Other ISBN ranges for Bloomsbury Academic: Bloomsbury Academic (978-0-85785-...) · Bloomsbury Academic (978-1-4725-...) · Bloomsbury Academic (978-1-4742-...) · Bloomsbury Academic (978-1-5013-...) · Bloomsbury Academic (978-1-62356-...) · Bloomsbury Academic (978-1-62892-...) · Bloomsbury Academic (978-1-78093-...) · Bloomsbury Academic (978-1-84966-...)
ISBN 978-1-350-00638-6 to 978-1-350-01266-0 < ISBN 978-1-350-01272-1 to 978-1-350-02069-6 > ISBN 978-1-350-02095-5 to 978-1-350-02906-4
| year of publication | ISBN | author(s) | title |
|---|---|---|---|
| 2017 | 978-1-350-01272-1 | Victor Margolin | World History of Design Volume 1 |
| '' | 978-1-350-01273-8 | Victor Margolin | World History of Design Volume 2 |
| '' | 978-1-350-01274-5 | Julian Walker | Words and the First World War: Language, Memory, Vocabulary |
| 2018 | 978-1-350-01275-2 | Sidney Homan · Brian Rhinehart | Comedy Acting for Theatre: The Art and Craft of Performing in Comedies (Performance Books) |
| '' | 978-1-350-01276-9 | Sidney Homan and Brian Rhinehart | Comedy Acting for Theatre (Performance Books) |
| '' | 978-1-350-01277-6 | '' | Comedy Acting for Theatre (Performance Books) |
| 2018 | 978-1-350-01278-3 | Sidney Homan · Brian Rhinehart | Comedy Acting for Theatre: The Art and Craft of Performing in Comedies (Performance Books) |
| '' | 978-1-350-01280-6 | Jeffrey R. Di Leo | The Bloomsbury Handbook of Literary and Cultural Theory |
| 2017 | 978-1-350-01309-4 | Michael Frayn | Alarms And Excursions: More Plays Than One (Modern Plays) |
| '' | 978-1-350-01311-7 | Christopher Wise | Sorcery, Totem, and Jihad in African Philosophy (Suspensions: Contemporary Middle Eastern and Islamicate Thought) |
| '' | 978-1-350-01313-1 | Michael Frayn | Alarms And Excursions: More Plays Than One (Modern Plays) |
| '' | 978-1-350-01336-0 | '' | Now You Know: Play (Modern Plays) |
| 2017 | 978-1-350-01337-7 | Michael Frayn | Now You Know: Play (Modern Plays) |
| '' | 978-1-350-01339-1 | Susan A. Ashley | "Misfits" in Fin-de-Siecle France and Italy: Anatomies of Difference |
| '' | 978-1-350-01340-7 | '' | "Misfits" in Fin-de-Siecle France and Italy: Anatomies of Difference |
| '' | 978-1-350-01341-4 | '' | "Misfits" in Fin-de-Siecle France and Italy: Anatomies of Difference |
| 2016 | 978-1-350-01350-6 | Ayad Akhtar | The Invisible Hand (Modern Plays) |
| 2017 | 978-1-350-01354-4 | Lorenzo Mastropierro | Corpus Stylistics in Heart of Darkness and its Italian Translations (Corpus and Discourse) |
| 2017 | 978-1-350-01355-1 | Lorenzo Mastropierro | Corpus Stylistics in Heart of Darkness and its Italian Translations (Corpus and Discourse) |
| '' | 978-1-350-01356-8 | '' | Corpus Stylistics in Heart of Darkness and its Italian Translations (Corpus and Discourse) |
| '' | 978-1-350-01365-0 | Michael Frayn | The Crimson Hotel and Audience (Modern Plays) |
| '' | 978-1-350-01366-7 | '' | The Crimson Hotel and Audience (Modern Plays) |
| '' | 978-1-350-01370-4 | '' | Frayn Plays: 2: Balmoral; Benefactors; Wild Honey (Contemporary Dramatists) |
| 2017 | 978-1-350-01371-1 | Michael Frayn | Frayn Plays: 2: Balmoral; Benefactors; Wild Honey (Contemporary Dramatists) |
| '' | 978-1-350-01372-8 | '' | Frayn Plays: 3: Here; Now You Know; La Belle Vivette (Contemporary Dramatists) |
| 2017 | 978-1-350-01373-5 | Michael Frayn | Frayn Plays: 3: Here; Now You Know; La Belle Vivette (Contemporary Dramatists) |
| '' | 978-1-350-01389-6 | Anca I. Lasc · Georgina Downey · Mark Taylor | Designing the French Interior: The Modern Home and Mass Media |
| '' | 978-1-350-01398-8 | Monika Poettinger · Piero Roggi | Florence: Capital of the Kingdom of Italy, 1865-71 |
| '' | 978-1-350-01399-5 | Monika Poettinger · Piero Roggi | Florence: Capital of the Kingdom of Italy, 1865-71 |
| 2018 | 978-1-350-01400-8 | Taka Oshikiri | Gathering for Tea in Modern Japan: Class, Culture and Consumption in the Meiji Period (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-01401-5 | '' | Gathering for Tea in Modern Japan: Class, Culture and Consumption in the Meiji Period (SOAS Studies in Modern and Contemporary Japan) |
| 2017 | 978-1-350-01402-2 | Monika Poettinger · Piero Roggi | Florence: Capital of the Kingdom of Italy, 1865-71 |
| 2018 | 978-1-350-01403-9 | Taka Oshikiri | Gathering for Tea in Modern Japan: Class, Culture and Consumption in the Meiji Period (SOAS Studies in Modern and Contemporary Japan) |
| 2016 | 978-1-350-01406-0 | Sarah Waters · Hattie Naylor | The Night Watch (Modern Plays) |
| 2016 | 978-1-350-01415-2 | Griseldis Kirsch | Contemporary Sino-Japanese Relations on Screen (SOAS Studies in Modern and Contemporary Japan) |
| '' | 978-1-350-01416-9 | Thiam Huat Kam and Björn-Ole Kamm Patrick W. Galbraith | Debating Otaku in Contemporary Japan (SOAS Studies in Modern and Contemporary Japan) |
| 2019 | 978-1-350-01419-0 | Efterpi Mitsi | Troilus and Cressida: A Critical Reader (Arden Early Modern Drama Guides) |
| 2018 | 978-1-350-01422-0 | Michelle Witen | James Joyce and Absolute Music (Historicizing Modernism) |
| '' | 978-1-350-01423-7 | '' | James Joyce and Absolute Music (Historicizing Modernism) |
| '' | 978-1-350-01424-4 | '' | James Joyce and Absolute Music (Historicizing Modernism) |
| 2016 | 978-1-350-01426-8 | David Lee | Stanley Melbourne Bruce |
| 2017 | 978-1-350-01431-2 | Irina Sirotkina and Roger Smith | The Sixth Sense of the Avant-Garde |
| '' | 978-1-350-01432-9 | Irina Sirotkina · Roger Smith | The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the Arts in Revolutionary Russia |
| 2017 | 978-1-350-01433-6 | Irina Sirotkina · Roger Smith | The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the Arts in Revolutionary Russia |
| 2018 | 978-1-350-01435-0 | Theresa Robbins Dudeck · Caitlin McClure | Applied Improvisation: Leading, Collaborating, and Creating Beyond the Theatre |
| 2016 | 978-1-350-01437-4 | Jakub Mácha | Wittgenstein on Internal and External Relations (Bloomsbury Research in Analytic Philosophy) |
| '' | 978-1-350-01441-1 | Jussi Haukioja | Advances in Experimental Philosophy of Language |
| 2017 | 978-1-350-01452-7 | Chris Johnston | Disobedient Theatre: Alternative Ways to Inspire, Animate and Play (Performance Books) |
| '' | 978-1-350-01453-4 | Chris Johnston | Disobedient Theatre (Performance Books) |
| '' | 978-1-350-01454-1 | '' | Disobedient Theatre (Performance Books) |
| 2017 | 978-1-350-01455-8 | Chris Johnston | Disobedient Theatre: Alternative Ways to Inspire, Animate and Play (Performance Books) |
| 2018 | 978-1-350-01461-9 | Susan C. W. Abbotson | Modern American Drama: Playwriting in the 1950s: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| 2017 | 978-1-350-01462-6 | Susan C. W. Abbotson | Modern American Drama: Playwriting in the 1950s: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| '' | 978-1-350-01468-8 | Erich Horl · James Edward Burton | General Ecology: The New Ecological Paradigm |
| '' | 978-1-350-01469-5 | Erich Horl | General Ecology: The New Ecological Paradigm (Theory) (Theory in the New Humanities) |
| '' | 978-1-350-01470-1 | Erich Horl · James Edward Burton | General Ecology: The New Ecological Paradigm (Theory in the New Humanities) |
| '' | 978-1-350-01471-8 | '' | General Ecology: The New Ecological Paradigm |
| 2016 | 978-1-350-01473-2 | Zoe Cooper | Petrification (Modern Plays) |
| 2020 | 978-1-350-01478-7 | Alain Badiou | The Pornographic Age |
| 2020 | 978-1-350-01479-4 | Alain Badiou | The Pornographic Age |
| 2017 | 978-1-350-01487-9 | Ben Greenley · Dan Menashe · James Renshaw | OCR Classical Civilisation GCSE Route 1 |
| '' | 978-1-350-01488-6 | Ben Greenley · Dan Menashe · James Renshaw | OCR Classical Civilisation GCSE Route 1: Myth and Religion |
| '' | 978-1-350-01489-3 | '' | OCR Classical Civilisation GCSE Route 1: Myth and Religion |
| 2018 | 978-1-350-01491-6 | Stephen Ross · Derek Ryan | The Handbook to the Bloomsbury Group |
| 2017 | 978-1-350-01503-6 | Rob Hancock · Dan Menashe · James Renshaw | OCR Classical Civilisation GCSE Route 2 |
| '' | 978-1-350-01504-3 | '' | OCR Classical Civilisation GCSE Route 2: Women in the Ancient World |
| '' | 978-1-350-01505-0 | '' | OCR Classical Civilisation GCSE Route 2: Women in the Ancient World |
| 2017 | 978-1-350-01507-4 | Sally Knights | OCR Classical Civilisation AS and A Level Component 11 |
| '' | 978-1-350-01508-1 | Sally Knights | OCR Classical Civilisation AS and A Level Component 11: The World of the Hero |
| 2017 | 978-1-350-01509-8 | Sally Knights | OCR Classical Civilisation AS and A Level Component 11: The World of the Hero |
| '' | 978-1-350-01511-1 | Rob Hancock · James Renshaw · Laura Swift | OCR Classical Civilisation AS and A Level Components 21 and 22 |
| '' | 978-1-350-01512-8 | Rob Hancock · James Renshaw · Laura Swift | OCR Classical Civilisation AS and A Level Components 21 and 22: Greek Theatre and Imperial Image |
| '' | 978-1-350-01513-5 | '' | OCR Classical Civilisation AS and A Level Components 21 and 22: Greek Theatre and Imperial Image |
| '' | 978-1-350-01515-9 | Sam Baddeley · James Renshaw · Paul Fowler · Lucy Nicholas | OCR Ancient History GCSE Component 1 |
| 2017 | 978-1-350-01516-6 | Sam Baddeley · Paul Fowler · Lucy Nicholas · James Renshaw | OCR Ancient History GCSE Component 1: Greece and Persia |
| '' | 978-1-350-01517-3 | '' | OCR Ancient History GCSE Component 1: Greece and Persia |
| '' | 978-1-350-01519-7 | Christopher Grocock and James Melville Paul Fowler | OCR Ancient History GCSE Component 2 |
| '' | 978-1-350-01520-3 | Paul Fowler · Christopher Grocock · James Melville | OCR Ancient History GCSE Component 2: Rome |
| '' | 978-1-350-01521-0 | Paul Fowler · Christopher Grocock · James Melville | OCR Ancient History GCSE Component 2: Rome |
| 2017 | 978-1-350-01523-4 | Charlie Cottam · James Renshaw · Lucy Nicholas · Steve Matthews · David L. S. Hodgkinson | OCR Ancient History AS and A Level Component 1 |
| '' | 978-1-350-01524-1 | Charlie Cottam · David Hodgkinson · Steve Matthews · Lucy Nicholas · James Renshaw | OCR Ancient History AS and A Level Component 1: Greece |
| '' | 978-1-350-01525-8 | Charlie Cottam · David Hodgkinson · Steve Matthews · Lucy Nicholas · James Renshaw | OCR Ancient History AS and A Level Component 1: Greece |
| '' | 978-1-350-01527-2 | James Harrison · Steve Matthews · Robert Cromarty | OCR Ancient History AS and A Level Component 2 (Ocr As & a Level) |
| '' | 978-1-350-01528-9 | Robert Cromarty · James Harrison · Steve Matthews | OCR Ancient History AS and A Level Component 2: Rome |
| 2017 | 978-1-350-01529-6 | Robert Cromarty · James Harrison · Steve Matthews | OCR Ancient History AS and A Level Component 2: Rome |
| '' | 978-1-350-01531-9 | David Herman | Animal Comics |
| '' | 978-1-350-01532-6 | David Herman | Animal Comics: Multispecies Storyworlds in Graphic Narratives |
| '' | 978-1-350-01533-3 | '' | Animal Comics: Multispecies Storyworlds in Graphic Narratives |
| 2018 | 978-1-350-01554-8 | Ian Buchanan | Assemblage Theory and Method |
| '' | 978-1-350-01555-5 | Ian Buchanan | Assemblage Theory and Method |
| 2018 | 978-1-350-01558-6 | Grace Lees-Maffei · Nicolas P. Maffei | Reading Graphic Design in Cultural Context |
| 2017 | 978-1-350-01565-4 | William Watkin | Badiou and Indifferent Being: A Critical Introduction to Being and Event |
| '' | 978-1-350-01566-1 | '' | Badiou and Indifferent Being |
| 2017 | 978-1-350-01567-8 | William Watkin | Badiou and Indifferent Being |
| '' | 978-1-350-01568-5 | '' | Badiou and Indifferent Being: A Critical Introduction to Being and Event |
| 2020 | 978-1-350-01572-2 | Michael Salmond | Video Game Level Design: How to Create Video Games with Emotion, Interaction and Engagement (Required Reading Range) |
| 2017 | 978-1-350-01579-1 | Chris L. Smith | Bare Architecture: A Schizoanalysis |
| '' | 978-1-350-01580-7 | Chris L. Smith | Bare Architecture: A Schizoanalysis |
| '' | 978-1-350-01581-4 | '' | Bare Architecture |
| 2018 | 978-1-350-01588-3 | Eleanor O'Leary | Youth and Popular Culture in 1950s Ireland |
| '' | 978-1-350-01589-0 | Eleanor OLeary | Youth and Popular Culture in 1950s Ireland |
| 2018 | 978-1-350-01590-6 | Eleanor O'Leary | Teenagers and Social Change in 1950s Ireland: Everyday Life and Popular Culture |
| 2016 | 978-1-350-01592-0 | Leo Butler | Decades (Modern Plays) |
| '' | 978-1-350-01600-2 | Stephen Poliakoff | Close to the Enemy (Modern Plays) |
| '' | 978-1-350-01604-0 | Stephen Poliakoff | Close to the Enemy (Modern Plays) |
| '' | 978-1-350-01610-1 | Philip Ridley | Karagula (Modern Plays) |
| 2020 | 978-1-350-01624-8 | Charles Orzech | Museums of World Religions: Displaying the Divine, Shaping Cultures (Bloomsbury Studies in Material Religion) |
| 2016 | 978-1-350-01628-6 | Edward Bond | Dea (Modern Plays) |
| 2017 | 978-1-350-01644-6 | Lyndon C. S. Way | Popular Music and Multimodal Critical Discourse Studies (Bloomsbury Advances in Critical Discourse Studies) |
| '' | 978-1-350-01645-3 | '' | Popular Music and Multimodal Critical Discourse Studies: Ideology, Control and Resistance in Turkey since 2002 (Bloomsbury Advances in Critical Discourse Studies) |
| 2017 | 978-1-350-01646-0 | Lyndon C. S. Way | Popular Music and Multimodal Critical Discourse Studies: Ideology, Control and resistance in Turkey since 2002 (Bloomsbury Advances in Critical Discourse Studies) |
| '' | 978-1-350-01661-3 | Ivan Segre | Spinoza: The Ethics of an Outlaw |
| 2018 | 978-1-350-01666-8 | Trent Hergenrader | Collaborative Worldbuilding for Writers and Gamers |
| '' | 978-1-350-01667-5 | '' | Collaborative Worldbuilding for Writers and Gamers |
| '' | 978-1-350-01672-9 | Mary Spongberg | Women Writers and the Nation's Past 1790-1860: Empathetic Histories |
| 2017 | 978-1-350-01678-1 | Trevor Corner | Education in the European Union: Post-2003 Member States (Education Around the World) |
| '' | 978-1-350-01680-4 | Edward Said | On Late Style: Music and Literature Against the Grain (Bloomsbury Revelations) |
| 2018 | 978-1-350-01688-0 | Daniel Conway | Nietzsche and The Antichrist: Religion, Politics, and Culture in Late Modernity (Bloomsbury Studies in Continental Philosophy) |
| 2018 | 978-1-350-01697-2 | Luis Gorrochategui Santos | The English Armada: The Greatest Naval Disaster in English History |
| '' | 978-1-350-01707-8 | Nick Moran | Performance Lighting Design: How to Light for the Stage, Concerts and Live Events (Backstage) |
| '' | 978-1-350-01708-5 | Nick Moran | Performance Lighting Design: How to Light for the Stage, Concerts and Live Events (Backstage) |
| 2017 | 978-1-350-01711-5 | David Stuttard | Looking at Antigone |
| 2018 | 978-1-350-01720-7 | Genevieve Love | Early Modern Theatre and the Figure of Disability (Arden Studies in Early Modern Drama) |
| 2019 | 978-1-350-01724-5 | Gillian Vogelsang-Eastwood · Willem Vogelsang | Encyclopedia of Embroidery from Central Asia, the Iranian Plateau and the Indian Subcontinent (Bloomsbury World Encyclopedia of Embroidery) |
| 2018 | 978-1-350-01725-2 | Edmund Richardson | Classics in Extremis: The Edges of Classical Reception (Bloomsbury Studies in Classical Reception) |
| 2016 | 978-1-350-01733-7 | A. Rupert Hall · Norman Smith | History of Technology Volume 1 |
| '' | 978-1-350-01736-8 | A. Rupert Hall · Norman Smith | History of Technology Volume 2 |
| 2016 | 978-1-350-01740-5 | A. Rupert Hall · Norman Smith | History of Technology Volume 3 |
| '' | 978-1-350-01745-0 | Sarah Kosar | Mumburger (Modern Plays) |
| 2018 | 978-1-350-01748-1 | Felicia Hardison Londre | Modern American Drama: Playwriting in the 1940s: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| '' | 978-1-350-01749-8 | Felicia Hardison Londre | Modern American Drama: Playwriting in the 1940s: Voices, Documents, New Interpretations (Decades of Modern American Drama: Playwriting from the 1930s to 2009) |
| 2016 | 978-1-350-01751-1 | James Tartaglia | Philosophy in a Meaningless Life |
| 2020 | 978-1-350-01753-5 | Miriam Chirico · Kelly Younger | How to Teach a Play: Essential Exercises for Popular Plays |
| 2016 | 978-1-350-01757-3 | A. Rupert Hall · Norman Smith | History of Technology Volume 4 |
| '' | 978-1-350-01762-7 | A. Rupert Hall | History of Technology Volume 5 |
| 2020 | 978-1-350-01766-5 | Rosemary Wakeman | A Modern History of European Cities: 1815 to the Present |
| 2016 | 978-1-350-01800-6 | A. Rupert Hall · Norman Smith | History of Technology Volume 6 |
| '' | 978-1-350-01812-9 | '' | History of Technology Volume 7 |
| 2017 | 978-1-350-01815-0 | Mario Perniola | The Sex Appeal of the Inorganic: Philosophies of Desire in the Modern World (Bloomsbury Revelations) |
| 2016 | 978-1-350-01820-4 | Norman Smith | History of Technology Volume 8 |
| 2017 | 978-1-350-01823-5 | Rene Girard | Evolution and Conversion: Dialogues on the Origins of Culture (Bloomsbury Revelations) |
| 2018 | 978-1-350-01827-3 | Dawn Lyon | What is Rhythmanalysis? (The 'What is?' Research Methods Series) |
| 2018 | 978-1-350-01828-0 | Dawn Lyon | What is Rhythmanalysis? (The 'What is?' Research Methods Series) |
| 2016 | 978-1-350-01833-4 | Jon Brittain | Rotterdam (Modern Plays) |
| '' | 978-1-350-01837-2 | Norman Smith | History of Technology Volume 9 |
| '' | 978-1-350-01842-6 | '' | History of Technology Volume 10 |
| 2017 | 978-1-350-01845-7 | Victor Margolin | World History of Design: Two-volume set |
| 2016 | 978-1-350-01847-1 | Norman Smith | History of Technology Volume 11 |
| '' | 978-1-350-01851-8 | Graham Hollister-Short · Frank James | History of Technology Volume 13 |
| '' | 978-1-350-01855-6 | Oli Forsyth | Happy Dave (Modern Plays) |
| 2017 | 978-1-350-01914-0 | Lisa Trentin | The Hunchback in Hellenistic and Roman Art |
| 2016 | 978-1-350-01915-7 | Graham Hollister-Short · Frank James | History of Technology Volume 12 |
| 2016 | 978-1-350-01916-4 | Henry Stead and Edith Hall | Greek and Roman Classics in the British Struggle for Social Reform (Bloomsbury Studies in Classical Reception) |
| 2018 | 978-1-350-01921-8 | Spyros Spyrou · Rachel Rosen · Daniel Thomas Cook | Reimagining Childhood Studies |
| '' | 978-1-350-01922-5 | Spyros Spyrou · Rachel Rosen · Daniel Thomas Cook | Reimagining Childhood Studies |
| '' | 978-1-350-01924-9 | '' | Reimagining Childhood Studies |
| 2019 | 978-1-350-01927-0 | John Wolffe | Sacred and Secular Martyrdom in Britain and Ireland since 1914 |
| 2018 | 978-1-350-01941-6 | Luis Gorrochategui Santos | The English Armada: The Greatest Naval Disaster in English History |
| 2017 | 978-1-350-01945-4 | Robert Flierman | Saxon Identities, AD 150900 (Studies in Early Medieval History) |
| '' | 978-1-350-01946-1 | '' | Saxon Identities, AD 150-900 (Studies in Early Medieval History) |
| 2017 | 978-1-350-01947-8 | Robert Flierman | Saxon Identities, AD 150-900 (Studies in Early Medieval History) |
| 2018 | 978-1-350-01949-2 | Lorna Hamilton · John Ravenscroft | Building Research Design in Education |
| 2016 | 978-1-350-01954-6 | John Oliphant | John Forbes: Scotland, Flanders and the Seven Years' War, 1707-1759 |
| '' | 978-1-350-01964-5 | Rob Drummond | In Fidelity (Modern Plays) |
| '' | 978-1-350-01970-6 | Al Smith | Diary of a Madman (Modern Plays) |
| 2020 | 978-1-350-01972-0 | Paul Wells | Screenwriting for Animation |
| 2018 | 978-1-350-01976-8 | Vera Bühlmann | Mathematics and Information in the Philosophy of Michel Serres (Michel Serres and Material Futures) |
| 2019 | 978-1-350-01977-5 | Vera Buhlmann | Mathematics and Information in the Philosophy of Michel Serres (Michel Serres and Material Futures) |
| 2018 | 978-1-350-01984-3 | Natasha Periyan | The Politics of 1930s British Literature: Education, Class, Gender (Historicizing Modernism) |
| '' | 978-1-350-01989-8 | Stephanie Lenox · H. K. Hummel | Short-Form Creative Writing: A Writer's Guide and Anthology (Bloomsbury Writers' Guides and Anthologies) |
| 2016 | 978-1-350-01996-6 | Bloomsbury Academic. New titles Fall 2015: Interior design & Architecture | |
| 2017 | 978-1-350-02004-7 | David J. Kangas | Errant Affirmations: On the Philosophical Meaning of Kierkegaard's Religious Discourses |
| '' | 978-1-350-02005-4 | David J. Kangas | Errant Affirmations |
| 2017 | 978-1-350-02006-1 | David J. Kangas | Errant Affirmations: On the Philosophical Meaning of Kierkegaard's Religious Discourses |
| 2018 | 978-1-350-02015-3 | Amorak Huey · Todd Kaneko | Poetry (Bloomsbury Writers' Guides and Anthologies) |
| '' | 978-1-350-02016-0 | Amorak Huey and Todd Kaneko | Poetry (Bloomsbury Writers' Guides and Anthologies) |
| 2017 | 978-1-350-02020-7 | Lawrence Zeegen | The Fundamentals of Illustration |
| 2016 | 978-1-350-02030-6 | Maine de Biran | The Relationship between the Physical and the Moral in Man |
| '' | 978-1-350-02031-3 | Ludmilla Jordanova | History in Practice 2nd edition |
| 2017 | 978-1-350-02032-0 | Ibrahim Abraham | Evangelical Youth Culture |
| '' | 978-1-350-02033-7 | Abraham Ibrahim | Evangelical Youth Culture: Alternative Music and Extreme Sports Subcultures |
| '' | 978-1-350-02034-4 | '' | Evangelical Youth Culture: Alternative Music and Extreme Sports Subcultures |
| 2017 | 978-1-350-02036-8 | Jeremy Carrette · Hugh Miall | Religion, NGOs and the United Nations: Visible and Invisible Actors in Power (Advances in Digital Language Learning and Teaching) |
| '' | 978-1-350-02040-5 | Jeong-Bae Son · Scott Windeatt | Language Teacher Education and Technology: Approaches and Practices (Advances in Digital Language Learning and Teaching) |
| '' | 978-1-350-02041-2 | Jeong-Bae Son · Scott Windeatt | Language Teacher Education and Technology: Approaches and Practices (Advances in Digital Language Learning and Teaching) |
| '' | 978-1-350-02042-9 | '' | Language Teacher Education and Technology: Approaches and Practices (Advances in Digital Language Learning and Teaching) |
| '' | 978-1-350-02049-8 | Judith Szapor | Hungarian Womens Activism in the Wake of the First World War |
| 2017 | 978-1-350-02050-4 | Judith Szapor | Hungarian Women's Activism in the Wake of the First World War: From Rights to Revanche |
| '' | 978-1-350-02051-1 | '' | Hungarian Women's Activism in the Wake of the First World War: From Rights to Revanche |
| '' | 978-1-350-02058-0 | Sile De Cleir | Popular Catholicism in 20th-century Ireland: Locality, Identity and Culture |
| '' | 978-1-350-02059-7 | Síle de Cléir | Popular Catholicism in 20th-Century Ireland |
| '' | 978-1-350-02060-3 | Sile de Cleir | Popular Catholicism in 20th-Century Ireland: Locality, Identity and Culture |
| 2017 | 978-1-350-02067-2 | Susan D. Amussen and David E. Underdown | Gender, Culture and Politics in England, 1560-1640 (Cultures of Early Modern Europe) |
| '' | 978-1-350-02068-9 | Susan Dwyer Amussen · David E. Underdown | Gender, Culture and Politics in England, 1560-1640: Turning the World Upside Down (Cultures of Early Modern Europe) |
| '' | 978-1-350-02069-6 | Susan Dwyer Amussen · David E. Underdown | Gender, Culture and Politics in England, 1560-1640: Turning the World Upside Down (Cultures of Early Modern Europe) |