| year of publication | ISBN | author(s) | title |
|---|
| 1998 | 978-0-19-816619-1 | Timothy J. McGee | Sound of Medieval Song: Ornamentation and Vocal Style According to the Treatises (Oxford Monographs on Music) |
| 2000 | 978-0-19-816622-1 | Janice B. Stockigt | Jan Dismas Zelenka (1679-1745): A Bohemian Musician at the Court of Dresden (Oxford Monographs on Music) |
| 1997 | 978-0-19-816623-8 | James Beament | The Violin Explained: Components, Mechanism and Sound |
| 1999 | 978-0-19-816625-2 | Martha Novak Clinkscale | Makers of the Piano, Volume 2: 1820-1860: 1820-1860 Vol 2 |
| 1998 | 978-0-19-816631-3 | James Day | Vaughan Williams (Master Musician S.) |
| '' | 978-0-19-816632-0 | James Day | Vaughan Williams (Master Musician S.) |
| '' | 978-0-19-816634-4 | Michael Cole | The Pianoforte in the Classical Era |
| 2001 | 978-0-19-816635-1 | Victor Crowther | The Oratorio in Bologna 1650-1730 (Oxford Monographs on Music) |
| '' | 978-0-19-816636-8 | Peter Fletcher | World Musics in Context: A Comprehensive Survey of the World's Major Musical Cultures |
| 1998 | 978-0-19-816637-5 | Richard Maunder | Keyboard Instruments in Eighteenth-Century Vienna |
| 1997 | 978-0-19-816638-2 | Roger Scruton | The Aesthetics of Music |
| '' | 978-0-19-816640-5 | Basil Smallman | The Piano Quartet and Quintet: Style, Structure, and Scoring (Clarendon Paperbacks) |
| 1996 | 978-0-19-816641-2 | Rodolfo Celletti | A History of Bel Canto (Clarendon Paperbacks) |
| 2000 | 978-0-19-816642-9 | Jonathan Dunsby | Performing Music: Shared Concerns (Clarendon Paperbacks) |
| 2001 | 978-0-19-816646-7 | Bruce Haynes | The Eloquent Oboe: A History of the Hautboy from 1640 to 1760 (Early Music Series) |
| 2005 | 978-0-19-816647-4 | P Merwe · P Van Der Merwe | Roots of the Classical: The Popular Origins of Western Music |
| 1997 | 978-0-19-816648-1 | Robin Maconie | The Science of Music |
| 1994 | 978-0-19-816649-8 | Donald Burrows | Handel (Master Musicians Series) |
| 1997 | 978-0-19-816650-4 | Rob C. Wegman | Born For The Muses: The Life and Masses of Jacob Obrecht (Oxford Monographs on Music) |
| 1990 | 978-0-19-816651-1 | Jehoash Hirshberg | Music In The Jewish Community Of Palestine 1880-1948: A Social History (Clarendon Paperbacks) |
| 1999 | 978-0-19-816652-8 | John Bird | Percy Grainger |
| 2003 | 978-0-19-816653-5 | John Michael Cooper · Michael Cooper | Mendelssohn's Italian' Symphony (Studies in Musical Genesis, Structure & Interpretation) |
| 2002 | 978-0-19-816654-2 | Donald Burrows · Rosemary Dunhill | Music and Theatre in Handel's World: The Papers of James Harris 1732-1780 |
| 1998 | 978-0-19-816655-9 | Brian Harvey · Carla J. Shapreau | Violin Fraud: Deception, Forgery, Theft, and Lawsuits in England and America: Deception, Forgery and Law Suits in England and America |
| 1997 | 978-0-19-816656-6 | Kevin Bazzana | Glenn Gould: The Performer in the Work: A Study in Performance Practice |
| 1999 | 978-0-19-816657-3 | Michael Kilgarriff | Sing Us One of the Old Songs: A Guide to Popular Song, 1860-1920 |
| 2001 | 978-0-19-816660-3 | Zbigniew Skowron | Lutoslawski Studies |
| 2000 | 978-0-19-816662-7 | Robert Toft | Heart to Heart: Expressive Singing in England 1780-1830 (Early Music Series) |
| 1999 | 978-0-19-816665-8 | Percy Grainger | Grainger on Music |
| 2000 | 978-0-19-816666-5 | Rosamund Bartlett | Shostakovich in Context |
| 1997 | 978-0-19-816667-2 | Richard Hudson | Stolen Time: The History of Tempo Rubato (Clarendon Paperbacks) |
| 2000 | 978-0-19-816668-9 | Andrew Kirkman · Dennis Slavin | Binchois Studies |
| 1998 | 978-0-19-816669-6 | Patrick Macey | Bonfire Songs: Savonarola's Musical Legacy (Oxford Monographs on Music) |
| 2001 | 978-0-19-816672-6 | H. P. Clive · Peter Clive | Beethoven and His World: A Biographical Dictionary |
| 1998 | 978-0-19-816673-3 | Dorothea Link | The National Court Theatre in Mozart's Vienna: Sources and Documents 1783-1792: Sources and Documents, 1783-92 |
| 2000 | 978-0-19-816674-0 | Basil Smallman | Schütz (Master Musicians) |
| 1997 | 978-0-19-816679-5 | Christopher Page | Discarding Images: Reflections on Music and Culture in Medieval France (Clarendon Paperbacks) |
| 1998 | 978-0-19-816681-8 | Elizabeth Norman Mckay | Franz Schubert: A Biography (Clarendon Paperbacks) |
| 1998 | 978-0-19-816682-5 | David P. Schroeder | Haydn and the Enlightenment: The Late Symphonies and Their Audience (Oxford Monographs on Music) (Clarendon Paperbacks) |
| 2000 | 978-0-19-816683-2 | Arnold Whittall | Musical Composition In The Twentieth Century |
| 2002 | 978-0-19-816684-9 | Arnold Whittall | Musical Composition in the Twentieth Century |
| 2001 | 978-0-19-816686-3 | Martin Clayton | Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance (Oxford Monographs on Music) |
| 1999 | 978-0-19-816688-7 | Franz Liszt | Franz Liszt: Selected Letters |
| 2003 | 978-0-19-816689-4 | Anne MacNeil | Music and Women of the Commedia Dell'arte in the Late Sixteenth Century |
| 2001 | 978-0-19-816690-0 | Julian Rushton | The Music of Berlioz |
| 1999 | 978-0-19-816693-1 | John McCabe | Alan Rawsthorne: Portrait of a Composer |
| 2001 | 978-0-19-816695-5 | Michael Talbot | The Finale in Western Instrumental Music (Oxford Monographs on Music) |
| 2002 | 978-0-19-816696-2 | Lydia Goehr | The Quest For Voice: On Music, Politics, and the Limits of Philosophy The 1997 Ernest Bloch Lectures |
| 2001 | 978-0-19-816697-9 | Roger Parker · Mary Ann Smart | Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 |
| 2000 | 978-0-19-816698-6 | Trevor Herbert | The British Brass Band: A Musical and Social History |
| 2001 | 978-0-19-816700-6 | Rebecca Herissone | Music Theory in Seventeenth-Century England (Oxford Monographs on Music) |
| 1998 | 978-0-19-816702-0 | Jeremy Dibble | C. Hubert H. Parry: His Life and Music |
| '' | 978-0-19-816703-7 | Jim Samson | Chopin (Master Musician S.) |
| '' | 978-0-19-816704-4 | Julie Anne Sadie | Companion to Baroque Music |
| '' | 978-0-19-816705-1 | Michael Kennedy | Portrait of Walton (Clarendon Paperbacks) |
| 2000 | 978-0-19-816706-8 | Frederick Delius · Peter Warlock | Frederick Delius and Peter Warlock: A Friendship Revealed |
| 2005 | 978-0-19-816707-5 | Alfred Dürr | The Cantatas of J. S. Bach |
| 1999 | 978-0-19-816708-2 | Arthur Hutchings | A Companion to Mozart's Piano Concertos (Clarendon Paperbacks) |
| 2001 | 978-0-19-816710-5 | Ian Bradley | The Complete Annotated Gilbert and Sullivan |
| 2003 | 978-0-19-816711-2 | David Schiller | Bloch, Schoenberg, and Bernstein: Assimilating Jewish Music |
| 1999 | 978-0-19-816712-9 | John Caldwell | Oxford History of English Music |
| 2002 | 978-0-19-816713-6 | James Tyler · Paul Sparks | The Guitar and Its Music: From the Renaissance to the Classical Era (Early Music Series) |
| 2003 | 978-0-19-816714-3 | Paul Kildea | Britten on Music |
| 2002 | 978-0-19-816715-0 | Paul Kildea | Selling Britten: Music and the Market Place |
| 2001 | 978-0-19-816716-7 | Judith Milhous · Gabriella Dideriksen · Robert D. Hume | Italian Opera in Late Eighteenth-Century London: Volume 2: The Pantheon Opera and its Aftermath 1789-1795: The Pantheon Opera and Its Aftermath, 1789-1795 Vol 2 |
| '' | 978-0-19-816717-4 | Gerry Farrell | Indian Music and the West (Clarendon Paperbacks) |
| 1999 | 978-0-19-816718-1 | Stephen Jones | Folk Music of China: Living Instrumental Traditions, 1930-90 (Clarendon Paperbacks) |
| 2002 | 978-0-19-816723-5 | John Michael Cooper · Julie D. Prandi | The Mendelssohns: Their Music in History |
| 2005 | 978-0-19-816725-9 | John Stevens | The Later Cambridge Songs: An English Song Collection of the Twelfth Century |
| 1999 | 978-0-19-816727-3 | Roger Scruton | The Aesthetics of Music |
| 2001 | 978-0-19-816729-7 | William Renwick | The Langloz Manuscript: Fugal Improvisation through Figured Bass (Early Music Series) |
| 2000 | 978-0-19-816730-3 | Christina Bashford · Leanne Langley | Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich |
| 2000 | 978-0-19-816734-1 | International Musicological Society | Musicology and Sister Disciplines: Past, Present, Future: Proceedings of the 16th International Congress of the International Musicological Society, L |
| 2001 | 978-0-19-816735-8 | Alison Latham · Roger Parker | Verdi in Performance |
| '' | 978-0-19-816737-2 | Nicholas Cook | Analysing Musical Multimedia |
| 1998 | 978-0-19-816739-6 | James Beament | The Violin Explained: Components, Mechanism, and Sound |
| 1955 | 978-0-19-817101-0 | Mildred Archer · W. G. Archer | Indian Painting for the British, 1770-1880 |
| 1956 | 978-0-19-817106-5 | Anthony Blunt | Artistic Theory in Italy, 1450-1600 |
| 1936 | 978-0-19-817109-6 | Alfred Clapham | Romanesque Architecture in Western Europe |
| 1933 | 978-0-19-817120-1 | L.A. Mayer | Saracenic Heraldry |
| 1954 | 978-0-19-817128-7 | Christopher Woodforde | English Stained and Painted Glass |
| 1959 | 978-0-19-817130-0 | M.Dorothy George | English Political Caricature, Vol. 1 to 1792: v. 1 |
| '' | 978-0-19-817131-7 | M.Dorothy George | English Political Caricature: v. 2 |
| 1962 | 978-0-19-817135-5 | Otto Pacht | Rise of Pictorial Narrative in 12th Century England |
| 1961 | 978-0-19-817136-2 | A.J. Finberg | Life of J.M.W.Turner, R.A. |
| 1963 | 978-0-19-817137-9 | Roy Strong | Portraits of Queen Elizabeth I |
| '' | 978-0-19-817142-3 | Alan Caiger-Smith | English Medieval Mural Paintings |
| 1964 | 978-0-19-817143-0 | J.M.C. Toynbee | Art in Britain Under the Romans |
| 1963 | 978-0-19-817145-4 | W.N.H-. Mawdsley | History of Legal Dress in Europe Until End of Eighteenth Century |
| 1965 | 978-0-19-817148-5 | A.C. Hanson | Jacopo Della Quercia's Fonte Gaia |
| '' | 978-0-19-817149-2 | L.D. Ettlinger | Sistine Chapel Before Michelangelo (Warburg Studies) |
| 1965 | 978-0-19-817150-8 | John Shearman | Andrea Del Sarto |
| 1996 | 978-0-19-817151-5 | Otto Pächt · Alexander J J G | Illuminated Manuscripts in the Bodleian Library, Oxford V 1 - German, Dutch, Flemish, French and Spanish Schools: German, Dutch, Flemish, French and Spanish Schools v. 1 |
| 1965 | 978-0-19-817152-2 | Alfred Clapham | English Romanesque Architecture |
| 1969 | 978-0-19-817154-6 | K.A.C. Creswell | Early Muslim Architecture: v.1: Vol 1 |
| 1967 | 978-0-19-817156-0 | Eric George | Life and Death of Benjamin Robert Haydon |
| 1968 | 978-0-19-817158-4 | L.F. Salzman | Building in England Down to 1540: A Documentary History (Oxford Reprints S.) |
| '' | 978-0-19-817159-1 | Marianne W. Martin | Futurist Art and Theory, 1909-15 |
| '' | 978-0-19-817160-7 | John Carswell | New Julfa: Armenian Churches and Other Buildings |
| 1969 | 978-0-19-817161-4 | Joan Evans | Art in Mediaeval France, 987-1498 (Oxford Reprints) |
| 1968 | 978-0-19-817163-8 | Giles Robertson | Giovanni Bellini |
| 1998 | 978-0-19-817164-5 | G. L. Remnant | A Catalogue of Misericords in Great Britain |
| 1969 | 978-0-19-817165-2 | Edgar Wind | Giorgione's Tempesta with Comments on Giorgione's Poetic Allegories |
| 1971 | 978-0-19-817166-9 | Alastair Smart | Assisi Problem and the Art of Giotto: A Study of the Legend of St.Francis in the Upper Church of San Francesco, Assisi |
| 1969 | 978-0-19-817167-6 | Walter Muir Whitehill | Spanish Romanesque Architecture of the Eleventh Century (Oxford Reprints) |
| '' | 978-0-19-817168-3 | Ernst H. Gombrich | In Search of Cultural History (P.M.Deneke Lectures) |
| 1970 | 978-0-19-817169-0 | Otto Pacht · J.J.G. Alexander | Illuminated Manuscripts in the Bodleian Library: Italian Schools v. 2 |
| 1969 | 978-0-19-817170-6 | Paul Jacobsthal | Early Celtic Art (Oxford Reprints S.) |
| 1970 | 978-0-19-817171-3 | Anthony Emery | Dartington Hall |
| '' | 978-0-19-817172-0 | Fritz Saxl · Rudolf Wittkower | British Art and the Mediterranean (Oxford Reprints) |
| 1970 | 978-0-19-817173-7 | J.J.G. Alexander | Norman Illuminations at Mont St. Michel, 966-1100 |
| 1971 | 978-0-19-817174-4 | Virginia Surtees | Paintings and Drawings of Dante Gabriel Rossetti: A Catalogue Raisonne |
| 1972 | 978-0-19-817175-1 | Pier Francesco Mola | Paintings (Studies in History of Art & Architecture) |
| '' | 978-0-19-817176-8 | John Carswell | Kutahya Tiles and Pottery from the Armenian Cathedral of St.James, Jerusalem |
| 1970 | 978-0-19-817177-5 | Kenneth Woodbridge | Landscape and Antiquity: Aspects of English Culture at Stourhead, 1718-1838 |
| 1971 | 978-0-19-817178-2 | Michael Baxandall | Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition, 1350-1450 (Warburg Studies) |
| 1972 | 978-0-19-817179-9 | K.B. McFarlane | Hans Memling |
| '' | 978-0-19-817180-5 | Joan E.Barclay Lloyd | African Animals in Renaissance Literature and Art (Studies in History of Art & Architecture) |
| 1971 | 978-0-19-817182-9 | Philip Wilson Steer | Paintings (Studies in History of Art & Architecture) |
| '' | 978-0-19-817183-6 | Mark Girouard | The Victorian Country House |
| 1973 | 978-0-19-817185-0 | Otto Pacht · J.J.G. Alexander | Illuminated Manuscripts in the Bodleian Library: British, Irish and Icelandic Schools v. 3 |
| 1972 | 978-0-19-817186-7 | Benedict Nicolson | Treasures of the Foundling Hospital: With a Catalogue Raisonne Based on a Draft Catalogue by John Kerslake (Studies in History of Art & Architecture) |
| 1975 | 978-0-19-817187-4 | Francis Haskell · Anthony Levi · Robert Shackleton | The Artist and Writer in France: Essays in Honour of Jean Seznec |
| '' | 978-0-19-817188-1 | Charles Baudelaire | Salon de 1846 |
| 1973 | 978-0-19-817190-4 | Derek Linstrum | Sir Jeffry Wyatville: Architect to the King (Studies in History of Art & Architecture) |
| 1973 | 978-0-19-817191-1 | Philip John Crosskey Dark | Introduction to Benin Art and Technology |
| 1972 | 978-0-19-817192-8 | Alan Borg | Architectural Sculpture in Romanesque Provence (Studies in History of Art & Architecture) |
| 1973 | 978-0-19-817194-2 | Edward Joseph Pyke | A Biographical Dictionary of Wax Modellers |
| 1974 | 978-0-19-817196-6 | Ellen Callman | Apollonio Di Giovanni (Studies in History of Art & Architecture) |
| 1980 | 978-0-19-817197-3 | Virginia Spate | Orphism: The Evolution of Non-figurative Painting in Paris, 1910-14 (Studies in History of Art & Architecture) |
| 1977 | 978-0-19-817199-7 | G E Aylmer · Reginald Cant | A History of York Minster |
| 1952 | 978-0-19-817201-7 | David Talbot Rice | Oxford History of English Art: 871-1100 v. 2 |
| 1953 | 978-0-19-817202-4 | T.S.R. Boase | Oxford History of English Art: 1100-1216 v. 3 |
| 1957 | 978-0-19-817203-1 | P. Brieger | Oxford History of English Art: 1216-1307 v. 4 |
| '' | 978-0-19-817205-5 | Margaret Whinney · Oliver Millar | Oxford History of English Art: 1625-1714 v. 8 |
| 1962 | 978-0-19-817207-9 | E.Barbour Mercer | Oxford History of English Art: 1553-1625 v. 7 |
| 1979 | 978-0-19-817208-6 | Dennis Farr | Oxford History of English Art: 1870-1940 v.11: 1870-1940 Vol 11 |
| 1976 | 978-0-19-817209-3 | Joseph Burke | Oxford History of English Art: 1714-1800 v. 9 |
| 1990 | 978-0-19-817212-3 | J.G.P. Delaney | Charles Ricketts: A Biography |
| 1991 | 978-0-19-817214-7 | Henri de Toulouse-Lautrec | The Letters |
| 1995 | 978-0-19-817221-5 | Alex Seago | Burning the Box of Beautiful Things: Development of a Postmodern Sensibility |
| 1993 | 978-0-19-817222-2 | Edgar Wind | Eloquence of Symbols: Studies in Humanist Art |
| 1994 | 978-0-19-817223-9 | Eve Borsook · Fiorella Superbi Gioffredi | Italian Altarpieces, 1250-1550: Function and Design |
| 2001 | 978-0-19-817224-6 | Richard Edgcumbe | The Art of the Gold Chaser in Eighteenth-century London |
| 1980 | 978-0-19-817301-4 | Eve Borsook | The Mural Painters of Tuscany: From Cimabue to Andrea Del Sarto (Oxford Studies in the History of Art & Architecture) |
| '' | 978-0-19-817303-8 | J.M.W. Turner | Collected Correspondence of J.M.W. Turner: With an Early Diary and a Memoir by George Jones |
| 1972 | 978-0-19-817305-2 | Paul H Walton | The Drawings of John Ruskin (Studies in History of Art & Architecture) |
| 1973 | 978-0-19-817307-6 | Allen Staley | The Pre-Raphaelite Landscape (Studies in History of Art & Architecture) |
| 1981 | 978-0-19-817308-3 | Michael Hirst | Sebastiano del Piombo (Studies in History of Art & Architecture) |
| 1974 | 978-0-19-817309-0 | Samuel Palmer | The Letters of Samuel Palmer: Volume 1: 1814-1859. Volume 2: 1860-1881 |
| 1980 | 978-0-19-817311-3 | Rose-Carol Washton Long | Kandinsky: The Development of an Abstract Style (Oxford Studies in the History of Art and Architecture) |
| '' | 978-0-19-817312-0 | W. Blake | William Blake's Designs for Edward Young's "Night Thoughts" |
| '' | 978-0-19-817313-7 | George Knox | Giambattista and Domenico Tiepolo: A Study and Catalogue Raisonne of the Chalk Drawings. Volume 1 Text |
| 1981 | 978-0-19-817314-4 | Lee Johnson | The Paintings of Eugene Delacroix: v. 1 & 2: A Critical Catalogue, 1816-31 |
| 1972 | 978-0-19-817315-1 | Nikolaus Pevsner | Some Architectural Writers of the Nineteenth Century |
| 1979 | 978-0-19-817316-8 | Johannes Wilde | Michelangelo: Six Lectures (Studies in History of Art & Architecture) |
| 2000 | 978-0-19-817318-2 | E. M. Jope | Early Celtic Art in the British Isles |
| 1974 | 978-0-19-817322-9 | J. C. Harle | Gupta Sculpture: Indian Sculpture of the Fourth to the Sixth Centuries, A.D. |
| 1976 | 978-0-19-817323-6 | James Byam Shaw | Drawings by Old Masters at Christ Church, Oxford, Volume 1. Catalogue |
| 1977 | 978-0-19-817324-3 | W.G. Constable | Canaletto: Giovanni Antonio Canale, 1697-1768 |
| 1981 | 978-0-19-817325-0 | H. M. Colvin · Roger North | Of Building: Roger North's Writings on Architecture |
| 1975 | 978-0-19-817327-4 | Johannes Wilde | Venetian Art: From Bellini to Titian (Studies in History of Art & Architecture) |
| 1974 | 978-0-19-817328-1 | Trevor Fawcett | Rise of English Provincial Art: Artist, Patrons and Institutions Outside London 1800-30 (Studies in History of Art & Architecture) |
| 1974 | 978-0-19-817329-8 | Helen Mary Petter | The Oxford Almanacks: Catalogue |
| 1977 | 978-0-19-817330-4 | Mark Girouard | Sweetness and Light: "Queen Anne" Movement, 1860-1900 |
| 1975 | 978-0-19-817331-1 | Johannes Wilde | Venetian Art: From Bellini to Titian (Studies in History of Art & Architecture) |
| 1980 | 978-0-19-817332-8 | Francis L. Richardson | Andrea Schiavone (Studies in History of Art & Architecture) |
| 1977 | 978-0-19-817333-5 | Theodore Reff | Notebooks of Edgar Degas: Catalogue of the Thirty-eight Notebooks in the Bibliotheque Nationale and Other Collections |
| 1975 | 978-0-19-817334-2 | William Feaver | The Art of John Martin |
| 1974 | 978-0-19-817335-9 | Helen Mary Petter | The Oxford Almanacks: Catalogue |
| '' | 978-0-19-817337-3 | Duncan Thomson | Life and Art of George Jamesone (Studies in History of Art & Architecture) |
| 1978 | 978-0-19-817338-0 | Morris R. Brownell | Alexander Pope and the Arts of Georgian England |
| 1977 | 978-0-19-817339-7 | Bruce Cole | Agnolo Gaddi (Studies in History of Art & Architecture) |
| 1979 | 978-0-19-817340-3 | John Martin Robinson | The Wyatts: An Architectural Dynasty |
| 1983 | 978-0-19-817341-0 | Edgar Wind | The Eloquence of Symbols: Studies in Humanist Art |
| 1977 | 978-0-19-817342-7 | Christopher Lloyd | Catalogue of the Earlier Italian Paintings in the Ashmolean Museum |
| 1982 | 978-0-19-817344-1 | Luba Eleen | Illustration of the Pauline Epistles in French and English Bibles of the Twelfth and Thirteenth Centuries |
| 1980 | 978-0-19-817345-8 | Pamela Dunbar | William Blake's Illustrations to the Poetry of Milton |
| 1978 | 978-0-19-817346-5 | Johannes Wilde | Michelangelo: Six Lectures (Studies in History of Art & Architecture) |
| 1980 | 978-0-19-817347-2 | Hugh Macandrew | Catalogue of the Collection of Drawings in the Ashmolean Museum: Italian Schools - Suppt v. 3 |
| '' | 978-0-19-817348-9 | Andrew Causey | Paul Nash |
| 1977 | 978-0-19-817350-2 | David Watkin | Morality and Architecture: The Development of a Theme in Architectural History and Theory from the Gothic Revival to the Modern Movement |
| 1980 | 978-0-19-817351-9 | Michael Sullivan | Symbols of Eternity: Art of Landscape Painting in China |
| 1979 | 978-0-19-817352-6 | Marcia B. Hall | Renovation and Counter-Reformation: Vasari and Duke Cosimo in Sta Maria Novella and Sta Croce, 1565-77 (Oxford-Warburg Studies) |
| '' | 978-0-19-817354-0 | Denis Diderot | Salons: 1765 v.2: 1765 Vol 2 |
| 1983 | 978-0-19-817356-4 | J.Douglas Stewart | Sir Godfrey Kneller and the English Baroque Portrait (Studies in History of Art & Architecture) |
| 1980 | 978-0-19-817357-1 | Richard R. Brettell · Christopher Lloyd | A Catalogue of Drawings by Camille Pissarro in the Ashmolean Museum, Oxford |
| 1979 | 978-0-19-817358-8 | Marcia Pointon | William Dyce, 1806-64: A Critical Biography (Studies in History of Art & Architecture) |
| '' | 978-0-19-817359-5 | Harold Osborne | Abstraction and Artifice in Twentieth Century Art |
| 1979 | 978-0-19-817362-5 | John Harris · A.A. Tait | Catalogue of the Drawings by Inigo Jones, John Webb and Isaac De Caus at Worcester College, Oxford |
| 1978 | 978-0-19-817363-2 | Geoffrey Keynes | Complete Portraiture of William and Catherine Blake |
| 1984 | 978-0-19-817364-9 | Michael Wentworth | James Tissot (Oxford Studies in the History of Art & Architecture) |
| 1982 | 978-0-19-817365-6 | David Piper | The Image of the Poet: British Poets and Their Portraits |
| 1984 | 978-0-19-817366-3 | John Martin Robinson | Georgian Model Farms: A Study of Decorative and Model Farm Buildings in the Age of Improvement, 1700-1846 |
| '' | 978-0-19-817368-7 | David Pingree | A Descriptive Catalogue of the Sanskrit and other Indian Manuscripts of the Chandra Shum Shere Collection in the Bodleian Library: Part I: ... Pt.1 (Catalogue Chandra Shum Shere) |
| 1986 | 978-0-19-817371-7 | Edgar Wind | Hume and the Heroic Portrait: Studies in Eighteenth Century Imagery |
| 1983 | 978-0-19-817372-4 | Denis Diderot | Salons: 1767 v.3: 1767 Vol 3 |
| 1982 | 978-0-19-817375-5 | David Blayney Brown | Catalogue of the Collection of Drawings in the Ashmolean Museum: Earlier British Drawings Vol 4 |
| 1986 | 978-0-19-817378-6 | Lee Johnson | The Paintings of Eugène Delacroix: Volumes III and IV (1832-1863): Movable Pictures and Private Decorations: A Critical Catalogue, 1816-31: 1832-1863 ... and Private Decorations, Volumes III and IV) |
| 1989 | 978-0-19-817380-9 | '' | The Paintings of Eugene Delacroix: v.5 & 6: A Critical Catalogue, 1816-31: Vol 5 & 6 (The paintings of Eugene Delacroix: a critical catalogue) |