| year of publication | ISBN | author(s) | title |
|---|
| 2018 | 978-1-5013-0271-8 | Ariane Mildenberg · Laci Mattison · Paul Ardoin · S. E. Gontarski | Understanding Merleau-Ponty, Understanding Modernism (Understanding Philosophy, Understanding Modernism) |
| 2016 | 978-1-5013-0290-9 | Anne Gjelsvik · Rikke Schubart | Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements |
| '' | 978-1-5013-0294-7 | CarrieLynn D. Reinhard · Christopher J. Olson | Making Sense of Cinema: Empirical Studies into Film Spectators and Spectatorship |
| 2015 | 978-1-5013-0298-5 | Elena Oliete-Aldea · Beatriz Oria · Juan A. Tarancón | Global Genres, Local Films: The Transnational Dimension of Spanish Cinema |
| 2016 | 978-1-5013-0314-2 | Craig Martin | Shipping Container (Object Lessons) |
| 2020 | 978-1-5013-0499-6 | Michael Bull | Sirens (The Study of Sound) |
| '' | 978-1-5013-0500-9 | Michael Bull | Sirens (The Study of Sound) |
| 2017 | 978-1-5013-0533-7 | Frank Theodore Koe | Fabric for the Designed Interior: Studio Instant Access |
| 2015 | 978-1-5013-0549-8 | Christopher Schaberg | The End of Airports |
| 2020 | 978-1-5013-0575-7 | Chris Pallant | Animation: Critical and Primary Sources |
| 2019 | 978-1-5013-0587-0 | Jonathan Stubbs | Hollywood and the Invention of England: Projecting the English Past in American Cinema, 1930-2017 |
| 2017 | 978-1-5013-0612-9 | Kate Taylor-Jones | Divine Work, Japanese Colonial Cinema and its Legacy (Topics and Issues in National Cinema) |
| 2016 | 978-1-5013-0646-4 | Ozlem Koksal | Aesthetics of Displacement: Turkey and its Minorities on Screen (Topics and Issues in National Cinema) |
| 2015 | 978-1-5013-0650-1 | Axel Bruns | Compromised Data: From Social Media to Big Data |
| '' | 978-1-5013-0651-8 | Axel Bruns | Compromised Data: From Social Media to Big Data |
| 2017 | 978-1-5013-0664-8 | Annie Gullingsrud | Fashion Fibers: Designing for Sustainability |
| 2016 | 978-1-5013-0667-9 | William D'Arienzo | Brand Management Strategies: Luxury and Mass Markets |
| 2015 | 978-1-5013-0697-6 | Jadranka Skorin-Kapov | Darren Aronofsky's Films and the Fragility of Hope |
| '' | 978-1-5013-0708-9 | John J. Murphy | Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image (The CineTech Guides to the Film Crafts) |
| 2015 | 978-1-5013-0709-6 | John J. Murphy | Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image (The CineTech Guides to the Film Crafts) |
| 2016 | 978-1-5013-0736-2 | Jack Pendarvis | Cigarette Lighter (Object Lessons) |
| '' | 978-1-5013-0744-7 | Scott Cutler Shershow | Bread (Object Lessons) |
| 2017 | 978-1-5013-0748-5 | John M. Rist | On Ethics, Politics and Psychology in the Twenty-First Century (Reading Augustine) |
| '' | 978-1-5013-0749-2 | John M. Rist | On Ethics, Politics and Psychology in the Twenty-First Century (Reading Augustine) |
| 2016 | 978-1-5013-0756-0 | David Church | Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema (Global Exploitation Cinemas) |
| '' | 978-1-5013-0761-4 | Lucia Krämer | Bollywood in Britain: Cinema, Brand, Discursive Complex |
| 2015 | 978-1-5013-0767-6 | Gilbert Ramsay | Jihadi Culture on the World Wide Web (New Directions in Terrorism Studies) |
| 2017 | 978-1-5013-0814-7 | Dan Torre | Animation - Process, Cognition and Actuality |
| 2016 | 978-1-5013-0833-8 | Clint Burnham | Fredric Jameson and The Wolf of Wall Street (Film Theory in Practice) |
| '' | 978-1-5013-0834-5 | Clint Burnham | Fredric Jameson and The Wolf of Wall Street (Film Theory in Practice) |
| 2017 | 978-1-5013-0838-3 | Jason Mittell | Narrative Theory and Adaptation. (Film Theory in Practice) |
| 2017 | 978-1-5013-0840-6 | Jason Mittell | Narrative Theory and Adaptation. (Film Theory in Practice) |
| 2016 | 978-1-5013-0843-7 | Aaron Hunter | Authoring Hal Ashby: The Myth of the New Hollywood Auteur |
| 2015 | 978-1-5013-0859-8 | Henrik Gustafsson | Cinema and Agamben |
| '' | 978-1-5013-0861-1 | Keith McDonald · Roger Clark | Guillermo del Toro: Film as Alchemic Art |
| '' | 978-1-5013-0862-8 | Alexander N. Howe | Kidding Around |
| 2017 | 978-1-5013-0916-8 | Brian Winston · Gail Vanstone · Wang Chi | The Act of Documenting: Documentary Film in the 21st Century |
| '' | 978-1-5013-0917-5 | Brian Winston · Gail Vanstone · Wang Chi | The Act of Documenting: Documentary Film in the 21st Century |
| 2015 | 978-1-5013-0923-6 | John F. Morrison | The Origins and Rise of Dissident Irish Republicanism: The Role and Impact of Organizational Splits (New Directions in Terrorism Studies) |
| 2019 | 978-1-5013-0937-3 | Christal Whelan · Houston Wood | Native Features: Indigenous Films Worldwide |
| '' | 978-1-5013-0938-0 | Christal Whelan · Houston Wood | Native Features: Indigenous Films Worldwide |
| 2017 | 978-1-5013-1001-0 | Mads Rosendahl Thomsen · Dan Ringgaard · Thomas Oliver Beebee | Danish Literature as World Literature (Literatures as World Literature) |
| 2009 | 978-1-5013-1019-5 | Milva Fiorella Di Lorenzo | Tailoring Techniques for Fashion: Studio Instant Access |
| 2016 | 978-1-5013-1050-8 | Mary Lou Bakker | Space Planning for Commercial Office Interiors |
| 2015 | 978-1-5013-1146-8 | David Horn · John Shepherd · Richard C. Jankowsky | Bloomsbury Encyclopedia of Popular Music of the World, Volume 10: Genres: Middle East and North Africa |
| 2018 | 978-1-5013-1175-8 | James Morrison | Auteur Theory and My Son John (Film Theory in Practice) |
| 2020 | 978-1-5013-1184-0 | Kate Griffiths · Andrew Watts | The History of French Literature on Film (The History of World Literatures on Film) |
| 2018 | 978-1-5013-1215-1 | Salomé Voegelin | The Political Possibility of Sound: Fragments of Listening |
| 2018 | 978-1-5013-1216-8 | Salomé Voegelin | The Political Possibility of Sound: Fragments of Listening |
| 2015 | 978-1-5013-1244-1 | Anthony Celso | Al-Qaeda's Post-9/11 Devolution: The Failed Jihadist Struggle Against the Near and Far Enemy (New Directions in Terrorism Studies) |
| 2017 | 978-1-5013-1249-6 | Jacob Leigh | The Late Films of Claude Chabrol: Genre, Visual Expressionism and Narrational Ambiguity |
| 2015 | 978-1-5013-1268-7 | Simon Stander | Why War |
| '' | 978-1-5013-1282-3 | Kathy K. Mullet | Concepts of Pattern Grading: Bundle Book + Studio Access Card |
| '' | 978-1-5013-1283-0 | Carol J. Adams | The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory (Bloomsbury Revelations) |
| 2016 | 978-1-5013-1309-7 | Paula J. Myers-McDevitt | Complete Guide to Size Specification and Technical Design: Bundle Book + Studio Access Card |
| '' | 978-1-5013-1311-0 | Adam Weiner | How Bad Writing Destroyed the World: Ayn Rand and the Literary Origins of the Financial Crisis |
| 2015 | 978-1-5013-1318-9 | Lorynn R. Divita · Evelyn L. Brannon | Fashion Forecasting: Bundle Book + Studio Access Card |
| 2018 | 978-1-5013-1344-8 | Maura E. Hametz · Heidi Schlipphacke · Imke Meyer | Sissi's World: The Empress Elisabeth in Memory and Myth (New Directions in German Studies) |
| 2016 | 978-1-5013-1368-4 | Hilary Neroni | Feminist Film Theory and Cléo from 5 to 7 (Film Theory in Practice) |
| '' | 978-1-5013-1369-1 | Hilary Neroni | Feminist Film Theory and Cléo from 5 to 7 (Film Theory in Practice) |
| 2017 | 978-1-5013-1382-0 | Lisa Donofrio-Ferrezza · Marilyn Hefferen | Designing a Knitwear Collection: From Inspiration to Finished Garments |
| 2017 | 978-1-5013-1391-2 | Gina Arnold · Daniel Cookney · Kirsty Fairclough · Michael N. Goddard | Music/Video: Histories, Aesthetics, Media |
| 2018 | 978-1-5013-1398-1 | John Peter Kenney | On God, The Soul, Evil and the Rise of Christianity (Reading Augustine) |
| 2017 | 978-1-5013-1404-9 | Todd Breyfogle | On Creativity, Liberty, Love and the Beauty of the Law (Reading Augustine) |
| 2018 | 978-1-5013-1413-1 | Paulo Freire | Pedagogy of the Oppressed |
| '' | 978-1-5013-1414-8 | Paulo Freire | Pedagogy of the Oppressed: 50th Anniversary Edition |
| 2017 | 978-1-5013-1419-3 | Ian Clausen | On Love, Confession, Surrender and the Moral Self (Reading Augustine) |
| '' | 978-1-5013-1420-9 | '' | On Love, Confession, Surrender and the Moral Self (Reading Augustine) |
| 2018 | 978-1-5013-1438-4 | J.D. Connor | Hollywood Math and Aftermath: The Economic Image and the Digital Recession |
| '' | 978-1-5013-1443-8 | Murray Leeder | Horror Film: A Critical Introduction (Film Genres) |
| 2016 | 978-1-5013-1521-3 | Leslie Davis Burns · Kathy K. Mullet · Nancy O. Bryant | The Business of Fashion: Designing, Manufacturing, and Marketing |
| 2018 | 978-1-5013-1529-9 | Martin M. Pegler · Anne Kong | Visual Merchandising and Display: Studio Instant Access |
| '' | 978-1-5013-1536-7 | Martin M. Pegler · Anne Kong | Visual Merchandising and Display: Bundle Book + Studio Access Card |
| 2020 | 978-1-5013-1540-4 | Deborah Cartmell · Imelda Whelehan | Adaptations: Critical and Primary Sources |
| 2017 | 978-1-5013-1549-7 | Judy Bell · Kate Ternus | Silent Selling: Best Practices and Effective Strategies in Visual Merchandising |
| 2017 | 978-1-5013-1556-5 | Judy Bell · Kate Ternus | Silent Selling: Bundle Book + Studio Access Card |
| '' | 978-1-5013-1564-0 | Janace E. Bubonia | Apparel Production Terms and Processes: Bundle Book + Studio Access Card |
| 2016 | 978-1-5013-1565-7 | Bette K. Tepper · Marla Greene | Mathematics for Retail Buying |
| 2015 | 978-1-5013-1573-2 | Doris Berger | Projected Art History (International Texts in Critical Media Aesthetics) |
| '' | 978-1-5013-1574-9 | Matthew Johnson | China's iGeneration |
| 2017 | 978-1-5013-1590-9 | Susan J. Slotkis | Foundations of Interior Design: Studio Instant Access |
| 2015 | 978-1-5013-1610-4 | Pepita Hesselberth | Cinematic Chronotopes: Here, Now, Me |
| 2018 | 978-1-5013-1611-1 | Barry Monahan | The Films of Lenny Abrahamson: A Filmmaking of Philosophy |
| 2016 | 978-1-5013-1615-9 | Grant Bollmer | Inhuman Networks: Social Media and the Archaeology of Connection |
| 2018 | 978-1-5013-1620-3 | Bernard Perron | The World of Scary Video Games: A Study in Videoludic Horror (Approaches to Digital Game Studies) |
| 2015 | 978-1-5013-1634-0 | Marc Blake | Writing the Comedy Movie |
| 2018 | 978-1-5013-1652-4 | Warren Buckland | Wes Anderson's Symbolic Storyworld: A Semiotic Analysis |
| 2016 | 978-1-5013-1656-2 | Carolyn Cocca | Superwomen: Gender, Power, and Representation |
| '' | 978-1-5013-1657-9 | Carolyn Cocca | Superwomen: Gender, Power, and Representation |
| 2020 | 978-1-5013-1688-3 | David Gillespie | The History of Russian Literature on Film (The History of World Literatures on Film) |
| 2016 | 978-1-5013-1719-4 | Josephine Donovan | The Aesthetics of Care: On the Literary Treatment of Animals |
| 2017 | 978-1-5013-1724-8 | Diane Bender | Design Portfolios: Presentation and Marketing for Interior Designers |
| 2016 | 978-1-5013-1729-3 | Giampiero Giacomello | Security in Cyberspace |
| '' | 978-1-5013-1730-9 | Donald Holbrook | The Al-Qaeda Doctrine (New Directions in Terrorism Studies) |
| 2016 | 978-1-5013-1771-2 | Thomas Oliver Beebee | German Literature as World Literature (Literatures as World Literature) |
| 2018 | 978-1-5013-1778-1 | Michael Londrigan · Jacqueline M. Jenkins | Fashion Supply Chain Management: Studio Instant Access |
| 2017 | 978-1-5013-1785-9 | Lisa Donofrio-Ferrezza · Marilyn Hefferen | Designing a Knitwear Collection: Bundle Book + Studio Access Card |
| 2016 | 978-1-5013-1845-0 | Lucy Bennett · Paul Booth | Seeing Fans: Representations of Fandom in Media and Popular Culture |
| 2017 | 978-1-5013-1849-8 | Samantha Colling | The Aesthetic Pleasures of Girl Teen Film |
| 2020 | 978-1-5013-1853-5 | Michael Ryan · Melissa Lenos | An Introduction to Film Analysis: Technique and Meaning in Narrative Film |
| '' | 978-1-5013-1854-2 | Michael Ryan · Melissa Lenos | An Introduction to Film Analysis: Technique and Meaning in Narrative Film |
| 2019 | 978-1-5013-1871-9 | Kyle Meikle | Adaptations in the Franchise Era: 2001-16 (Bloomsbury Adaptation Histories) |
| '' | 978-1-5013-1876-4 | Justine Lloyd | Gender and Media in the Broadcast Age: Women's Radio Programming at the BBC, CBC, and ABC |
| 2017 | 978-1-5013-1881-8 | Matthew Tinkcom | Queer Theory and Brokeback Mountain (Film Theory in Practice) |
| '' | 978-1-5013-1882-5 | Matthew Tinkcom | Queer Theory and Brokeback Mountain (Film Theory in Practice) |
| 2016 | 978-1-5013-1942-6 | Mari Ruti | Feminist Film Theory and Pretty Woman (Film Theory in Practice) |
| '' | 978-1-5013-1946-4 | Mari Ruti | Feminist Film Theory and Pretty Woman (Film Theory in Practice) |
| 2018 | 978-1-5013-1969-3 | Daniel Faltesek | Selling Social Media: The Political Economy of Social Networking |
| 2018 | 978-1-5013-1973-0 | Andrew Brody | The Complete SketchUp Companion for Interior Design |
| 2016 | 978-1-5013-1982-2 | Ian Gregory Strachan | Poitier Revisited |
| '' | 978-1-5013-1995-2 | Rebecca Prime | Cinematic Homecomings: Exile and Return in Transnational Cinema |
| '' | 978-1-5013-1996-9 | Costas Constandinides · Yiannis Papadakis | Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe (Topics and Issues in National Cinema) |
| '' | 978-1-5013-1997-6 | Ulrike Küchler · Silja Maehl · Graeme A. Stout | Alien Imaginations: Science Fiction and Tales of Transnationalism |
| '' | 978-1-5013-2001-9 | Sandy Baldwin | The Internet Unconscious: On the Subject of Electronic Literature (International Texts in Critical Media Aesthetics) |
| 2016 | 978-1-5013-2002-6 | Catherine Summerhayes | Google Earth: Outreach and Activism |
| 2017 | 978-1-5013-2011-8 | Chris Pallant | Animated Landscapes: History, Form and Function |
| '' | 978-1-5013-2012-5 | Nick Rees-Roberts · Darren Waldron | Alain Delon: Style, Stardom and Masculinity |
| '' | 978-1-5013-2015-6 | Jadranka Skorin-Kapov | Darren Aronofsky's Films and the Fragility of Hope |
| '' | 978-1-5013-2018-7 | Ozlem Koksal | Aesthetics of Displacement (Topics and Issues in National Cinema) |
| '' | 978-1-5013-2019-4 | Michele Willson · Tama Leaver | Social, Casual and Mobile Games |
| 2017 | 978-1-5013-2021-7 | D.Carrielynn Reinhard · J. Christopher Olson | Making Sense of Cinema |
| 2016 | 978-1-5013-2023-1 | Abdelwahab El-Affendi | Genocidal Nightmares: Narratives of Insecurity and the Logic of Mass Atrocities |
| 2019 | 978-1-5013-2028-6 | Roshanak Kheshti | Wendy Carlos's Switched-On Bach (33 1/3) |
| 2016 | 978-1-5013-2033-0 | Lesley Brill | The Ironic Filmmaking of Stephen Frears |
| 2018 | 978-1-5013-2058-3 | Jenn Brandt · Callie Clare | An Introduction to Popular Culture in the US: People, Politics, and Power |
| 2019 | 978-1-5013-2078-1 | Michael Londrigan · Jacqueline M. Jenkins | Fashion Supply Chain Management: Bundle Book + Studio Access Card |
| 2017 | 978-1-5013-2097-2 | Janna Houwen | Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images |
| 2018 | 978-1-5013-2105-4 | Stephen Kennedy | Future Sounds: The Temporality of Noise |
| '' | 978-1-5013-2131-3 | Amy Gentry | Tori Amos's Boys for Pele (33 1/3) |
| 2016 | 978-1-5013-2147-4 | J. D. Mininger · Jason Michael Peck | German Aesthetics: Fundamental Concepts from Baumgarten to Adorno (New Directions in German Studies) |
| '' | 978-1-5013-2148-1 | '' | German Aesthetics: Fundamental Concepts from Baumgarten to Adorno (New Directions in German Studies) |
| 2017 | 978-1-5013-2226-6 | Pepita Hesselberth · Maria Poulaki | Compact Cinematics: The Moving Image in the Age of Bit-Sized Media |
| 2018 | 978-1-5013-2249-5 | Dara Waldron | New Nonfiction Film: Art, Poetics, and Documentary Theory |
| 2017 | 978-1-5013-2253-2 | Matthew Jones | Science Fiction Cinema and 1950s Britain: Recontextualizing Cultural Anxiety |
| '' | 978-1-5013-2277-8 | Rafia Zakaria | Veil (Object Lessons) |
| '' | 978-1-5013-2281-5 | Rebecca Tuhus-Dubrow | Personal Stereo (Object Lessons) |
| 2017 | 978-1-5013-2285-3 | Nicole Walker | Egg (Object Lessons) |
| 2018 | 978-1-5013-2289-1 | Deanna Clark-Esposito | A Practical Guide to Fashion Law and Compliance |
| 2017 | 978-1-5013-2294-5 | Steven Stipelman | Illustrating Fashion: Concept to Creation |
| '' | 978-1-5013-2322-5 | Christopher J. Lee | Jet Lag (Object Lessons) |
| 2018 | 978-1-5013-2326-3 | Eduardo F. Coutinho · Thomas Oliver Beebee | Brazilian Literature as World Literature (Literatures as World Literature) |
| 2019 | 978-1-5013-2387-4 | Kimberly A. Miller-Spillman · Andrew Reilly | The Meanings of Dress |
| '' | 978-1-5013-2394-2 | Kimberly A. Miller-Spillman · Andrew Reilly | The Meanings of Dress: Bundle Book + Studio Access Card |
| 2018 | 978-1-5013-2428-4 | Chad V. Meister | Evil: A Guide for the Perplexed |
| 2016 | 978-1-5013-2443-7 | David Horn · Dave Laing · John Shepherd | Bloomsbury Encyclopedia of Popular Music of the World, Volume 3: Locations - Caribbean and Latin America |
| '' | 978-1-5013-2444-4 | David Horn · Dave Laing · John Shepherd | Bloomsbury Encyclopedia of Popular Music of the World, Volume 4: Locations - North America |
| '' | 978-1-5013-2446-8 | '' | Bloomsbury Encyclopedia of Popular Music of the World, Volume 6: Locations - Africa and the Middle East |
| 2016 | 978-1-5013-2447-5 | David Horn · Dave Laing · John Shepherd | Bloomsbury Encyclopedia of Popular Music of the World, Volume 7: Locations - Europe |
| 2018 | 978-1-5013-2460-4 | Suk-Jun Kim | Humming (The Study of Sound) |
| '' | 978-1-5013-2461-1 | '' | Humming (The Study of Sound) |
| '' | 978-1-5013-2475-8 | Martin Štoll | Television and Totalitarianism in Czechoslovakia: From the First Democratic Republic to the Fall of Communism |
| 2017 | 978-1-5013-2483-3 | Sarah Atkinson · Helen W. Kennedy | Live Cinema: Cultures, Economies, Aesthetics |
| 2018 | 978-1-5013-2491-8 | Susan Smith · Noel Brown · Sam Summers · Chris Pallant | Toy Story: How Pixar Reinvented the Animated Feature (Animation: Key Films/Filmmakers) |
| 2019 | 978-1-5013-2495-6 | John Hutnyk | Global South Asia on Screen |
| 2018 | 978-1-5013-2496-3 | John Hutnyk | Global South Asia on Screen |
| 2017 | 978-1-5013-2511-3 | Scott Ortolano | Popular Modernism and Its Legacies: From Pop Literature to Video Games |
| 2018 | 978-1-5013-2523-6 | Charles Taliaferro · Elsa J. Marty | A Dictionary of Philosophy of Religion, Second Edition |
| '' | 978-1-5013-2524-3 | Charles Taliaferro · Elsa J. Marty | A Dictionary of Philosophy of Religion, Second Edition |
| 2017 | 978-1-5013-2534-2 | Jay Rajiva | Postcolonial Parabola: Literature, Tactility, and the Ethics of Representing Trauma |
| '' | 978-1-5013-2610-3 | David Horn · John Shepherd · Paolo Prato | Bloomsbury Encyclopedia of Popular Music of the World, Volume 11: Genres: Europe |
| 2017 | 978-1-5013-2616-5 | Joseph Clair | On Education, Formation, Citizenship and the Lost Purpose of Learning (Reading Augustine) |
| 2019 | 978-1-5013-2620-2 | David Vincent Meconi | On Self-Harm, Narcissism, Atonement, and the Vulnerable Christ (Reading Augustine) |
| '' | 978-1-5013-2621-9 | David Vincent Meconi | On Self-Harm, Narcissism, Atonement, and the Vulnerable Christ (Reading Augustine) |
| '' | 978-1-5013-2675-2 | Sandra Reicis | Concept Development and the Design Process |
| 2018 | 978-1-5013-2697-4 | Jonathan Crimmins | The Romantic Historicism to Come |
| 2019 | 978-1-5013-2701-8 | Steven B. Webber | Interior Design Fundamentals |
| '' | 978-1-5013-2712-4 | Christopher Meir | Mass Producing European Cinema: Studiocanal and Its Works |
| 2018 | 978-1-5013-2729-2 | William Brown | Non-Cinema: Global Digital Film-making and the Multitude (Thinking Cinema) |
| 2020 | 978-1-5013-2733-9 | Pietari Kääpä · Tommy Gustafsson | The Politics of Nordsploitation: History, Industry, Audiences (Global Exploitation Cinemas) |
| 2017 | 978-1-5013-2747-6 | John Avarese | Post Sound Design: The Art and Craft of Audio Post Production for the Moving Image (The CineTech Guides to the Film Crafts) |
| 2017 | 978-1-5013-2748-3 | John Avarese | Post Sound Design: The Art and Craft of Audio Post Production for the Moving Image (The CineTech Guides to the Film Crafts) |
| '' | 978-1-5013-2791-9 | Mircea Martin · Christian Moraru · Andrei Terian · Thomas Oliver Beebee | Romanian Literature as World Literature (Literatures as World Literature) |
| 2018 | 978-1-5013-2795-7 | Diane O'Donoghue | On Dangerous Ground: Freud's Visual Cultures of the Unconscious (Psychoanalytic Horizons) |
| '' | 978-1-5013-2799-5 | Madelon Sprengnether | Mourning Freud (Psychoanalytic Horizons) |
| 2020 | 978-1-5013-2804-6 | Mitchell Wilson | The Analyst's Desire: The Ethical Foundation of Clinical Practice (Psychoanalytic Horizons) |
| 2019 | 978-1-5013-2819-0 | Bina Abling | Fashion Sketchbook |
| '' | 978-1-5013-2826-8 | Bina Abling | Fashion Sketchbook: Bundle Book + Studio Access Card |
| 2018 | 978-1-5013-2835-0 | Chelsea Rousso · Nancy Kaplan Ostroff | Fashion Forward: Bundle Book + Studio Access Card |
| '' | 978-1-5013-2840-4 | Jaeil Lee · Camille Steen | Technical Sourcebook for Apparel Designers |
| 2018 | 978-1-5013-2856-5 | Deborah E. Young | Swatch Reference Guide for Fashion Fabrics |
| 2020 | 978-1-5013-2873-2 | Sandra Meiri · Odeya Kohen Raz | Traversing the Fantasy: The Dialectic of Desire/Fantasy and the Ethics of Narrative Cinema |
| 2018 | 978-1-5013-2881-7 | Nichola Dobson | Norman McLaren: Between the Frames (Animation: Key Films/Filmmakers) |
| 2017 | 978-1-5013-2885-5 | Elizabeth Ezra | The Cinema of Things: Globalization and the Posthuman Object |
| '' | 978-1-5013-2897-8 | Svetlana Boym | The Off-Modern (International Texts in Critical Media Aesthetics) |
| '' | 978-1-5013-2898-5 | Svetlana Boym | The Off-Modern (International Texts in Critical Media Aesthetics) |