year of publication | ISBN | author(s) | title |
1999 | 978-0-8195-6357-6 | Christopher Small | Music of the Common Tongue: Survival and Celebration in African American Music (Music / Culture) |
'' | 978-0-8195-6360-6 | David B. Potts | Wesleyan University, 1831-1910: Collegiate Enterprise in New England |
'' | 978-0-8195-6361-3 | Owen A. Barfield | A Barfield Reader: Selections from the Writings of Owen Barfield |
1998 | 978-0-8195-6362-0 | Rockwell Kent | A Northern Christmas |
1999 | 978-0-8195-6364-4 | Charles Olson · Frances Boldereff | Charles Olson and Frances Boldereff: A Modern Correspondence |
'' | 978-0-8195-6365-1 | Naima Prevots | Dance for Export: Cultural Diplomacy and the Cold War (Studies In Dance History) |
2000 | 978-0-8195-6369-9 | Samuel R. Delany | Shorter Views: Queer Thoughts & the Politics of the Paraliterary |
1999 | 978-0-8195-6370-5 | Mady Schutzman | The Real Thing: Performance, Hysteria, and Advertising |
'' | 978-0-8195-6374-3 | Jose Limon | Jose Limon: An Unfinished Memoir (Studies in Dance History) |
2001 | 978-0-8195-6375-0 | Heather McHugh | The Father of the Predicaments (Wesleyan Poetry Series) |
1999 | 978-0-8195-6376-7 | Harris M. Berger | Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (Music / Culture) |
1999 | 978-0-8195-6379-8 | Leslie Scalapino | The Public World / Syntactically Impermanence |
2000 | 978-0-8195-6390-3 | Joe Wenderoth | It Is If I Speak (Wesleyan Poetry Series) |
1999 | 978-0-8195-6391-0 | Robert Santelli · Emily Davidson | Hard Travelin': The Life and Legacy of Woody Guthrie (American Music Masters) |
2002 | 978-0-8195-6397-2 | Murray Forman | The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (Music / Culture) |
2000 | 978-0-8195-6399-6 | Carl Freedman | Critical Theory and Science Fiction |
'' | 978-0-8195-6401-6 | Angela J. Latham | Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s |
'' | 978-0-8195-6402-3 | Louis Zukofsky | A Test of Poetry (The Wesleyan Centennial Edition of the Complete Critical Writings of Louis Zukofsky) |
'' | 978-0-8195-6404-7 | Kai Fikentscher | "You Better Work!" Underground Dance Music in New York City |
'' | 978-0-8195-6405-4 | Jean Valentine | The Cradle of the Real Life (Wesleyan Poetry Series) |
2000 | 978-0-8195-6406-1 | Jean Valentine | The Cradle of the Real Life (Wesleyan Poetry Series) |
2001 | 978-0-8195-6408-5 | David Rothenberg · Marta Ulvaeus | The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts (Music / Culture) |
2000 | 978-0-8195-6409-2 | Rockwell Kent | Voyaging: Southward from the Strait of Magellan |
'' | 978-0-8195-6411-5 | James Buhler · Caryl Flinn · David Neumeyer | Music and Cinema (Music / Culture) |
2001 | 978-0-8195-6413-9 | Ann Dils · Ann Cooper Albright | Moving History/Dancing Cultures: A Dance History Reader |
'' | 978-0-8195-6414-6 | Ann. Vickery | Leaving Lines of Gender: A Feminist Genealogy of Language Writing |
2000 | 978-0-8195-6415-3 | Frances Chung · Walter Lew | Crazy Melon and Chinese Apple: The Poems of Frances Chung (Wesleyan Poetry Series) |
'' | 978-0-8195-6416-0 | '' | Crazy Melon and Chinese Apple: The Poems of Frances Chung (Wesleyan Poetry Series) |
'' | 978-0-8195-6418-4 | Peter Fryer | Rhythms of Resistance: African Musical Heritage in Brazil |
2000 | 978-0-8195-6419-1 | Naomi M. Jackson | Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y |
'' | 978-0-8195-6421-4 | César Vallejo | Trilce (Wesleyan Poetry Series) |
1998 | 978-0-8195-6422-1 | Yusef Komunyakaa | Thieves of Paradise (Wesleyan Poetry Series) |
2000 | 978-0-8195-6424-5 | Rustom Bharucha | The Politics of Cultural Practice: Thinking through Theatre in an Age of Globalization |
2001 | 978-0-8195-6425-2 | Yusef Komunyakaa | Pleasure Dome: New and Collected Poems (Wesleyan Poetry Series) |
2000 | 978-0-8195-6427-6 | D. A. Powell | Lunch (Wesleyan Poetry Series) |
2001 | 978-0-8195-6428-3 | Louis Zukofsky | Prepositions +: The Collected Critical Essays (The Wesleyan Centennial Edition of the Complete Critical Writings of Louis Zukofsky) |
'' | 978-0-8195-6430-6 | Helena Simonett | Banda: Mexican Musical Life Across Borders (Music / Culture) |
2000 | 978-0-8195-6437-5 | Agha Shahid Ali · Sarah Suleri Goodyear | Ravishing DisUnities: Real Ghazals in English (Wesleyan Poetry Series) |
2001 | 978-0-8195-6440-5 | Rachel Hadas | Indelible (Wesleyan Poetry Series) |
2002 | 978-0-8195-6441-2 | Lise A. Waxer | The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia (Music / Culture) |
'' | 978-0-8195-6442-9 | '' | The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia (Music / Culture) |
2000 | 978-0-8195-6443-6 | Ralph Lemon | Geography: Art / race / exile |
2001 | 978-0-8195-6447-4 | Anni Albers | Anni Albers: Selected Writings on Design |
'' | 978-0-8195-6450-4 | Rae Armantrout | Veil: New and Selected Poems (Wesleyan Poetry Series) |
2000 | 978-0-8195-6451-1 | Jeanine Basinger | Silent Stars |
2001 | 978-0-8195-6452-8 | Aime Cesaire | Notebook of a Return to the Native Land (Wesleyan Poetry Series) |
2000 | 978-0-8195-6453-5 | Jane Sherman · Barton Mumaw | Barton Mumaw, Dancer: From Denishawn to Jacob's Pillow and Beyond |
2001 | 978-0-8195-6458-0 | Jean De LA Fontaine · David Schorr · John (Frw) Hollander · Norman R. Shapiro | Once Again, La Fontaine: 60 More Fables (Wesleyan Poetry with Audio CD) |
2001 | 978-0-8195-6459-7 | Philip Hallie | In the Eye of the Hurricane: Tales of Good and Evil, Help and Harm |
1999 | 978-0-8195-6464-1 | Naima Prevots | Dance for Export: Cultural Diplomacy and the Cold War (Studies In Dance History) |
2002 | 978-0-8195-6465-8 | Jules Verne | Invasion of the Sea (Early Classics Of Science Fiction) |
2001 | 978-0-8195-6466-5 | John Cage | Anarchy: New York City-January 1988 |
'' | 978-0-8195-6467-2 | Jill Dolan | Geographies of Learning: Theory and Practice, Activism and Performance |
'' | 978-0-8195-6468-9 | Jill Dolan | Geographies of Learning: Theory and Practice, Activism and Performance |
'' | 978-0-8195-6470-2 | Hubert Harrison | A Hubert Harrison Reader |
'' | 978-0-8195-6473-3 | Regina M. Sweeney | Singing Our Way to Victory: French Cultural Politics and Music during the Great War (Music / Culture) |
2003 | 978-0-8195-6477-1 | Leslie Scalapino | Zither & Autobiography (Wesleyan Poetry Series) |
2002 | 978-0-8195-6488-7 | Dick Blau · Charles Keil · Angeliki Vellou Keil · Steven Feld | Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia |
2003 | 978-0-8195-6490-0 | William Carlos Williams · Louis Zukofsky | The Correspondence of William Carlos Williams and Louis Zukofsky |
2001 | 978-0-8195-6492-4 | Brenda Hillman | Cascadia (Wesleyan Poetry Series) |
2002 | 978-0-8195-6498-6 | Fiona Buckland | Impossible Dance: Club Culture and Queer World-Making |
2002 | 978-0-8195-6500-6 | Ron Emoff | Recollecting from the Past: Musical Practice and Spirit Possession on the East Coast of Madagascar (Music / Culture) |
'' | 978-0-8195-6502-0 | Tony Mitchell | Global Noise: Rap and Hip Hop Outside the USA (Music / Culture) |
2001 | 978-0-8195-6505-1 | José Limón | José Limón: An Unfinished Memoir |
'' | 978-0-8195-6506-8 | Heather McHugh | The Father of the Predicaments (Wesleyan Poetry Series) |
2002 | 978-0-8195-6508-2 | Dennis G. Waring | Manufacturing the Muse: Estey Organs and Consumer Culture in Victorian America (Music / Culture) |
2003 | 978-0-8195-6511-2 | Jules Verne | The Mighty Orinoco (Early Classics Of Science Fiction) |
2013 | 978-0-8195-6512-9 | '' | Travel Scholarships (Early Classics Of Science Fiction) |
2003 | 978-0-8195-6514-3 | Rene T. A. Lysloff · Jr. Leslie C. Gay · Andrew Ross | Music and Technoculture (Music / Culture) |
2004 | 978-0-8195-6517-4 | Paul D. Greene · Thomas Porcello | Wired for Sound: Engineering and Technologies in Sonic Cultures (Music / Culture) |
2002 | 978-0-8195-6520-4 | Anthony Shay | Choreographic Politics: State Folk Dance Companies, Representation and Power |
'' | 978-0-8195-6521-1 | Anthony Shay | Choreographic Politics: State Folk Dance Companies, Representation, and Power |
2001 | 978-0-8195-6525-9 | Juliana Spahr | Fuck You-Aloha-I Love You (Wesleyan Poetry Series) |
2002 | 978-0-8195-6527-3 | Justine Larbalestier | The Battle of the Sexes in Science Fiction (Early Classics Of Science Fiction) |
'' | 978-0-8195-6528-0 | Brion Gysin | Back in No Time: The Brion Gysin Reader |
2002 | 978-0-8195-6529-7 | Brion Gysin | Back in No Time: The Brion Gysin Reader |
2001 | 978-0-8195-6531-0 | Michael Eigen | Ecstasy |
2003 | 978-0-8195-6532-7 | Paul Horgan | Lamy of Santa Fe |
2002 | 978-0-8195-6536-5 | Annie Dillard | Tickets for a Prayer Wheel (Wesleyan Poetry Series) |
'' | 978-0-8195-6544-0 | Antonia Pozzi | Breath: Poems and Letters (Wesleyan Poetry Series) |
2001 | 978-0-8195-6545-7 | Jules Verne · translated by Edward Baxter · edited by Arthur B. Evans · introduction · critical material by Arthur B. Evans | Invasion of the sea |
2002 | 978-0-8195-6547-1 | Claudia Rankine · Juliana Spahr | American Women Poets in the 21st Century: Where Lyric Meets Language (American Poets in the 21st Century) |
'' | 978-0-8195-6551-8 | Susan Leigh Foster | Dances that Describe Themselves: The Improvised Choreography of Richard Bull |
'' | 978-0-8195-6553-2 | Mark Franko | The Work of Dance: Labor, Movement, and Identity in the 1930s |
2007 | 978-0-8195-6558-7 | Jules Verne | Invasion of the Sea (Early Classics Of Science Fiction) |
2002 | 978-0-8195-6559-4 | '' | The Mysterious Island (Early Classics Of Science Fiction) |
'' | 978-0-8195-6560-0 | Ann Daly | Done into Dance: Isadora Duncan in America |
2002 | 978-0-8195-6566-2 | Ann Daly | Critical Gestures: Writings on Dance and Culture |
'' | 978-0-8195-6567-9 | Camille Flammarion | Lumen (Early Classics Of Science Fiction) |
'' | 978-0-8195-6568-6 | Camille Flammarion | Lumen (Early Classics Of Science Fiction) |
2007 | 978-0-8195-6571-6 | Michael Veal | Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music / Culture) |
'' | 978-0-8195-6572-3 | Michael Veal | Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music / Culture) |
2003 | 978-0-8195-6580-8 | Rosmarie Waldrop | Lavish Absence: Recalling and Rereading Edmond Jabès |
'' | 978-0-8195-6584-6 | Honoree Fanonne Jeffers | Outlandish Blues (Wesleyan Poetry Series) |
2002 | 978-0-8195-6586-0 | Michael Eigen | Rage (Disseminations: Psychoanalysis In Contexts) |
2002 | 978-0-8195-6592-1 | Allen S. Weiss | Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia |
2003 | 978-0-8195-6593-8 | Susana Salgado | The Teatro Solís: 150 Years of Opera, Concert and Ballet in Montevideo |
'' | 978-0-8195-6594-5 | Susana Salgado | The Teatro Solís: 150 Years of Opera, Concert and Ballet in Montevideo |
2002 | 978-0-8195-6595-2 | Barbara Guest | Miniatures and Other Poems (Wesleyan Poetry Series) |
'' | 978-0-8195-6596-9 | Barbara Guest | Miniatures and Other Poems (Wesleyan Poetry Series) |
2003 | 978-0-8195-6605-8 | Clayton Eshleman | Juniper Fuse: Upper Paleolithic Imagination & the Construction of the Underworld |
2004 | 978-0-8195-6607-2 | Melissa Kwasny | Toward the Open Field: Poets on the Art of Poetry 1800-1950 (Wesleyan Poetry Series) |
2003 | 978-0-8195-6608-9 | Jean-Baptiste François Xavier Cousin de Grainville | The Last Man (Early Classics Of Science Fiction) |
'' | 978-0-8195-6610-2 | Barrett Watten | The Constructivist Moment: From Material Text to Cultural Poetics |
2004 | 978-0-8195-6612-6 | André Lepecki | Of the Presence of the Body: Essays on dance and Performance Theory |
'' | 978-0-8195-6615-7 | Émile Souvestre | The World as It Shall Be (Early Classics Of Science Fiction) |
2007 | 978-0-8195-6616-4 | Emile Souvestre · I. F. Clarke · Margaret Clarke | The World As It Shall Be (The Wesleyan Early Classics of Science Fiction Series) |
2005 | 978-0-8195-6617-1 | Allan Marett | Songs, Dreamings, and Ghosts: The Wangga of North Australia (Music / Culture) |
2005 | 978-0-8195-6618-8 | Allan Marett | Songs, Dreamings, and Ghosts: The Wangga of North Australia (Music / Culture) |
2004 | 978-0-8195-6619-5 | Louis Zukofsky | Le Style Apollinaire: The Writing of Guillaume Apollinaire (The Wesleyan Centennial Edition of the Complete Critical Writings of Louis Zukofsky) |
2004 | 978-0-8195-6620-1 | Louis Zukofsky | Le Style Apollinaire: The Writing of Guillaume Apollinaire (The Wesleyan Centennial Edition of the Complete Critical Writings of Louis Zukofsky) |
2003 | 978-0-8195-6623-2 | Jeanine Basinger | The World War II Combat Film: Anatomy of a Genre |
'' | 978-0-8195-6628-7 | Rachel Zucker | Eating in the Underworld (Wesleyan Poetry Series) |
2006 | 978-0-8195-6630-0 | Amy Agigian | Baby Steps: How Lesbian Alternative Insemination Is Changing the World |
2003 | 978-0-8195-6634-8 | Andrea L. Bell · Yolanda Molina-Gavilán | Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (Early Classics Of Science Fiction) |
'' | 978-0-8195-6638-6 | Ian Maxwell | Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper (Music / Culture) |
'' | 978-0-8195-6642-3 | Ellyn Kestnbaum | Culture on Ice: Figure Skating & Cultural Meaning |
'' | 978-0-8195-6644-7 | Patricia Dienstfrey · Brenda Hillman · Rachel Blau DuPlessis | The Grand Permission: New Writings on Poetics and Motherhood |
2003 | 978-0-8195-6647-8 | Ann Cooper Albright · David Gere | Taken by Surprise: A Dance Improvisation Reader |
'' | 978-0-8195-6648-5 | Ann Cooper Albright · David Gere | Taken by Surprise: A Dance Improvisation Reader |
'' | 978-0-8195-6652-2 | Marleen S. Barr | Envisioning the Future: Science Fiction and the Next Millennium |
'' | 978-0-8195-6658-4 | Colette Chiland | Transsexualism: Illusion and Reality (Disseminations: Psychoanalysis In Contexts) |
'' | 978-0-8195-6660-7 | Sydney Fowler Wright | Deluge (Early Classics Of Science Fiction) |
2004 | 978-0-8195-6661-4 | Yayoi Uno Everett · Frederick Lau | Locating East Asia in Western Art Music (Music / Culture) |
2004 | 978-0-8195-6662-1 | Yayoi Uno Everett · Frederick Lau | Locating East Asia in Western Art Music (Music / Culture) |
2003 | 978-0-8195-6664-5 | Peter Gizzi | Some Values of Landscape and Weather (Wesleyan Poetry Series) |
2004 | 978-0-8195-6667-6 | Steven Taylor | False Prophet: Field Notes from the Punk Underground (Music / Culture) |
'' | 978-0-8195-6668-3 | Steven Taylor | False Prophet: Field Notes from the Punk Underground (Music / Culture) |
'' | 978-0-8195-6670-6 | Herbert Bruen | When Music Resists Meaning: The Major Writings of Herbert Brün |
2003 | 978-0-8195-6671-3 | Heather McHugh | Eyeshot (Wesleyan Poetry Series) |
2004 | 978-0-8195-6672-0 | '' | Eyeshot (Wesleyan Poetry Series) |
2005 | 978-0-8195-6674-4 | Lynn Garafola | Legacies of Twentieth-Century Dance |
2006 | 978-0-8195-6676-8 | Justine Larbalestier | Daughters of Earth: Feminist Science Fiction in the Twentieth Century |
2003 | 978-0-8195-6677-5 | Rockwell Kent | Salamina |
2004 | 978-0-8195-6678-2 | Vicente Huidobro | Altazor (Wesleyan Poetry Series) |
'' | 978-0-8195-6680-5 | Albert Robida | The Twentieth Century (Early Classics of Science Fiction) |
'' | 978-0-8195-6681-2 | Daniel Fischlin · Ajay Heble · Ingrid Monson | The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (Music / Culture) |
2004 | 978-0-8195-6682-9 | Daniel Fischlin · Ajay Heble · Ingrid Monson | The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (Music / Culture) |
'' | 978-0-8195-6685-0 | Michael Eigen | The Sensitive Self |
'' | 978-0-8195-6689-8 | Jeffrey Allen Tucker | A Sense of Wonder: Samuel R. Delany, Race, Identity, and Difference |
'' | 978-0-8195-6690-4 | Guillaume Apollinaire | The Self-Dismembered Man: Selected Later Poems of Guillaume Apollinaire (Wesleyan Poetry Series) |
'' | 978-0-8195-6691-1 | Guillaume Apollinaire | The Self-Dismembered Man: Selected Later Poems of Guillaume Apollinaire (Wesleyan Poetry Series) |
2004 | 978-0-8195-6692-8 | Olaf Stapledon | Star Maker (Early Classics Of Science Fiction) |
'' | 978-0-8195-6694-2 | Kazuo Ohno · Yoshito Ohno | Kazuo Ohno's World: from without & within |
'' | 978-0-8195-6696-6 | Joseph G. Schloss | Making Beats: The Art of Sample-Based Hip-Hop (Music / Culture) |
'' | 978-0-8195-6698-0 | Rae Armantrout | Up to Speed (Wesleyan Poetry Series) |
'' | 978-0-8195-6699-7 | Ralph Lemon | Tree: belief / culture / balance |
2004 | 978-0-8195-6701-7 | Andrew Zawacki | Anabranch (Wesleyan Poetry Series) |
2010 | 978-0-8195-6703-1 | Yutian Wong | Choreographing Asian America |
2007 | 978-0-8195-6704-8 | Jules Verne | The Kip Brothers (Early Classics Of Science Fiction) |
2004 | 978-0-8195-6711-6 | Rachel Zucker | The Last Clear Narrative (Wesleyan Poetry Series) |
'' | 978-0-8195-6712-3 | Jean Valentine | Door in the Mountain: New and Collected Poems, 1965-2003 (Wesleyan Poetry Series) |
2007 | 978-0-8195-6713-0 | '' | Door in the Mountain: New and Collected Poems, 1965-2003 (Wesleyan Poetry Series) |
2004 | 978-0-8195-6714-7 | Samuel R. Delany | Stars in My Pocket Like Grains of Sand |
2006 | 978-0-8195-6716-1 | '' | About Writing: Seven Essays, Four Letters, & Five Interviews |
2004 | 978-0-8195-6719-2 | Reviel Netz | Barbed Wire: An Ecology of Modernity |
'' | 978-0-8195-6720-8 | Paul Celan | Glottal Stop: 101 Poems by Paul Celan (Wesleyan Poetry Series) |
'' | 978-0-8195-6721-5 | Colin Symes | Setting the Record Straight: A Material History of Classical Recording (Music / Culture) |
'' | 978-0-8195-6725-3 | W. Warren Wagar | H.G. Wells: Traversing Time (Early Classics Of Science Fiction) |
2007 | 978-0-8195-6728-4 | Claudia Rankine · Lisa Sewell | American Poets in the 21st Century: The New Poetics |
2006 | 978-0-8195-6729-1 | H.G. Wells | Star Begotten: A Biological Fantasia (Early Classics Of Science Fiction) |
2004 | 978-0-8195-6731-4 | Joan Acocella | Mark Morris |
2004 | 978-0-8195-6733-8 | Ananya Chatterjea | Butting Out: Reading Resistive Choreographies Through Works by Jawole Willa Jo Zollar and Chandralekha |
2007 | 978-0-8195-6735-2 | Edward Bulwer-Lytton | The Coming Race (Early Classics Of Science Fiction) |
'' | 978-0-8195-6736-9 | Peter Gizzi | The Outernationale (Wesleyan Poetry Series) |
2008 | 978-0-8195-6737-6 | '' | The Outernationale (Wesleyan Poetry Series) |
2005 | 978-0-8195-6738-3 | Jan Johnson-Smith | American Science Fiction TV: Star Trek, Stargate, and Beyond |
2004 | 978-0-8195-6739-0 | Yusef Komunyakaa | Pleasure Dome: New and Collected Poems (Wesleyan Poetry Series) |
'' | 978-0-8195-6742-0 | John Luther Adams | Winter Music: Composing the North |
2005 | 978-0-8195-6745-1 | Kamau Brathwaite | Born to Slow Horses (Wesleyan Poetry Series) |
'' | 978-0-8195-6748-2 | Michel Deguy | Recumbents (Wesleyan Poetry Series) |
'' | 978-0-8195-6749-9 | Edward Bulwer-Lytton | The Coming Race (Early Classics Of Science Fiction) |
2005 | 978-0-8195-6750-5 | Barbara Guest | The Red Gaze (Wesleyan Poetry Series) |
'' | 978-0-8195-6753-6 | Michael Eigen | Emotional Storm |
2005 | 978-0-8195-6754-3 | Michael Eigen | Emotional Storm |
'' | 978-0-8195-6757-4 | Lorna Jowett | Sex and the Slayer: A Gender Studies Primer for the Buffy Fan |
'' | 978-0-8195-6758-1 | Lorna Jowett | Sex and the Slayer: A Gender Studies Primer for the Buffy Fan |
'' | 978-0-8195-6759-8 | Joanna Russ | We Who Are About To... |
'' | 978-0-8195-6760-4 | Joanna Russ | The Two of Them |
2005 | 978-0-8195-6761-1 | Jim Cullen | Born in the U.S.A.: Bruce Springsteen and the American Tradition (Music / Culture) |
'' | 978-0-8195-6765-9 | Louise Spence | Watching Daytime Soap Operas: The Power of Pleasure |
'' | 978-0-8195-6766-6 | Georg G. Iggers | Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge |
'' | 978-0-8195-6768-0 | Piotr Sommer | Continued (Wesleyan Poetry Series) |
2006 | 978-0-8195-6772-7 | Alice Notley | Grave of Light: New and Selected Poems, 1970-2005 (Wesleyan Poetry Series) |
2008 | 978-0-8195-6773-4 | Alice Notley | Grave of Light: New and Selected Poems, 1970-2005 (Wesleyan Poetry Series) |
2006 | 978-0-8195-6774-1 | Juliet E McMains | Glamour Addiction: Inside the American Ballroom Dance Industry |
2005 | 978-0-8195-6780-2 | Jules Verne | The Mighty Orinoco (Early Classics Of Science Fiction) |
'' | 978-0-8195-6782-6 | Paul Austerlitz | Jazz Consciousness: Music, Race, and Humanity (Music / Culture) |
2007 | 978-0-8195-6788-8 | Brenda Hillman | Pieces of Air in the Epic (Wesleyan Poetry Series) |
2005 | 978-0-8195-6789-5 | Mike Budd · Max H. Kirsch | Rethinking Disney: Private Control, Public Dimensions |
2005 | 978-0-8195-6790-1 | Mike Budd · Max H. Kirsch | Rethinking Disney: Private Control, Public Dimensions |
2006 | 978-0-8195-6791-8 | Ken Feil | Dying for a Laugh: Disaster Movies and the Camp Imagination |
'' | 978-0-8195-6792-5 | '' | Dying for a Laugh: Disaster Movies and the Camp Imagination |
2005 | 978-0-8195-6793-2 | Peter Doyle | Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Music / Culture) |
'' | 978-0-8195-6794-9 | Peter Doyle | Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Music / Culture) |
'' | 978-0-8195-6796-3 | Jules Verne | The Begum's Millions (Early Classics Of Science Fiction) |
2006 | 978-0-8195-6797-0 | Danièle Chatelain · George Slusser · Honoré Balzac | The Centenarian: Or, The Two Beringhelds (Early Classics of Science Fiction) |
'' | 978-0-8195-6798-7 | Jonathan Holt Shannon | Among the Jasmine Trees: Music and Modernity in Contemporary Syria (Music / Culture) |
2007 | 978-0-8195-6801-4 | Eric Lichtenfeld | Action Speaks Louder: Violence, Spectacle, and the American Action Movie (Wesleyan Film) |
2006 | 978-0-8195-6805-2 | Gay Morris | A Game for Dancers: Performing Modernism in the Postwar Years, 1945-1960 |