| year of publication | ISBN | author(s) | title |
|---|
| 1992 | 978-0-19-816302-2 | James Tyler | The Early Mandolin: The Mandolino and the Neapolitan Mandoline (Early Music Series, 9) |
| 2003 | 978-0-19-816303-9 | Nicholas Cook | Music, Imagination, And Culture (Clarendon Paperbacks) |
| 1992 | 978-0-19-816304-6 | Basil Smallman | The Piano Trio: Its History, Technique, and Repertoire (Clarendon Paperbacks) |
| '' | 978-0-19-816305-3 | Peter van der Merwe | Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music (Clarendon Paperbacks) |
| '' | 978-0-19-816306-0 | Daniel Leech-Wilkinson | Machaut's Mass: An Introduction (Clarendon Paperbacks) |
| '' | 978-0-19-816308-4 | Brian W. Harvey | Violin Fraud: Deception, Forgery, Theft and the Law |
| '' | 978-0-19-816311-4 | Alison Crum | Play The Viol: The Complete Guide to Playing the Treble, Tenor, and Bass Viol (Oxford Early Music Series) |
| 1995 | 978-0-19-816312-1 | Steven Saunders | Cross, Sword and Lyre: Sacred Music at the Imperial Court of Ferdinand II of Habsburg (1619-37) (Oxford Monographs on Music) |
| 2001 | 978-0-19-816315-2 | C. Steven Larue | Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728: The Creation of the Royal Academy Operas, 1720-28 (Oxford Monographs on Music) |
| 1993 | 978-0-19-816316-9 | Michael Hurd | Rutland Boughton and the Glastonbury Festivals |
| 2002 | 978-0-19-816320-6 | Sabina Teller Ratner | Camille Saint-Saëns 1835-1921: A Thematic Catalogue of his Complete Works. Volume I: The Instrumental Works: The Instrumental Works Vol 1 |
| 2012 | 978-0-19-816321-3 | '' | Camille Saint-Saëns 1835-1921: A Thematic Catalogue of his Complete Works. Volume 2: The Dramatic Works (Camille Saint-Saens: A Thematic Catalogue of the Complete Wk) |
| 1993 | 978-0-19-816323-7 | Martha Novak Clinkscale | Makers of the Piano 1700-1820: 1700-1820 Vol 1 |
| 1997 | 978-0-19-816325-1 | Bernard Harrison | Haydn's Keyboard Music - Studies in Performance Practice (Oxford Monographs on Music) |
| 1995 | 978-0-19-816327-5 | Ken C. Pohlmann | The Compact Disc Handbook (Computer Music & Digital Audio) |
| 1994 | 978-0-19-816328-2 | Peter Manning | Electronic and Computer Music |
| 2004 | 978-0-19-816329-9 | Peter Manning | Electronic And Computer Music (Clarendon Paperbacks) |
| 1994 | 978-0-19-816330-5 | Michael Kennedy | The Works of Ralph Vaughan Williams (Clarendon Paperbacks) |
| 1993 | 978-0-19-816334-3 | Ronald Woodley | John Tucke: A Case Study in Early Tudor Music Theory (Oxford Monographs on Music) |
| 2001 | 978-0-19-816335-0 | Richard Sherr | The Josquin Companion |
| 1996 | 978-0-19-816336-7 | Carl B. Schmidt | The Music of Francis Poulenc: A Catalogue |
| 1993 | 978-0-19-816338-1 | Wilfrid Mellers | Francis Poulenc (Oxford Studies of Composers) |
| 1996 | 978-0-19-816339-8 | Konrad Kuster | Mozart: A Musical Biography |
| 1994 | 978-0-19-816341-1 | Peter Holman | Henry Purcell (Oxford Studies of Composers) |
| 1997 | 978-0-19-816343-5 | Cliff Eisen | Mozart Studies 2 |
| 1993 | 978-0-19-816344-2 | Deta S. Davis | Computer Applications in Music: A Bibliography (Computer Music & Digital Audio S.) |
| 1993 | 978-0-19-816345-9 | Deta S. Davis | Computer Applications in Music: Supplement 1: A Bibliography (Computer Music & Digital Audio) |
| '' | 978-0-19-816347-3 | Ruth Towse | Singers in the Marketplace: The Economics of the Singing Profession |
| 1992 | 978-0-19-816348-0 | Steven Huebner | The Operas of Charles Gounod (Clarendon Paperbacks) |
| 1993 | 978-0-19-816349-7 | Halsey Stevens | The Life and Music of Béla Bartók |
| 1992 | 978-0-19-816352-7 | Ethan Haimo | Schoenberg's Serial Odyssey: The Evolution of His Twelve-tone Method, 1914-28 (Clarendon Paperbacks) |
| 1993 | 978-0-19-816353-4 | Barry Cooper | Beethoven And The Creative Process (Clarendon Paperbacks) |
| '' | 978-0-19-816354-1 | Alexander L. Ringer | Arnold Schoenberg: The Composer as Jew (Clarendon Paperbacks) |
| '' | 978-0-19-816356-5 | Norman Del Mar | Conducting Brahms |
| '' | 978-0-19-816357-2 | Norman Del Mar | Conducting Brahms |
| 1993 | 978-0-19-816358-9 | Norman Del Mar | Conducting Beethoven: The Overtures, Concertos, Missa Solemnis v.2: The Overtures, Concertos, Missa Solemnis Vol 2 |
| '' | 978-0-19-816359-6 | '' | Conducting Beethoven: Volume 2: Overtures, Concertos, Missa Solemnis: The Overtures, Concertos, Missa Solemnis Vol 2 |
| 2005 | 978-0-19-816360-2 | Lionel Sawkins | A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726) |
| 1998 | 978-0-19-816362-6 | Sieghard Brandenburg | Haydn, Mozart, and Beethoven: Studies in the Music of the Classical Period. Essays in Honour of Alan Tyson |
| 1993 | 978-0-19-816365-7 | Michael Kennedy | Portrait Of Elgar (Clarendon Paperbacks) |
| 1999 | 978-0-19-816366-4 | Jerrold Northrop Moore | Edward Elgar: A Creative Life (Clarendon Paperbacks) |
| '' | 978-0-19-816369-5 | Walter Aaron Clark | Isaac Albeniz: Portrait of a Romantic |
| 1995 | 978-0-19-816370-1 | Iain Fenlon · Tim Carter | Con che soavità: Studies in Italian Opera, Song, and Dance, 1580-1740 |
| 1998 | 978-0-19-816371-8 | Ruth Halliwell | The Mozart Family: Four Lives in a Social Context |
| 1994 | 978-0-19-816372-5 | Goffredo Haus | Music Processing (Computer Music & Digital Audio) |
| 2000 | 978-0-19-816373-2 | James Radomski | Manuel García (1775-1832): Chronicle of the Life of a bel canto Tenor at the Dawn of Romanticism |
| 1993 | 978-0-19-816375-6 | Stephen Walsh | The Music of Stravinsky (Clarendon Paperbacks) |
| 1999 | 978-0-19-816376-3 | Donald Mitchell · Andrew Nicholson | The Mahler Companion |
| 1994 | 978-0-19-816377-0 | Percy Grainger | The All-Round Man: Selected Letters of Percy Grainger, 1914-1961: Selected Letters of Percy Grainger, 1914-61 |
| '' | 978-0-19-816378-7 | Michael Talbot | Benedetto Vinaccessi: A Musician in Brescia and Venice in the Age of Corelli (Oxford Monographs on Music) |
| '' | 978-0-19-816382-4 | Rob C. Wegman | Born for the Muses: Life and Masses of Jacob Obrecht (Oxford Monographs on Music) |
| 2002 | 978-0-19-816383-1 | Jeremy Dibble | Charles Villiers Stanford: Man and Musician |
| 1993 | 978-0-19-816384-8 | Winton Dean | Essays on Opera (Clarendon Paperbacks) |
| 1995 | 978-0-19-816385-5 | Patricia Howard | Gluck: An Eighteenth-Century Portrait in Letters and Documents |
| 2008 | 978-0-19-816387-9 | Henry-Louis de La Grange | Gustav Mahler: Volume 4: A New Life Cut Short (1907-1911): New Life Cut Short (1907-1911) v. 4 (DE LA GRANGE:MAHLER 4 VOLS SERIES MS C) |
| 1995 | 978-0-19-816388-6 | Robin Maconie | The Concept of Music (Clarendon Paperbacks) |
| 2003 | 978-0-19-816390-9 | Philip V. Bohlman | New Music and Modernity: Music and Culture |
| 2001 | 978-0-19-816392-3 | Ethan Haimo | Haydn's Symphonic Forms: Essays in Compositional Logic (Oxford Monographs on Music) |
| 1997 | 978-0-19-816393-0 | Adrian Thomas | Gorecki (Oxford Studies of Composers) |
| 1997 | 978-0-19-816394-7 | Adrian Thomas | Górecki (Oxford Studies of Composers) |
| 2001 | 978-0-19-816396-1 | David Ross Hurley | Handel's Muse: Patterns of Creation in His Oratorios and Musical Dramas, 1743-1751 (Oxford Monographs on Music) |
| 1993 | 978-0-19-816397-8 | T.J. Walsh | Opera in Dublin, 1798-1820: Frederick Jones and the Crow Street Theatre |
| '' | 978-0-19-816398-5 | Nancy Perloff | Art and the Everyday: Popular Entertainment and the Circle of Erik Satie (Clarendon Paperbacks) |
| 1994 | 978-0-19-816399-2 | Mary Whittall | Ludwig Van Beethoven: Approaches to His Music (Clarendon Paperbacks) |
| 1993 | 978-0-19-816400-5 | Marie-Laure Bachmann | Dalcroze Today: An Education through and into Music (Clarendon Paperbacks) |
| 1994 | 978-0-19-816401-2 | Michael Musgrave | The Music Of Brahms (Clarendon Paperbacks) |
| '' | 978-0-19-816402-9 | Jim Samson | The Music of Chopin (Clarendon Paperbacks) |
| 1999 | 978-0-19-816406-7 | Paula Higgins | Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music |
| 1996 | 978-0-19-816408-1 | Robert L. Kendrick | Celestial Sirens: Nuns and Their Music in Early Modern Milan (Oxford Monographs on Music) |
| 2000 | 978-0-19-816409-8 | Jeffrey Kurtzman | The Moneverdi Vespers of 1610: Music, Context, Performance |
| 1996 | 978-0-19-816411-1 | David R. Beveridge | Rethinking Dvorák: Views from Five Countries |
| 1994 | 978-0-19-816413-5 | Jane Manning | New Vocal Repertory: An Introduction (Vol 1) |
| 1995 | 978-0-19-816414-2 | Claudio Monteverdi | The Letters of Claudio Monteverdi |
| 1998 | 978-0-19-816417-3 | Richard Sherr | Papal Music and Musicians in Late Medieval and Renaissance Rome |
| 1994 | 978-0-19-816419-7 | Marcel Dietschy | A Portrait of Claude Debussy (Clarendon Paperbacks) |
| '' | 978-0-19-816420-3 | Michael Talbot | Tomaso Albinoni: The Venetian Composer and His World (Clarendon Paperbacks) |
| 2001 | 978-0-19-816423-4 | Samuel Wesley | The Letters of Samuel Wesley: Professional and Social Correspondence, 1797-1837 |
| 1996 | 978-0-19-816424-1 | Ruth M. Wilson | Anglican Chant and Chanting in England, Scotland, and America, 1660-1820 (Oxford Studies in British Church Music) |
| '' | 978-0-19-816425-8 | Virginia Brookes | British Keyboard Music to c.1660: Sources and Thematic Index |
| 1998 | 978-0-19-816426-5 | Katalin Komlos | Fortepianos and Their Music: Germany, Austria, and England, 1760-1800 (Oxford Monographs on Music) |
| 1994 | 978-0-19-816427-2 | Bent Schonberg | World Ballet and Dance 1993-94: An International Yearbook: 005 |
| 1994 | 978-0-19-816428-9 | Bent Schonberg | World Ballet and Dance 1993-1994 1993-94: An International Yearbook: 005 |
| 2000 | 978-0-19-816433-3 | Ian Woodfield | Music of the Raj: A Social and Economic History of Music in Late Eighteenth Century Anglo-Indian Society |
| 2004 | 978-0-19-816434-0 | John Spitzer · Neal Zaslaw | The Birth of the Orchestra: History of an Institution, 1650-1815 |
| 2002 | 978-0-19-816436-4 | Otto Erich Deutsch | Schubert: Memoirs by His Friends |
| 1996 | 978-0-19-816438-8 | Rosemary Williamson | William Sterndale Bennett: A Descriptive Thematic Catalogue (Oxford catalogues) |
| 1997 | 978-0-19-816439-5 | David Tunley | The Eighteenth-Century French Cantata |
| 2006 | 978-0-19-816440-1 | Richard D. P. Jones | The Creative Development of J. S. Bach Volume 1: 1695-1717: Music to Delight the Spirit: 1695-1717 v. 1 |
| 1995 | 978-0-19-816441-8 | Winton Dean · Knapp John Merrill | Handel's Operas 1704-1726 r/e (Clarendon Paperbacks) |
| 1996 | 978-0-19-816442-5 | Michael Burden | Performing the Music of Henry Purcell |
| '' | 978-0-19-816443-2 | Stanley Sadie | Wolfgang Amadeus Mozart: Essays on His Life and His Music (Adelphi Papers) |
| 2003 | 978-0-19-816444-9 | Iain Fenlon | Music and Culture in Late Renaissance Italy |
| 2000 | 978-0-19-816445-6 | Michael Burden | Henry Purcell's Operas: The Complete Texts |
| 1997 | 978-0-19-816446-3 | Nigel Simeone · Alena Nemcova · John Tyrrell | Janacek's Works: A Catalogue of the Music and Writings of Leos Janacek |
| 1995 | 978-0-19-816447-0 | The New Oxford History of Music: Vols I-X |
| '' | 978-0-19-816448-7 | Egon Wellesz | The New Oxford History of Music: Ancient and Oriental Music Vol 1 |
| 978-0-19-816449-4 | Richard Crocker · David Hiley | The New Oxford History of Music: The Early Middle Ages to 1300 Vol 2 |
| 1964 | 978-0-19-816450-0 | Gerald Abraham · Anselm Hughes | The New Oxford History of Music: Ars Nova and the Renaissance: 1300-1540 Vol 3 |
| 978-0-19-816451-7 | Gerald Abraham | The New Oxford History of Music: The Age of Humanism: 1540-1630 Vol 4 |
| 1995 | 978-0-19-816453-1 | '' | The New Oxford History of Music: Concert Music: 1630-1750 Vol 6 |
| '' | 978-0-19-816455-5 | '' | The New Oxford History of Music: The Age of Beethoven 1790-1830 Vol 8 |
| 1995 | 978-0-19-816456-2 | Gerald Abraham | The New Oxford History of Music: Romanticism: 1830-1890 Vol 9 |
| 1998 | 978-0-19-816458-6 | Stephen Moore Whiting | Satie the Bohemian: From Cabaret to Concert Hall (Oxford Monographs on Music) |
| 1996 | 978-0-19-816461-6 | Andrew Ashbee · Peter Holman | John Jenkins and his Time: Studies in English Consort Music |
| '' | 978-0-19-816462-3 | Johann George Tromlitz | The Keyed Flute by Johann George Tromlitz (Early Music Series) |
| 1963 | 978-0-19-816465-4 | Denis Arnold | Monteverdi (Master Musicians Series) |
| 2003 | 978-0-19-816468-5 | Julian Budden | Puccini: His Life and Works (Master Musicians Series) |
| 978-0-19-816469-2 | Budden | Verdi Mm |
| 1995 | 978-0-19-816470-8 | Donald Burrows | Handel (The Dent master musicians) |
| 1996 | 978-0-19-816471-5 | Chissell | Schumann Mm |
| '' | 978-0-19-816472-2 | Fallows | Dufay Mm |
| 2000 | 978-0-19-816474-6 | Edward Garden | Tchaikovsky (Master Musicians Series) |
| 1996 | 978-0-19-816477-7 | Horton | Grieg Mm |
| '' | 978-0-19-816478-4 | Hughes | Haydn Mm |
| '' | 978-0-19-816479-1 | Michael Kennedy | Britten (Master Musician S.) |
| 2001 | 978-0-19-816480-7 | '' | Mahler (The Master Musicians Series) |
| 2000 | 978-0-19-816483-8 | Hugh MacDonald | Berlioz: Master Musicians (Master Musicians Series) |
| 2002 | 978-0-19-816484-5 | Malcolm MacDonald | Brahms (Master Musicians Series) |
| 978-0-19-816485-2 | Macdonald | Schoenberg Mm |
| 1997 | 978-0-19-816486-9 | Denis Matthews | Beethoven (Master Musician) |
| 1996 | 978-0-19-816488-3 | Geoffrey Norris | Rachmaninoff (Master Musician S.) |
| 2000 | 978-0-19-816493-7 | Philip Radcliffe | Mendelssohn (Master Musicians Series) |
| 1997 | 978-0-19-816494-4 | John Reed | Schubert (Master Musician S.) |
| 2000 | 978-0-19-816497-5 | Michael Talbot | Vivaldi (Master Musicians Series) |
| 978-0-19-816498-2 | Watson | Liszt Mm |
| 2000 | 978-0-19-816499-9 | Derek Watson | Liszt (Master Musicians Series) |
| 1996 | 978-0-19-816503-3 | William Schwenck Gilbert · Arthur Seymour Sullivan | The Complete Annotated Gilbert and Sullivan |
| 2004 | 978-0-19-816504-0 | Donald Murray Campbell · Clive Alan Greated · Arnold Myers | Musical Instruments: History, Technology, and Performance of Instruments of Western Music |
| 2001 | 978-0-19-816505-7 | Murray Campbell · Clive A. Greated · Clive Greated | The Musician's Guide to Acoustics |
| 1992 | 978-0-19-816508-8 | Nicholas Cook | Guide To Musical Analysis |
| 978-0-19-816510-1 | Griffiths | Modern Music..Abandoned |
| 1996 | 978-0-19-816511-8 | Paul Griffiths | Modern Music And After - Directions Since 1945 (Clarendon Paperbacks) |
| 978-0-19-816515-6 | Hopkins | Dent Concertgoer's Companion |
| 1995 | 978-0-19-816517-0 | Antony Hopkins | Sounds of the Orchestra |
| 978-0-19-816518-7 | Hopkins | Understanding Music |
| 1995 | 978-0-19-816521-7 | William Kinderman | Beethoven |
| 1996 | 978-0-19-816523-1 | Elizabeth Norman McKay | Franz Schubert: A Biography |
| 1994 | 978-0-19-816527-9 | Julie Anne Sadie | Companion to Baroque Music |
| 2006 | 978-0-19-816529-3 | Stanley Sadie | Mozart. the Early Years 1756 - 1781 |
| 1995 | 978-0-19-816533-0 | Arnold Whittall | Music since the First World War |
| 2000 | 978-0-19-816534-7 | Christoph Wolff | Johann Sebastian Bach: The Learned Musician |
| 1997 | 978-0-19-816540-8 | Tess Knighton · David Fallows | Companion To Medieval And Renaissance Music |
| 1995 | 978-0-19-816541-5 | Michael Tippett | Tippett on Music |
| 1995 | 978-0-19-816542-2 | Michael Tippett | Tippett on Music |
| '' | 978-0-19-816544-6 | John Caldwell | Editing Early Music (Oxford Early Music Series 5) |
| '' | 978-0-19-816546-0 | Jack Westrup | Purcell (Master Musician S.) |
| 2006 | 978-0-19-816547-7 | Mary O'Neill | Courtly Love Songs of Medieval France: Transmission and Style in the Trouvere Repertoire: Transmission and Style in Trouvere Repertoire (Oxford Monographs on Music) |
| 1995 | 978-0-19-816548-4 | Howard Ferguson | Keyboard Duets From The 16Th To The 20Th Century For One And Two Pianos: An Introduction |
| 1997 | 978-0-19-816552-1 | Norman Del Mar | Conducting Berlioz |
| 2003 | 978-0-19-816554-5 | Honey Meconi | Pierre de La Rue and Musical Life at the Habsburg-Burgundian Court |
| 2000 | 978-0-19-816556-9 | Ian Spink · I. Spink | Henry Lawes: Cavalier Songwriter (Oxford Monographs on Music) |
| 1998 | 978-0-19-816557-6 | Norman Del Mar | Conducting Elgar |
| 1999 | 978-0-19-816558-3 | '' | Conducting Favourite Concert Pieces |
| 2005 | 978-0-19-816559-0 | '' | Conducting Berlioz |
| 1999 | 978-0-19-816562-0 | Peter Allsop | Arcangelo Corelli: `New Orpheus of Our Times' (Oxford Monographs on Music) |
| 1998 | 978-0-19-816563-7 | Peter Williams | The Chromatic Fourth: During Four Centuries of Music (Oxford Monographs on Music) |
| 1996 | 978-0-19-816564-4 | Sandra McColl | Music Criticism in Vienna 1896-1897: Critically Moving Forms (Oxford Monographs on Music) |
| '' | 978-0-19-816566-8 | Jeremy Tambling | Opera and the Culture of Fascism |
| 1997 | 978-0-19-816567-5 | Roland John Wiley | The Life and Ballets of Lev Ivanov: Choreographer of The Nutcracker and Swan Lake |
| '' | 978-0-19-816568-2 | Pedro De Alcantara | Indirect Procedures: Musician's Guide to the Alexander Technique |
| 1994 | 978-0-19-816569-9 | Pedro De Alcantara | Indirect Procedures: A Musician's Guide to the Alexander Technique (Clarendon Paperbacks) |
| 1995 | 978-0-19-816572-9 | David Hiley | Western Plainchant: A Handbook (Clarendon Paperbacks) |
| 1995 | 978-0-19-816573-6 | F. W. Sternfeld | The Birth of Opera (Clarendon Paperbacks) |
| '' | 978-0-19-816574-3 | Guglielmo Ebreo of Pesaro | De Pratica Seu Arte Tripudii: "On the Practice or Art of Dancing" (Clarendon Paperbacks) |
| '' | 978-0-19-816575-0 | John Solum | The Early Flute: With a Chapter on the Renaissance Flute by Anne Smith (Early Music Series) |
| 2000 | 978-0-19-816576-7 | Paul Badura-Skoda | Interpreting Bach at the Keyboard (Clarendon Paperbacks) |
| 1995 | 978-0-19-816578-1 | Paul Griffiths | Modern Music and After: Directions Since 1945 (Clarendon Paperbacks) |
| 1998 | 978-0-19-816579-8 | Margaret Bent · Andrew Wathey | Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque Nationale MS Français 146: Allegory, Chronicle, Music and Image in Paris, Bibliotheque Nationale MS Francais 146 |
| 1996 | 978-0-19-816580-4 | Allan W. Atlas | The Wheatstone English Concertina in Victorian England |
| 1998 | 978-0-19-816581-1 | Michael Kennedy | Richard Strauss (Master Musician S.) |
| 1997 | 978-0-19-816582-8 | Peter Clive | Schubert and his World: A Biographical Dictionary |
| 1996 | 978-0-19-816584-2 | Michael Kennedy | A Catalogue of the Works of Ralph Vaughan Williams |
| 1999 | 978-0-19-816586-6 | Graham Parlett | A Catalogue of the Works of Sir Arnold Bax |
| 2002 | 978-0-19-816587-3 | David Brown | Musorgsky (Master Musician Series) |
| 1996 | 978-0-19-816590-3 | Peter Evans | The Music of Benjamin Britten (Clarendon Paperbacks) |
| 1997 | 978-0-19-816591-0 | Fiona M. Palmer | Domenico Dragonetti in England (1794-1846): The Career of a Double Bass Virtuoso |
| 1996 | 978-0-19-816592-7 | Peter Holman | Four and Twenty Fiddlers: The Violin at the English Court, 1540-1690 (Oxford Monographs on Music) |
| '' | 978-0-19-816593-4 | Ralph Vaughan Williams | National Music and Other Essays (Clarendon Paperbacks) |
| 1999 | 978-0-19-816595-8 | Bennett Zon | The English Plainchant Revival (Oxford Studies in British Church Music) |
| 1996 | 978-0-19-816596-5 | Alexander Poznansky | Tchaikovsky's Last Days: A Documentary Study |
| 1997 | 978-0-19-816597-2 | Felix and Cécile Mendelssohn | The Mendelssohns on Honeymoon: The 1837 Diary of Felix and Cécile Mendelssohn Bartholdy, Together with Letters to their Families: 1837 Diary of Felix ... Together with Letters to Their Families |
| 2000 | 978-0-19-816598-9 | Barry Cooper | Beethoven (Master Musician) |
| '' | 978-0-19-816599-6 | John S. Powell | Music and Theatre in France 1600-1680 |
| 1996 | 978-0-19-816600-9 | Mary Jane Phillips-Matz | Verdi: A Biography |
| 1996 | 978-0-19-816602-3 | Bryan Gilliam | Richard Strauss's Elektra (Studies in Musical Genesis, Structure & Interpretation) |
| '' | 978-0-19-816603-0 | Warren Darcy | Wagner's Das Rheingold (Studies in Musical Genesis and Structure) (Studies in Musical Genesis, Structure & Interpretation) |
| '' | 978-0-19-816604-7 | Jane J. Baldauf-Berdes | Women Musicians Of Venice: Musical Foundations, 1525-1855 (Oxford Monographs on Music) |
| '' | 978-0-19-816605-4 | Robert Barclay | The Art of the Trumpet-Maker: The Materials, Tools, and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg (Oxford Early Music Series) |
| '' | 978-0-19-816606-1 | Barry Smith | Peter Warlock: The Life of Philip Heseltine (Clarendon Paperbacks) |
| 1996 | 978-0-19-816607-8 | William Weber | The Rise of Musical Classics in Eighteenth-century England: A Study in Canon, Ritual and Ideology (Clarendon Paperbacks) |
| '' | 978-0-19-816608-5 | John Borwick | Sound Recording Practice |
| 2004 | 978-0-19-816610-8 | Jean-Jacques Nattiez | The Battle of Chronos and Orpheus: Essays in Applied Musical Semiology |
| 1997 | 978-0-19-816611-5 | Richard Middleton | Reading Pop: Approaches to Textual Analysis in Popular Music |
| 2000 | 978-0-19-816612-2 | Richard Middleton | Reading Pop: Approaches to Textual Analysis in Popular Music |
| 1997 | 978-0-19-816613-9 | John Walter Hill | Roman Monody, Cantata and Opera from the Circles Around Cardinal Montalto: Volumes 1 (Text) and 2 (Music) (Oxford Monographs on Music): Text v. 1 |
| 1998 | 978-0-19-816614-6 | Lydia Goehr | The Quest for Voice: Music, Politics and the Limits of Philosophy (The Ernest Bloch letures) |
| '' | 978-0-19-816615-3 | Mavis Bayton | Frock Rock: Women Performing Popular Music |
| 1996 | 978-0-19-816616-0 | Paul Hillier | Arvo Part (Oxford Studies of Composers) |
| '' | 978-0-19-816617-7 | Derek Watson | Bruckner (Master Musician S.) |
| '' | 978-0-19-816618-4 | '' | Bruckner (Master Musicians Series) |