year of publication | ISBN | author(s) | title |
2018 | 978-1-5013-2902-9 | Tessa Dwyer · Claire Perkins · Sean Redmond · Jodi Sita | Seeing into Screens: Eye Tracking and the Moving Image |
2017 | 978-1-5013-2906-7 | Irina Souch | Popular Tropes of Identity in Contemporary Russian Television and Film |
2018 | 978-1-5013-2929-6 | Susan Harlan | Luggage (Object Lessons) |
2017 | 978-1-5013-2933-3 | Paul Josephson | Traffic (Object Lessons) |
2020 | 978-1-5013-2937-1 | Matthew Alastair Pearson | Toilet (Object Lessons) |
2018 | 978-1-5013-2941-8 | Rolf Potts | Souvenir (Object Lessons) |
'' | 978-1-5013-2946-3 | Carol J. Adams | Burger (Object Lessons) |
'' | 978-1-5013-2949-4 | Jean-Michel Rabaté | Rust (Object Lessons) |
'' | 978-1-5013-2976-0 | Rayna Denison · Chris Pallant | Princess Mononoke: Understanding Studio Ghibli's Monster Princess (Animation: Key Films/Filmmakers) |
2017 | 978-1-5013-2984-5 | Daniel Barnett | Movement as Meaning in Experimental Cinema: The Musical Poetry of Motion Pictures Revisited |
'' | 978-1-5013-2999-9 | Richard T. Gray | Ghostwriting: W. G. Sebald's Poetics of History (New Directions in German Studies) |
2019 | 978-1-5013-3022-3 | Holger Schulze | Sound Works: A Cultural Theory of Sound Design |
2018 | 978-1-5013-3029-2 | Connie Amaden-Crawford | The Art of Fashion Draping: Bundle Book + Studio Instant Access |
2020 | 978-1-5013-3045-2 | Allan Moore · Paul Carr | The Bloomsbury Handbook of Rock Music Research (Bloomsbury Handbooks in Popular Music) |
2019 | 978-1-5013-3049-0 | Michael Fuchs · Jeff Thoss | Intermedia Games_Games Inter Media: Video Games and Intermediality |
2018 | 978-1-5013-3096-4 | Marie Kolkenbrock | Stereotype and Destiny in Arthur Schnitzler's Prose: Five Psycho-Sociological Readings (New Directions in German Studies) |
2017 | 978-1-5013-3117-6 | Joseph D. Ketner II | Witness to Phenomenon: Group Zero and the Development of New Media in Postwar European Art (International Texts in Critical Media Aesthetics) |
2018 | 978-1-5013-3125-1 | Maria Pramaggiore · Annabelle Honess Roe | Vocal Projections: Voices in Documentary |
2018 | 978-1-5013-3133-6 | Steven Powell | The Big Somewhere: Essays on James Ellroy's Noir World |
'' | 978-1-5013-3137-4 | Christopher Langlois · Laci Mattison · Paul Ardoin · S. E. Gontarski | Understanding Blanchot, Understanding Modernism (Understanding Philosophy, Understanding Modernism) |
2019 | 978-1-5013-3141-1 | Alex Bevan | The Aesthetics of Nostalgia TV: Production Design and the Boomer Era |
2017 | 978-1-5013-3146-6 | Baylee Brits | Literary Infinities: Number and Narrative in Modern Fiction |
'' | 978-1-5013-3149-7 | James Russell · Jim Whalley | Hollywood and the Baby Boom: A Social History |
2019 | 978-1-5013-3161-9 | Michele M. Granger · Tina M. Sterling · Ann Cantrell | Fashion Entrepreneurship: Retail Business Planning |
'' | 978-1-5013-3186-2 | Jean-Michel Rabaté · Laci Mattison · Paul Ardoin · S. E. Gontarski | Understanding Derrida, Understanding Modernism (Understanding Philosophy, Understanding Modernism) |
2018 | 978-1-5013-3205-0 | Samantha Bennett · Eliot Bates | Critical Approaches to the Production of Music and Sound |
2017 | 978-1-5013-3227-2 | Jeffrey R. Di Leo · Thomas Oliver Beebee | American Literature as World Literature (Literatures as World Literature) |
2020 | 978-1-5013-3240-1 | James Newman | Spectate! Watching, Recording and Streaming Videogames |
'' | 978-1-5013-3241-8 | James Newman | Spectate! Watching, Recording and Streaming Videogames |
2019 | 978-1-5013-3246-3 | Ivone Margulies · Jeremi Szaniawski | On Women's Films: Across Worlds and Generations |
2018 | 978-1-5013-3251-7 | Ignacio M. Sánchez Prado | Mexican Literature in Theory |
2018 | 978-1-5013-3260-9 | Nichola Dobson · Annabelle Honess Roe · Amy Ratelle · Caroline Ruddell | The Animation Studies Reader |
'' | 978-1-5013-3261-6 | Nichola Dobson · Annabelle Honess Roe · Amy Ratelle · Caroline Ruddell | The Animation Studies Reader |
'' | 978-1-5013-3270-8 | Herwig Friedl | Thinking in Search of a Language: Essays on American Intellect and Intuition |
'' | 978-1-5013-3271-5 | Herwig Friedl | Thinking in Search of a Language: Essays on American Intellect and Intuition |
2017 | 978-1-5013-3319-4 | Delia Ungureanu | From Paris to Tlön: Surrealism as World Literature (Literatures as World Literature) |
2018 | 978-1-5013-3323-1 | Susan Aasman · Andreas Fickers · Joseph Wachelder | Materializing Memories: Dispositifs, Generations, Amateurs |
2020 | 978-1-5013-3328-6 | Hanne Blank | Fat (Object Lessons) |
2019 | 978-1-5013-3336-1 | Bryan Wagner | The Wild Tchoupitoulas' The Wild Tchoupitoulas (33 1/3) |
2021 | 978-1-5013-3340-8 | A. N. Devers | Train (Object Lessons) |
2022 | 978-1-5013-3352-1 | Ian Epstein | Pixel (Object Lessons) |
2021 | 978-1-5013-3373-6 | Stephen Sparks | Fog (Object Lessons) |
2019 | 978-1-5013-3377-4 | Alan Licht | Sound Art Revisited |
2018 | 978-1-5013-3378-1 | Mari Ruti | Distillations: Theory, Ethics, Affect |
'' | 978-1-5013-3379-8 | Mari Ruti | Distillations: Theory, Ethics, Affect |
2017 | 978-1-5013-3383-5 | Carly Osborn · Chris Fleming · Joel Hodge · Scott Cowdell | Does Religion Cause Violence?: Multidisciplinary Perspectives on Violence and Religion in the Modern World (Violence, Desire, and the Sacred) |
2020 | 978-1-5013-3402-3 | Simon Zagorski-Thomas · Andrew Bourbon | The Bloomsbury Handbook of Music Production (Bloomsbury Handbooks) |
2019 | 978-1-5013-3424-5 | Michele M. Granger · Tina M. Sterling · Ann Cantrell | Fashion Entrepreneurship: Bundle Book + Studio Access Card |
2018 | 978-1-5013-3429-0 | Christopher Schaberg | The Work of Literature In an Age of Post-Truth |
2018 | 978-1-5013-3430-6 | Christopher Schaberg | The Work of Literature In an Age of Post-Truth |
2020 | 978-1-5013-3478-8 | Holger Schulze | Sonic Fiction (The Study of Sound) |
'' | 978-1-5013-3479-5 | '' | Sonic Fiction (The Study of Sound) |
2017 | 978-1-5013-3487-0 | Ralf Grüttemeier | Literary Trials: Exceptio Artis and Theories of Literature in Court |
2018 | 978-1-5013-3510-5 | Judith C. Everett · Kristen K. Swanson · José Blanco F. | Guide to Producing a Fashion Show |
'' | 978-1-5013-3525-9 | Judith C. Everett · Kristen K. Swanson · José Blanco F. | Guide to Producing a Fashion Show: Bundle Book + Studio Access Card |
2020 | 978-1-5013-3539-6 | Holger Schulze | The Bloomsbury Handbook of the Anthropology of Sound (Bloomsbury Handbooks in Sound Studies) |
2019 | 978-1-5013-3548-8 | Michael Yonan · Stacey Sloboda | Eighteenth-Century Art Worlds: Global and Local Geographies of Art |
2018 | 978-1-5013-3572-3 | Judith Roof | The Comic Event: Comedic Performance from the 1950s to the Present |
'' | 978-1-5013-3598-3 | Kaya Davies Hayon | Sensuous Cinema: The Body in Contemporary Maghrebi Film (Thinking Cinema) |
'' | 978-1-5013-3602-7 | Sean D. O'Reilly | Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan |
2017 | 978-1-5013-3607-2 | Susan E. Gustafson | Goethe's Families of the Heart (New Directions in German Studies) |
2017 | 978-1-5013-3608-9 | Tobias Döring · Ewan Fernie | Thomas Mann and Shakespeare (New Directions in German Studies) |
2021 | 978-1-5013-3628-7 | Geoff Stahl · J Mark Percival | The Bloomsbury Handbook of Popular Music and Place (Bloomsbury Handbooks) |
2018 | 978-1-5013-3632-4 | Calvin Thomas | Adventures in Theory |
'' | 978-1-5013-3633-1 | Calvin Thomas | Adventures in Theory: A Compact Anthology |
2019 | 978-1-5013-3638-6 | Chris Washington · Anne C. McCarthy | Romanticism and Speculative Realism |
2018 | 978-1-5013-3671-3 | Rikke Schubart | Mastering Fear: Women, Emotions, and Contemporary Horror |
2019 | 978-1-5013-3704-8 | Simin Nina Littschwager | Making Sense of Mind-Game Films: Narrative Complexity, Embodiment, and the Senses |
2018 | 978-1-5013-3713-0 | Franziska Bruckner · Holger Lang · Nikica Gilic · Daniel Šuljic · Hrvoje Turkovic | Global Animation Theory: International Perspectives at Animafest Zagreb |
'' | 978-1-5013-3721-5 | Rachel Lee Rubin | Creative Activism: Conversations on Music, Film, Literature, and Other Radical Arts |
'' | 978-1-5013-3749-9 | Svetlana Boym | The Svetlana Boym Reader |
'' | 978-1-5013-3750-5 | Svetlana Boym | The Svetlana Boym Reader |
2017 | 978-1-5013-3758-1 | William S. Allen | Without End: Sade's Critique of Reason |
2018 | 978-1-5013-3762-8 | S. E. Gontarski | Revisioning Beckett: Samuel Beckett's Decadent Turn |
2018 | 978-1-5013-3763-5 | S. E. Gontarski | Revisioning Beckett: Samuel Beckett's Decadent Turn |
2019 | 978-1-5013-3771-0 | Alice Mikal Craven · William E. Dow · Yoko Nakamura | Of Latitudes Unknown: James Baldwin's Radical Imagination |
2018 | 978-1-5013-3783-3 | Kaja Marczewska | This Is Not a Copy: Writing at the Iterative Turn |
'' | 978-1-5013-3787-1 | Yannis Tzioumakis · Peter Krämer | The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era |
'' | 978-1-5013-3788-8 | Yannis Tzioumakis · Peter Krämer | The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era |
'' | 978-1-5013-3800-7 | Jonathan Schroeder · Anna Westerstahl Stenport · Eszter Szalczer | August Strindberg and Visual Culture: The Emergence of Optical Modernity in Image, Text and Theatre |
2017 | 978-1-5013-3808-3 | Sebastian Huber | Subject of the Event: Reagency in the American Novel after 2000 |
'' | 978-1-5013-3854-0 | Lucia Krämer | Bollywood in Britain |
2017 | 978-1-5013-3855-7 | Alfio Leotta | Peter Jackson (The Bloomsbury Companions to Contemporary Filmmakers) |
2021 | 978-1-5013-3889-2 | Tom Western | National Phonography: Field Recording, Sound Archiving, and Producing the Nation in Music (Alternate Takes: Critical Responses to Popular Music) |
2019 | 978-1-5013-3914-1 | Brian Pines · Douglas Burnham · Laci Mattison · Paul Ardoin · S. E. Gontarski | Understanding Nietzsche, Understanding Modernism (Understanding Philosophy, Understanding Modernism) |
2018 | 978-1-5013-3918-9 | Alan Singer | Posing Sex: Toward a Perceptual Ethics for Literary and Visual Art |
2019 | 978-1-5013-3927-1 | Carol Vernallis · Holly Rogers · Lisa Perrott | Transmedia Directors: Artistry, Industry, and New Audiovisual Aesthetics (New Approaches to Sound, Music, and Media) |
2020 | 978-1-5013-3935-6 | Alison Hulme | Entangled Things: Objects Beyond Agency and Disposability |
2018 | 978-1-5013-3940-0 | Michael Richardson | Gestures of Testimony: Torture, Trauma, and Affect in Literature |
'' | 978-1-5013-3942-4 | Matthew Harle | Afterlives of Abandoned Work: Creative Debris in the Archive |
'' | 978-1-5013-3950-9 | Utku Mogultay | The Ruins of Urban Modernity: Thomas Pynchon's Against the Day |
'' | 978-1-5013-3954-7 | Lucy Bennett · Paul Booth | Seeing Fans: Representations of Fandom in Media and Popular Culture |
2019 | 978-1-5013-3994-3 | Samuel Raybone | Gustave Caillebotte as Worker, Collector, Painter |
'' | 978-1-5013-4000-0 | Indrek Männiste | D. H. Lawrence, Technology, and Modernity |
2020 | 978-1-5013-4004-8 | Debra Shostak | Fictive Fathers in the Contemporary American Novel |
2019 | 978-1-5013-4008-6 | Drew Ayers | Spectacular Posthumanism: The Digital Vernacular of Visual Effects |
2018 | 978-1-5013-4016-1 | Lesley Brill | The Ironic Filmmaking of Stephen Frears |
2018 | 978-1-5013-4017-8 | Grant Bollmer | Inhuman Networks |
'' | 978-1-5013-4018-5 | Kevin McDonald · Daniel Smith-Rowsey | The Netflix Effect: Technology and Entertainment in the 21st Century |
'' | 978-1-5013-4019-2 | Aaron Hunter | Authoring Hal Ashby: The Myth of the New Hollywood Auteur |
2019 | 978-1-5013-4100-7 | Carol Vernallis · Holly Rogers · Lisa Perrott | Transmedia Directors: Artistry, Industry, and New Audiovisual Aesthetics (New Approaches to Sound, Music, and Media) |
2018 | 978-1-5013-4101-4 | Antonio Cimino | Enactment, Politics, and Truth: Pauline Themes in Agamben, Badiou, and Heidegger |
'' | 978-1-5013-4116-8 | Arka Chattopadhyay | Beckett, Lacan and the Mathematical Writing of the Real |
'' | 978-1-5013-4123-6 | Patrick McGee | Political Monsters and Democratic Imagination: Spinoza, Blake, Hugo, Joyce |
2018 | 978-1-5013-4129-8 | Clint Burnham | Does the Internet Have an Unconscious?: Slavoj Žižek and Digital Culture (Psychoanalytic Horizons) |
2019 | 978-1-5013-4140-3 | Saikat Majumdar · Aarthi Vadde | The Critic as Amateur |
2020 | 978-1-5013-4160-1 | Tim Satterthwaite | Modernist Magazines and the Social Ideal |
'' | 978-1-5013-4165-6 | Sara Hillnhuetter · Friedrich Tietjen · Stefanie Klamm | Hybrid Photography: Intermedial Practice in Science and Humanities |
2018 | 978-1-5013-4178-6 | Paul Stasi · Josephine Park | Ezra Pound in the Present |
2019 | 978-1-5013-4194-6 | Robert Bennett | Pill (Object Lessons) |
2021 | 978-1-5013-4198-4 | Christopher R. Smit | Wheelchair (Object Lessons) |
2019 | 978-1-5013-4202-8 | David Horn · John Shepherd | Bloomsbury Encyclopedia of Popular Music of the World, Volume 12: Genres: Sub-Saharan Africa |
2018 | 978-1-5013-4211-0 | Susan Doyle · Jaleen Grove · Whitney Sherman | History of Illustration |
'' | 978-1-5013-4213-4 | Cassandra Falke | The Phenomenology of Love and Reading |
'' | 978-1-5013-4215-8 | Lori Gruen · Fiona Probyn-Rapsey · Carol J. Adams | Animaladies: Gender, Animals, and Madness |
2019 | 978-1-5013-4233-2 | Lori A. Burns · Stan Hawkins | The Bloomsbury Handbook of Popular Music Video Analysis (Bloomsbury Handbooks) |
2020 | 978-1-5013-4249-3 | V. Ann Paulins · Julie L. Hillery | Ethics in the Fashion Industry: Bundle Book + Studio Access Card |
'' | 978-1-5013-4258-5 | James Hodapp · Thomas Oliver Beebee | Afropolitan Literature as World Literature (Literatures as World Literature) |
2020 | 978-1-5013-4272-1 | Erin Eckhold Sassin | Single People and Mass Housing in Germany, 1850-1930: (No)Home Away from Home (Visual Cultures and German Contexts) |
'' | 978-1-5013-4282-0 | Karen Lury · Amy Holdsworth · Hannah Tweed | Discourses of Care: Media Practices and Cultures |
'' | 978-1-5013-4295-0 | Robin Truth Goodman · Laci Mattison · Paul Ardoin · S. E. Gontarski | Understanding Adorno, Understanding Modernism (Understanding Philosophy, Understanding Modernism) |
2019 | 978-1-5013-4305-6 | Maria Quirk | Women, Art and Money in Late Victorian and Edwardian England: The Hustle and the Scramble (Contextualizing Art Markets) |
2020 | 978-1-5013-4312-4 | David S. Mather | Futurist Conditions: Imagining Time in Italian Futurism |
2019 | 978-1-5013-4341-4 | Helen Rydstrand | Rhythmic Modernism: Mimesis and the Short Story |
2020 | 978-1-5013-4353-7 | Iris Haukamp | A Foreigner's Cinematic Dream of Japan: Representational Politics and Shadows of War in the Japanese-German Coproduction New Earth (1937) |
2018 | 978-1-5013-4393-3 | Pepita Hesselberth · Maria Poulaki | Compact Cinematics |
2020 | 978-1-5013-4405-3 | Geoff Boucher | Habermas and Literature: The Public Sphere and the Social Imaginary |
2019 | 978-1-5013-4427-5 | Elizabeth Losh | Hashtag (Object Lessons) |
'' | 978-1-5013-4431-2 | Rebecca Earle | Potato (Object Lessons) |
2020 | 978-1-5013-4463-3 | Elizabeth Emery | Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France (1853-1914) (Contextualizing Art Markets) |
2018 | 978-1-5013-4471-8 | Cathy van Eck | Between Air and Electricity |
2019 | 978-1-5013-4473-2 | Aukje van Rooden | Literature, Autonomy and Commitment |
'' | 978-1-5013-4477-0 | Elizabeth Otto · Patrick Rössler · Deborah Ascher Barnstone · Thomas O. Haakenson | Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism's Legendary Art School (Visual Cultures and German Contexts) |
2020 | 978-1-5013-4536-4 | Ian Peddie | The Bloomsbury Handbook of Popular Music and Social Class (Bloomsbury Handbooks) |
2019 | 978-1-5013-4562-3 | Siobhan Magee | Material Culture and Kinship in Poland: An Ethnography of Fur and Society |
2020 | 978-1-5013-4650-7 | Jennifer J. Purcell | Mother of the BBC: Mabel Constanduros and the Development of Popular Entertainment on the BBC, 1925-1957 |
2020 | 978-1-5013-4702-3 | Barbara Ellison · Thomas Bey William Bailey | Sonic Phantoms: Composition with Auditory Phantasmatic Presence |
'' | 978-1-5013-4706-1 | Vanessa Rocco | Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy (Visual Cultures and German Contexts) |
2019 | 978-1-5013-4710-8 | Jan Uelzmann | Staging West German Democracy: Governmental PR Films and the Democratic Imaginary, 1953-1963 (New Directions in German Studies) |
2018 | 978-1-5013-4718-4 | Pamela Fraser · Roger Rothman | Beyond Critique |
2019 | 978-1-5013-4729-0 | Anna Kornbluh | Marxist Film Theory and Fight Club (Film Theory in Practice) |
2020 | 978-1-5013-4752-8 | I.Q. Hunter · Matthew Melia | The Jaws Book: New Perspectives on the Classic Summer Blockbuster |
'' | 978-1-5013-4768-9 | Daniela Treveri Gennari · Catherine O'Rawe · Danielle Elisabeth Hipkins · Silvia Dibeltulo · Sarah Culhane | Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy (Topics and Issues in National Cinema) |
'' | 978-1-5013-4794-8 | Brooke McCorkle | Shonen Knife's Happy Hour |
2021 | 978-1-5013-4795-5 | '' | Shonen Knife's Happy Hour (33 1/3 Japan) |
2020 | 978-1-5013-4810-5 | Mihaela P. Harper · Dimitar Kambourov · Thomas Oliver Beebee | Bulgarian Literature as World Literature (Literatures as World Literature) |
2019 | 978-1-5013-4818-1 | Michael Hooper | Australian Music and Modernism, 1960-1975 |
2020 | 978-1-5013-4839-6 | Iris Moon · Richard Taws | Time, Media, and Visuality in Post-Revolutionary France |
'' | 978-1-5013-4867-9 | Sheila Liming | Office (Object Lessons) |
2020 | 978-1-5013-4871-6 | Erica Wright | Snake (Object Lessons) |
'' | 978-1-5013-4881-5 | Steven E. Jones | Cell Tower (Object Lessons) |
2019 | 978-1-5013-4883-9 | Ludovica Lumer · Lois Oppenheim | For Want of Ambiguity: Order and Chaos in Art, Psychoanalysis, and Neuroscience (Psychoanalytic Horizons) |
'' | 978-1-5013-4900-3 | Janna Houwen | Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images |
2020 | 978-1-5013-4912-6 | Leslie Davis Burns · Kathy K. Mullet | The Business of Fashion: Designing, Manufacturing, and Marketing |
'' | 978-1-5013-4961-4 | Serena Dyer · Chloe Wigston Smith · Michael Yonan | Material Literacy in Eighteenth-Century Britain: A Nation of Makers (Material Culture of Art and Design) |
2019 | 978-1-5013-4966-9 | Dan Torre | Animation - Process, Cognition and Actuality |
'' | 978-1-5013-5067-2 | Murray Pomerance | Virtuoso: Film Performance and the Actor's Magic |
2019 | 978-1-5013-5068-9 | Murray Pomerance | Virtuoso: Film Performance and the Actor's Magic |
2020 | 978-1-5013-5073-3 | Olympia Kiriakou | Becoming Carole Lombard: Stardom, Comedy, and Legacy |
'' | 978-1-5013-5082-5 | Rodney Wallis | Reimagining the Promised Land: Israel and America in Post-war Hollywood Cinema |
'' | 978-1-5013-5086-3 | Marco Bellano | Allegro non Troppo: Bruno Bozzetto's Animated Music (Animation: Key Films/Filmmakers) |
'' | 978-1-5013-5095-5 | Wendi Sierra | Todd Howard: Worldbuilding through Micronarrative (Influential Video Game Designers) |
'' | 978-1-5013-5096-2 | '' | Todd Howard: Worldbuilding through Micronarrative (Influential Video Game Designers) |
2020 | 978-1-5013-5122-8 | Chris Pallant · Christopher Holliday | Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy (Animation: Key Films/Filmmakers) |
'' | 978-1-5013-5123-5 | Henry Johnson | Nenes' Koza Dabasa (33 1/3 Japan) |
'' | 978-1-5013-5187-7 | Jeffrey R. Di Leo · Thomas Oliver Beebee | Philosophy as World Literature (Literatures as World Literature) |
'' | 978-1-5013-5230-0 | Mark Duffett · Beate Peter | Popular Music and Automobiles |
2019 | 978-1-5013-5249-2 | Elizabeth Ezra | The Cinema of Things: Globalization and the Posthuman Object |
'' | 978-1-5013-5250-8 | Irina Souch | Popular Tropes of Identity in Contemporary Russian Television and Film |
2019 | 978-1-5013-5252-2 | Rachel Lee Rubin | Creative Activism: Conversations on Music, Film, Literature, and Other Radical Arts |
2020 | 978-1-5013-5254-6 | Daniel Reardon · David Wright | The Digital Role-Playing Game and Technical Communication: A History of Bethesda, BioWare, and CD Projekt Red |
'' | 978-1-5013-5327-7 | Shonna Milliken Humphrey | Gin (Object Lessons) |
'' | 978-1-5013-5334-5 | Hunter Dukes | Signature (Object Lessons) |
2019 | 978-1-5013-5397-0 | Sarah Atkinson · Helen W. Kennedy | Live Cinema: Cultures, Economies, Aesthetics |
'' | 978-1-5013-5399-4 | Joseph D. Ketner II | Witness to Phenomenon: Group Zero and the Development of New Media in Postwar European Art (International Texts in Critical Media Aesthetics) |
2020 | 978-1-5013-5404-5 | Nicholas Taylor · Chris Ingraham | LEGOfied: Building Blocks as Media |
'' | 978-1-5013-5424-3 | Jacob Bittner | The Emergence of Literature: An Archaeology of Modern Literary Theory |
2019 | 978-1-5013-5463-2 | Carly Osborn · Chris Fleming · Joel Hodge · Scott Cowdell | Does Religion Cause Violence?: Multidisciplinary Perspectives on Violence and Religion in the Modern World (Violence, Desire, and the Sacred) |
2019 | 978-1-5013-5491-5 | Susan Smith · Noel Brown · Sam Summers · Chris Pallant | Toy Story: How Pixar Reinvented the Animated Feature (Animation: Key Films/Filmmakers) |
2020 | 978-1-5013-5510-3 | Manuel Betancourt | Judy Garland's Judy at Carnegie Hall (33 1/3) |
2019 | 978-1-5013-5522-6 | Joseph Acquisto | Poetry's Knowing Ignorance |
2020 | 978-1-5013-5629-2 | Kwasu David Tembo | Genndy Tartakovsky: Sincerity in Animation (Animation: Key Films/Filmmakers) |
'' | 978-1-5013-5645-2 | M.J. Clarke · Cynthia Wang | Indie Games in the Digital Age (Approaches to Digital Game Studies) |
'' | 978-1-5013-5724-4 | Kira-Anne Pelican | The Science of Writing Characters: Using Psychology to Create Compelling Fictional Characters |
2019 | 978-1-5013-5732-9 | Marie Kolkenbrock | Stereotype and Destiny in Arthur Schnitzler's Prose: Five Psycho-Sociological Readings (New Directions in German Studies) |