| year of publication | ISBN | author(s) | title |
|---|
| 2000 | 978-1-84150-002-7 | Julian Friedmann | How to Make Money Scriptwriting |
| '' | 978-1-84150-003-4 | Bill Marshall | Musicals: Hollywood and Beyond |
| 1999 | 978-1-84150-005-8 | Peter Howard · Gregory Ashworth | European Heritage Planning and Management |
| '' | 978-1-84150-013-3 | Roy Ascott | Reframing Consciousness: Art, Mind and Technology |
| 2000 | 978-1-84150-015-7 | Tim Prentki · Jan Selman | Popular Theatre in Political Culture: Britain and Canada in Focus (Theatre Studies) |
| 1999 | 978-1-84150-020-1 | Joseph S. Dumas | Practical Guide to Usability Testing (Human/computer interaction) |
| 2007 | 978-1-84150-030-0 | Eduardo Kac | Media Poetry: An International Anthology |
| 2013 | 978-1-84150-049-2 | Rosemary Sassoon | Computers and Typography: v. 2 |
| 2000 | 978-1-84150-050-8 | Bruce Carson · Margaret Llewellyn-jones | Frames and Fictions on Television: The Politics of Identity within Drama |
| 2013 | 978-1-84150-055-3 | Daniel Hinchcliffe · Judith Rugg | Recoveries and Reclamations: Advances in Art and Urban Futures, Volume 2 |
| 2012 | 978-1-84150-060-7 | Ari Hiltunen | Aristotle in Hollywood: Visual Stories That Work (Cinema and Media Series) |
| 2002 | 978-1-84150-064-5 | Michael Punt | Imagination, Technology and Pleasure: The Emergence of Cinema |
| 1999 | 978-1-84150-065-2 | Philip Parker | Art and Science of Screenwriting |
| 2004 | 978-1-84150-066-9 | Michael Balfour | Theatre in Prison: Theory and Practice |
| 2015 | 978-1-84150-075-1 | Sarah Bennett | Locality, Regeneration and Divers[c]ities: Advances in Art and Urban Futures Volume 1 |
| 2005 | 978-1-84150-076-8 | Jo Davies | Drawing the Process |
| 2009 | 978-1-84150-079-9 | Robin Griffiths | Queer Cinema in Europe |
| 2004 | 978-1-84150-080-5 | Freda Mishan | Designing Authenticity into Language Learning Materials |
| '' | 978-1-84150-085-0 | Dimitrios Konstadakopulos | Learning for Innovation in the Global Knowledge Economy: A European and Southeast Asian Perspective (Intellect Books - Play Text) |
| 2000 | 978-1-84150-086-7 | Daniel Carpenter | Digital Magazine Design: With Case Studies |
| 2003 | 978-1-84150-089-8 | Malcolm Miles · Nicola Kirkham | Cultures and Settlements: Advances in Art and Urban Futures, Volume 3 |
| 2004 | 978-1-84150-090-4 | Farrel Corcoran | RTÉ and the Globalisation of Irish Television |
| 2006 | 978-1-84150-107-9 | Garin Dowd | Genre Matters: Essays in Theory and Criticism |
| 2004 | 978-1-84150-113-0 | N. Katherine Hayles | Nanoculture: Implications of the New Technoscience |
| 2005 | 978-1-84150-116-1 | Anna Bentkowska-kafe | Digital Art History: Computers and the History of Art Volume 1 |
| 2004 | 978-1-84150-117-8 | Pat Brereton | Hollywood Utopia: Ecology in Contemporary American Cinema |
| 2014 | 978-1-84150-118-5 | Malcolm Miles · Tim Hall | Interventions: Art in the Public Sphere: v.4: Advances in Art and Urban Futures: Vol 4 |
| 2005 | 978-1-84150-119-2 | Paul Gormley | The New Brutality Film: Race and Affect in Contemporary American Cinema |
| 2013 | 978-1-84150-124-6 | Zhouying Jin | Global Technological Change: From Hard Technology to Soft Technology |
| 2005 | 978-1-84150-126-0 | Richard Hickman | Why We Make Art: And Why it is Taught |
| '' | 978-1-84150-127-7 | Richard Hickman | Critical Studies in Art and Design Education (Readings in Art & Design Education) |
| 2006 | 978-1-84150-128-4 | Roy Ascott | Engineering Nature: Art and Consciousness in the Post-Biological Era |
| 2005 | 978-1-84150-129-1 | Sonia Livingstone | Audiences and Publics: v.2: Changing Media: Vol 2 (Changing Europe S.) |
| 2006 | 978-1-84150-132-1 | Albert Moran · Justin Malbon | Understanding the Global TV Format (Intellect Books - Readings in Art and Design Education) |
| 2006 | 978-1-84150-136-9 | Mel Alexenberg | The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness |
| '' | 978-1-84150-137-6 | Alison Oddey | The Potentials of Spaces: International Scenography and Performance for the 21st Century |
| '' | 978-1-84150-138-3 | Michelle Langford | Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter |
| 2013 | 978-1-84150-142-0 | A Clarke · G. Mitchell | Videogames and Art (Intellect) |
| 2006 | 978-1-84150-143-7 | Gonul Donmez-colin | Cinema of the Other: A Personal Journey with Film-makers from the Middle East and Central Asia |
| 2008 | 978-1-84150-145-1 | Trevor Rayment | The Problem of Assessment in Art and Design (Readings in Art and Design Education Series) |
| 2006 | 978-1-84150-146-8 | Tom Hardy | Art Education in a Postmodern World |
| 2009 | 978-1-84150-148-2 | Pak Tong Cheuk | Hong Kong New Wave Cinema (1978-2000) |
| 2007 | 978-1-84150-149-9 | Michael Mangan | Performing Dark Arts: A Cultural History of Conjuring (Theatre and Consciousness Series) |
| '' | 978-1-84150-150-5 | Steve Blandford | Film, Drama and the Break Up of Britain |
| 2009 | 978-1-84150-162-8 | Judith Rugg | Issues in Curating Contemporary Art and Performance |
| 2013 | 978-1-84150-166-6 | Teresa Murjas | The Morality of Mrs. Dulska: A Play by Gabriela Zapolska (Play Text Series) |
| 2008 | 978-1-84150-168-0 | Pierre Auboiron | Futures Past: Thirty Years of Arts Computing (Computers and the History of Art Series) |
| 2013 | 978-1-84150-172-7 | Michael Starks | Switching to Digital Television: UK Public Policy and the Market |
| 2008 | 978-1-84150-173-4 | Mark Browning | David Cronenberg: Author or Filmmaker? |
| 2009 | 978-1-84150-174-1 | Millie Taylor | British Pantomime Performance |
| 2013 | 978-1-84150-176-5 | Marko Van Eekelen | Trends in Functional Programming V 6 |
| 2007 | 978-1-84150-177-2 | Ann Miller | Reading Bande Dessinee: Critical Approaches to French-language Comic Strip |
| 2009 | 978-1-84150-181-9 | Milly Buonanno | The Age of Television: Experiences and Theories |
| 2013 | 978-1-84150-184-0 | David Ian Rabey | Lovefuries: The Contracting Sea, The Hanging Judge, Bite or Suck (Play Text Series) |
| 2009 | 978-1-84150-185-7 | John Berra | Declarations of Independence: American Cinema and the Partiality of Independent Production |
| '' | 978-1-84150-190-1 | Sunil Manghani | Image Critique and the Fall of the Berlin Wall |
| 2009 | 978-1-84150-191-8 | M Alexenberg | Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology and Culture |
| '' | 978-1-84150-194-9 | Moran | New Flows in Global TV |
| '' | 978-1-84150-195-6 | R Sassoon | The Designer: Half a Century of Change in Image, Training, and Techniques (Intellect Books - Play Text) |
| 2013 | 978-1-84150-197-0 | Catherine Simpson | Diasporas of Australian Cinema |
| 2009 | 978-1-84150-199-4 | R Hickman | Research in Art and Design Education: Issues and Exemplars (Readings in Art & Design Education) |
| 2013 | 978-1-84150-200-7 | S Garner | Writing on Drawing: Essays on Drawing Practice and Research |
| 2009 | 978-1-84150-201-4 | Leo Duff · Phil Sawdon | Drawing - the Purpose |
| '' | 978-1-84150-203-8 | A Wyllie | Sex on Stage: Gender and Sexuality in Post-war British Theatre |
| 2010 | 978-1-84150-205-2 | Richard Hickman | Critical Studies in Art and Design Education (Readings in Art and Design Education) |
| 2013 | 978-1-84150-209-0 | L Leung | Digital Experience Design: Ideas, Industries, Interaction |
| 2008 | 978-1-84150-211-3 | Mel Jordan · Malcolm Miles | Art and Theory After Socialism |
| 2009 | 978-1-84150-234-2 | Pauline Small | Sophia Loren: Moulding the Star |
| 2013 | 978-1-84150-239-7 | Alison Oddey | Modes of Spectating |
| 2009 | 978-1-84150-240-3 | Sharon Poggenpohl | Design Integrations: Research and Collaboration |
| '' | 978-1-84150-241-0 | Louise Peacock | Serious Play: Modern Clown Performance |
| 2010 | 978-1-84150-242-7 | Steve Herne · Sue Cox · Robert Watts | Readings in Primary Art Education |
| 2009 | 978-1-84150-243-4 | Andrea Czepek | Press Freedom and Pluralism in Europe: Concepts and Conditions (ECREA Series) |
| 2013 | 978-1-84150-244-1 | Elisabetta Girelli | Beauty and the Beast: Italianness in British Cinema |
| 2009 | 978-1-84150-245-8 | Mark Browning | Stephen King on the Big Screen |
| 2009 | 978-1-84150-246-5 | Maeve Connolly | The Place of Artists' Cinema Space, Site and Screen |
| '' | 978-1-84150-248-9 | Anna Bentkowska-kafe | Digital Visual Culture: Theory and Practice (Computers and the History of Art) |
| '' | 978-1-84150-256-4 | Pat Francis | Inspiring Writing in Art and Design: Taking a Line for a Write (Playtext) |
| 2010 | 978-1-84150-257-1 | Glen Coutts · Timo Jokela | Art, Community and Environment: Educational Perspectives (Readings in Art & Design Education) |
| 2011 | 978-1-84150-264-9 | Linda Leung | Digital Experience Design: Ideas, Industries, Interaction |
| 2010 | 978-1-84150-272-4 | Greg McLaughlin · Stephen Baker | The Propaganda of Peace: The Role of Media and Culture in the Northern Ireland Peace Process |
| 2011 | 978-1-84150-279-3 | Brian O′neill | Digital Radio in Europe: Technologies, Industries and Cultures |
| '' | 978-1-84150-281-6 | Monica Prendergast · Juliana Saxton | Applied Theatre: International Case Studies and Challenges for Practice |
| 2009 | 978-1-84150-302-8 | Tom Hardy | Art Education in the Postmodern World: Collected Essays (Readings in Art and Design Education Series) |
| '' | 978-1-84150-306-6 | Albert Moran | TV Formats Worldwide: Localising Global Programs |
| 2010 | 978-1-84150-309-7 | Graeme Harper · Jonathan Rayner | Cinema and Landscape |
| 2013 | 978-1-84150-315-8 | Jonathan Day | Robert Frank's 'The Americans': The Art of Documentary Photography |
| 2010 | 978-1-84150-319-6 | Tara Forrest · Anna Teresa Scheer | Christoph Schlingensief: Art without Borders |
| 2010 | 978-1-84150-320-2 | Paul Newland | Don't Look Now |
| '' | 978-1-84150-321-9 | Mary Debrett | Reinventing Public Service Television for the Digital Future |
| 2013 | 978-1-84150-325-7 | Patricia Cain | Drawing: The Enactive Evolution of the Practitioner |
| 2010 | 978-1-84150-326-4 | Donna Soto-Morettini | The Philosophical Actor: A Practical Meditation for Practicing Theatre Artists |
| '' | 978-1-84150-332-5 | Allister Mactaggart | The Film Paintings of David Lynch |
| '' | 978-1-84150-335-6 | John Berra | Directory of World Cinema - Japan (Directory of World Cinema Series): 1 |
| 2013 | 978-1-84150-363-9 | Buy Shaver | Moving the Eye Through 2-D Design: A Visual Primer |
| 2010 | 978-1-84150-368-4 | John Berra | Directory of World Cinema: American Independent: 2 |
| 2011 | 978-1-84150-369-1 | Susan Ingram · Katrina Sark | Berliner Chic (Urban Chic) |
| 2010 | 978-1-84150-370-7 | Gregg Redner | Deleuze and Film Music: Building a Methodological Bridge Between Film Theory and Music |
| '' | 978-1-84150-372-1 | Birgit Beumers | Directory of World Cinema: Russia: Volume 4 |
| 2013 | 978-1-84150-373-8 | Ben Goldsmith and Geoff Lealand | Directory of World Cinema: Australia and New Zealand: 1 |
| 2010 | 978-1-84150-378-3 | Richard Hickman | Why We Make Art: And Why It Is Taught |
| 2011 | 978-1-84150-398-1 | Mark Brown | Howard Barker Interviews 1980-2010 |
| 2011 | 978-1-84150-400-1 | Louis Bayman | Italy Directory of world cinema: 6 |
| '' | 978-1-84150-403-2 | Josef Trappel · Werner A. Meier · Leen d'Haenens | Media in Europe Today (Changing Media, Changing Europe) |
| 2013 | 978-1-84150-408-7 | G. James Daichendt | Artist-teacher: A Philosophy for Creating and Teaching |
| '' | 978-1-84150-412-4 | Mark Browning | Stephen King on the Small Screen |
| 2011 | 978-1-84150-415-5 | Lincoln Geraghty | Directory of World Cinema: American Hollywood: 5 |
| 2013 | 978-1-84150-417-9 | Eoin Devereux | Morrissey: Fandom, Representations and Identities |
| 2011 | 978-1-84150-418-6 | Jacky Lansley | The Wise Body: Conversations with Experienced Dancers |
| 2013 | 978-1-84150-421-6 | Karen Barbour | Dancing Across the Page: Narrative and Embodied Ways of Knowing |
| '' | 978-1-84150-423-0 | Angeliki Gazi | Radio Content in the Digital Age: The Evolution of a Sound Medium |
| 2011 | 978-1-84150-426-1 | Marc James Léger | Culture and Contestation in the New Century |
| 2012 | 978-1-84150-428-5 | Francois Penz | Urban Cinematics: Understanding Urban Phenomena Through the Moving Image |
| 2011 | 978-1-84150-429-2 | Claude Mangion | Philosophical Approaches to Communication |
| 2013 | 978-1-84150-431-5 | John O′brian | Atomic Postcards: Radioactive Messages from the Cold War |
| '' | 978-1-84150-433-9 | Lydia Papadimitriou · Yannis Tzioumakis | Greek Cinema: Texts, Histories, Identities |
| 2012 | 978-1-84150-458-2 | Martin Botha | South African Cinema 1896-2010 |
| 2012 | 978-1-84150-463-6 | Lorenzo J.t. Hortelano | Directory of World Cinema: Spain: 7 |
| '' | 978-1-84150-464-3 | Adam Bingham | Directory of World Cinema: East Europe |
| '' | 978-1-84150-469-8 | Hugo De Burgh | China's Environment and China's Environment Journalists: A Study |
| 2013 | 978-1-84150-475-9 | Alfio Leotta | Touring the Screen: Tourism and New Zealand Film Geographies |
| 2012 | 978-1-84150-482-7 | Scott Jordan Harris | World Film Locations: New York (IB - World Film Locations) |
| '' | 978-1-84150-483-4 | Chris Magee | World Film Locations: Tokyo (IB - World Film Locations) |
| '' | 978-1-84150-484-1 | Neil Mitchell | World Film Locations: London (IB - World Film Locations) |
| 2012 | 978-1-84150-485-8 | Gabriel Solomons | World Film Locations: Los Angeles (IB - World Film Locations) |
| 2013 | 978-1-84150-487-2 | G. James Daichendt | Artist Scholar: Reflections on Writing and Research |
| 2012 | 978-1-84150-548-0 | Gönül Dönmez-Colin | Cinemas of the Other (Cinemas of Other) |
| '' | 978-1-84150-550-3 | Jez Conolly · Caroline Whelan | World Film Locations: Dublin (IB - World Film Locations) |
| '' | 978-1-84150-551-0 | John Berra | Directory of World Cinema: Japan 2: Volume 2 |
| 2013 | 978-1-84150-552-7 | Davide Caputo | Polanski and Perception: The Psychology of Seeing and the Cinema of Roman Polanski |
| '' | 978-1-84150-558-9 | Gary Bettinson | Directory of World Cinema: China: 12 |
| '' | 978-1-84150-559-6 | Marcelline Block | Directory of World Cinema: Sweden |
| 2013 | 978-1-84150-560-2 | Colette Balmain | Directory of World Cinema: South Korea |
| 2012 | 978-1-84150-561-9 | Marcelline Block | World Film Locations: Paris (IB - World Film Locations) |
| '' | 978-1-84150-568-8 | Lorenzo J Hortelano | World Film Locations Madrid (IB - World Film Locations) |
| '' | 978-1-84150-571-8 | Judith Rudakoff | Trans(per)Forming Nina Arsenault |
| 2013 | 978-1-84150-575-6 | Noureddine Miladi | Al Jazeera and the Arab Revolution: Public Opinion, Diplomacy and Political Change |
| '' | 978-1-84150-588-6 | Marcelline Block | World Film Locations: Las Vegas (IB - World Film Locations) |
| '' | 978-1-84150-620-3 | Eylem Atakav | Directory of World Cinema: Turkey: Volume 18 |
| 2015 | 978-1-84150-622-7 | Adam Bingham | Directory of World Cinema: India |
| 2013 | 978-1-84150-629-6 | Joan Lazarus | Signs of Change: New Directions in Theatre Education (Intellect Books - Theatre in Education) |
| 2015 | 978-1-84150-634-0 | Ben Goldsmith · Geoff Lealand | Directory of World Cinema: Australia and New Zealand 2 |
| 2013 | 978-1-84150-700-2 | Aidan Coveney | Variability in Spoken French Pb |
| 2013 | 978-1-84150-712-5 | Alison Frank | Reframing Reality: The Aesthetics of the Surrealist Object in French and Czech Cinema |
| '' | 978-1-84150-714-9 | Ruth Walker · Christopher Moore · Andrew Whelan | Zombies in the Academy: Living Death in Higher Education |
| '' | 978-1-84150-718-7 | Scott Jordan Harris | World Film Locations: Chicago |
| '' | 978-1-84150-720-0 | Michael Pigott | World Film Locations: Venice |
| '' | 978-1-84150-727-9 | Celia Stall-meadows | Why Would Anyone Wear That? Fascinating Fashion Facts |
| 2014 | 978-1-84150-738-5 | Michelle Langford | Directory of World Cinema: Germany 2 |
| 2013 | 978-1-84150-800-9 | Bernard Dumpleton · Muriel Miller | Brunel's Three Ships |
| 2002 | 978-1-84150-801-6 | Bernard Dumpleton | The Story of the Paddle Steamer |
| 2003 | 978-1-84150-841-2 | Mette Hjort · Ib Bondebjerg | The Danish Directors: Dialogues on a Contemporary National Cinema |
| 2002 | 978-1-84150-846-7 | Nicola M. Sutherland | Henry IV of France and the Politics of Religion 1572-1596: v. 1 & 2 |
| 2000 | 978-1-84150-847-4 | Tim Prentki | Popular Theatre in Political Culture: Britain and Canada in Focus (Theatre studies) |
| 2013 | 978-1-84150-848-1 | Rosemary Sassoon | Computers and Typography: v. 2 |
| 2013 | 978-1-84150-854-2 | Roberta Newnham | Andre Malraux: an Age of Oppression Pb: (Le Temps Du Mepris) |
| 2002 | 978-1-84150-935-8 | Jocelyn Hemming | A Devon House: The Story of Poltimore |
| 2006 | 978-1-84150-964-8 | Michael Channan · George Steinmetz | Detroit |
| '' | 978-1-84150-965-5 | Phillip Parker | The Art and Science of Screenwriting |
| 978-1-84150-967-9 | Detroit |
| 2013 | 978-1-84150-992-1 | Corrine Randall | The Hidden Words of Baha'u'llah |