year of publication | ISBN | author(s) | title |
2011 | 978-0-240-81505-3 | Peter Ensenberger | Focus On Composing Photos: Focus on the Fundamentals (Focus On Series) (The Focus On Series) |
2010 | 978-0-240-81507-7 | Richard D. Zakia | Photographic Composition: A Visual Guide |
'' | 978-0-240-81509-1 | Richard Harrington · Mark Weiser | Professional Web Video: Plan, Produce, Distribute, Promote, and Monetize Quality Video |
2011 | 978-0-240-81511-4 | Mira Rubin | Interactive InDesign CS5: Take your Print Skills to the Web and Beyond |
'' | 978-0-240-81513-8 | Corey Hilz | Focus On Apple Aperture: Focus on the Fundamentals (Focus On Series) (The Focus On Series) |
'' | 978-0-240-81515-2 | Angela Faris Belt | The Elements of Photography: Understanding and Creating Sophisticated Images |
2010 | 978-0-240-81517-6 | Michael Freeman | The Photographer's Mind: Creative Thinking for Better Digital Photos |
2011 | 978-0-240-81518-3 | Michael Freeman | The Photographer's Vision: Understanding and Appreciating Great Photography |
2012 | 978-0-240-81519-0 | '' | The Photographer's Story: The Art of Visual Narrative |
2011 | 978-0-240-81520-6 | Lloyd Kaufman | Sell Your Own Damn Movie! |
'' | 978-0-240-81527-5 | Jan Roberts-Breslin | Making Media |
2011 | 978-0-240-81531-2 | Harold Davis · Phyllis Davis | The Photoshop Darkroom 2: Creative Digital Transformations |
'' | 978-0-240-81535-0 | Catherine Winder | Producing Animation |
2010 | 978-0-240-81551-0 | Kurt Lancaster | DSLR Cinema: Crafting the Film Look with Video |
'' | 978-0-240-81553-4 | Brad Schiller | The Automated Lighting Programmer's Handbook |
'' | 978-0-240-81563-3 | Wes McDermott | Creating 3D Game Art for the iPhone with Unity: Featuring modo and Blender pipelines |
2011 | 978-0-240-81568-8 | Matthew David | Flash Mobile: Developing Android and iOS Applications (Visualizing the Web) |
'' | 978-0-240-81580-0 | Mike Senior | Mixing Secrets for the Small Studio (Sound On Sound Presents...) |
2011 | 978-0-240-81582-4 | Andrew Gahan | 3ds Max Modeling for Games: Insider's Guide to Game Character, Vehicle, and Environment Modeling: Volume I: 1 |
2010 | 978-0-240-81604-3 | Dave Swallow | Live Audio: The Art of Mixing a Show |
2012 | 978-0-240-81606-7 | Andrew Gahan | 3ds Max Modeling for Games: Volume II: Insider's Guide to Stylized Modeling: 2 |
2010 | 978-0-240-81625-8 | Ralph Lambrecht | Way Beyond Monochrome 2e: Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing |
'' | 978-0-240-81627-2 | Laurent Brixius | Google SketchUp Workshop: Modeling, Visualizing, and Illustrating |
2011 | 978-0-240-81663-0 | Peter Travers · Brett Harkness | Organize & Style Your Pro Photo Shoot: From Studio to Location |
'' | 978-0-240-81664-7 | Paula Landry | Scheduling and Budgeting Your Film: A Panic-Free Guide (American Film Market Presents) |
2013 | 978-0-240-81696-8 | Todd Debreceni | Special Makeup Effects for Stage and Screen: Making and Applying Prosthetics |
2011 | 978-0-240-81698-2 | Eric Luhta | How to Cheat in Maya 2012: Tools and Techniques for Character Animation |
'' | 978-0-240-81700-2 | Jason Tomaric | Filmmaking: Direct Your Movie from Script to Screen Using Proven Hollywood Techniques |
2012 | 978-0-240-81702-6 | Chris Johnson | The Practical Zone System for Film and Digital Photography: Classic Tool, Universal Applications |
2011 | 978-0-240-81704-0 | Benjamin Bratt | Rotoscoping: Techniques and Tools for the Aspiring Artist |
2012 | 978-0-240-81707-1 | Ray Zone | 3-DIY: Stereoscopic Moviemaking on an Indie Budget |
2011 | 978-0-240-81711-8 | Fil Hunter · Robin Reid | Focus On Lighting Photos: Focus on the Fundamentals (Focus On Series) (The Focus On Series) |
'' | 978-0-240-81713-2 | Linda Bellingham · Jean Ann Bybee · Brad G. Rogers | More Food Styling for Photographers & Stylists: A guide to creating your own appetizing art |
2012 | 978-0-240-81715-6 | Steve Hullfish | The Art and Technique of Digital Color Correction |
2011 | 978-0-240-81717-0 | Josiah Lebowitz · Chris Klug | Interactive Storytelling for Video Games: A Player-Centered Approach to Creating Memorable Characters and Stories: Proven Writing Techniques for Role ... Online Games, First Person Shooters, and more |
2010 | 978-0-240-81720-0 | Michael Freeman | The DSLR Field Guide: The essential guide to getting the most from your camera (The Field Guide Series) |
2011 | 978-0-240-81722-4 | Chris Gatcum | Light and Shoot 50 Fashion Photos |
2012 | 978-0-240-81724-8 | Francis Glebas | The Animator's Eye: Adding Life to Animation with Timing, Layout, Design, Color and Sound |
2011 | 978-0-240-81726-2 | Richard Stevens · Dave Raybould | The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games |
2011 | 978-0-240-81728-6 | Tom Gasek | Frame-By-Frame Stop Motion: The Guide to Non-Traditional Animation Techniques |
'' | 978-0-240-81738-5 | Douglas Self | The Design of Active Crossovers |
2013 | 978-0-240-81741-5 | Douglas Hart | The Digital Camera Assistant |
2012 | 978-0-240-81755-2 | Stacey Parks | The Insider's Guide to Independent Film Distribution |
2011 | 978-0-240-81757-6 | Roland Hess | Tradigital Blender: A CG Animator's Guide to Applying the Classic Principles of Animation: A CG Animator's Guide to Applying the Classical Principles of Animation |
'' | 978-0-240-81759-0 | Shannon Slaton | Mixing a Musical |
'' | 978-0-240-81766-8 | Tim Fields · Brandon Cotton | Social Game Design: Monetization Methods and Mechanics |
'' | 978-0-240-81768-2 | Christopher Griffith | Real-World Flash Game Development: How to Follow Best Practices AND Keep Your Sanity |
2012 | 978-0-240-81770-5 | Sergio Paez · Anson Jew | Professional Storyboarding: Rules of Thumb |
2011 | 978-0-240-81774-3 | Michael Freeman | The Exposure Field Guide: The essential handbook to getting the perfect exposure in photography; any subject, anywhere (The Field Guide Series) |
2011 | 978-0-240-81776-7 | David Tipling | The Bird Photography Field Guide: The essential handbook for capturing birds with your digital SLR (The Field Guide Series) |
2012 | 978-0-240-81779-8 | Bill Plympton | Make Toons That Sell Without Selling Out: The Bill Plympton Guide to Independent Animation Success |
2011 | 978-0-240-81781-1 | Steve Wright | Compositing Visual Effects: Essentials for the Aspiring Artist |
'' | 978-0-240-81787-3 | Michelle Turner | The Wedding Photography Field Guide: Capturing the perfect day with your digital SLR camera (The Field Guide Series) |
2014 | 978-0-240-81791-0 | David Stump | Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows |
2012 | 978-0-240-81807-8 | Guy Gallo | Screenwriter's Compass: Character As True North |
2011 | 978-0-240-81813-9 | Matthew David | HTML5 Mobile Websites: Turbocharging HTML5 with jQuery Mobile, Sencha Touch, and Other Frameworks |
2010 | 978-0-240-81815-3 | John and Barbara Gerlach | The Gerlach Collection: Nature & Landscape Photography [2 Book Set] |
2011 | 978-0-240-81818-4 | LaNola Stone | Photographing Childhood: The Image and the Memory |
'' | 978-0-240-81824-5 | Xander Bennett | Screenwriting Tips, You Hack |
2012 | 978-0-240-81827-6 | Robert Hirsch | Light and Lens: Photography in the Digital Age |
2013 | 978-0-240-81845-0 | Michael Rabiger | Directing |
'' | 978-0-240-81846-7 | Don Davis · Eugene Patronis · Pat Brown | Sound System Engineering |
2012 | 978-0-240-81856-6 | Sam Kauffmann | Avid Editing: A Guide for Beginning and Intermediate Users |
'' | 978-0-240-81858-0 | Michael Goodridge | FilmCraft: Directing |
2011 | 978-0-240-81862-7 | Tim Grierson · Mike Goodridge | FilmCraft: Cinematography |
2011 | 978-0-240-81864-1 | Justin Chang | FilmCraft: Editing |
2012 | 978-0-240-81866-5 | Deborah Nadoolman Landis | Filmcraft: Costume Design |
2011 | 978-0-240-81870-2 | Nathan Adam · Kevin Ward | Pro Tools 9: The Mixer's Toolkit |
2012 | 978-0-240-81878-8 | Nancy Beiman | Prepare to Board! Creating Story and Characters for Animated Features and Shorts: 2nd Edition |
2011 | 978-0-240-81881-8 | Adam Watkins | Creating Games with Unity and Maya: How to Develop Fun and Marketable 3D Games |
2012 | 978-0-240-81883-2 | John and Barbara Gerlach | Digital Wildlife Photography |
'' | 978-0-240-81894-8 | Gretchen Davis · Mindy Hall | The Makeup Artist Handbook: Techniques for Film, Television, Photography, and Theatre |
2014 | 978-0-240-81896-2 | Bob Katz | Mastering Audio: The Art and the Science |
2012 | 978-0-240-81898-6 | Chad Perkins | The After Effects Illusionist: All the Effects in One Complete Guide |
'' | 978-0-240-81915-0 | Tim Dittmar | Audio Engineering 101: A Beginner's Guide to Music Production |
2011 | 978-0-240-81922-8 | Carl Heilman II | The Landscape Photography Field Guide (The Field Guide Series) |
'' | 978-0-240-81926-6 | Rafael Jaen | Show Case: Developing, Maintaining, and Presenting a Design-Tech Portfolio for Theatre and Allied Fields |
'' | 978-0-240-81933-4 | Penny de Byl | Holistic Game Development with Unity: An All-in-One Guide to Implementing Game Mechanics, Art, Design and Programming |
2012 | 978-0-240-82031-6 | Gary Eastwood · Joseph Meehan | Photographing the Elements |
2012 | 978-0-240-82035-4 | Lee Lanier | Digital Compositing with Nuke |
2011 | 978-0-240-82047-7 | David Asch · Steve Caplin | How to Cheat in Photoshop Elements 10: Release Your Imagination: The Magic of Digital Illustration |
2012 | 978-0-240-82060-6 | Neil Landau | The Screenwriter s Roadmap: 21 Ways to Jumpstart Your Story |
2013 | 978-0-240-82061-3 | Shirley Read | Exhibiting Photography: A Practical Guide to Displaying Your Work |
2012 | 978-0-240-82064-4 | J. Dennis Thomas | Concert and Live Music Photography: Pro Tips from the Pit |
'' | 978-0-240-82071-2 | Tom Bancroft | Character Mentor: Learn by Example to Use Expressions, Poses, and Staging to Bring Your Characters to Life |
'' | 978-0-240-82072-9 | Harold Davis | Photographing Waterdrops: Exploring Macro Worlds with Harold Davis |
2011 | 978-0-240-82073-6 | '' | Photographing Flowers: Exploring Macro Worlds with Harold Davis |
'' | 978-0-240-82075-0 | Ray Rayburn | Eargle's The Microphone Book (Audio Engineering Society Presents) |
'' | 978-0-240-82077-4 | Luke Ahearn | 3D Game Textures |
2011 | 978-0-240-82080-4 | Michael Freeman | The Low Light Photography Field Guide: The essential guide to getting perfect images in challenging light (The Field Guide Series) |
2012 | 978-0-240-82093-4 | Scott Lukas | The Immersive Worlds Handbook: Designing Theme Parks and Consumer Spaces |
'' | 978-0-240-82100-9 | Ethan Winer | The Audio Expert |
2011 | 978-0-240-82107-8 | Brian L. Smith | 3ds Max Design Architectural Visualization: For Intermediate Users |
2012 | 978-0-240-82108-5 | Ryan Armbrust | Shoot Sexy: Digital Pinup and Boudoir Photography |
'' | 978-0-240-82109-2 | Tracey Clark | Elevate the Everyday: A Photographic Guide to Picturing Motherhood |
'' | 978-0-240-82110-8 | Simon Bond | Simple Scene, Sensational Shot: Artistic Photography from Any Environment |
2014 | 978-0-240-82111-5 | Tom P. Ashe | Color Management & Quality Output: Mastering Color from Camera to Display to Print (The Digital Imaging Masters Series) |
2011 | 978-0-240-82122-1 | David Nightingale | Practical Hdr: A Complete Guide to Creating High Dynamic Range Images with Your Digital Slr |
2013 | 978-0-240-82123-8 | Allison Lowery | Historical Wig Styling: Ancient Egypt to the 1830s: (The Focal Press Costume Topics Series) |
'' | 978-0-240-82133-7 | Sharon Sobel | Draping Period Costumes: Classical Greek to Victorian: (The Focal Press Costume Topics Series) |
2013 | 978-0-240-82138-2 | Eric Hart | The Prop Building Guidebook: For Theatre, Film, and TV |
'' | 978-0-240-82144-3 | Lou Jones · Bob Keenan · Steve Ostrowski | Speedlights & Speedlites: Creative Flash Photography at Lightspeed |
2012 | 978-0-240-82145-0 | Roland Hess | Blender Production: Creating Short Animations from Start to Finish |
'' | 978-0-240-82146-7 | Liz Gill | Running the Show: The Essential Guide to Being a First Assistant Director |
'' | 978-0-240-82150-4 | Josh Anon · Ellen Anon | See It: Photographic Composition Using Visual Intensity (Tayl08 270918) |
'' | 978-0-240-82153-5 | Bruce Bartlett · Jenny Bartlett | Practical Recording Techniques: The Step- by- Step Approach to Professional Audio Recording |
2012 | 978-0-240-82154-2 | Jay Kadis | The Science of Sound Recording |
'' | 978-0-240-82155-9 | Barbara Freedman Doyle | Make Your Movie |
2013 | 978-0-240-82157-3 | David Miles Huber · Robert E. Runstein | Modern Recording Techniques (Audio Engineering Society Presents) |
2012 | 978-0-240-82367-6 | Matt Armendariz | Focus On Food Photography for Bloggers (Focus On Series): Focus on the Fundamentals (The Focus On Series) |
'' | 978-0-240-82369-0 | Douglas Spotted Eagle | Vegas Pro 11 Editing Workshop |
'' | 978-0-240-82372-0 | Adrian Pennington | Exploring 3D: The New Grammar of Stereoscopic Filmmaking |
'' | 978-0-240-82373-7 | Kurt Lancaster | DSLR Cinema: Crafting the Film Look with Large Sensor Video Cameras |
2015 | 978-0-240-82396-6 | Kathryn Ramey | Experimental Filmmaking: Break the Machine |
2012 | 978-0-240-82398-0 | Clive Branson | Focus On Close-Up and Macro Photography (Focus On series): Focus on the Fundamentals (The Focus On Series) |
2012 | 978-0-240-82409-3 | Sarah Gardner | Art Beyond the Lens: Working with Digital Textures |
2013 | 978-0-240-82411-6 | Tom Dowd · Michael Niederman · Michael Fry · Josef Steiff | Storytelling Across Worlds: Transmedia for Creatives and Producers |
'' | 978-0-240-82414-7 | Kim Golombisky · Rebecca Hagen | White Space is Not Your Enemy: A Beginner's Guide to Communicating Visually through Graphic, Web & Multimedia Design |
2014 | 978-0-240-82415-4 | Anthony Q. Artis | The Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production |
2016 | 978-0-240-82420-8 | Bernard Mendiburu | 3d Moviemaking |
2013 | 978-0-240-82421-5 | Danny Draven | Genre Filmmaking: A Visual Guide to Shots and Style for Genre Films |
'' | 978-0-240-82423-9 | Jeffrey C. Ulin | The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World (American Film Market Presents) |
2012 | 978-0-240-82424-6 | Adam Duckworth | The Flash Photography Field Guide: Shaping the light to suit your photographs (The Field Guide Series) |
'' | 978-0-240-82425-3 | Olivia Speranza | Moviemaking with your Camera Field Guide: The essential guide to shooting video with HDSLRs and digital cameras (The Field Guide Series) |
2013 | 978-0-240-82426-0 | Michael Freeman | The Photographer's Eye: Graphic Guide: Composition and Design for Better Digital Photos |
2012 | 978-0-240-82433-8 | Haje Jan Kamps | The Rules of Photography and When to Break Them |
2013 | 978-0-240-82453-6 | Richard D. Zakia | Perception and Imaging: Photography--A Way of Seeing |
2012 | 978-0-240-82456-7 | August Grant | Communication Technology Update and Fundamentals |
'' | 978-0-240-82502-1 | David Scott Leibowitz | Mobile Digital Art: Using the iPad and iPhone as Creative Tools |
2013 | 978-0-240-82505-2 | Corey Hilz | Lensbaby: Bending your perspective |
2012 | 978-0-240-82515-1 | Will Pirkle | Designing Audio Effect Plug-Ins in C++ |
2013 | 978-0-240-82516-8 | Paul Cronin · Christopher Newman | Naked Under a Waterfall: The Craft of Production Sound Mixing for Film |
2013 | 978-0-240-82517-5 | Barry Braverman | Video Shooter: Mastering Storytelling Techniques |
2014 | 978-0-240-82518-2 | Susan Zwerman · Jeffrey A. Okun | The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures |
2013 | 978-0-240-82519-9 | Gustavo Mercado | The Filmmaker's Eye: The Language of the Lens |
2006 | 978-0-240-85233-1 | Michael G. Uva · Michael Uva | The Grip Book |