year of publication | ISBN | author(s) | title |
2013 | 978-1-4081-7955-0 | Marianne Sargent | 50 Fantastic ideas for Involving Parents |
2014 | 978-1-4081-7962-8 | Ben Jonson | Ben Jonson: Four Plays (New Mermaids) |
2013 | 978-1-4081-7966-6 | Bridget Escolme | Emotional Excess on the Shakespearean Stage: Passion's Slaves (Arden Shakespeare) |
'' | 978-1-4081-7967-3 | Bridget Escolme | Emotional Excess on the Shakespearean Stage: Passion's Slaves (Critical Companions) |
2012 | 978-1-4081-7974-1 | Ton Hoenselaars | Shakespeare and the Language of Translation (Arden Shakespeare) |
2017 | 978-1-4081-7976-5 | Keir Elam | Shakespeare's Pictures: Visual Objects in the Drama |
2013 | 978-1-4081-7979-6 | Sally Featherstone · Phill Featherstone · Kirstine Beeley | 50 Fantastic ideas for Exploring Emotions |
'' | 978-1-4081-7980-2 | Sally Featherstone | 50 Fantastic ideas for Sharing and Playing |
2012 | 978-1-4081-7981-9 | Zach Braff | All New People (Modern Plays) |
2014 | 978-1-4081-7985-7 | Simon Stephens | Pornography (Student Editions) |
'' | 978-1-4081-7989-5 | William Wycherley | The Country Wife (New Mermaids) |
2013 | 978-1-4081-7993-2 | Bertolt Brecht · Jennifer Wise | The Resistible Rise of Arturo Ui (Modern Plays) |
'' | 978-1-4081-7995-6 | Rudolf Geser | Alpine Passes by Road Bike: 100 routes through the Alps and how to ride them |
2012 | 978-1-4081-7996-3 | Rupert Thomson | Air and Fire |
2014 | 978-1-4081-7998-7 | Graeme Hilditch | Trail Running: From Start to Finish |
2012 | 978-1-4081-7999-4 | Michelle Daley | The Greats - Great Songs Series Vol 1 |
2013 | 978-1-4081-8000-6 | Debbie S. Miller | Are Trees Alive? |
2012 | 978-1-4081-8001-3 | Steve Colgate | Performance Sailing: Prepare Better, Sail Faster |
2013 | 978-1-4081-8007-5 | Maggie Pearson | The House of the Cats: and other tales from Europe |
2013 | 978-1-4081-8008-2 | Matthew McElligott | The Lion's Share |
'' | 978-1-4081-8012-9 | Dag Pike | The Complete RIB Manual: The definitive guide to design, handling and maintenance |
2012 | 978-1-4081-8017-4 | Al-Qasimi Muha | Taking the Reins |
2013 | 978-1-4081-8022-8 | Lisa Regan | Big Cat, Little Cat |
'' | 978-1-4081-8023-5 | Suma Din | One Day |
'' | 978-1-4081-8024-2 | '' | One Day |
'' | 978-1-4081-8029-7 | Keri Finlayson | The Little Book of Sequencing Skills (Little Books) |
2012 | 978-1-4081-8033-4 | Jonathan Meres | The Xmas Factor |
2012 | 978-1-4081-8036-5 | Charlotte Guillain | My First Book of Christmas |
2013 | 978-1-4081-8037-2 | Anne Harrap | RSPB The Great British Wildlife Hunt |
'' | 978-1-4081-8041-9 | Beth Chambers | Dicing with Death (Black Cats) |
'' | 978-1-4081-8051-8 | Benjamin Hulme-Cross | House of Memories (Dark Hunter 1) |
'' | 978-1-4081-8057-0 | Benjamin Hulme-Cross | Wolf Trap (Dark Hunter 2) |
2014 | 978-1-4081-8061-7 | Maggie Pearson | The House of the Cats |
2013 | 978-1-4081-8064-8 | Benjamin Hulme-Cross | The Stone Witch (Dark Hunter 5) |
'' | 978-1-4081-8067-9 | Paul Mason | The Awakening (Factor 4) |
2013 | 978-1-4081-8070-9 | Benjamin Hulme-Cross | The Marsh Demon (Dark Hunter 3): Dark Hunter |
'' | 978-1-4081-8085-3 | '' | Ship of Death (Dark Hunter 6) |
'' | 978-1-4081-8092-1 | '' | The Red Thirst (Dark Hunter 4) |
'' | 978-1-4081-8112-6 | Richard T. Mayon-White · Wendy Yorke | Exploring the Thames Wilderness: A guide to the natural Thames |
'' | 978-1-4081-8115-7 | Sally Kindberg | Draw It: Christmas (Bloomsbury Activity Books) |
2012 | 978-1-4081-8116-4 | Sheena Roberts | Singing Subjects - Maths and Spelling |
2013 | 978-1-4081-8118-8 | Independent Schools Yearbook 2012-2013 |
2013 | 978-1-4081-8119-5 | Who's Who 2014 |
2014 | 978-1-4081-8120-1 | Bloomsbury | Who's Who 2015 |
2015 | 978-1-4081-8128-7 | Dr. A. H. Andrews · Edward Boden | Black's Veterinary Dictionary |
2013 | 978-1-4081-8130-0 | Molly Potter | Brilliant Ideas for Times Tables Practice 5-7 |
'' | 978-1-4081-8131-7 | Molly Potter | Brilliant Ideas for Times Tables Practice 7-9 |
2012 | 978-1-4081-8132-4 | Chris Megson | Modern British Playwriting: The 1970s (Decades of Modern British Playwriting) |
'' | 978-1-4081-8133-1 | Aleks Sierz | Modern British Playwriting: The 1990s (Decades of Modern British Playwriting) |
2013 | 978-1-4081-8134-8 | Celia Lewis | An Illustrated Country Year: Nature uncovered month by month |
2014 | 978-1-4081-8135-5 | Celia Lewis | The Illustrated Guide to Cows: How to Choose Them, How to Keep Them |
2012 | 978-1-4081-8140-9 | Ralph Steadman · Ceri Levy | Extinct Boids (Limited Edition) |
'' | 978-1-4081-8151-5 | Anna Claybourne | 100 Most Deadly Things On The Planet |
2013 | 978-1-4081-8155-3 | Michael Bright | The Pocket Book of Weather: Entertaining and remarkable facts about our weather |
2012 | 978-1-4081-8156-0 | Richard Moore | The Dirtiest Race in History: Ben Johnson, Carl Lewis and the 1988 Olympic 100m Final (Wisden) |
2013 | 978-1-4081-8157-7 | Theresa Breslin | Divided City (Critical Scripts) |
'' | 978-1-4081-8161-4 | Julie Oparka | Crochetopedia |
2013 | 978-1-4081-8162-1 | Will Jones | How to Read Houses |
2014 | 978-1-4081-8163-8 | Cooper Frank | Digital Jewellery Techniques |
2012 | 978-1-4081-8165-2 | Rouleur | Rouleur Annual 6 |
'' | 978-1-4081-8166-9 | Herbie Sykes | Coppi: Inside the Legend of the Campionissimo (Rouleur) |
'' | 978-1-4081-8167-6 | Michael Barry · Camille J. Mcmillan | Le Métier 3rd edition: The Seasons of a Professional Cyclist (Rouleur) |
2013 | 978-1-4081-8172-0 | Tracey Turner | World's Worst Jobs |
2012 | 978-1-4081-8173-7 | Book People Peony Pinker 4bk S W Se |
2015 | 978-1-4081-8178-2 | Marianne Taylor | Wild Coast |
2014 | 978-1-4081-8179-9 | Tony Thorne | Dictionary of Contemporary Slang |
2013 | 978-1-4081-8183-6 | Anna Claybourne | Car-Sized Crabs and other Animal Giants |
'' | 978-1-4081-8185-0 | Paul Mason | Tiger, Tiger (Factor 4) |
'' | 978-1-4081-8188-1 | Pippa Sweeney | Words get Knotted |
2013 | 978-1-4081-8189-8 | Dag Pike | Dag Pike's Cruising Under Sail |
'' | 978-1-4081-8192-8 | Barry Pickthall | Reeds Diesel Engine Troubleshooting Handbook (Reeds Handbooks) |
'' | 978-1-4081-8193-5 | Barry Pickthall | Reeds Outboard Motor Troubleshooting Handbook (Reeds Handbook) |
2012 | 978-1-4081-8195-9 | Stuart Fisher | The Canals of Britain: A Comprehensive Guide |
2013 | 978-1-4081-8196-6 | Molly Potter | Brilliant Ideas for Times Tables Practice 9-11 |
2012 | 978-1-4081-8197-3 | David Pattie | Modern British Playwriting: The 1950s: Voices, Documents, New Interpretations (Decades of Modern British Playwriting) |
'' | 978-1-4081-8198-0 | Steve Nicholson | Modern British Playwriting: The 1960s: Voices, Documents, New Interpretations (Decades of Modern British Playwriting) |
2013 | 978-1-4081-8199-7 | Dan Rebellato | Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations (Decades of Modern British Playwriting) |
'' | 978-1-4081-8201-7 | Helen Watts | One Day in Oradour |
2013 | 978-1-4081-8204-8 | Angela Rice | Adventures of a Reluctant Boating Wife |
2015 | 978-1-4081-8205-5 | Harwood Mark | Life Boat |
2016 | 978-1-4081-8206-2 | Winterising Your Boat |
2012 | 978-1-4081-8207-9 | Lucy Russell | Journeying with Jesus: Contemporary Reflections on the Stations of the Cross and Resurrection: The Mowbray Lent Book 2013 |
'' | 978-1-4081-8210-9 | Charles Saumarez Smith | The Company of Artists: The Origins of the Royal Academy of Arts in London |
2017 | 978-1-4081-8211-6 | Tony Bradman | The National Archives: The Story of Britain |
2012 | 978-1-4081-8213-0 | Jane Milling | Modern British Playwriting: The 1980s: Voices, Documents, New Interpretations (Decades of Modern British Playwriting) |
2013 | 978-1-4081-8222-2 | My Fabulous Fashion Book (Activity Books For Girls) |
2014 | 978-1-4081-8223-9 | Paul Moore | Ultra Performance: The Psychology of Endurance Sports |
2013 | 978-1-4081-8224-6 | Samantha Magee | Pregnancy Yoga |
'' | 978-1-4081-8225-3 | Stuart Rook · Tony Charles | 101 Multi-skill Sports Games (101 Drills) |
'' | 978-1-4081-8226-0 | Christopher M. Norris | The Complete Guide to Exercise Therapy (Complete Guides) |
2016 | 978-1-4081-8227-7 | Jean Howard | King Lear: Language and Writing (Arden Student Skills: Language and Writing) |
2014 | 978-1-4081-8231-4 | Emma Smith | Women on the Early Modern Stage: A Woman Killed with Kindness, The Tamer Tamed, The Duchess of Malfi, The Witch of Edmonton (Play Anthologies) |
2012 | 978-1-4081-8247-5 | Steven Berkoff | Steven Berkoff: One Act Plays (Play Anthologies) |
2018 | 978-1-4081-8253-6 | Warren Gregson · Martin Littlewood | Science in Soccer: Translating Theory into Practice |
2014 | 978-1-4081-8257-4 | Cesar R. Torres | The Bloomsbury Companion to the Philosophy of Sport (Bloomsbury Companions) |
2013 | 978-1-4081-8261-1 | Gerald Batchelor | Batchelor's Golf Stories |
2014 | 978-1-4081-8264-2 | Bill Connington | Physical Expression on Stage and Screen: Using the Alexander Technique to Create Unforgettable Performances |
'' | 978-1-4081-8268-0 | Toby Zinman | Replay: Classic Modern Drama Reimagined |
2014 | 978-1-4081-8269-7 | Toby Zinman | Replay: Classic Modern Drama Reimagined |
2031 | 978-1-4081-8310-6 | Tom Cunliffe | The Complete Day Skipper: Skippering with Confidence Right from the Start |
'' | 978-1-4081-8311-3 | Tom Cunliffe | The Complete Day Skipper: Skippering with Confidence Right from the Start |
'' | 978-1-4081-8313-7 | '' | The Complete Day Skipper: Skippering with Confidence Right from the Start |
2013 | 978-1-4081-8315-1 | Terry Stoller | Tales of the Tricycle Theatre |
2014 | 978-1-4081-8316-8 | Sharon Aronson-Lehavi, David Zerbib Atay Citron | Performance Studies in Motion (Bloomsbury Methuen Drama) |
2013 | 978-1-4081-8319-9 | Simon Dunmore | Actors' Yearbook 2014 (Methuen Drama Modern Plays) |
2031 | 978-1-4081-8323-6 | Alison Noice | Yachtmaster Exercises for Sail and Power: Questions and Answers for the RYA Yachtmaster(r) Certificates of Competence |
'' | 978-1-4081-8324-3 | Alison Noice | Yachtmaster Exercises for Sail and Power: Questions and Answers for the RYA Yachtmaster(r) Certificates of Competence |
2013 | 978-1-4081-8327-4 | Theresa Robbins Dudeck | Keith Johnstone: A Critical Biography |
2031 | 978-1-4081-8331-1 | Alison Noice | Yachtmaster Exercises for Sail and Power: Questions and Answers for the RYA Yachtmaster(r) Certificates of Competence |
2013 | 978-1-4081-8332-8 | Andrew Brodie | Let's do Mental Maths for ages 5-6 |
'' | 978-1-4081-8333-5 | Andrew Brodie | Let's do Mental Maths for ages 6-7 |
2015 | 978-1-4081-8335-9 | Joe Winston | Transforming the Teaching of Shakespeare with the Royal Shakespeare Company (Arden Shakespeare) |
2013 | 978-1-4081-8336-6 | Andrew Brodie | Let's do Mental Maths for ages 7-8 |
2013 | 978-1-4081-8337-3 | Andrew Brodie | Let's do Mental Maths for ages 8-9 |
2013 | 978-1-4081-8338-0 | Andrew Brodie | Let's do Mental Maths for ages 9-10 |
'' | 978-1-4081-8342-7 | '' | Let's do Mental Maths for ages 10-11 |
2012 | 978-1-4081-8348-9 | Lucy Prebble | The Effect (Modern Plays) |
2015 | 978-1-4081-8349-6 | Kiernan Ryan | Shakespeare's Universality: Here's Fine Revolution (Shakespeare Now!) |
'' | 978-1-4081-8350-2 | Eric Yates-Owen · Robert Fournier | British Studio Potters' Marks |
2012 | 978-1-4081-8352-6 | Harry Mount | The Wit and Wisdom of Boris Johnson (Wit & Wisdom) |
2014 | 978-1-4081-8355-7 | Angus John | Laser Cutting in Textiles Fashion |
'' | 978-1-4081-8356-4 | Christina Gutekunst | Voice into Acting (Performance Books) |
2015 | 978-1-4081-8360-1 | David Rabey | The Theatre and Films of Jez Butterworth (Critical Companions) |
2013 | 978-1-4081-8361-8 | David Addyman · Peter Fifield · Andrew Gibson | Samuel Beckett: Debts and Legacies: New Critical Essays (Plays and Playwrights) |
2014 | 978-1-4081-8366-3 | David Barnett | Brecht in Practice (Methuen Drama Engage) |
'' | 978-1-4081-8368-7 | Linda Bloomfield | The Handbook of Glaze Recipes: Glazes and Clay Bodies |
2015 | 978-1-4081-8373-1 | Niki Flacks | Acting with Passion (Performance Books) |
2013 | 978-1-4081-8378-6 | Annabelle Ruston | The Artist's Guide to Selling Work |
2013 | 978-1-4081-8380-9 | Terry Stoller | Tales of the Tricycle Theatre |
2017 | 978-1-4081-8382-3 | Robert Knopf | Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production |
2013 | 978-1-4081-8389-2 | Liam E. Semler | Teaching Shakespeare and Marlowe: Learning versus the System (Shakespeare Now!) |
2015 | 978-1-4081-8390-8 | Bob Fisher | The Poisoned Chalice: Dirty Tricks and Double-Crossing at the Heart of the America's Cup |
2012 | 978-1-4081-8391-5 | Euripides | Medea (Modern Plays) |
'' | 978-1-4081-8394-6 | James Graham | James Graham Plays: 1 (Contemporary Dramatists) |
2015 | 978-1-4081-8395-3 | David Rabey | The Theatre and Films of Jez Butterworth (Critical Companions) |
'' | 978-1-4081-8397-7 | Joe Winston | Transforming the Teaching of Shakespeare with the Royal Shakespeare Company (Arden Shakespeare) |
2013 | 978-1-4081-8398-4 | Bruce McConachie | Affective Performance and Cognitive Science (Performance and Science: Interdisciplinary Dialogues) |
2014 | 978-1-4081-8399-1 | Eamon Duffy | The Heart in Pilgrimage |
2013 | 978-1-4081-8400-4 | Agathe Haevermans | Drawing and Painting the Seashore |
2014 | 978-1-4081-8402-8 | Eamon Duffy | The Heart in Pilgrimage: A Prayerbook for Catholic Christians |
| 978-1-4081-8403-5 | The Heart in Pilgrimage: A Prayerbook for Catholic Christians |
2014 | 978-1-4081-8404-2 | Rt Revd Graham James | The Lent Factor: Forty Companions for the Forty Days of Lent: The Mowbray Lent Book 2015 |
'' | 978-1-4081-8405-9 | John Matthews | Anatomy of Performance Training |
'' | 978-1-4081-8407-3 | Atay Citron · Sharon Aronson-Lehavi · David Zerbib | Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century (Bloomsbury Methuen Drama) |
2014 | 978-1-4081-8410-3 | John Matthews | Anatomy of Performance Training |
2016 | 978-1-4081-8415-8 | Gary Day | The Story of Drama |
2015 | 978-1-4081-8419-6 | Frank & Janet Hamer | The Potter's Dictionary |
2014 | 978-1-4081-8427-1 | Jill Leman | Watercolour Secrets (Royal Watercolour Society) |
| 978-1-4081-8429-5 | Actors' Yearbook 2014 |
2017 | 978-1-4081-8430-1 | Robert Knopf | Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production |
2015 | 978-1-4081-8431-8 | James Reynolds · Andy W. Smith | Howard Barker's Theatre: Wrestling with Catastrophe (Methuen Drama Engage) |
2013 | 978-1-4081-8436-3 | Howard Brenton | National Theatre Connections 2013 (Plays and Playwrights) |
2015 | 978-1-4081-8439-4 | James Reynolds · Andy W. Smith | Howard Barker's Theatre: Wrestling with Catastrophe (Methuen Drama Engage) |
2013 | 978-1-4081-8441-7 | Aleks Sierz | The Theatre of Martin Crimp: Second Edition (Critical Companions) |
2014 | 978-1-4081-8443-1 | Donna Soto-Morettini | Popular Singing and Style |
2016 | 978-1-4081-8449-3 | Kirsty Johnston | Disability Theatre and Modern Drama (Critical Companions) |
2015 | 978-1-4081-8451-6 | Virginia Vaughan | Antony and Cleopatra: Language and Writing (Arden Student Skills: Language and Writing) |
2016 | 978-1-4081-8453-0 | Heidi Brayman | A Midsummer Night's Dream: Language and Writing (Arden Student Skills: Language and Writing) |
2014 | 978-1-4081-8456-1 | Lena Cowen Orlin | Othello: The State of Play (Arden Shakespeare The State of Play) |
2016 | 978-1-4081-8457-8 | Edward Hicks | Screen Acting |
2012 | 978-1-4081-8463-9 | D. C. Moore | Straight (Modern Plays) |
2014 | 978-1-4081-8464-6 | Vivienne Foley | Porcelain (New Ceramics) |
'' | 978-1-4081-8472-1 | Margherita Laera | Theatre and Adaptation |
| 978-1-4081-8473-8 | After Meisner: A 21st Century Acting Technique |
2014 | 978-1-4081-8477-6 | Lena Cowen Orlin | Othello: The State of Play (Arden Shakespeare The State of Play) |
2016 | 978-1-4081-8478-3 | Kirsty Johnston | Disability Theatre and Modern Drama (Critical Companions) |
2013 | 978-1-4081-8479-0 | Sophie Bush | The Theatre of Timberlake Wertenbaker (Critical Companions) |
2015 | 978-1-4081-8481-3 | Mcdonnell Bill | Theatre and Community Engagement |
'' | 978-1-4081-8483-7 | Frank Hamer · Janet Hamer | The Potter's Dictionary: Of Materials and Techniques |
2013 | 978-1-4081-8486-8 | Karen Jürs-Munby | Postdramatic Theatre and the Political (Methuen Drama Engage) |
'' | 978-1-4081-8487-5 | Alan Ackerman | A Student Handbook to the Plays of Arthur Miller |
'' | 978-1-4081-8495-0 | Alan Read | Theatre in the Expanded Field: Seven Approaches to Performance (Methuen Drama Engage) |
2015 | 978-1-4081-8497-4 | Frode Helland | Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power (Engage) |
2014 | 978-1-4081-8498-1 | John Gillett | Acting Stanislavski: A practical guide to Stanislavski's approach and legacy |
2013 | 978-1-4081-8502-5 | Liam Semler | Teaching Shakespeare and Marlowe: Learning versus the System (Shakespeare Now!) |
2014 | 978-1-4081-8503-2 | David Barnett | Brecht in Practice (Methuen Drama Engage) |
| 978-1-4081-8504-9 | After Meisner: A 21st Century Acting Technique |
2015 | 978-1-4081-8506-3 | Warner Sara | Crco Suzan Lori Parks on Stage and |
| 978-1-4081-8511-7 | Mopl Peter and Alice |
2017 | 978-1-4081-8518-6 | Robert Knopf | Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production |
2013 | 978-1-4081-8521-6 | Mark Haddon · Simon Stephens | The Curious Incident of the Dog in the Night-Time: The Play (Critical Scripts) |
2013 | 978-1-4081-8523-0 | Gordon Mcmullan | Women Making Shakespeare (Arden Shakespeare) |
2014 | 978-1-4081-8524-7 | Benedict Brierley | Firing Kilns (New Ceramics) |
2017 | 978-1-4081-8530-8 | Robert Knopf | Script Analysis for Theatre: Tools for Interpretation, Collaboration and Production |
2013 | 978-1-4081-8532-2 | Lyn Cramer | Creating Musical Theatre: Conversations with Broadway Directors and Choreographers (Performance Books) |
'' | 978-1-4081-8533-9 | Gordon McMullan · Lena Cowen Orlin · Virginia Mason Vaughan | Women Making Shakespeare: Text, Reception and Performance (The Arden Shakespeare) |
2016 | 978-1-4081-8538-4 | Luckhurst Mary | Physical Acting |
2015 | 978-1-4081-8541-4 | Mcdonnell Bill | Theatre and Community Engagement |
2013 | 978-1-4081-8543-8 | Lyn Cramer | Creating Musical Theatre: Conversations with Broadway Directors and Choreographers (Performance Books) |
2014 | 978-1-4081-8546-9 | Bill Britten | From Stage to Screen: A Theatre Actor's Guide To Working On Camera |
2013 | 978-1-4081-8548-3 | Alan Read | Theatre in the Expanded Field: Seven Approaches to Performance (Methuen Drama Engage) |
'' | 978-1-4081-8552-0 | Theresa Robbins Dudeck | Keith Johnstone: A Critical Biography |
'' | 978-1-4081-8553-7 | Simon Dunmore | Actors' Yearbook 2014 |
2017 | 978-1-4081-8554-4 | Jyotsna G Singh | Shakespeare and Postcolonial Theory (Shakespeare and Theory) |
2015 | 978-1-4081-8558-2 | Sara Warner | Suzan-Lori Parks on Stage and Screen (Critical Companions) |
2013 | 978-1-4081-8559-9 | Stephen Poliakoff | Dancing on the Edge (Screen and Cinema) |
2012 | 978-1-4081-8560-5 | Nicholas Pierpan | You Can Still Make A Killing (Modern Plays) |
'' | 978-1-4081-8565-0 | Joe Hammond | Where the Mangrove Grows (Modern Plays) |
2013 | 978-1-4081-8567-4 | Paul Elsam | Stephen Joseph: Theatre Pioneer and Provocateur (Biography and Autobiography) |
2013 | 978-1-4081-8570-4 | Jerome Carroll · Steve Giles · Karen Jürs-Munby | Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance (Methuen Drama Engage) |