| year of publication | ISBN | author(s) | title |
|---|
| 1998 | 978-0-19-815925-4 | Michael Tracey | Decline and Fall of Public Service Broadcasting |
| 1996 | 978-0-19-815926-1 | Tise Vahimagi | British Television: An Illustrated Guide |
| '' | 978-0-19-815927-8 | Tise Vahimagi | British Television: An Illustrated Guide |
| 1998 | 978-0-19-815928-5 | Anthony Smith | Television: An International History |
| 1999 | 978-0-19-815929-2 | John Sinclair | Latin American Television: A Global View |
| 1998 | 978-0-19-815930-8 | John Sinclair | Latin American Television: A Global View |
| 2003 | 978-0-19-815931-5 | Sarah Kay · Terence Cave · Malcolm Bowie | A Short History of French Literature |
| 1999 | 978-0-19-815932-2 | J. A. Hiddleston · James A. Hiddleston | Baudelaire and the Art of Memory |
| 1997 | 978-0-19-815933-9 | Robert Song | Christianity and Liberal Society (Oxford Studies in Theological Ethics) |
| 2003 | 978-0-19-815934-6 | Sue Harper · Vincent Porter | British Cinema of the 1950s: The Decline of Deference |
| 2007 | 978-0-19-815935-3 | Sue Harper · Vincent Porter | British Cinema of the 1950s: The Decline of Deference |
| 1999 | 978-0-19-815936-0 | Colin Shaw | Deciding What We Watch: Taste, Decency and Media Ethics in the U.K. and the U.S.A. |
| 1998 | 978-0-19-815940-7 | Wes Williams | Pilgrimage and Narrative in the French Renaissance ' the Undiscovered Country ' |
| 1996 | 978-0-19-815942-1 | Naomi Schor | One Hundred Years of Melancholy (Zaharoff Lectures) |
| 2001 | 978-0-19-815944-5 | Clive Scott | Poetics of French Verse: Studies in Reading |
| 1998 | 978-0-19-815945-2 | J.R. Woodhouse | Gabriele D'Annunzio: Defiant Archangel |
| 1997 | 978-0-19-815948-3 | John Frow | Time And Commodity Culture: Essays on Cultural Theory and Postmodernity |
| 1999 | 978-0-19-815949-0 | Annette Kuhn | Screen Histories: A "Screen" Reader |
| 1998 | 978-0-19-815950-6 | Ben Brewster | Theatre To Cinema: Stage Pictorialism and the Early Feature Film |
| 2003 | 978-0-19-815952-0 | Toby Miller | Spyscreen: Espionage on Film and TV from the 1930s to the 1960s - Spy Screen |
| 1998 | 978-0-19-815953-7 | Mike Freeman · Elizabeth Fallaize · Jill Forbes · Toby Garfitt · Roger Pearson | The Process of Art: Studies in Nineteenth-Century French Literature, Music, and Painting in Honour of Alan Raitt: Studies in Nineteenth-century Literature and Art Offered to Alan Raitt |
| 1997 | 978-0-19-815954-4 | G. S. Smith · G. C. Stone · C. M. MacRobert | Oxford Slavonic Papers: Volume XXX (1997): New Series: Vol 30 (Oxford Slavonic Papers New Series) |
| 1998 | 978-0-19-815955-1 | Colin Davis | French Fiction in the Mitterrand Years: Memory, Narrative, Desire (Oxford Studies in Modern European Culture) |
| 2000 | 978-0-19-815957-5 | Phil Powrie | French Cinema In The 1990s: Continuity and Difference |
| 1999 | 978-0-19-815958-2 | Phil Powrie | French Cinema in the 1990s: Continuity and Difference |
| 1998 | 978-0-19-815959-9 | David Cowling | Building the Text: Architecture as Metaphor in Late Medieval and Early Modern France (Oxford Modern Languages and Literature Monographs) |
| 2002 | 978-0-19-815961-2 | Ken Hirschkop | Mikhail Bakhtin: An Aesthetic for Democracy |
| 1998 | 978-0-19-815962-9 | George Hoffmann | Montaigne's Career |
| 2001 | 978-0-19-815963-6 | Robert S. C. Gordon | Primo Levi's Ordinary Virtues: From Testimony to Ethics |
| 1999 | 978-0-19-815964-3 | Catriona Kelly | A History of Russian Women's Writing 1820-1992 |
| '' | 978-0-19-815965-0 | Chloe E. M. Paver | Narrative and Fantasy in the Post-War German Novel: A Study of Novels by Johnson, Frisch, Wolf, Becker, and Grass (Oxford Modern Languages and Literature Monographs) |
| 1998 | 978-0-19-815966-7 | C. M. MacRobert · G. S. Smith · G. C. Stone | Oxford Slavonic Papers: Volume XXXI (1998): New Series: Vol 31 |
| 2004 | 978-0-19-815967-4 | Brigid Haines · Margaret Littler | Contemporary Women's Writing in German: Changing the Subject (Oxford Studies in Modern European Culture) |
| 2000 | 978-0-19-815969-8 | Mary Orr | Flaubert: Writing the Masculine |
| 2001 | 978-0-19-815970-4 | Karen Lury | British Youth Television: Cynicism and Enchantment (Oxford Television Studies) |
| '' | 978-0-19-815971-1 | Leslie Hill | Bataille Klossowski Blanchot ' Writing at the Limit ' |
| 1998 | 978-0-19-815972-8 | Peter Dunwoodie | Writing French Algeria |
| 1990 | 978-0-19-815974-2 | Roderick Beaton | An Introduction to Modern Greek Literature |
| 1998 | 978-0-19-815976-6 | Naomi Segal | Andre Gide: Pederasty and Pedagogy |
| 2000 | 978-0-19-815977-3 | Patrick McGuinness | Maurice Maeterlinck and the Making of Modern Theatre |
| 1999 | 978-0-19-815978-0 | Charles F. Burdett | Vincenzo Cardarelli and his Contempories: Fascist Politics and Literary Culture (Oxford Modern Languages and Literature Monographs) |
| '' | 978-0-19-815979-7 | Susan Martin-Marquez | Feminist Discourse and Spanish Cinema: Sight Unseen (Oxford Hispanic Studies) |
| 2001 | 978-0-19-815980-3 | Charlotte Brunsdon | The Feminist, the Housewife, and the Soap Opera (Oxford Television Studies) |
| 2000 | 978-0-19-815981-0 | Charlotte Brunsdon | The Feminist, the Housewife, and the Soap Opera (Oxford Television Studies) |
| 2002 | 978-0-19-815982-7 | Mary Gallagher | Soundings in French Caribbean Writing 1950-2000: The Shock of Space and Time |
| 1999 | 978-0-19-815983-4 | Torben Grodal | Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition |
| 1999 | 978-0-19-815985-8 | Emer Obeirne | Reading Nathalie Sarraute: Dialogue and Distance (Oxford Modern Languages and Literature Monographs) |
| 2001 | 978-0-19-815987-2 | Catriona Kelly | Refining Russia: Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin |
| 1999 | 978-0-19-815988-9 | Richard Allen | Film Theory and Philosophy |
| 2000 | 978-0-19-815989-6 | Adrian Armstrong | Technique and Technology: Script, Print, and Poetics in France 1470-1550 (Oxford Modern Languages and Literature Monographs) |
| '' | 978-0-19-815990-2 | C. M. MacRobert · G. S. Smith · G. C. Stone | Oxford Slavonic Papers: Volume XXXII (1999): New Series: Vol 32 |
| 2001 | 978-0-19-815992-6 | Michael Eskin | Ethics and Dialogue: In the Works of Levinas, Bakhtin, Mandel'shtam, and Celan |
| 2002 | 978-0-19-815993-3 | Jo Labanyi | Constructing Identity in Twentieth-Century Spain: Theoretical Debates and Cultural Practice |
| '' | 978-0-19-815994-0 | Jo Labanyi | Constructing Identity In Contemporary Spain: Theoretical Debates and Cultural Practice |
| 2003 | 978-0-19-815996-4 | Chris Perriam | Stars and Masculinities in Spanish Cinema: From Banderas to Bardem (Oxford Studies in Modern European Culture) |
| 2000 | 978-0-19-815998-8 | A. J. Close | Cervantes and the Comic Mind of His Age |
| 2001 | 978-0-19-815999-5 | Hartley John · Alan McKee · J. Hartley | The Indigenous Public Sphere: The Reporting and Reception of Aboriginal Issues in the Australian Media: The Reporting and Reception of Indigenous Issues in the Australian Media 1994-1997 |
| 2000 | 978-0-19-816001-4 | Paul Julian Smith | The Moderns: Time, Space, and Subjectivity in Contemporary Spanish Culture (Oxford Hispanic Studies) |
| '' | 978-0-19-816002-1 | Nicola Luckhurst | Science and Structure in Proust's a la Recherche Du Temps Perdu (Oxford Modern Languages and Literature Monographs) |
| '' | 978-0-19-816003-8 | Robert Vilain | The Poetry of Hugo Von Hofmannsthal and French Symbolism (Oxford Modern Languages and Literature Monographs) |
| 2000 | 978-0-19-816004-5 | Ingrid Wassenaar | Proustian Passions: The Uses of Self-Justification for a la Recherche Du Temps Perdu |
| '' | 978-0-19-816005-2 | Diana De Armas Wilson | Cervantes, the Noval, and the New World (Oxford Hispanic Studies) |
| '' | 978-0-19-816006-9 | G. S. Smith | D. S. Mirsky: A Russian-English Life, 1890-1939 |
| '' | 978-0-19-816007-6 | Michael Hawcroft | Rhetoric: Readings in French Literature |
| '' | 978-0-19-816008-3 | Margaret Topping | Proust's Gods: Christian and Mythological Figures of Speech in the Works of Marcel Proust (Oxford Modern Languages and Literature Monographs) |
| 2000 | 978-0-19-816009-0 | Jo Labanyi | Gender and Modernization in the Spanish Realist Novel (Oxford Hispanic Studies) |
| 2001 | 978-0-19-816011-3 | Rachel Edwards | The Papin Sisters (Oxford Studies in Modern European Culture) |
| 2000 | 978-0-19-816012-0 | Edward Nye | Literary and Linguistic Theories in Eighteenth-Century France: From Nuances to Impertinence: From Nuances to Impertinences (Oxford Modern Languages and Literature Monographs) |
| '' | 978-0-19-816013-7 | Martin Crowley | Duras, Writing, and the Ethical: Making the Broken Whole (Oxford Modern Languages and Literature Monographs) |
| '' | 978-0-19-816014-4 | Charles Forsdick | Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures |
| 2001 | 978-0-19-816015-1 | Jane E. Everson · J. E. Everson | The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the World of Rome |
| 2000 | 978-0-19-816016-8 | G. S. Smith · James Naughton · C. M. Macrobert | Oxford Slavonic Papers: Volume XXXIII (2000): New Series: Vol 2000 |
| 2001 | 978-0-19-816017-5 | Sebastian Coxon | The Presentation of Authorship in Medieval German Narrative Literature 1220-1290 (Oxford Modern Languages and Literature Monographs) |
| 2000 | 978-0-19-816018-2 | Jeannie Suk | Postcolonial Paradoxes in French Caribbean Writing: Cesaire, Glissant, Conde |
| 1922 | 978-0-19-816109-7 | R. O. Morris | Contrapuntal Technique in the Sixteenth Century |
| 1961 | 978-0-19-816111-0 | Egon Wellesz | A History of Byzantine Music and Hymnography (Oxford University Press academic monograph reprints) |
| 1966 | 978-0-19-816113-4 | A.H.Fox Strangeways | Music of Hindustan |
| 1969 | 978-0-19-816116-5 | Simon Towneley Worthorne | Venetian Opera in the Sixteenth Century |
| 1971 | 978-0-19-816119-6 | Rosamond McGuiness | English Court Odes, 1660-1820 (Monographs on Music) |
| 1973 | 978-0-19-816121-9 | Antonio Valente | Intavolatura de Cimbalo |
| 1980 | 978-0-19-816122-6 | Pippa Drummond | The German Concerto: Five Eighteenth Century Studies (Monographs on Music) |
| 1974 | 978-0-19-816123-3 | Donald H. Boalch | Makers of the Harpsichord and Clavichord, 1440-1840 |
| 1972 | 978-0-19-816124-0 | Michael F. Robinson | Naples and Neapolitan Opera (Monographs on Music) |
| 1978 | 978-0-19-816128-8 | M.De Fuenllana | Orphenica Lyra |
| 1991 | 978-0-19-816129-5 | Taylor Caldwell · John Caldwell | The Oxford History of English Music: Volume 1: From the Beginnings to C.1715: From the Beginnings to C.1715 Vol 1 |
| 1993 | 978-0-19-816130-1 | F. W. Sternfeld | The Birth of Opera |
| 1978 | 978-0-19-816131-8 | John Deathridge | Wagner's Rienzi: A Reappraisal Based on a Study of the Sketches and Drafts (Monographs on Music) |
| 1979 | 978-0-19-816132-5 | Isabel Pope · Masakata Kanazawa | The Musical Manuscript Montecassino, 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century |
| 1987 | 978-0-19-816134-9 | Mary Remnant | English Bowed Instruments from Anglo Saxon to Tudor Times (Monographs on Music) |
| 1990 | 978-0-19-816135-6 | Walter H. Kemp | Burgundian Court Song in the Time of Binchois: The Anonymous Chansons of El Escorial, MS V.III.24 (Monographs on Music) |
| 1984 | 978-0-19-816136-3 | Elias Nicolaus Ammerbach | Orgel oder Instrument Tabulaturbuch |
| 1992 | 978-0-19-816137-0 | Frank Dobbins | Music in Renaissance Lyons (Oxford Monographs on Music) |
| 1985 | 978-0-19-816139-4 | Kevin Coates | Geometry, Proportion and the Art of Lutherie |
| 2001 | 978-0-19-816141-7 | Peter Walls | Music in the English Courtly Masque 1604-1640 (Oxford Monographs on Music) |
| 1985 | 978-0-19-816142-4 | John Caldwell | Editing Early Music (Early Music Series) |
| '' | 978-0-19-816143-1 | '' | Editing Early Music (Early Music Series) |
| 1991 | 978-0-19-816147-9 | Willem Elders | Composers of the Low Countries |
| 1995 | 978-0-19-816149-3 | Ian Spink | Restoration Cathedral Music, 1660-1714 (Oxford Studies in British Church Music) |
| 1990 | 978-0-19-816150-9 | Adrian Williams | Portrait of Liszt: By Himself and His Contemporaries |
| 1988 | 978-0-19-816152-3 | Nicholas, CBE Kenyon | Authenticity and Early Music |
| '' | 978-0-19-816153-0 | Nicholas Kenyon | Authenticity and Early Music: A Symposium |
| 1991 | 978-0-19-816156-1 | Francoise Giroud | Alma Mahler: Or the Art of Being Loved |
| 1993 | 978-0-19-816157-8 | Christopher Fifield | True Artist and True Friend: Biography of Hans Richter |
| 1993 | 978-0-19-816158-5 | Nigel Gotteri | 'To My Best Friend': Correspondence between Tchaikovsky and Nadezhda von Meck, 1876-1878: Correspondence Between Tchaikovsky and Nadezhda Von Meck, 1876-78 |
| 1992 | 978-0-19-816160-8 | John Williamson | The Music of Hans Pfitzner (Oxford Monographs on Music) |
| 1989 | 978-0-19-816164-6 | Richard Osborne | Conversations with Karajan |
| 2001 | 978-0-19-816166-0 | Curtis Price · Judith Milhous · Robert D. Hume | Italian Opera in Late Eighteenth-Century London: The King's Theatre, Haymarket 1778-1791: The King's Theatre, Haymarket, 1778-1791 Vol 1 |
| 1993 | 978-0-19-816167-7 | Claude V. Palisca | Studies in the History of Italian Music and Music Theory |
| 1991 | 978-0-19-816168-4 | Robin Leaver | Goostly Psalmes and Spirituall Songes: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535-66 (Oxford Studies in British Church Music) |
| 1990 | 978-0-19-816171-4 | Cyril Ehrlich | The Piano: A History (Clarendon Paperbacks) |
| 1996 | 978-0-19-816174-5 | Jane W. Stedman | W. S. Gilbert: A Classic Victorian and his Theatre |
| 1991 | 978-0-19-816175-2 | Watkins Shaw | The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from c.1538 (Oxford Studies in British Church Music) |
| 1992 | 978-0-19-816176-9 | Blake Wilson | Music and Merchants - The Laudesi Companies of Republican Florence |
| 1991 | 978-0-19-816178-3 | Sara Cohen | Rock Culture in Liverpool: Popular Music in the Making |
| 1990 | 978-0-19-816180-6 | Deryck Cooke | The Language of Music (Clarendon Paperbacks) |
| 1989 | 978-0-19-816181-3 | Cyril Ehrlich | The Piano: A History (Clarendon Paperbacks) |
| 2007 | 978-0-19-816182-0 | Herman Scherchen | Handbook of Conducting |
| 1990 | 978-0-19-816183-7 | David D. Boyden | The History of Violin Playing from its Origins to 1761: And its Relationship to the Violin and Violin Music (Clarendon Paperbacks) |
| '' | 978-0-19-816184-4 | Winton Dean | Handel's Dramatic Oratorios and Masques (Clarendon Paperbacks) |
| 1991 | 978-0-19-816185-1 | Theodore Karp | The Polyphony of St. Martial and Santiago de Compostela |
| 1989 | 978-0-19-816186-8 | Andrew Thomson BSc MB ChB | The Life and Times of Charles-Marie Widor, 1844-1937 |
| '' | 978-0-19-816187-5 | Ken C. Pohlmann | The Compact Disc: A Handbook of Theory and Use |
| 1992 | 978-0-19-816188-2 | Albert R. Rice | The Baroque Clarinet (Early Music Series) |
| 1991 | 978-0-19-816189-9 | Martha Frohlich | Beethoven's "Appassionata" Sonata (Studies in Musical Genesis & Structure S.) |
| '' | 978-0-19-816190-5 | Elizabeth Magee | Richard Wagner and the Nibelungs |
| 1992 | 978-0-19-816191-2 | Professor Cliff Eisen | Mozart Studies |
| 1991 | 978-0-19-816192-9 | William Glock | Notes in Advance: An Autobiography in Music |
| '' | 978-0-19-816193-6 | Norton York · Tim Rice | The Rock File: Making it in the Music Business |
| 1991 | 978-0-19-816194-3 | Nancy Perloff | Art and the Everyday: Popular Entertainment and the Circle of Erik Satie |
| 1990 | 978-0-19-816195-0 | David Dalton | Playing The Viola: Conversations with William Primrose |
| '' | 978-0-19-816196-7 | Frits Noske | Sweelinck (Oxford Studies of Composers) |
| 1991 | 978-0-19-816197-4 | Glenn Watkins | Gesualdo: The Man and His Music (Clarendon Paperbacks) |
| 2003 | 978-0-19-816199-8 | Matthew Brown | Debussy's Iberia (Studies in Musical Genesis, Structure & Interpretation) |
| 1995 | 978-0-19-816200-1 | Stephen Jones | Folk Music of China: Living Instrumental Traditions |
| 2001 | 978-0-19-816205-6 | Reinhard Strohm · Bonnie J. Blackburn | Music as Concept and Practice in the Late Middle Ages (The New Oxford History of Music) |
| 1990 | 978-0-19-816207-0 | Peter Hurford | Making Music On The Organ |
| 2001 | 978-0-19-816212-4 | Geoffrey Webber | North German Church Music in the Age of Buxtehude (Oxford Monographs on Music) |
| 2000 | 978-0-19-816213-1 | Peter Dickinson | Marigold: The Music of Billy Mayerl |
| 2001 | 978-0-19-816214-8 | Donald Tovey | The Classics of Music: Talks, Essays, and Other Writings Previously Uncollected |
| 1990 | 978-0-19-816215-5 | Robin Maconie | The Concept of Music |
| 1992 | 978-0-19-816218-6 | Norman Del Mar | Conducting Beethoven: The Symphonies v.1: The Symphonies Vol 1 |
| '' | 978-0-19-816219-3 | Norman Del Mar | Conducting Beethoven: Volume 1: The Symphonies: The Symphonies Vol 1 |
| 1996 | 978-0-19-816220-9 | Andrew Thomson | Vincent D'Indy and His World |
| 1990 | 978-0-19-816221-6 | Andrew Steptoe | The Mozart-Da Ponte Operas: The Cultural and Musical Background to "Le Nozze Di Figaro", "Don Giovanni" and "Cosi Fan Tutte" (Clarendon Paperbacks) |
| 1991 | 978-0-19-816222-3 | Arthur Bliss | On Music: Selected Writings, 1920-75 |
| 1992 | 978-0-19-816223-0 | Robert Barclay | The Art of the Trumpet-maker: The Materials, Tools and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg (Early Music Series) |
| 1995 | 978-0-19-816224-7 | Anne C. Shreffler | Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl (Studies in Musical Genesis, Structure & Interpretation) |
| '' | 978-0-19-816225-4 | Johann Sebastian Bach | J.S.Bach's Precepts and Principles for Playing the Thorough Bass or Accompanying in Four Parts, Leipzeg, 1738 (Early Music Series) |
| 1990 | 978-0-19-816226-1 | Gerald Abraham | The New Oxford History of Music: Volumes I-X: Vol. 10 |
| 1991 | 978-0-19-816227-8 | H.M. Brown | Leitmotiv and Drama: Wagner, Brecht and the Limits of Epic Theatre |
| 1992 | 978-0-19-816229-2 | Peter Allsop | The Italian Trio Sonata: From Its Origins Until Corelli (Oxford Monographs on Music) |
| 1993 | 978-0-19-816230-8 | Anna Maria Busse Berger | Mensuration and Proportion Signs: Origins and Evolution (Oxford Monographs on Music) |
| 1995 | 978-0-19-816232-2 | Cyril Ehrlich | First Philharmonic: A History of Royal Philharmonic Society: A History of the Royal Philharmonic Society |
| 1997 | 978-0-19-816234-6 | Johannes Brahms | Johannes Brahms: Life and Letters |
| 2002 | 978-0-19-816235-3 | Humphrey Burton · Maureen Murray | William Walton - The Romantic Loner: A Centenary Portrait Album |
| 1992 | 978-0-19-816237-7 | Philip V. Bohlman | The World Centre for Jewish Music in Palestine, 1936-1940: Jewish Musical Life on the Eve of World War II |
| 1997 | 978-0-19-816238-4 | Carl Philipp Emanuel Bach | The Letters of C. P. E. Bach |
| '' | 978-0-19-816239-1 | Robert M. W. Dixon · John Godrich · Howard Rye | Blues and Gospel Records, 1890-1943 |
| 2000 | 978-0-19-816240-7 | Alfred Durr · Alfred D?rr · Johann Sebastian Bach | Johann Sebastian Bach's St John Passion: Genesis, Transmission, and Meaning |
| 1991 | 978-0-19-816244-5 | Stephen L. Clark | C.P.E.Bach Studies |
| 1991 | 978-0-19-816245-2 | Hans-Gunter Ottenberg | Carl Philipp Emanuel Bach (Clarendon Paperbacks) |
| '' | 978-0-19-816246-9 | Kevin Coates | Geometry, Proportion and the Art of Lutherie (Clarendon Paperbacks) |
| '' | 978-0-19-816247-6 | Reginald Smith Brindle | Contemporary Percussion |
| 1992 | 978-0-19-816248-3 | Norton York · Tim Rice | The Rock File: Making it in the Music Business |
| 1991 | 978-0-19-816249-0 | Roland John Wiley | Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker (Clarendon Paperbacks) |
| 1996 | 978-0-19-816250-6 | Richard Taruskin | Stravinsky and the Russian Traditions: A Biography of the Works through Mavra |
| 1997 | 978-0-19-816254-4 | Jane Girdham | English Opera in Late Eighteenth-century London: Stephen Storace at Drury Lane |
| 1992 | 978-0-19-816255-1 | Victor Crowther | The Oratorio in Modena (Oxford Monographs on Music) |
| 2005 | 978-0-19-816258-2 | Graham Elliott | Benjamin Britten: The Spiritual Dimension (Oxford Studies in British Church Music) |
| 1995 | 978-0-19-816259-9 | Brian W. Harvey | The Violin Family and its Makers in the British Isles: An Illustrated History and Directory |
| 1991 | 978-0-19-816260-5 | Michael Praetorius | Syntagma Musicum ll: (A New translation from the edition of 1619) De Organographia Part I and II (Oxford Early Music Series) (Vol 2): De Organographia Vol 2 |
| 1992 | 978-0-19-816261-2 | Julian Budden | The Operas of Verdi, Vol. 1: From Oberto to Rigoletto (Clarendon Paperbacks) |
| '' | 978-0-19-816262-9 | Julian Budden | The Operas of Verdi: Volume 2- From Il Trovatore to La Forza del destino |
| '' | 978-0-19-816263-6 | '' | The Operas of Verdi, Vol. 3: From Don Carlos to Falstaff |
| 1991 | 978-0-19-816264-3 | Edward J. Dent | Mozart's Operas: A Critical Study (Clarendon Paperbacks) |
| 1992 | 978-0-19-816269-8 | Wilfrid Mellers | Percy Grainger (Oxford Studies of Composers) |
| 1992 | 978-0-19-816270-4 | Wilfrid Mellers | Percy Grainger (Oxford Studies of Composers) |
| 1999 | 978-0-19-816271-1 | Don Harran | Salamone Rossi, Jewish Musician in Late Renaissance Mantua (Oxford Monographs on Music) |
| 1993 | 978-0-19-816272-8 | Colleen Reardon | Agostino Agazzari and Music at Siena Cathedral, 1597-1641 (Oxford Monographs on Music) |
| 1997 | 978-0-19-816273-5 | Louise K. Stein | Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain: Music and Theatre in 17th-century Spain (Oxford Monographs on Music) |
| 1992 | 978-0-19-816274-2 | David Cope | Computers and Musical Style (Computer music and digital audio series) |
| 1993 | 978-0-19-816275-9 | Jeff Pressing | Synthesizer Performance and Real-time Techniques (Computer Music & Digital Audio S.) |
| 1991 | 978-0-19-816276-6 | Juliette Alvin · Auriel Warwick | Music Therapy for the Autistic Child |
| 1992 | 978-0-19-816277-3 | Gunther Schuller | Horn Technique |
| 1991 | 978-0-19-816279-7 | John Harper | The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century: A Historical Introduction and Guide for Students and Musicians (Clarendon Paperbacks) |
| 1999 | 978-0-19-816280-3 | Steven Huebner | French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style |
| 1993 | 978-0-19-816281-0 | Cynthia Verba | Music and the French Enlightenment: Reconstruction of a Dialogue, 1750-64 |
| 1994 | 978-0-19-816282-7 | Roger Parker | The Oxford Illustrated History of Opera (Oxford illustrated histories) |
| '' | 978-0-19-816283-4 | Barry Cooper | Beethoven's Folksong Settings: Chronology, Sources, Style (Oxford Monographs on Music) |
| 2001 | 978-0-19-816284-1 | Alain Frogley | Vaughan Williams's Ninth Symphony (Studies in Musical Genesis, Structure & Interpretation) |
| 1995 | 978-0-19-816286-5 | Neal Zaslaw | Mozart's Symphonies: Context, Performance Practice, Reception (Clarendon Paperbacks) |
| 1992 | 978-0-19-816287-2 | William Weber | The Rise of Musical Classics in Eighteenth-century England: A Study in Canon, Ritual and Ideology |
| 1998 | 978-0-19-816288-9 | John Caldwell | The Oxford History of English Music: Volume II: C.1715 to the Present Day: C.1715 to the Present Day Vol 2 |
| 1993 | 978-0-19-816289-6 | David Hiley | Western Plainchant: A Handbook |
| 1999 | 978-0-19-816291-9 | David Fallows · D. Fallows | A Catalogue of Polyphonic Songs 1415-1480 |
| 1992 | 978-0-19-816294-0 | A.V. Beedell | The Decline of the English Musician, 1788-1888: Family of English Musicians in Ireland, England, Mauritius and Australia |
| '' | 978-0-19-816296-4 | Jerrold Northrop Moore | Vaughan Williams: A Life in Photographs |
| '' | 978-0-19-816298-8 | Frits Noske | Saints and Sinners: Latin Musical Dialogue in the Seventeenth Century |
| 1993 | 978-0-19-816299-5 | Brian Trowell | Handel Collections and Their History |
| '' | 978-0-19-816300-8 | Enrico Careri | Francesco Geminiani (1687-1762): Part 1: Life and Works; Part 2: Thematic Catalogue: Life and Works Pt. 1 |