year of publication | ISBN | author(s) | title |
1987 | 978-0-87830-000-6 | Richard Boleslavsky | Acting: The First Six Lessons (Theatre Arts Book) |
1991 | 978-0-87830-008-2 | Dario Fo | The Tricks of the Trade (Theatre Arts (Routledge Paperback)) |
1987 | 978-0-87830-012-9 | Constantin Stanislavski | Building A Character |
1992 | 978-0-87830-019-8 | Susan Cole | Directors in Rehearsal (Theatre Arts Book) |
1997 | 978-0-87830-020-4 | Lewis Herman · Marguerite Shalett Herman | Foreign Dialects: A Manual for Actors, Directors, and Writers |
1961 | 978-0-87830-024-2 | Constantin Stanislavski | Creating A Role |
1987 | 978-0-87830-025-9 | Norah Waugh | The Cut of Men's Clothes: 1600-1900 |
1968 | 978-0-87830-026-6 | Norah Waugh | The Cut of Women's Clothes: 1600-1930 |
1992 | 978-0-87830-032-7 | Michael Earley · Philippa Keil | The Classical Monologue (M): Men |
1993 | 978-0-87830-035-8 | John Dexter | The Honourable Beast: A Posthumous Autobiography |
'' | 978-0-87830-038-9 | Michael Earley | The Modern Monologue: Men |
'' | 978-0-87830-042-6 | Patrick Tucker | Secrets of Screen Acting |
'' | 978-0-87830-044-0 | Jean Newlove | Laban for Actors and Dancers: Putting Laban's Movement Theory Into Practice: A Step-by-Step Guide |
'' | 978-0-87830-046-4 | Michael Earley · Philippa Keil | The Modern Monologue |
1997 | 978-0-87830-049-5 | Lewis Herman | American Dialects |
1993 | 978-0-87830-051-8 | Patsy Rodenburg | The Need for Words: Voice and the Text |
1995 | 978-0-87830-052-5 | David Young | How to Direct a Musical |
1993 | 978-0-87830-055-6 | Patsy Rodenburg | The Right to Speak: Working with the Voice |
1996 | 978-0-87830-057-0 | Dale Anthony Girard | Actors on Guard: A Practical Guide for the Use of the Rapier and Dagger for Stage and Screen |
1996 | 978-0-87830-058-7 | Dale Anthony Girard | Actors on Guard (Dynamics and Treatment) |
1995 | 978-0-87830-060-0 | Michael Earley · Philippa Keil | The Contemporary Monologue: Women |
'' | 978-0-87830-061-7 | '' | The Contemporary Monologue: Men |
1996 | 978-0-87830-062-4 | Francis Reid | Designing for the Theatre, Second Edition |
1999 | 978-0-87830-069-3 | Roberta Uno | Monologues for Actors of Color: Women (Theatre Arts (Routledge Paperback)) |
'' | 978-0-87830-071-6 | Roberta Uno | Monologues for Actors of Color: Men (Theatre Arts (Routledge Paperback)) |
1998 | 978-0-87830-074-7 | Jay Sankey | Zen and the Art of Stand-Up Comedy |
'' | 978-0-87830-075-4 | Simon Dunmore | Alternative Shakespeare Auditions for Men (Theatre Arts (Routledge Paperback)) |
'' | 978-0-87830-076-1 | Simon Dunmore | Alternative Shakespeare Auditions for Women (Theatre Arts (Routledge Paperback)) |
1999 | 978-0-87830-077-8 | Michael Earley · Philippa Keil | Contemporary Scenes for Actors: Men (Theatre Arts (Routledge Paperback)) |
1999 | 978-0-87830-078-5 | Michael Earley | Contemporary Scenes for Actors: Women (Theatre Arts (Routledge Paperback)) |
2001 | 978-0-87830-080-8 | John Hodgson | Mastering Movement: The Life and Work of Rudolf Laban (Theatre Arts (Routledge Paperback)) |
1998 | 978-0-87830-089-1 | Chris Johnston | House of Games: Making Theatre From Everyday Life |
'' | 978-0-87830-090-7 | Jean Benedetti | Stanislavski and the Actor |
'' | 978-0-87830-092-1 | Michael McCallion | The Voice Book: For Everyone Who Wants to Make the Most of Their Voice |
2001 | 978-0-87830-095-2 | Patrick Tucker | Secrets of Acting Shakespeare: The Original Approach (A Theatre Arts Book) |
1990 | 978-0-87830-096-9 | Royal National Theatre | Olivier at Work: The National Years: An Illustrated Memoir |
2000 | 978-0-87830-104-1 | Justin Howse · Shirley Hancock | Dance Technique and Injury Prevention |
1999 | 978-0-87830-105-8 | Keith Johnstone | Impro for Storytellers |
2000 | 978-0-87830-106-5 | Gillyanne Kayes | Singing and the Actor (Theatre Arts (Routledge Paperback)) |
1999 | 978-0-87830-108-9 | Matthew White | Staging A Musical (Theatre Arts (Routledge Paperback)) |
'' | 978-0-87830-110-2 | John Heilpern | Conference of the Birds (Theatre Arts (Routledge Paperback)) |
2000 | 978-0-87830-113-3 | Simon Dunmore | More Alternative Shakespeare Auditions for Women (Theatre Arts (Routledge Paperback)) |
'' | 978-0-87830-114-0 | Jean Marlow | Audition Speeches for 6 ~ 16 Year Olds |
2001 | 978-0-87830-116-4 | John A. Leonard | Theatre Sound (Theatre Arts (Routledge Paperback)) |
1987 | 978-0-87830-117-1 | Keith Johnstone | Impro: Improvisation and the Theatre |
2000 | 978-0-87830-118-8 | Jacqueline M. Smith-Autard | Dance Composition (Theatre Arts (Routledge Paperback)) |
2001 | 978-0-87830-121-8 | Don Greene | Audition Success (A Theatre Arts Book) |
2001 | 978-0-87830-122-5 | Don Greene | Performance Success: Performing Your Best Under Pressure (Theatre Arts) |
2002 | 978-0-87830-124-9 | Dymphna Callery | Through the Body: A Practical Guide to Physical Theatre (Theatre Arts (Routledge Paperback)) |
1999 | 978-0-87830-127-0 | Constantin Stanislavski | Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life |
1990 | 978-0-87830-128-7 | Jean Benedetti | Stanislavski: A biography |
2001 | 978-0-87830-139-3 | Carole Zucker | In the Company of Actors: Reflections on the Craft of Acting (Theatre Arts (Routledge Paperback)) |
2002 | 978-0-87830-141-6 | Jacques Lecoq | The Moving Body |
'' | 978-0-87830-147-8 | Francis Reid | Stage Lighting Handbook |
2001 | 978-0-87830-149-2 | John Blurton | Scenery: Drafting and Construction for Theatres, Museums, Exhibitions and Trade Shows (Theatre Arts (Routledge Paperback)) |
2002 | 978-0-87830-152-2 | Jean Marlow | Audition Speeches for Young Actors 16+ (Theatre Arts) |
'' | 978-0-87830-153-9 | Alex Moore | Ballroom Dancing, 10th Edition |
'' | 978-0-87830-154-6 | Jeffry Denman | A Year with the Producers (A Theatre Arts Book) |
'' | 978-0-87830-155-3 | Jerzy Grotowski | Towards a Poor Theatre (Theatre Arts (Routledge Paperback)) |
2002 | 978-0-87830-158-4 | Thomas Heywood · Richard Brome | The Witches of Lancashire (Globe Quartos) |
'' | 978-0-87830-161-4 | Simon Dunmore | More Alternative Shakespeare Auditions for Men |
'' | 978-0-87830-163-8 | Gillyanne Kayes · Jeremy Fisher | Successful Singing Auditions |
'' | 978-0-87830-167-6 | Barbara Houseman | Finding Your Voice |
'' | 978-0-87830-168-3 | Eamonn Jones · Jean Marlow | Duologues for All Accents and Ages |
2002 | 978-0-87830-169-0 | Thomas Heywood | The Wise Woman of Hoxton (Globe Quartos) |
2003 | 978-0-87830-171-3 | Christopher Carter Sanderson | Gorilla theater (Theatre Arts Book) |
2005 | 978-0-87830-175-1 | Patrick Tucker | Actor's Survival Handbook |
2003 | 978-0-87830-177-5 | '' | Secrets of Screen Acting (Theatre Arts Book) |
'' | 978-0-87830-178-2 | Janus Vinther | Special Effects Make-Up |
'' | 978-0-87830-179-9 | Eamonn Jones · Jean Marlow | More Duologues for All Accents and Ages |
'' | 978-0-87830-180-5 | Jean Newlove · John Dalby | Laban for All |
2004 | 978-0-87830-181-2 | Constantin Stanislavski | An Actor's Handbook: An Alphabetical Arrangement of Concise Statements on Aspects of Acting, Reissue of first edition (Theatre Arts Book) |
'' | 978-0-87830-182-9 | Orlanda Cook | Singing With Your Own Voice (Theatre Arts Book) |
2004 | 978-0-87830-183-6 | Jean Benedetti | Stanislavski: An Introduction, Revised and Updated (Theatre Arts Book) |
'' | 978-0-87830-184-3 | Robert Edmond Jones | The Dramatic Imagination: Reflections and Speculations on the Art of the Theatre, Reissue (Theatre Arts Book) |
2005 | 978-0-87830-188-1 | Janet Neipris | To Be a Playwright |
'' | 978-0-87830-189-8 | Luke Dixon | Play-Acting: A Guide to Theatre Workshops |
'' | 978-0-87830-194-2 | Philip Massinger | The City Madam (Globe Quartos) |
2004 | 978-0-87830-197-3 | Jacqueline M. Smith-Autard | Dance Composition |
'' | 978-0-87830-198-0 | Gillyanne Kayes | Singing and the Actor (Theatre Arts Book) |
2004 | 978-0-87830-199-7 | Peter Maccoy | Essentials of Stage Management |
2006 | 978-0-87830-200-0 | Evangeline Machlin | Dialects for the Stage |
2005 | 978-0-87830-202-4 | Raina S. Ames | The High School Theatre Teacher's Survival Guide |
2007 | 978-0-87830-203-1 | Jean Benedetti | The Art of the Actor |
'' | 978-0-87830-204-8 | '' | The Art of the Actor |
2006 | 978-0-87830-205-5 | Nick Moseley | Acting and Reacting: Tools for the Modern Actor (Theatre Arts Book) |
1963 | 978-0-87830-509-4 | Constantin Stanislavski | An Actor's Handbook: An Alphabetical Arrangement of Concise Statements on Aspects of Acting |
1987 | 978-0-87830-517-9 | Howard Richardson · William Berney | Dark of the Moon |
1991 | 978-0-87830-526-1 | Norah Waugh | Corsets and Crinolines |
1987 | 978-0-87830-527-8 | Ann Hutchinson | Labanotation: The System of Analyzing and Recording Movement |
'' | 978-0-87830-550-6 | Constantin Stanislavski | My Life in Art |
1998 | 978-0-87830-552-0 | '' | Stanislavski On Opera |
1987 | 978-0-87830-564-3 | Glenn Litton | Musical Comedy in America: From The Black Crook to South Pacific, From The King & I to Sweeney Todd |
'' | 978-0-87830-592-6 | Robert Edmond Jones | The Dramatic Imagination: Reflections and Speculations on the Art of the Theatre |
1989 | 978-0-87830-981-8 | Constantin Stanislavski | Creating A Role |
1989 | 978-0-87830-982-5 | Constantin Stanislavski | Building A Character |
'' | 978-0-87830-983-2 | '' | An Actor Prepares |
1988 | 978-0-87830-984-9 | Jean Benedetti | Stanislavski |