| year of publication | ISBN | author(s) | title |
|---|
| 2006 | 978-0-300-11580-2 | Julie Aronson · Marjorie E. Wieseman | Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum |
| '' | 978-0-300-11581-9 | George C. Edwards III | On Deaf Ears: The Limits of the Bully Pulpit |
| '' | 978-0-300-11582-6 | John Ehrman | The Eighties: America in the Age of Reagan |
| 2007 | 978-0-300-11583-3 | Cynthia Y. Ning | Exploring in Chinese, Volume 2: A DVD-Based Course in Intermediate Chinese (English and Mandarin Chinese Edition) |
| 2006 | 978-0-300-11584-0 | Jock Reynolds · Judith Joy Ross | Portraits of the Hazleton Public Schools (Yale University Art Gallery S) |
| '' | 978-0-300-11585-7 | Mark Rothko | The Artist's Reality: Philosophies of Art |
| '' | 978-0-300-11586-4 | Joel Smith | Saul Steinberg: Illuminations |
| 2006 | 978-0-300-11587-1 | Ariel Jiménez | Conversations with Jesús Soto (Cisneros) |
| '' | 978-0-300-11588-8 | Peter Bowron · Carolyn Rose Rebbert · Robert Rosenblum · William Secord | Best in Show: The Dog in Art from the Renaissance to Today |
| 2011 | 978-0-300-11589-5 | Andrew Keller · Stephanie Russell | Learn to Read Greek: Textbook, Part 1 |
| '' | 978-0-300-11590-1 | '' | Learn to Read Greek: Textbook, Part 2 |
| '' | 978-0-300-11591-8 | '' | Learn to Read Greek: Workbook Part 1 |
| '' | 978-0-300-11592-5 | '' | Learn to Read Greek: Workbook, Part 2 |
| 2007 | 978-0-300-11593-2 | Kathryn Kish Sklar · James Brewer Stewart | Women's Rights and Transatlantic Antislavery in the Era of Emancipation (The David Brion Davis Series) |
| 2006 | 978-0-300-11595-6 | Josef Albers | Interaction of Color: Revised and Expanded Edition |
| 2006 | 978-0-300-11596-3 | Ramsay MacMullen | Voting About God in Early Church Councils |
| '' | 978-0-300-11597-0 | Eamon Duffy | Saints and Sinners: A History of the Popes; Third Edition (Yale Nota Bene) |
| 2008 | 978-0-300-11598-7 | Nicholas A. Basbanes | A World of Letters: Yale University Press, 1908-2008 |
| '' | 978-0-300-11599-4 | Michael Abramowicz | Predictocracy: Market Mechanisms for Public and Private Decision Making |
| '' | 978-0-300-11600-7 | James Q. Whitman | The Origins of Reasonable Doubt: Theological Roots of the Criminal Trial (Yale Law Library Series in Legal History and Reference) |
| 2007 | 978-0-300-11601-4 | Parker MacDonald Shipton | The Nature of Entrustment: Intimacy, Exchange, and the Sacred in Africa (Yale Agrarian Studies Series) |
| 2009 | 978-0-300-11602-1 | '' | Mortgaging the Ancestors: Ideologies of Attachment in Africa (Yale Agrarian Studies Series) |
| 2007 | 978-0-300-11604-5 | Roland Barthes | What Is Sport? |
| 2006 | 978-0-300-11605-2 | John Protevi | A Dictionary of Continental Philosophy |
| '' | 978-0-300-11607-6 | Robert A. Dahl | On Political Equality |
| 2007 | 978-0-300-11609-0 | Michael Makovsky | Churchill's Promised Land: Zionism and Statecraft (Yale University Press) |
| 2007 | 978-0-300-11610-6 | Leonard Shengold | Haunted by Parents |
| 2006 | 978-0-300-11611-3 | Tarnya Cooper | Searching for Shakespeare |
| 2005 | 978-0-300-11612-0 | Melanie Anne Herzog | Elizabeth Catlett: In the Image of the People (Art Institute of Chicago) |
| 2006 | 978-0-300-11613-7 | Frank Salmon | Summerson & Hitchcock: Centenary Essays on Architectural Historiography (Studies in British Art) (v. 16) |
| 2007 | 978-0-300-11614-4 | James Bettley · Nikolaus Pevsner | Essex (Pevsner Architectural Guides: Buildings of England) |
| 2008 | 978-0-300-11616-8 | Michael Reid | Forgotten Continent: The Battle for Latin America's Soul |
| 2010 | 978-0-300-11617-5 | Josef Albers | Interaction of Color |
| 2006 | 978-0-300-11618-2 | Catherine de Zegher | Eva Hesse Drawing |
| '' | 978-0-300-11619-9 | Michael Conforti · James A. Ganz · Neil Harris · Gilbert T. Vincent | The Clark Brothers Collect: Impressionist and Early Modern Paintings (Clark Art Institute) |
| '' | 978-0-300-11620-5 | Samuel P. Huntington | Political Order in Changing Societies (The Henry L. Stimson Lectures Series) |
| 2000 | 978-0-300-11621-2 | James N. Wood | Impressionism and Post-Impressionism in The Art Institute of Chicago |
| '' | 978-0-300-11622-9 | James N. Wood · Debra N. Mancoff | Treasures from The Art Institute of Chicago |
| 1999 | 978-0-300-11623-6 | James N. Wood | Master Paintings in the Art Institute of Chicago |
| '' | 978-0-300-11624-3 | Judith A. Barter | American Arts at the Art Institute of Chicago: From Colonial Times to World War I |
| 1998 | 978-0-300-11625-0 | Martha Tedeschi | The Lithographs of James McNeill Whistler: Vol. 1: A Catalogue Raisonné; Vol. 2: Correspondence and Technical Studies (v. 1) |
| 1996 | 978-0-300-11627-4 | James N. Wood | The Art Institute of Chicago: Twentieth-Century Painting and Sculpture |
| 2007 | 978-0-300-11628-1 | Emma Griffin | Blood Sport: Hunting in Britain since 1066 |
| 2008 | 978-0-300-11630-4 | Tammy Berberi · Elizabeth C. Hamilton · Ian M. Sutherland | Worlds Apart?: Disability and Foreign Language Learning |
| 2011 | 978-0-300-11631-1 | Rejane de Oliveira Slade | Bom Dia, Brasil: 3rd Edition of Português Básico para Estrangeiros |
| 2012 | 978-0-300-11633-5 | Richard Sennett | Together: The Rituals, Pleasures and Politics of Cooperation |
| 2006 | 978-0-300-11634-2 | Mari Carmen Ramírez · Josefina Manrique · Catherine de Zegher | Gego: Between Transparency and the Invisible (Houston Museum of Fine Arts) |
| 2007 | 978-0-300-11637-3 | Yehoshue Perle | Everyday Jews: Scenes from a Vanished Life |
| 2008 | 978-0-300-11639-7 | Oren Harman · Michael Dietrich · William Dritschilo · Bruce Weber · Vinciane Despret · David Sepkoski · Mark Borrello · Nathaniel Comfort | Rebels, Mavericks, and Heretics in Biology |
| 2006 | 978-0-300-11640-3 | E. Fuller Torrey | Surviving Prostate Cancer: What You Need to Know to Make Informed Decisions (Yale University Press Health & Wellness) |
| 2007 | 978-0-300-11641-0 | Matthew Klingle | Emerald City: An Environmental History of Seattle (The Lamar Series in Western History) |
| 2006 | 978-0-300-11643-4 | Katherine Ware · Peter Barberie | Dreaming in Black and White: Photography at the Julien Levy Gallery |
| 2006 | 978-0-300-11644-1 | H. Kristina Haugland | Grace Kelly: Icon of Style to Royal Bride (Philadelphia Museum of Art) |
| 1988 | 978-0-300-11645-8 | Hans W. Loewald | Sublimation |
| 2005 | 978-0-300-11646-5 | Dorothee Metlitsky Finkelstein | Melville's Orienda |
| 2007 | 978-0-300-11647-2 | Frances Gruber Safford | American Furniture in The Metropolitan Museum of Art: I. Early Colonial Period: The Seventeenth-Century and William and Mary Styles |
| 2006 | 978-0-300-11648-9 | Gioacchino Barbera | Antonello da Messina: Sicily's Renaissance Master (Metropolitan Museum of Art Publications) |
| '' | 978-0-300-11651-9 | Clare Phillips | Bejewelled by Tiffany 1837-1987 |
| '' | 978-0-300-11652-6 | Héctor Olea · Mari Carmen Ramírez · Peter C. Marzio · Gabriel Peluffo Linari · Andrea Giunta · Luis Camnitzer · Lucy R. Lippard · Sonia Salzstein | Versions and Inversions: Perspectives on Avant-Garde Art in Latin America (International Center for the Arts of the Americas) |
| 2007 | 978-0-300-11653-3 | M. Elizabeth Boone | Vistas de España: American Views of Art and Life in Spain, 1860-1914 |
| 2010 | 978-0-300-11654-0 | Alice T Friedman | American Glamour and the Evolution of Modern Architecture |
| 2007 | 978-0-300-11655-7 | Amy Werbel | Thomas Eakins: Art, Medicine, and Sexuality in Nineteenth-Century Philadelphia |
| 2008 | 978-0-300-11656-4 | Catharine MacLeod · Julia Marciari Alexander · Kevin Sharpe · Tim Harris · Sheila O'Connell · Susan Shifrin · Andrew Walkling · Steven Zwicker | Politics, Transgression, and Representation at the Court of Charles II (Studies in British Art) |
| 2007 | 978-0-300-11658-8 | Matthew Hargraves | Great British Watercolors: From the Paul Mellon Collection at the Yale Center for British Art |
| '' | 978-0-300-11659-5 | John Styles · Amanda Vickery · Linzy Brekke · Hannah Grieg · Amy H. Henderson · Ellen Hartigan-O'Connor · Bernard L. Herman · Karen Lipsedge | Gender, Taste, and Material Culture in Britain and North America, 1700-1830 (Studies in British Art) |
| '' | 978-0-300-11661-8 | Tim Barringer · Gillian Forrester · Barbaro Martinez-Ruiz | Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds (Yale Center for British Art) |
| 2009 | 978-0-300-11665-6 | George Santayana | The Genteel Tradition in American Philosophy and Character and Opinion in the United States (Rethinking the Western Tradition) |
| 2009 | 978-0-300-11666-3 | Eric Kurlander | Living with Hitler: Liberal Democrats in the Third Reich |
| 2008 | 978-0-300-11667-0 | Evelyn Lord | The Hellfire Clubs: Sex, Satanism and Secret Societies |
| '' | 978-0-300-11669-4 | Steven F. Lawson · John Hope Franklin | One America in the 21st Century: The Report of President Bill Clinton's Initiative on Race |
| 2009 | 978-0-300-11670-0 | David Bindman · Tim Ayers | The History of British Art, Volume 1: 600-1600 |
| '' | 978-0-300-11671-7 | David Bindman | The History of British Art, Volume 2: 1600-1870 |
| 2008 | 978-0-300-11672-4 | David Bindman · Chris Stephens | The History of British Art, Vol. 3: 1870-Now |
| 1998 | 978-0-300-11674-8 | G. Hurst I II | Armed Martial Arts of Japan: Swordsmanship and Archery |
| 2006 | 978-0-300-11675-5 | Lawrence G. Sager | Justice in Plainclothes: A Theory of American Constitutional Practice |
| '' | 978-0-300-11676-2 | Sebastian Mallaby | The World's Banker: A Story of Failed States, Financial Crises, and the Wealth and Poverty of Nations |
| '' | 978-0-300-11677-9 | David Alan Brown · Sylvia Ferino-Pagden | Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting (National Gallery Of Art, Washington) |
| 2006 | 978-0-300-11678-6 | Natalya Abramova · Olga Dmitrieva | Britannia & Muscovy: English Silver at the Court of the Tsars |
| '' | 978-0-300-11681-6 | W. A. Speck | Robert Southey: Entire Man of Letters |
| 2007 | 978-0-300-11682-3 | Tennessee Williams | Notebooks |
| '' | 978-0-300-11683-0 | Jeffrey Spier | Picturing the Bible: The Earliest Christian Art (Kimbell Art Museum) |
| 2006 | 978-0-300-11684-7 | Peter Barnet · Pete Dandridge | Lions, Dragons, & other Beasts: Aquamanilia of the Middle Ages: Vessels for Church and Table (Bard Graduate Centre for Studies in the Decorative Arts, Design & Culture) |
| '' | 978-0-300-11685-4 | Nina Stritzler-Levine | Sheila Hicks: Weaving as Metaphor (Bard Graduate Centre for Studies in the Decorative Arts, Design & Culture) |
| 2008 | 978-0-300-11686-1 | Natalya Gritsay · Natalya Babina | 17th-18th Century Flemish Painting: State Hermitage Museum Catalogue (State Hermitage Museum Cataogue) |
| 2009 | 978-0-300-11687-8 | R W Brunskill | Brick and Clay Building in Britain (Vernacular Buildings Series) |
| 2012 | 978-0-300-11688-5 | Rw Brunskill | Illustrated Dictionary of Vernacular Architecture |
| 2006 | 978-0-300-11689-2 | James Rondeau · Dieter Roelstraet | Mark Manders: Isolated Rooms (Roma Publication) |
| 2016 | 978-0-300-11690-8 | Tadeusz Borowski | Here in Our Auschwitz and Other Stories (The Margellos World Republic of Letters) |
| 2007 | 978-0-300-11691-5 | Paul Milne | Where to Watch Birds in World Cities |
| 2006 | 978-0-300-11692-2 | Trevor Fairbrother | Painting Summer in New England |
| '' | 978-0-300-11693-9 | John Lukacs | Democracy and Populism: Fear and Hatred |
| 2006 | 978-0-300-11694-6 | James Whitney Hicks | 50 Signs of Mental Illness: A Guide to Understanding Mental Health (Yale University Press Health & Wellness) |
| 2008 | 978-0-300-11695-3 | Joseph Epstein | Fred Astaire (Icons of America) |
| 2006 | 978-0-300-11696-0 | Barbara H. Fiese | Family Routines and Rituals (Current Perspectives in Psychology) |
| '' | 978-0-300-11697-7 | Robert J. Sternberg · Karin Weis | The New Psychology of Love |
| 2007 | 978-0-300-11698-4 | Victoria Clark | Allies for Armageddon: The Rise of Christian Zionism |
| 2006 | 978-0-300-11699-1 | Helen MacDonald | Human Remains: Dissection and Its Histories |
| 2010 | 978-0-300-11701-1 | Victoria Clark | Yemen: Dancing on the Heads of Snakes |
| 2007 | 978-0-300-11703-5 | Joshua Kurlantzick | Charm Offensive: How China's Soft Power Is Transforming the World (A New Republic Book) |
| 2008 | 978-0-300-11704-2 | Keith Stewart Thomson | The Legacy of the Mastodon: The Golden Age of Fossils in America |
| 2010 | 978-0-300-11705-9 | Benjamin L. Carp | Defiance of the Patriots: The Boston Tea Party and the Making of America |
| '' | 978-0-300-11706-6 | Christopher F. Black | The Italian Inquisition |
| 2007 | 978-0-300-11709-7 | John L. Colley Jr. · Jacqueline L. Doyle · Robert D. Hardie · George W. Logan · Wallace Stettinius | Principles of General Management: The Art and Science of Getting Results Across Organizational Boundaries |
| 2006 | 978-0-300-11711-0 | Patricia M. Artundo · Jorge Schwartz · Daniel E. Nelson · Cintia Cristia · Maria Lucia Bastos Kern · Annick Louis | Xul Solar: Visions and Revelations |
| 2007 | 978-0-300-11712-7 | S. B. Kennedy | Paul Henry: Paintings, Drawings, and Illustrations |
| '' | 978-0-300-11713-4 | Susan Weber | James 'Athenian' Stuart: The Rediscovery of Antiquity (Bard Graduate Centre for Studies in the Decorative Arts, Design & Culture) |
| '' | 978-0-300-11714-1 | Eamon Duffy | Marking the Hours: English People and Their Prayers, 1240-1570 |
| 2007 | 978-0-300-11715-8 | James Peill · Knight of Glin | Irish Furniture: Woodwork and Carving in Ireland from the Earliest Times to the Act of Union (The Paul Mellon Centre for Studies in British Art) |
| 2006 | 978-0-300-11716-5 | Richard Ormond · Elaine Kilmurray · Warren Adelson | John Singer Sargent: Figures and Landscapes, 1874-1882; Complete Paintings: Volume IV |
| '' | 978-0-300-11717-2 | Richard Ormond · Warren Adelson | Sargent's Venice |
| 2008 | 978-0-300-11718-9 | Susan Hardman Moore | Pilgrims: New World Settlers and the Call of Home |
| 2012 | 978-0-300-11719-6 | Glyn Parry | The Arch Conjuror of England: John Dee |
| 2014 | 978-0-300-11720-2 | Paul Begg · John Bennett | Jack the Ripper: The Forgotten Victims |
| 2008 | 978-0-300-11722-6 | Denise Gigante | The Great Age of the English Essay: An Anthology |
| '' | 978-0-300-11723-3 | Robert L. Tsai | Eloquence and Reason: Creating a First Amendment Culture |
| 2011 | 978-0-300-11724-0 | Deborah Valenze | Milk: A Local and Global History |
| 2006 | 978-0-300-11726-4 | T. J. Clark | The Sight of Death: An Experiment in Art Writing |
| '' | 978-0-300-11727-1 | Jules Lubbock | Storytelling in Christian Art from Giotto to Donatello |
| 2007 | 978-0-300-11729-5 | Giles Worsley | Inigo Jones and the European Classicist Tradition (Paul Mellon Centre for Studies in British Art) |
| 2006 | 978-0-300-11730-1 | Christopher Wright | British and Irish Paintings in Public Collections |
| '' | 978-0-300-11732-5 | Jeremy Black | George III: America's Last King (The English Monarchs Series) |
| 2006 | 978-0-300-11735-6 | Jon D. Levenson | Resurrection and the Restoration of Israel: The Ultimate Victory of the God of Life |
| '' | 978-0-300-11736-3 | Jeffrey Chipps Smith | The Art of the Goldsmith in Late Fifteenth-Century Germany: The Kimbell Virgin and Her Bishop (Kimbell Masterpiece Series) |
| 2009 | 978-0-300-11738-7 | Judith A. Barter · Jennifer M. Downs | American Modernism at the Art Institute of Chicago: From World War I to 1955 |
| 2006 | 978-0-300-11739-4 | Thomas Crow | Emulation: David, Drouais, and Girodet in the Art of Revolutionary France; New Edition |
| '' | 978-0-300-11740-0 | John Baskett | The Horse in Art |
| 2007 | 978-0-300-11741-7 | Mary Schoeser | Silk |
| 2006 | 978-0-300-11743-1 | Eugene O'Neill | The Iceman Cometh |
| 2008 | 978-0-300-11744-8 | Scott Wilcox | Sun, Wind, and Rain: The Art of David Cox (Yale Center for British Art) |
| '' | 978-0-300-11745-5 | Alex Kidson · Elizabeth Barker · Sarah Parsons · Jane Longmore · Martin Hopkinson | Joseph Wright of Derby in Liverpool (Yale Center for British Art S) |
| 2007 | 978-0-300-11746-2 | John Baskett · Jules David Prown · Duncan Robinson · William J. Reese · Brian Allen | Paul Mellon's Legacy: A Passion for British Art (Yale Center for British Art) |
| 2009 | 978-0-300-11752-3 | Molly Haskell | Frankly, My Dear: "Gone with the Wind" Revisited (Icons of America) |
| 2006 | 978-0-300-11753-0 | Stephen Campbell | The Cabinet of Eros: Renaissance Mythological Painting and the Studiolo of Isabella d'Este |
| '' | 978-0-300-11754-7 | Sarah Howgate · Barbara Stern Shapiro | David Hockney Portraits |
| 2008 | 978-0-300-11755-4 | Steve Fraser | Wall Street: America's Dream Palace (Icons of America) |
| 2008 | 978-0-300-11758-5 | Josh Ozersky | The Hamburger: A History (Icons of America) |
| 2014 | 978-0-300-11759-2 | Linda C. Mayes · Stephen Lassonde · Deborah Weinstein | A Girl's Childhood: Psychological Development, Social Change, and The Yale Child Study Center |
| 2006 | 978-0-300-11760-8 | Peter Jeffery | The Secret Gospel of Mark Unveiled: Imagined Rituals of Sex, Death, and Madness in a Biblical Forgery |
| 2007 | 978-0-300-11762-2 | Mary Douglas | Thinking in Circles: An Essay on Ring Composition (The Terry Lectures Series) |
| 2010 | 978-0-300-11765-3 | Vincent Giroud | French Opera: A Short History |
| 2006 | 978-0-300-11767-7 | Susan Grace Galassi · Jonathan Brown | Goya's Last Works |
| 2007 | 978-0-300-11770-7 | Christopher Hartop | British and Irish Silver in the Fogg Art Museum, Harvard University Art Museums |
| 2006 | 978-0-300-11771-4 | Brenda Richardson | Jennifer Bartlett: Early Plate Work |
| '' | 978-0-300-11772-1 | Dorothy Kosinski · Bradley Fratello | Van Gogh's Sheaves of Wheat (Dallas Museum of Art Publications) |
| 2007 | 978-0-300-11775-2 | Roger Fawcett-Tang | New Typographic Design |
| 2012 | 978-0-300-11777-6 | Peter Marsh | The New Industrial Revolution: Consumers, Globalization and the End of Mass Production |
| 2008 | 978-0-300-11778-3 | David Boyd Haycock | Mortal Coil: A Short History of Living Longer |
| 2006 | 978-0-300-11779-0 | Rebecca Rabinow | Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications) |
| 2017 | 978-0-300-11782-0 | Ivan Maisky | The Complete Maisky Diaries: Volumes 1-3 (Annals of Communism Series) |
| 2007 | 978-0-300-11785-1 | Andrew Bolton · Harold Koda | AngloMania: Tradition and Transgression in British Fashion (Metropolitan Museum of Art Publications) |
| 2011 | 978-0-300-11786-8 | Jonathan Harris | The End of Byzantium |
| 2006 | 978-0-300-11787-5 | Alice Cooney Frelinghuysen | Louis Comfort Tiffany And Laurelton Hall: An Artist's Country Estate |
| '' | 978-0-300-11788-2 | Sabine Rewald · Ian Buruma · Matthias Eberle | Glitter And Doom: German Portraits from the 1920s (Metropolitan Museum of Art Publications) |
| 2007 | 978-0-300-11789-9 | Alice T Friedman | Women and the Making of the Modern House |
| 2006 | 978-0-300-11790-5 | Linda Wolk-Simon | Raphael at the Metropolitan: The Colonna Altarpiece (Metropolitan Museum of Art Publications) |
| '' | 978-0-300-11793-6 | Robert Goldbort | Writing for Science |
| '' | 978-0-300-11794-3 | Immanuel Kant | Toward Perpetual Peace and Other Writings on Politics, Peace, and History (Rethinking the Western Tradition) |
| 2012 | 978-0-300-11795-0 | Brian Campbell | The Romans and their World: A Short Introduction |
| 2007 | 978-0-300-11796-7 | Harold J. Cook | Matters of Exchange: Commerce, Medicine, and Science in the Dutch Golden Age |
| 2006 | 978-0-300-11800-1 | Mark Gatter | Software Essentials for Graphic Designers: Photoshop, Illustrator, InDesign, QuarkXPress, Dreamweaver, Flash, and Acrobat |
| 2008 | 978-0-300-11801-8 | William Rudolph | Julian Onderdonk: American Impressionist (Dallas Museum of Art Publications) |
| 2010 | 978-0-300-11802-5 | Kevin W. Tucker | Gustav Stickley and the American Arts & Crafts Movement (Dallas Museum of Art Publications) |
| 2010 | 978-0-300-11803-2 | Otto Dov Kulka · Eberhard Jäckel · William Templer | The Jews in the Secret Nazi Reports on Popular Opinion in Germany, 1933-1945 |
| 2007 | 978-0-300-11804-9 | G. W. Leibniz | The Leibniz-Des Bosses Correspondence (The Yale Leibniz Series) |
| '' | 978-0-300-11805-6 | Ilan Stavans · Verónica Albin | Love and Language |
| 2012 | 978-0-300-11806-3 | Witold Gombrowicz | Diary (The Margellos World Republic of Letters) |
| 2009 | 978-0-300-11807-0 | Eric J. Sundquist | King's Dream: The Legacy of Martin Luther King’s "I Have a Dream" Speech (Icons of America) |
| 2018 | 978-0-300-11809-4 | Miles Taylor | Empress: Queen Victoria and India |
| 2011 | 978-0-300-11810-0 | John Edwards | Mary I: England's Catholic Queen (The English Monarchs Series) |
| 2012 | 978-0-300-11811-7 | Peter McPhee | Robespierre: A Revolutionary Life |
| 2006 | 978-0-300-11815-5 | Eugene O'Neill | A Moon for the Misbegotten |
| 2007 | 978-0-300-11816-2 | Michael Walzer | Thinking Politically: Essays in Political Theory |
| 2010 | 978-0-300-11817-9 | Tom De Haven | Our Hero: Superman on Earth (Icons of America) |
| '' | 978-0-300-11818-6 | Judith Stein | Pivotal Decade: How the United States Traded Factories for Finance in the Seventies |
| 2007 | 978-0-300-11819-3 | Donia Mounsef · Josette Féral | Yale French Studies, Number 112: The Transparency of the Text: Contemporary Writing for the Stage (Yale French Studies Series) (v. 112) |
| 2008 | 978-0-300-11820-9 | Ralph Albanese · M. Martin Guiney | Yale French Studies, Number 113: French Education: Fifty Years Later (Yale French Studies Series) |
| 2009 | 978-0-300-11821-6 | Jan Baetens · Ari J. Blatt | Yale French Studies, Number 114: Writing and the Image Today (Yale French Studies Series) (Vol. 114) |
| '' | 978-0-300-11822-3 | James Austin | Yale French Studies, Number 115: New Spaces for French and Francophone Cinema (Yale French Studies Series) |
| 2010 | 978-0-300-11823-0 | Michael A. Johnson · Lawrence R. Schehr | Yale French Studies, Number 116/117: Turns to the Right? (Yale French Studies Series) |
| 2012 | 978-0-300-11826-1 | Alain Mabanckou · Dominic Thomas | Yale French Studies, Number 120: Francophone Sub-Saharan African Literature in Global Contexts (Yale French Studies Series) |
| '' | 978-0-300-11829-2 | James B. Kopp | The Bassoon (Yale Musical Instrument Series) |
| 2011 | 978-0-300-11830-8 | Simon May | Love: A History |
| 2012 | 978-0-300-11831-5 | Marvin Trachtenberg | Brunelleschi, Michelozzo, and the Problem of the Pazzi Chapel |
| 2008 | 978-0-300-11832-2 | John Moran | The Cello (Yale Musical Instrument Series) |
| 2008 | 978-0-300-11833-9 | Mary Hunter | Mozart’s Operas: A Companion |
| 2012 | 978-0-300-11834-6 | Jane Ohlmeyer | Making Ireland English: The Irish Aristocracy in the Seventeenth Century |
| 2008 | 978-0-300-11835-3 | Philip Ziegler | Legacy: Cecil Rhodes, the Rhodes Trust and Rhodes Scholarships |
| '' | 978-0-300-11837-7 | Alexander Tsesis | We Shall Overcome: A History of Civil Rights and the Law |
| 2010 | 978-0-300-11838-4 | Thomas Hobbes | Leviathan: Or The Matter, Forme, & Power of a Common-Wealth Ecclesiasticall and Civill (Rethinking the Western Tradition) |
| 2008 | 978-0-300-11839-1 | Professor Leo P. Ribuffo | The Limits of Moderation: Jimmy Carter and the Ironies of American Liberalism |
| '' | 978-0-300-11840-7 | Thomas M. Truxes | Defying Empire: Trading with the Enemy in Colonial New York |
| 2011 | 978-0-300-11842-1 | Thomas J. Schaeper | Edward Bancroft: Scientist, Author, Spy |
| 2012 | 978-0-300-11844-5 | Leon Aron | Roads to the Temple: Truth, Memory, Ideas, and Ideals in the Making of the Russian Revolution, 1987-1991 |
| 2008 | 978-0-300-11845-2 | Professor Nicholas Howe | Yale Guide to Old English Literature |
| 2011 | 978-0-300-11846-9 | Nancy Lusignan Schultz | Mrs. Mattingly's Miracle: The Prince, the Widow, and the Cure That Shocked Washington City |
| 2008 | 978-0-300-11847-6 | William Lyster | The Cave Church of Paul the Hermit: At the Monastery of St. Paul in Egypt |
| '' | 978-0-300-11848-3 | Andreas Fahrmeir | Citizenship: The Rise and Fall of a Modern Concept |
| 2018 | 978-0-300-11849-0 | Alastair Bellany · Thomas Cogswell | England's Assassin: John Felton and the Killing of the Duke of Buckingham |
| 2008 | 978-0-300-11850-6 | Anthony Fletcher | Growing Up in England: The Experience of Childhood 1600-1914 |
| '' | 978-0-300-11851-3 | Robert J. Knecht | The French Renaissance Court |