Music Production, Recording, Editing, and Mixing |
| 2007 | 978-0-240-52076-6 | Richard Lynch | The Adobe Photoshop Layers Book: Harnessing Photoshop's Most Powerful Tool, covers Photoshop CS3 |
| 2009 | 978-0-240-52077-3 | Angell | Pro Tools for Film and Video |
| 2009 | 978-0-240-52078-0 | Gerald Millerson · Jim Owens | Television Production |
| 2008 | 978-0-240-52079-7 | Elliot Grove | Raindance Writers' Lab: Write + Sell the Hot Screenplay |
| '' | 978-0-240-52080-3 | Jim Owens · Gerald Millerson | Video Production Handbook |
| '' | 978-0-240-52081-0 | Herve Benoit | Digital Television: Satellite, Cable, Terrestrial, IPTV, Mobile TV in the DVB Framework |
| '' | 978-0-240-52082-7 | Cheryl Cabrera | An Essential Introduction to Maya Character Rigging with DVD |
| 2007 | 978-0-240-52083-4 | David Asch · Steve Caplin | How to Cheat in Adobe Photoshop Elements 6: Create stunning photomontages on a budget: 1 |
| '' | 978-0-240-52084-1 | Leslie Alsheimer | Black and White in Photoshop CS3 and Photoshop Lightroom: Create Stunning Monochromatic Images in Photoshop CS3, Photoshop Lightroom and Beyond |
| 2007 | 978-0-240-52085-8 | 3dtotal.Com | Digital Art Masters: Volume 2 (Digital Art Masters Series) |
| '' | 978-0-240-52086-5 | Philip Newell | Recording Studio Design (Audio Engineering Society Presents) |
| '' | 978-0-240-52089-6 | Ken McMahon | Paint Shop Pro Photo X2 for Photographers |
| '' | 978-0-240-52092-6 | Mark Galer | Adobe Photoshop Elements 6 Maximum Performance: Unleash the hidden performance of Elements |
| 2013 | 978-0-240-52093-3 | Hans Bacher | Dream Worlds: Production Design for Animation |
| 2008 | 978-0-240-52095-7 | John Child · Mark Galer | Photographic Lighting: Essential Skills |
| '' | 978-0-240-52096-4 | John Child | Studio Photography: Essential Skills |
| 2008 | 978-0-240-52097-1 | Philip Andrews | Advanced Photoshop Elements 6 for Digital Photographers |