year of publication | ISBN | author(s) | title |
2007 | 978-0-240-52099-5 | Philip Andrews | Adobe Photoshop Elements 6: A Visual Introduction to Digital Photography |
2009 | 978-0-240-52101-5 | Chris Weston · Chris Coe | Creative DSLR Photography: The ultimate creative workflow guide (Digital Workflow) |
2008 | 978-0-240-52105-3 | Martin Russ | Sound Synthesis and Sampling (Music Technology) |
'' | 978-0-240-52107-7 | Rick Snoman | Dance Music Manual: Tools, Toys, and Techniques |
'' | 978-0-240-52110-7 | Philip Andrews · Michael Langford | Langford's Starting Photography: The guide to creating great images |
'' | 978-0-240-52112-1 | Mark Galer | Digital Photography: Essential Skills |
2007 | 978-0-240-52114-5 | Evening | The Ultimate Adobe Photoshop CS2 Collection: Four Best-selling CS2 Books - All on One DVD: 1 |
2009 | 978-0-240-52115-2 | Steve Caplin | How to Cheat in Photoshop CS4: The art of creating photorealistic montages |
2008 | 978-0-240-52117-6 | Darren Brooker | Essential CG Lighting Techniques with 3ds Max (Autodesk Media and Entertainment Techniques) |
'' | 978-0-240-52118-3 | Robert V. Stick · Spencer Williams | Carbohydrates: The Essential Molecules of Life |
2008 | 978-0-240-52119-0 | 3dtotal.Com | Digital Art Masters: Volume 3 (3d Total.Com) |
2009 | 978-0-240-52120-6 | Christopher J. Bowen · Roy Thompson | Grammar of the Edit |
'' | 978-0-240-52121-3 | Christopher J. Bowen · Roy Thompson | Grammar of the Shot |
'' | 978-0-240-52122-0 | Jim White · Tony Sweet | Nikon DSLR: The Ultimate Photographer's Guide (Digital Workflow) |
'' | 978-0-240-52123-7 | Martin Addison | Painter 11 for Photographers: Creating painterly images step by step |
2008 | 978-0-240-52124-4 | Mark Galer · Philip Andrews | Photoshop CS4: Essential Skills (Focal Press Essential Skills Photography) |
'' | 978-0-240-52125-1 | Martin Evening | Adobe Photoshop CS4 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC |
2008 | 978-0-240-52126-8 | Pete Draper | Deconstructing the Elements with 3ds Max: Create natural fire, earth, air and water without plug-ins (Autodesk Media and Entertainment Techniques) |
2009 | 978-0-240-52131-2 | Chris Georgenes | How to Cheat in Adobe Flash CS4: The art of design and animation |
'' | 978-0-240-52132-9 | Philip Andrews | The Adobe Photoshop CS4 Dictionary: The A to Z desktop reference of Photoshop |
2008 | 978-0-240-52133-6 | David Huss · David Plotkin | Adobe Photoshop Lightroom 2: A Digital Photographer's Guide |
2009 | 978-0-240-52134-3 | Derek Lea | Creative Photoshop CS4: Digital Illustration and Art Techniques |
2008 | 978-0-240-52135-0 | Mark Galer | Adobe Photoshop Elements 7 Maximum Performance: Unleash the hidden performance of Elements |
'' | 978-0-240-52140-4 | Nancy Beiman · D. Roland Hess · Karen Sullivan · Gary Schumer · Kate Alexander | Inspiration for Animators bundle: (3 Titles)[with CD-ROMs] |
'' | 978-0-240-52146-6 | Jon Krasner · Chris Meyer · Trish Meyer | Motion Graphics Artists' Bundle |
'' | 978-0-240-52152-7 | Martin Evening · Richard Lynch · Leslie Alsheimer | Photographer's bundle |
2008 | 978-0-240-52154-1 | David Asch · Steve Caplin | How to Cheat in Photoshop Elements 7: Creating stunning photomontages on a budget |
2009 | 978-0-240-52155-8 | Richard Lynch | The Adobe Photoshop CS4 Layers Book: Harnessing Photoshop's most powerful tool |
'' | 978-0-240-52156-5 | Bob McCarthy | Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment |
2008 | 978-0-240-52157-2 | Philip Andrews | Adobe Photoshop Elements 7: A Visual Introduction to Digital Photography |
'' | 978-0-240-52158-9 | '' | Advanced Photoshop Elements 7 for Digital Photographers |
2009 | 978-0-240-52159-6 | Leslie Alsheimer · Bryan O'Neil Hughes | Black and White in Photoshop CS4 and Photoshop Lightroom: A complete integrated workflow solution for creating stunning monochromatic images in Photoshop CS4, Photoshop Lightroom, and beyond |
'' | 978-0-240-52160-2 | Harold Whittaker · John Halas | Timing for Animation |
'' | 978-0-240-52161-9 | Paul Wheeler | High Definition Cinematography |
2009 | 978-0-240-52162-6 | Douglas Self | Audio Power Amplifier Design Handbook |
'' | 978-0-240-52163-3 | Francis Rumsey · Tim McCormick | Sound and Recording |
'' | 978-0-240-52164-0 | Martin Edge | The Underwater Photographer |
2010 | 978-0-240-52165-7 | Ken McMahon | PaintShop Photo Pro X3 For Photographers |
'' | 978-0-240-52168-8 | Michael Langford · Anna Fox · Richard Sawdon Smith | Langford's Basic Photography: The Guide for Serious Photographers |
'' | 978-0-240-52169-5 | MARTIN EDGE | The Underwater Photographer's Trip Guide |
2009 | 978-0-240-52170-1 | 3dtotal.Com | Digital Art Masters: Volume 4 (Digital Art Masters Series) |
2009 | 978-0-240-52174-9 | 3DTotal.com | Digital Painting Techniques: Practical Techniques of Digital Art Masters: Masters Collection: Volume 1 (Digital Art Masters Series) |
'' | 978-0-240-52175-6 | David Howard | Acoustics and Psychoacoustics |
2010 | 978-0-240-52176-3 | Tim Crich | Recording Tips for Engineers (Mastering Music) |
'' | 978-0-240-52177-0 | Douglas Self | Small Signal Audio Design |
'' | 978-0-240-52178-7 | Ken McMahon | Apple Aperture 3: A Workflow Guide for Digital Photographers |
2009 | 978-0-240-52181-7 | Rick Young | The Focal Easy Guide to Final Cut Pro 7 |
'' | 978-0-240-52183-1 | Mark Galer | Adobe Photoshop Elements 8: Maximum Performance: Unleash the hidden performance of Elements |
2009 | 978-0-240-52185-5 | Karel Reisz · Gavin Millar | Technique of Film Editing, Reissue of 2nd Edition |
'' | 978-0-240-52187-9 | David Asch | How to Cheat in Photoshop Elements 8: Discover the magic of Adobe's best kept secret |
'' | 978-0-240-52189-3 | Philip Andrews | Adobe Photoshop Elements 8 for Photographers |
2011 | 978-0-240-52191-6 | Efthimia Bilissi · Michael Langford | Langford's Advanced Photography: The guide for aspiring photographers (The Langford Series) |
2010 | 978-0-240-52193-0 | Mark Cousins · Russ Hepworth-Sawyer | Logic Pro 9: Audio & Music Production |
| 978-0-240-52196-1 | Dance Music Manual |
2010 | 978-0-240-52200-5 | Martin Evening | Adobe Photoshop CS5 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC |
'' | 978-0-240-52202-9 | Chad Perkins | How to Cheat in After Effects |
'' | 978-0-240-52204-3 | Steve Caplin | How to Cheat in Photoshop CS5: The art of creating realistic photomontages |
2010 | 978-0-240-52207-4 | Chris Georgenes | How to Cheat in Adobe Flash CS5: The Art of Design and Animation |
'' | 978-0-240-52210-4 | 3dtotal.Com | Digital Art Masters: Volume 5 (Digital Art Masters Series) |
'' | 978-0-240-52214-2 | Mark Galer · Philip Andrews | Photoshop CS5: Essential Skills |
2011 | 978-0-240-52216-6 | Andrea Pejrolo | Creative Sequencing Techniques for Music Production: A Practical Guide to Pro Tools, Logic, Digital Performer, and Cubase |
'' | 978-0-240-52220-3 | Jim Owens | Video Production Handbook |
'' | 978-0-240-52222-7 | Roey Izhaki | Mixing Audio Second Edition |
2011 | 978-0-240-52224-1 | Valerie Geller | Beyond Powerful Radio |
'' | 978-0-240-52227-2 | Steve Roberts | Character Animation Fundamentals: Developing Skills for 2D and 3D Character Animation |
'' | 978-0-240-52235-7 | Helen Gammons | The Art of Music Publishing: An Entrepreneurial Guide to Publishing and Copyright for the Music, Film, and Media Industries |
2010 | 978-0-240-52238-8 | David Asch · Steve Caplin | How to Cheat in Photoshop Elements 9: Discover the magic of Adobe's best kept secret |
2011 | 978-0-240-52240-1 | Philip Newell | Recording Studio Design (Audio Engineering Society Presents) |
2010 | 978-0-240-52242-5 | Mark Galer M.Ed. · Abhijit Chattaraj Dr. | Adobe Photoshop Elements 9: Maximum Performance: Unleash the hidden performance of Elements |
'' | 978-0-240-52244-9 | Philip Andrews | Adobe Photoshop Elements 9 for Photographers |
2011 | 978-0-240-52248-7 | Mike Collins | Pro Tools 9: Music Production, Recording, Editing, and Mixing |
2012 | 978-0-240-52250-0 | Chris Georgenes | How to Cheat in Adobe Flash CS6: The Art of Design and Animation |
2011 | 978-0-240-52252-4 | Richard Lynch | THE ADOBE PHOTOSHOP LAYERS BOOK |
2012 | 978-0-240-52257-9 | Jim Owens · Gerald Millerson | Television Production |
2011 | 978-0-240-52271-5 | Martin Addison | Painter 12 for Photographers: Creating painterly images step by step |
2004 | 978-0-240-52282-1 | EPJ Tozer | Broadcast Engineer's Reference Book |
2011 | 978-0-240-52379-8 | Mark Galer · Abhijit Chattaraj | Adobe Photoshop Elements 10: Maximum Performance: Unleash the hidden performance of Elements |
'' | 978-0-240-52382-8 | Philip Andrews | Adobe Photoshop Elements 10 for Photographers: The Creative use of Photoshop Elements on Mac and PC |
2012 | 978-0-240-52387-3 | Ken McMahon | PaintShop Pro X4 for Photographers |
2012 | 978-0-240-52590-7 | Eric Luhta · Kenny Roy | How to Cheat in Maya 2013: Tools and Techniques for Character Animation |
'' | 978-0-240-52592-1 | Steve Caplin | How to Cheat in Photoshop CS6: The art of creating realistic photomontages |
2013 | 978-0-240-52600-3 | Christopher Bowen | Grammar of the Edit |
'' | 978-0-240-52603-4 | Hans Bacher · San Suryavanshi | The Dream Worlds Handbook: Color and Composition for Animation and Live Action |
2012 | 978-0-240-52604-1 | Martin Evening | Adobe Photoshop CS6 for Photographers: A professional image editor's guide to the creative use of Photoshop for the Macintosh and PC |
2013 | 978-0-240-52613-3 | Douglas Self | Audio Power Amplifier Design |
1989 | 978-0-240-80015-8 | Robert S Oringel | Audio Control Handbook: For Radio and Television Broadcasting |
1990 | 978-0-240-80017-2 | Robert McLeish · Jeff Link | Radio Production: Art and Science: The Art and Science |
1991 | 978-0-240-80020-2 | Sylvia Carlson · Verne Carlson | Professional Lighting Handbook |
1989 | 978-0-240-80027-1 | Robert L Hilliard | Television Station Operations and Management |
1990 | 978-0-240-80029-5 | Robert L Mott | Sound Effects: Radio, TV and Film |
1989 | 978-0-240-80033-2 | John B Williams | Image Clarity: High-Resolution Photography |
1990 | 978-0-240-80041-7 | Alma Davenport | The History of Photography: An Overview |
1996 | 978-0-240-80042-4 | Douglas Hart | The Camera Assistant: A Complete Professional Handbook |
1991 | 978-0-240-80047-9 | Robert Hirsch | Photographic Possibilities: The Expressive Use of Ideas, Materials and Processes |
1990 | 978-0-240-80050-9 | William E. McCavitt · Peter K. Pringle · Michael Starr | Electronic Media Management |
'' | 978-0-240-80055-4 | Norman Breslow | Basic Digital Photography |
1994 | 978-0-240-80058-5 | Blain Brown | Filmmaker's Pocket Reference, The |
1993 | 978-0-240-80059-2 | Leslie Stroebel · Richard D. Zakia | Focal Encyclopedia of Photography |
1991 | 978-0-240-80062-2 | John Hitchcock | Sportscasting (Electronic Media Guides) |
'' | 978-0-240-80073-8 | David Scopick | The Gum Bichromate Book: Non-Silver Methods for Photographic Printmaking |
1991 | 978-0-240-80076-9 | Bruce Bartlett | Stereo Microphone Techniques |
1993 | 978-0-240-80080-6 | Sylvia E Carlson · Verne Carlson | Professional Cameraman's Handbook, The |
1991 | 978-0-240-80095-0 | Kenneth Portnoy | Screen Adaptation: A Scriptwriting Handbook |
'' | 978-0-240-80099-8 | Vincent Kehoe | Special Make-Up Effects |
1992 | 978-0-240-80108-7 | Robert McCarthy | Secrets of Hollywood Special Effects |
'' | 978-0-240-80132-2 | Ernst Wildi | The Hasselblad Manual: A Comprehensive Guide to the System |
1998 | 978-0-240-80133-9 | Christopher H. Sterling | Focal Encyclopedia of Electronic Media |
1993 | 978-0-240-80150-6 | David E. Elkins SOC | Camera Terms and Concepts (Focal Handbook) |
1995 | 978-0-240-80157-5 | Richard Ferncase | Film and Video Lighting: Terms and Concepts (Focal handbooks) |
1993 | 978-0-240-80161-2 | Harry C. Box | Set Lighting Technician's Handbook: Film Lighting Equipment, Practice and Electrical Distribution |
1994 | 978-0-240-80168-1 | Gerry Kopelow | Photography and the Performing Arts |
'' | 978-0-240-80178-0 | Chris Johnson | Practical Zone System: A Guide to Photographic Control |
1993 | 978-0-240-80181-0 | Dick Stevens | Making Kallitypes: A Definitive Guide |
1995 | 978-0-240-80188-9 | David K. Irving · Peter W. Rea | Producing and Directing the Short Film and Video |
1994 | 978-0-240-80190-2 | Kathleen George | Playwriting: The First Workshop |
1993 | 978-0-240-80193-3 | Phil Davis | Beyond the Zone System |
1995 | 978-0-240-80194-0 | Richard A Blum | Television and Screenwriting: From Concept to Contract |
1994 | 978-0-240-80196-4 | Steve Anchell | The Darkroom Cookbook: v. 1 (Alternative Process Photography) |
1996 | 978-0-240-80200-8 | Fritz Hershey | Optics and Focus for Camera Assistants: Art, Science and Zen |
1997 | 978-0-240-80203-9 | Carson Graves | Zone System for 35mm Photographers, The: A Basic Guide to Exposure Control |
1998 | 978-0-240-80214-5 | Gerry Kopelow | The Focal Handbook of Commercial Photography |
1995 | 978-0-240-80215-2 | George Cvjetnicanin · Richard Kallenberger | Film Into Video: A Guide to Merging the Technologies |
'' | 978-0-240-80217-6 | Vincent Kehoe | The Technique of the Professional Make-Up Artist |
1995 | 978-0-240-80218-3 | Ken Dancyger · Jeff Rush | Alternative Scriptwriting: Writing Beyond the Rules |
1996 | 978-0-240-80219-0 | Thomas Ohanian · Michael E. Phillips | Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures |
1998 | 978-0-240-80225-1 | Thomas Ohanian | Digital Nonlinear Editing: Editing Film and Video on the Desktop |
1995 | 978-0-240-80228-2 | Robert L Hartwig | Basic TV Technology (Media Manuals) |
'' | 978-0-240-80231-2 | Eric Renner | Pinhole Photography (Alternative Process Photography) |
1996 | 978-0-240-80234-3 | Eric Norberg | Radio Programming: Tactics and Strategy (Broadcasting & Cable) |
1997 | 978-0-240-80235-0 | John Vasey | Concert Tour Production Management |
1995 | 978-0-240-80237-4 | Eric Renner | Pinhole Photography: Rediscovering a Historic Technique |
'' | 978-0-240-80249-7 | Blain Brown | Motion Picture and Video Lighting |
'' | 978-0-240-80251-0 | Ernst Wildi | The Hasselblad Manual: A Comprehensive Guide to the System |
1997 | 978-0-240-80254-1 | Irving Fang | A History of Mass Communication: Six Information Revolutions |
1996 | 978-0-240-80255-8 | Ken Dancyger | Technique of Film and Video Editing: Theory and Practice |
1997 | 978-0-240-80257-2 | Harry Box | Set Lighting Technician's Handbook: Film Lighting Equipment, Practice, and Electrical Distribution |
'' | 978-0-240-80259-6 | Steve Anchell | Variable Contrast Printing Manual, The |
1997 | 978-0-240-80260-2 | Joe DeMaio | The New Darkroom Handbook |
1996 | 978-0-240-80265-7 | Claire Gordon | Guide to High Definition Video Production, The: Preparing for a Widescreen World |
1997 | 978-0-240-80266-4 | Stacy Zemon | The Mobile DJ Handbook: How to Start & Run a Profitable Mobile Disc Jockey Service: How to Start and Run a Profitable Mobile Disc Jockey Service |
1996 | 978-0-240-80267-1 | David Samuelson | Panaflex User's Manual |
1997 | 978-0-240-80270-1 | Michael Rabiger | Directing the Documentary |
1999 | 978-0-240-80275-6 | Fil Hunter · Steven Biver · Paul Fuqua | Light: Science and Magic: An Introduction to Photographic Lighting |
'' | 978-0-240-80277-0 | Stephen Anchell | The Film Developing Cookbook |
1997 | 978-0-240-80278-7 | Scott Wright | The Broadcaster's Guide to RBDS |
1998 | 978-0-240-80282-4 | Steven E. Browne | Nonlinear Editing Basics: A Primer on Electronic Film and Video Editing |
1997 | 978-0-240-80285-5 | Norman Medoff · Tom Tanquary | Portable Video: ENG & EFP: ENG and EFP |
1999 | 978-0-240-80288-6 | David Lewis Yewdall | The Practical Art of Motion Picture Sound |
1998 | 978-0-240-80290-9 | Roger A. Hall | Writing Your First Play: Second Edition |
'' | 978-0-240-80293-0 | James Moody · Paul Dexter | Concert Lighting: Techniques, Art and Business |
1999 | 978-0-240-80294-7 | Pat P. Miller | Script Supervising and Film Continuity |
1997 | 978-0-240-80295-4 | Andrew F. Inglis | Satellite Technology: An Introduction |
1998 | 978-0-240-80296-1 | Karl Paulsen | Video and Media Servers: Technology and Applications |
1997 | 978-0-240-80299-2 | Ctein | Post-exposure: Advanced Techniques for the Photographic Printer |
1998 | 978-0-240-80301-2 | Ian Bernard | Film and Television Acting: From stage to screen |
'' | 978-0-240-80303-6 | Philip Miller | Media Law for Producers |
1997 | 978-0-240-80305-0 | Carolyn Davis · Don Davis | Sound System Engineering |
1998 | 978-0-240-80309-8 | Pauline B. Rogers | Contemporary Cinematographers on Their Art |
'' | 978-0-240-80310-4 | Christopher H. Sterling | Focal Encyclopedia of Electronic Media: CD-Rom (Network Version up to 10) |
2001 | 978-0-240-80312-8 | Carson Graves | Elements of Black and White Printing |
1999 | 978-0-240-80324-1 | Tim Rudman | The Photographer's Master Printing Course |
1999 | 978-0-240-80327-2 | Ed Shane | Selling Electronic Media |
'' | 978-0-240-80328-9 | Chris Johnson | The Practical Zone System: A Guide to Photographic Control |
'' | 978-0-240-80329-6 | John Hart | The Art of the Storyboard: Storyboarding for Film, TV, and Animation |
2000 | 978-0-240-80330-2 | David Miles Huber | The MIDI Manual (Audio Engineering Society Presents) |
1991 | 978-0-240-80331-9 | Glen Ballou | Handbook for Sound Engineers: The New Audio Cyclopedia |
1999 | 978-0-240-80332-6 | Peter Pringle · Michael F Starr · William McCavitt | Electronic Media Management |
'' | 978-0-240-80336-4 | James Thomas | Script Analysis for Actors, Directors, and Designers |
1998 | 978-0-240-80338-8 | Robert Olson | Art Direction for Film and Video |
1999 | 978-0-240-80343-2 | Phil Davis | Beyond the Zone System |
'' | 978-0-240-80345-6 | Leslie Stroebel | View Camera Technique |
1997 | 978-0-240-80346-3 | John Hedgecoe | John Hedgecoe's New Introductory Photography Course |
2000 | 978-0-240-80348-7 | John Huntington | Control Systems for Live Entertainment |
1998 | 978-0-240-80349-4 | Kenneth Portnoy | Screen Adaptation: A Scriptwriting Handbook |
1999 | 978-0-240-80350-0 | Eric Renner | Pinhole Photography (Alternative Process Photography) |
2001 | 978-0-240-80351-7 | Zoran Perisic | Visual Effects Cinematography |
2001 | 978-0-240-80353-1 | Steven Louis Shelley | A Practical Guide to Stage Lighting |
1999 | 978-0-240-80354-8 | Alys Holden | Structural Design for the Stage |
1998 | 978-0-240-80355-5 | Eugene Vale | Vale's Technique of Screen and Television Writing |
1999 | 978-0-240-80361-6 | Douglas Stevenson · Robert Wolenik | Creating PC Video |
2001 | 978-0-240-80362-3 | Robert Hirsch · John Valentino | Photographic Possibilities: The Expressive Use of Ideas, Materials and Processes |
'' | 978-0-240-80363-0 | Blain Brown | Professional Cinematography for Directors |
1999 | 978-0-240-80364-7 | John Vasey | Concert Sound and Lighting Systems |
2002 | 978-0-240-80365-4 | Ray DiZazzo | Corporate Video |
1999 | 978-0-240-80367-8 | Karl Koenig | Gumoil Photographic Printing, Revised Edition |
2000 | 978-0-240-80368-5 | Pauline B Rogers | More Contemporary Cinematographers on Their Art |
1999 | 978-0-240-80369-2 | Patricia Cooper · Ken Dancyger | Writing the Short Film |
'' | 978-0-240-80370-8 | Jon Fauer ASC | Arriflex 35 Book: A Guide to the 35BL, 35-3, 35-2C, and 35-3C System |
2000 | 978-0-240-80374-6 | Mark A. Simon | Storyboards: Motion In Art |
1999 | 978-0-240-80375-3 | Pauline B Rogers | The Art of Visual Effects: Interviews on the Tools of the Trade |
2000 | 978-0-240-80377-7 | Dick Arentz | Platinum and Palladium Printing |
'' | 978-0-240-80378-4 | Claudia H Johnson · Claudia H. Johnson | Crafting Short Screenplays That Connect |
1999 | 978-0-240-80379-1 | Bruce Bartlett · Jan Bartlett · Jenny Bartlett | On Location Recording Techniques |
2000 | 978-0-240-80380-7 | Alan Constant | Close-up Photography |
2001 | 978-0-240-80381-4 | Timothy Garrand | Writing for Multimedia and the Web |
1999 | 978-0-240-80382-1 | Peter Ettedgui | Cinematography (Screencraft) |
2000 | 978-0-240-80383-8 | Tomlinson Holman | 5.1 Surround Sound: Up and Running |
'' | 978-0-240-80384-5 | Mary Johnson | The New Scriptwriter's Journal |
2000 | 978-0-240-80385-2 | Ernst Wildi | The Hasselblad Manual: A Comprehensive Guide to the System |
1999 | 978-0-240-80389-0 | Nicole Laloggia · Eden H. Wurmfeld · Ifp/West | IFP/West Independent Filmmaker's Manual |