Other ISBN ranges for Bloomsbury Academic: Bloomsbury Academic (978-0-85785-...) · Bloomsbury Academic (978-1-4725-...) · Bloomsbury Academic (978-1-4742-...) · Bloomsbury Academic (978-1-5013-...) · Bloomsbury Academic (978-1-62356-...) · Bloomsbury Academic (978-1-62892-...) · Bloomsbury Academic (978-1-78093-...) · Bloomsbury Academic (978-1-84966-...)
ISBN 978-1-350-01272-1 to 978-1-350-02069-6 < ISBN 978-1-350-02095-5 to 978-1-350-02906-4 > ISBN 978-1-350-02911-8 to 978-1-350-03791-5
| year of publication | ISBN | author(s) | title |
|---|---|---|---|
| 2017 | 978-1-350-02095-5 | Laura Snook and Alastair Thorley Athina Mitropoulos | OCR Classical Civilisation A Level Components 23 and 24 |
| '' | 978-1-350-02096-2 | Athina Mitropoulos · Laura Snook · Alastair Thorley | OCR Classical Civilisation A Level Components 23 and 24: Invention of the Barbarian and Greek Art |
| '' | 978-1-350-02097-9 | '' | OCR Classical Civilisation A Level Components 23 and 24: Invention of the Barbarian and Greek Art |
| '' | 978-1-350-02099-3 | Athina Mitropoulos · James Renshaw · Tim Morrison · Julietta Steinhauer | OCR Classical Civilisation A Level Components 31 and 34 |
| '' | 978-1-350-02100-6 | Athina Mitropoulos · Tim Morrison · James Renshaw · Julietta Steinhauer | OCR Classical Civilisation A Level Components 31 and 34: Greek Religion and Democracy and the Athenians |
| 2017 | 978-1-350-02101-3 | Athina Mitropoulos · Tim Morrison · James Renshaw · Julietta Steinhauer | OCR Classical Civilisation A Level Components 31 and 34: Greek Religion and Democracy and the Athenians |
| '' | 978-1-350-02103-7 | Lucy Cresswell and Alastair Thorley Matthew Barr | OCR Classical Civilisation A Level Components 32 and 33 |
| '' | 978-1-350-02104-4 | Matthew Barr · Lucy Cresswell · Alastair Thorley | OCR Classical Civilisation A Level Components 32 and 33: Love and Relationships and Politics of the Late Republic |
| '' | 978-1-350-02105-1 | Matthew Barr · Lucy Cresswell · Alastair Thorley | OCR Classical Civilisation A Level Components 32 and 33: Love and Relationships and Politics of the Late Republic |
| '' | 978-1-350-02107-5 | Janet Weston | Medicine, the Penal System and Sexual Crimes in England, 1919-1960s: Diagnosing Deviance |
| 2017 | 978-1-350-02108-2 | Janet Weston | Medicine, the Penal System, and Sexual Crimes in England, 1919-1960s: Diagnosing Deviance |
| '' | 978-1-350-02109-9 | '' | Medicine, the Penal System, and Sexual Crimes in England, 1919-1960s |
| 2019 | 978-1-350-02117-4 | Kevin Ruane · Matthew Jones | Anthony Eden, Anglo-American Relations and the 1954 Indochina Crisis |
| 2018 | 978-1-350-02132-7 | Alain Badiou | The Red Years |
| 2017 | 978-1-350-02133-4 | Bloomsbury Academic. New titles 2017-2018: ONLINE RESOURCES MAJOR GRAPH | |
| 2018 | 978-1-350-02134-1 | Thomas S. C. Farrell | Reflective Language Teaching |
| '' | 978-1-350-02135-8 | Thomas S. C. Farrell | Reflective Language Teaching |
| '' | 978-1-350-02136-5 | '' | Reflective Language Teaching: Practical Applications for TESOL Teachers |
| 2017 | 978-1-350-02143-3 | Mehdi Belhaj Kacem | Transgression and the Inexistent (Suspensions: Contemporary Middle Eastern and Islamicate Thought) |
| 2019 | 978-1-350-02149-5 | Lili Elbe | Man Into Woman (Modernist Archives) |
| 2018 | 978-1-350-02154-9 | John Steen | Affect, Psychoanalysis, and American Poetry (Bloomsbury Studies in Critical Poetics) |
| 2016 | 978-1-350-02157-0 | James Graham | James Graham Plays: 2 (Contemporary Dramatists) |
| 2017 | 978-1-350-02161-7 | Gail Ashton | Medieval Afterlives in Contemporary Culture |
| 2016 | 978-1-350-02163-1 | Katie Douglas | I Got Superpowers for My Birthday (Modern Plays) |
| 2017 | 978-1-350-02166-2 | James E. Crimmins | The Bloomsbury Encyclopedia of Utilitarianism |
| '' | 978-1-350-02168-6 | James E. Crimmins | The Bloomsbury Encyclopedia of Utilitarianism |
| 2017 | 978-1-350-02169-3 | James E. Crimmins | The Bloomsbury Encyclopedia of Utilitarianism |
| 2018 | 978-1-350-02174-7 | Ayanna Thompson | Shakespeare in the Theatre: Peter Sellars |
| 2016 | 978-1-350-02179-2 | Brad Birch | En Folkefiende: An Enemy of the People (Modern Plays) |
| 2018 | 978-1-350-02182-2 | Muriam Haleh Davis · Thomas Serres | North Africa and the Making of Europe |
| '' | 978-1-350-02183-9 | '' | North Africa and the Making of Europe: Governance, Institutions and Culture |
| 2018 | 978-1-350-02184-6 | Muriam Haleh Davis · Thomas Serres | North Africa and the Making of Europe: Governance, Institutions and Culture |
| 978-1-350-02192-1 | Colin Brock | Education in Non-EU Countries in Western and Southern Europe | |
| 2018 | 978-1-350-02219-5 | Ethan Mark | Japan's Occupation of Java in the Second World War: A Transnational History (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-02220-1 | '' | Japans Occupation of Java in the Second World War (SOAS Studies in Modern and Contemporary Japan) |
| 2017 | 978-1-350-02227-0 | Ken Albala | Beans |
| 2016 | 978-1-350-02231-7 | Sadie Hasler | Fran & Leni (Modern Plays) |
| 2020 | 978-1-350-02233-1 | Mark J. Crowley | Post Office Women at War, 1939-45: Gender, Conflict and Public Service Employment |
| 2017 | 978-1-350-02243-0 | Larissa Allwork | Holocaust Remembrance Between the National and the Transnational: The Stockholm International Forum and the First Decade of the International Task Force |
| '' | 978-1-350-02253-9 | Paul Hedges | Contemporary Muslim-Christian Encounters: Developments, Diversity and Dialogues |
| '' | 978-1-350-02254-6 | Vernon L. Provencal | Sophist Kings: Persians as Other in Herodotus |
| '' | 978-1-350-02256-0 | Mikuriya Takashi | Politics and Power in 20th-Century Japan: The Reminiscences of Miyazawa Kiichi (SOAS Studies in Modern and Contemporary Japan) |
| 2017 | 978-1-350-02257-7 | Andrew D. Morris | Japanese Taiwan: Colonial Rule and its Contested Legacy (SOAS Studies in Modern and Contemporary Japan) |
| 2018 | 978-1-350-02259-1 | Michael Vanden Heuvel | Modern American Drama: Playwriting in the 1970s: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| '' | 978-1-350-02260-7 | Michael Vanden Heuvel | Modern American Drama: Playwriting in the 1970s: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| 2017 | 978-1-350-02261-4 | Michael Laffan | Belonging across the Bay of Bengal |
| '' | 978-1-350-02262-1 | Michael Laffan | Belonging across the Bay of Bengal: Religious Rites, Colonial Migrations, National Rights |
| '' | 978-1-350-02263-8 | '' | Belonging across the Bay of Bengal: Religious Rites, Colonial Migrations, National Rights |
| 2020 | 978-1-350-02271-3 | Elsa Högberg | Virginia Woolf and the Ethics of Intimacy |
| 2017 | 978-1-350-02279-9 | Jane Hiddleston | Writing After Postcolonialism (New Horizons in Contemporary Writing) |
| '' | 978-1-350-02280-5 | '' | Writing After Postcolonialism: Francophone North African Literature in Transition (New Horizons in Contemporary Writing) |
| 2017 | 978-1-350-02281-2 | Jane Hiddleston | Writing After Postcolonialism: Francophone North African Literature in Transition (New Horizons in Contemporary Writing) |
| 2018 | 978-1-350-02288-1 | Holly M. Kent | Teaching Fashion Studies |
| 2017 | 978-1-350-02292-8 | Karl Rosenkranz | Aesthetics of Ugliness |
| 2020 | 978-1-350-02293-5 | Richard Salkeld | Reading Photographs: An Introduction to the Theory and Meaning of Images (Basics Creative Photography) |
| 2017 | 978-1-350-02310-9 | Jonathan Dollimore | Desire: A Memoir (Beyond Criticism) |
| '' | 978-1-350-02311-6 | Jonathan Dollimore | Desire: A Memoir (Beyond Criticism) |
| '' | 978-1-350-02313-0 | '' | Desire: A Memoir (Beyond Criticism) |
| 2017 | 978-1-350-02314-7 | Jonathan Dollimore | Desire: A Memoir (Beyond Criticism) |
| 2016 | 978-1-350-02316-1 | Carmel Winters | The Remains of Maisie Duggan (Modern Plays) |
| '' | 978-1-350-02320-8 | John O'Donovan | If We Got Some More Cocaine I Could Show You How I Love You (Modern Plays) |
| 2018 | 978-1-350-02333-8 | Janelle Adsit | Critical Creative Writing: Essential Readings on the Writer's Craft |
| 2017 | 978-1-350-02351-2 | Lee Fratantuono | Tacitus Annals XVI (Latin Texts) |
| '' | 978-1-350-02352-9 | Lee Fratantuono | Tacitus Annals XVI (Latin Texts) |
| '' | 978-1-350-02353-6 | '' | Tacitus Annals XVI (Latin Texts) |
| '' | 978-1-350-02355-0 | Stephanie Vanderslice | The Geeks Guide to the Writing Life |
| 2017 | 978-1-350-02356-7 | Stephanie Vanderslice | The Geek's Guide to the Writing Life: An Instructional Memoir for Prose Writers |
| '' | 978-1-350-02357-4 | '' | The Geek's Guide to the Writing Life: An Instructional Memoir for Prose Writers |
| '' | 978-1-350-02358-1 | '' | The Geek's Guide to the Writing Life: An Instructional Memoir for Prose Writers |
| 2018 | 978-1-350-02360-4 | Bryan Maddox | International Large-Scale Assessments in Education |
| 2019 | 978-1-350-02368-0 | Sandra Alfoldy | Craftwashing: The Uses and Abuses of Craft in Popular Culture |
| 2018 | 978-1-350-02371-0 | Unknown | Craftwashing |
| 2023 | 978-1-350-02372-7 | Sandra Alfoldy | Craftwashing: The Uses and Abuses of Craft in Popular Culture |
| 2018 | 978-1-350-02373-4 | Sarah J. Bloesch · Meredith Minister | Cultural Approaches to Studying Religion: An Introduction to Theories and Methods |
| 2016 | 978-1-350-02378-9 | Rob Drummond | Grain in the Blood (Modern Plays) |
| 2017 | 978-1-350-02386-4 | Janelle Adsit | Toward an Inclusive Creative Writing |
| '' | 978-1-350-02387-1 | '' | Toward an Inclusive Creative Writing: Threshold Concepts to Guide the Literary Writing Curriculum |
| 2017 | 978-1-350-02388-8 | Janelle Adsit | Toward an Inclusive Creative Writing: Threshold Concepts to Guide the Literary Writing Curriculum |
| 2019 | 978-1-350-02400-7 | Nicola Brandt | Renegotiating Landscapes (Photography, Place, Environment) |
| '' | 978-1-350-02408-3 | Serife Tekin · Robyn Bluhm | The Bloomsbury Companion to Philosophy of Psychiatry (Bloomsbury Companions) |
| 2017 | 978-1-350-02412-0 | Lizzie Oliver | Prisoners of the Sumatra Railway (War, Culture and Society) |
| '' | 978-1-350-02413-7 | '' | Prisoners of the Sumatra Railway: Narratives of History and Memory (War, Culture and Society) |
| '' | 978-1-350-02414-4 | '' | Prisoners of the Sumatra Railway: Narratives of History and Memory (War, Culture and Society) |
| '' | 978-1-350-02421-2 | Samir Gandesha · Johan Hartle | Aesthetic Marx |
| 2017 | 978-1-350-02422-9 | Samir Gandesha · Johan Hartle | Aesthetic Marx |
| '' | 978-1-350-02423-6 | '' | Aesthetic Marx |
| '' | 978-1-350-02425-0 | Zsofia Demjen | Sylvia Plath and the Language of Affective States: Written Discourse and the Experience of Depression (Advances in Stylistics) |
| '' | 978-1-350-02426-7 | Eliecer Crespo-Fernández | Sex in Language: Euphemistic and Dysphemistic Metaphors in Internet forums |
| '' | 978-1-350-02436-6 | Heike Jenss | Fashioning Memory (Dress and Fashion Research) |
| 2017 | 978-1-350-02470-0 | Jacques Rancière | Dissenting Words |
| '' | 978-1-350-02475-5 | Julia Listengarten · Cindy Rosenthal | Modern American Drama: Playwriting 2000-2009: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| 2018 | 978-1-350-02476-2 | Julia Listengarten · Cindy Rosenthal | Modern American Drama: Playwriting 2000-2009: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| 2017 | 978-1-350-02477-9 | Volker Barth | Imperial Co-operation and Transfer, 1870-1930: Empires and Encounters |
| 2018 | 978-1-350-02478-6 | Martyn Lyons | The Pyrenees in the Modern Era: Reinventions of a Landscape, 1775-2012 |
| 2017 | 978-1-350-02482-3 | Tomoyuki Sasaki | Japan's Postwar Military and Civil Society: Contesting a Better Life (SOAS Studies in Modern and Contemporary Japan) |
| 2018 | 978-1-350-02489-2 | Sari Kawana | The Uses of Literature in Modern Japan: Histories and Cultures of the Book (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-02490-8 | Sari Kawana | The Uses of Literature in Modern Japan: Histories and Cultures of the Book (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-02491-5 | '' | The Uses of Literature in Modern Japan (SOAS Studies in Modern and Contemporary Japan) |
| 2017 | 978-1-350-02501-1 | Clive Emsley | Exporting British Policing During the Second World War |
| '' | 978-1-350-02502-8 | Professor Clive Emsley | Exporting British Policing During the Second World War: Policing Soldiers and Civilians |
| 2017 | 978-1-350-02503-5 | Professor Clive Emsley | Exporting British Policing During the Second World War: Policing Soldiers and Civilians |
| 2018 | 978-1-350-02508-0 | Mbongeni Ngema, Barney Simon Percy Mtwa | Woza Albert! (Student Editions) |
| 2017 | 978-1-350-02513-4 | Esther Jilovsky | Remembering the Holocaust: Generations, Witnessing and Place |
| 2016 | 978-1-350-02527-1 | Simon Vinnicombe | R and D (Modern Plays) |
| 2018 | 978-1-350-02530-1 | Amy Weldon | The Writer's Eye |
| 2018 | 978-1-350-02531-8 | Amy Weldon | The Writer's Eye |
| 2016 | 978-1-350-02536-3 | Noel Coward | Home Chat (Modern Plays) |
| '' | 978-1-350-02540-0 | Zoe Cooper | Jess and Joe Forever (Modern Plays) |
| 2020 | 978-1-350-02543-1 | Frederic Durand | Cinematic CG Lighting and Rendering: CG Enlightenment with Maya, Nuke, Arnold and V-Ray |
| '' | 978-1-350-02551-6 | Penny Hilton | Design in Motion: Applying Design Principles to Filmmaking |
| 2016 | 978-1-350-02562-2 | Ella Carmen Greenhill | Plastic Figurines (Modern Plays) |
| '' | 978-1-350-02568-4 | Jacques Rancière | The Lost Thread |
| 2017 | 978-1-350-02573-8 | John Cooper | The British Welfare Revolution, 1906-14 |
| '' | 978-1-350-02574-5 | John Cooper | The British Welfare Revolution, 1906-14 |
| 2017 | 978-1-350-02575-2 | John Cooper | The British Welfare Revolution, 1906-14 |
| 2018 | 978-1-350-02579-0 | Laura Hein | Post-Fascist Japan: Political Culture in Kamakura after the Second World War (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-02580-6 | Laura Hein | Post-Fascist Japan (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-02581-3 | '' | Post-Fascist Japan: Political Culture in Kamakura after the Second World War (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-02598-1 | Bethan Marshall · Simon Gibbons · Louise Hayward · Ernest Spencer | Policy, Belief and Practice in the Secondary English Classroom: A Case Study Approach from Canada, England and Scotland |
| 2017 | 978-1-350-02614-8 | Tom Salinsky · Deborah Frances-White | The Improv Handbook: The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond (Performance Books) |
| '' | 978-1-350-02615-5 | Tom Salinsky · Deborah Frances-White | The Improv Handbook (Performance Books) |
| 2017 | 978-1-350-02616-2 | Tom Salinsky · Deborah Frances-White | The Improv Handbook (Performance Books) |
| '' | 978-1-350-02617-9 | '' | The Improv Handbook: The Ultimate Guide to Improvising in Comedy, Theatre, and Beyond (Performance Books) |
| '' | 978-1-350-02623-0 | Maria Bucur | Gendering Modernism: A Historical Reappraisal of the Canon |
| '' | 978-1-350-02624-7 | Maria Bucur | Gendering Modernism |
| '' | 978-1-350-02625-4 | '' | Gendering Modernism |
| 2017 | 978-1-350-02626-1 | Maria Bucur | Gendering Modernism: A Historical Reappraisal of the Canon |
| '' | 978-1-350-02650-6 | Ian Heywood · Barry Sandywell | The Handbook of Visual Culture |
| '' | 978-1-350-02651-3 | Ognyan Seizov · Janina Wildfeuer | New Studies in Multimodality: Conceptual and Methodological Elaborations |
| '' | 978-1-350-02652-0 | Ognyan Seizov · Janina Wildfeuer | New Studies in Multimodality: Conceptual and Methodological Elaborations |
| '' | 978-1-350-02653-7 | '' | New Studies in Multimodality: Conceptual and Methodological Elaborations |
| 2018 | 978-1-350-02665-0 | Alain Badiou | Badiou and His Interlocutors |
| 2018 | 978-1-350-02666-7 | Alain Badiou | Badiou and His Interlocutors |
| '' | 978-1-350-02671-1 | Matthew DeCoursey | Embodied Aesthetics in Drama Education |
| 2018 | 978-1-350-02672-8 | Matthew DeCoursey | Drama, Aesthetics and Education: Making a Theatrical Impact |
| 2017 | 978-1-350-02677-3 | Henri Poincaré | Science and Hypothesis |
| 2021 | 978-1-350-02679-7 | Ashley Frawley | Significant Emotions: Rhetoric and Social Problems in a Vulnerable Age |
| '' | 978-1-350-02680-3 | '' | Significant Emotions: Rhetoric and Social Problems in a Vulnerable Age |
| 2017 | 978-1-350-02689-6 | Christopher Partridge | Mortality and Music (Bloomsbury Studies in Religion and Popular Music) |
| '' | 978-1-350-02690-2 | Alison Scott-Baumann | Islamic Education in Britain: New Pluralist Paradigms |
| 2019 | 978-1-350-02693-3 | Professor of Philosophy Isabelle Stengers | Hypnosis Between Science and Magic (Lines) |
| '' | 978-1-350-02701-5 | Oliver Tearle | The Great War, The Waste Land and the Modernist Long Poem |
| 2017 | 978-1-350-02721-3 | Tom de Freston with Kiran Millwood Hargrave | Orpheus and Eurydice (Beyond Criticism) |
| 2018 | 978-1-350-02722-0 | Professor Jan Frans van Dijkhuizen | A Literary History of Reconciliation: Power, Remorse and the Limits of Forgiveness |
| 2017 | 978-1-350-02731-2 | Sophie Botros | Truth, Time and History: A Philosophical Inquiry |
| '' | 978-1-350-02732-9 | '' | Truth, Time and History: A Philosophical Inquiry |
| 2017 | 978-1-350-02733-6 | Sophie Botros | Truth, Time and History: A Philosophical Inquiry |
| '' | 978-1-350-02735-0 | Johan Lund Heinsen | Mutiny in the Danish Atlantic World: Convicts, Sailors and a Dissonant Empire |
| '' | 978-1-350-02736-7 | Johan Heinsen | Mutiny in the Danish Atlantic World |
| '' | 978-1-350-02737-4 | Johan Lund Heinsen | Mutiny in the Danish Atlantic World: Convicts, Sailors and a Dissonant Empire |
| '' | 978-1-350-02743-5 | Jane Lydon | Photography Humanitarianism Empire (Photography, History: History, Photography) |
| 2017 | 978-1-350-02747-3 | Aden Evens | Logic of the Digital |
| 2018 | 978-1-350-02748-0 | Felix Guattari | Ecosophy (Lines) |
| 2019 | 978-1-350-02751-0 | Jools Gilson · Nicola Moffat | Textiles, Community and Controversy |
| '' | 978-1-350-02752-7 | '' | Textiles, Community and Controversy: The Knitting Map |
| '' | 978-1-350-02753-4 | '' | Textiles, Community and Controversy: The Knitting Map |
| '' | 978-1-350-02755-8 | Neil Leonard · Andrew Way · Frédérique Santune | Web and Digital for Graphic Designers |
| 2016 | 978-1-350-02757-2 | Sabrina Mahfouz | Layla's Room (Modern Plays) |
| 2018 | 978-1-350-02767-1 | Philip Tew | Jonathan Coe: Contemporary British Satire |
| 2017 | 978-1-350-02771-8 | Giulia Liberatore | Somali Muslim British: Striving in Securitized Britain (LSE Monographs on Social Anthropology) |
| 2017 | 978-1-350-02772-5 | Giulia Liberatore | Somali, Muslim, British: Striving in Securitized Britain (LSE Monographs on Social Anthropology) |
| '' | 978-1-350-02773-2 | '' | Somali, Muslim, British: Striving in Securitized Britain (LSE Monographs on Social Anthropology) |
| '' | 978-1-350-02775-6 | Elizabeth Hull | Contingent Citizens (LSE Monographs on Social Anthropology) |
| '' | 978-1-350-02776-3 | Elizabeth Hull | Contingent Citizens: Professional Aspiration in a South African Hospital (LSE Monographs on Social Anthropology) |
| '' | 978-1-350-02777-0 | '' | Contingent Citizens: Professional Aspiration in a South African Hospital (LSE Monographs on Social Anthropology) |
| 2017 | 978-1-350-02779-4 | Felix Stein | Work, Sleep, Repeat: The Abstract Labour of German Management Consultants (LSE Monographs on Social Anthropology) |
| '' | 978-1-350-02782-4 | Andrew Holborn | The D-Day Landing on Gold Beach (Bloomsbury Studies in Military History) |
| 2018 | 978-1-350-02788-6 | Aileen Blaney · Chinar Shah | Photography in India |
| 2016 | 978-1-350-02792-3 | Mark Ravenhill | Shopping and F***Ing (Modern Plays) (Modern Classics) |
| 2018 | 978-1-350-02800-5 | Jakob Leth Fink | Phantasia in Aristotle's Ethics: Reception in the Medieval Arabic, Greek, Hebrew and Latin Traditions (Bloomsbury Studies in the Aristotelian Tradition) |
| 2016 | 978-1-350-02805-0 | Rob Drummond | The Broons (Modern Plays) |
| '' | 978-1-350-02808-1 | Al Smith | Harrogate (Modern Plays) |
| 2020 | 978-1-350-02817-3 | Sean Kleefeld | Webcomics (Bloomsbury Comics Studies) |
| '' | 978-1-350-02818-0 | '' | Webcomics (Bloomsbury Comics Studies) |
| 2017 | 978-1-350-02822-7 | Patrizia Di Bello | Sculptural Photographs |
| '' | 978-1-350-02827-2 | James Edward Burton | The Philosophy of Science Fiction: Henri Bergson and the Fabulations of Philip K. Dick |
| 2017 | 978-1-350-02828-9 | Jacqueline Boaks · Michael P. Levine | Leadership and Ethics |
| 2018 | 978-1-350-02829-6 | Patricia Skinner and Emily Cock | Approaching Facial Difference (Facialities: Interdisciplinary Approaches to the Human Face) |
| 2017 | 978-1-350-02833-3 | Nicholas Vrousalis | The Political Philosophy of G. A. Cohen (Bloomsbury Research in Political Philosophy) |
| '' | 978-1-350-02834-0 | Divya Dwivedi · Sanil V | The Public Sphere From Outside the West |
| '' | 978-1-350-02840-1 | Alec Marsh | John Kasper and Ezra Pound (Historicizing Modernism) |
| '' | 978-1-350-02841-8 | Laura Cowan | Rebecca West's Subversive Use of Hybrid Genres |
| '' | 978-1-350-02842-5 | Alex Latter | Late Modernism and The English Intelligencer (Historicizing Modernism) |
| 2017 | 978-1-350-02843-2 | Henry Mead | T. E. Hulme and the Ideological Politics of Early Modernism (Historicizing Modernism) |
| '' | 978-1-350-02844-9 | Magdalena Maczynska | The Gospel According to the Novelist (New Directions in Religion and Literature) |
| '' | 978-1-350-02845-6 | Melissa Dinsman | Modernism at the Microphone (Historicizing Modernism) |
| '' | 978-1-350-02846-3 | David Deutsch | British Literature and Classical Music (Historicizing Modernism) |
| '' | 978-1-350-02847-0 | Niall Martin | Iain Sinclair: Noise, Neoliberalism and the Matter of London (Bloomsbury Studies in the City) |
| 2019 | 978-1-350-02848-7 | Anna Traianou · Ken Jones | Austerity and the Remaking of European Education |
| 2016 | 978-1-350-02856-2 | Bloomsbury Academic. Fashion & Textiles - New titles Fall 2017 | |
| 2018 | 978-1-350-02857-9 | Caryl Churchill | Top Girls (Student Editions) |
| 2021 | 978-1-350-02875-3 | Tejendra Pherali | Conflict, Education and Peace in Nepal: Rebuilding Education for Peace and Democracy |
| 2018 | 978-1-350-02904-0 | Robert Lockie | Free Will and Epistemology: A Defence of the Transcendental Argument for Freedom |
| 2018 | 978-1-350-02905-7 | Robert Lockie | Free Will and Epistemology: A Defence of the Transcendental Argument for Freedom |
| 2017 | 978-1-350-02906-4 | '' | Free Will and Epistemology: A Defence of the Transcendental Argument for Freedom |