year of publication | ISBN | author(s) | title |
1972 | 978-0-85635-002-3 | Natalya Gorbanevskaya | Poems |
'' | 978-0-85635-004-7 | Janos Pilinszky | Poems |
'' | 978-0-85635-034-4 | Michael Hamburger | East German Poetry |
1973 | 978-0-85635-038-2 | Michael Hamburger | Ownerless Earth: New and Selected Poems, 1950-72 |
'' | 978-0-85635-039-9 | '' | Ownerless Earth: New and Selected Poems, 1950-72 |
1975 | 978-0-85635-073-3 | '' | Art as Second Nature: Occasional Pieces, 1950-74 |
1974 | 978-0-85635-092-4 | John Wilmot Rochester | Debt to Pleasure (Fyfield Books) |
'' | 978-0-85635-097-9 | Peter Huchel | Selected Poems |
1974 | 978-0-85635-098-6 | Peter Huchel | Selected Poems |
1988 | 978-0-85635-135-8 | Jonathan Swift | Selected Poems (Fyfield Books) |
1975 | 978-0-85635-161-7 | Michael Hamburger | German Poetry, 1910-75 |
1977 | 978-0-85635-162-4 | '' | German Poetry, 1910-75 |
1976 | 978-0-85635-188-4 | Janos Pilinszky | Selected Poems |
1977 | 978-0-85635-216-4 | Michael Hamburger | Real Estate |
'' | 978-0-85635-234-8 | '' | Real Estate |
1978 | 978-0-85635-247-8 | Andrew Motion | Pleasure Steamers |
1980 | 978-0-85635-273-7 | Dante Alighieri | The Divine Comedy |
'' | 978-0-85635-290-4 | Czeslaw Milosz | Bells in Winter |
1981 | 978-0-85635-301-7 | Robert Henryson | Selected Poems (Fyfield Books) |
'' | 978-0-85635-354-3 | Michael Hamburger | Variations |
1983 | 978-0-85635-369-7 | J. F. Hendry | The Sacred Threshold - A Life of Rilke |
1980 | 978-0-85635-398-7 | Arthur Schnitzler | La Ronde (LA Ronde and Other Plays) |
1983 | 978-0-85635-418-2 | Peter Huchel | Garden of Theophrastus |
1982 | 978-0-85635-423-6 | John Ash | The Goodbyes |
'' | 978-0-85635-425-0 | Edmund Blunden | Edmund Blunden: Selected Poems |
1983 | 978-0-85635-431-1 | Padraic Fallon | Poems and Translations |
1983 | 978-0-85635-467-0 | Michael Hamburger | A Proliferation of Prophets: Essays on German Writers from Nietzsche to Brecht, Vol. 1 (Modern German literature) |
1986 | 978-0-85635-472-4 | Botho Strauss | Tumult |
1980 | 978-0-85635-497-7 | Michael Hamburger | Collected Poems 1941-83 |
1984 | 978-0-85635-501-1 | John Ash | The Branching Stairs |
1985 | 978-0-85635-526-4 | Keith Douglas | A Prose Miscellany |
1984 | 978-0-85635-533-2 | Christina Rossetti | Selected Poems (Fyfield Books) |
1985 | 978-0-85635-543-1 | Zbigniew Herbert | Selected Poems |
'' | 978-0-85635-546-2 | Zbigniew Herbert | The Barbarian in the Garden |
1984 | 978-0-85635-547-9 | John Ashbery | A Wave |
1985 | 978-0-85635-576-9 | Dino Buzzati | The Tartar Steppe |
1999 | 978-0-85635-577-6 | Natalia Ginzburg | All Our Yesterdays (Carcanet fiction) |
1985 | 978-0-85635-583-7 | Vikram Seth | Humble Administrator's Garden |
'' | 978-0-85635-585-1 | Sylvia Townsend Warner | Selected Poems |
'' | 978-0-85635-594-3 | Gillian Clarke | Selected Poems (Poetry Signatures) |
'' | 978-0-85635-597-4 | Iain Crichton-Smith | Selected Poems: Iain Crichton-Smith (Poetry Signatures) |
1970 | 978-0-85635-599-8 | Hilda Doolittle | Tribute to Freud |
1985 | 978-0-85635-603-2 | Bruno Monsaingeon | Mademoiselle: Conversations with Nadia Boulanger |
1986 | 978-0-85635-605-6 | Pier Paolo Pasolini | The Ragazzi |
1985 | 978-0-85635-633-9 | Octavio Paz | One Earth, Four or Five Worlds: Reflections on Contemporary History |
1986 | 978-0-85635-636-0 | Michael Hamburger | After the Second Flood: Essays on Post-war German Literature (Modern German literature) |
1987 | 978-0-85635-639-1 | Emmanuel Bove | Armand |
1986 | 978-0-85635-642-1 | Donald Davie | Trying to Explain |
1986 | 978-0-85635-666-7 | John Ashbery | Selected Poems |
'' | 978-0-85635-691-9 | Pier Paolo Pasolini | The Ragazzi |
1987 | 978-0-85635-695-7 | John Ash | Disbelief |
'' | 978-0-85635-700-8 | Leonardo Sciascia | The Moro Affair |
1988 | 978-0-85635-728-2 | Algernon Charles Swinburne | Selected Poems (Fyfield Books) |
1989 | 978-0-85635-741-1 | Eavan Boland | Selected Poems: Eavan Boland |
1988 | 978-0-85635-742-8 | John Burnside | The Hoop |
'' | 978-0-85635-752-7 | Michael Hamburger | Selected Poems |
'' | 978-0-85635-754-1 | Ford Madox Ford | Ladies Whose Bright Eyes |
1989 | 978-0-85635-757-2 | Gillian Clarke | Letting in the Rumour |
1988 | 978-0-85635-772-5 | Elsa Morante | Arturo's Island |
1989 | 978-0-85635-790-9 | Idris Parry | Speak Silence |
1994 | 978-0-85635-806-7 | Ian Mcmillan | Dad, the Donkey's on Fire |
1990 | 978-0-85635-807-4 | John Ashbery | Reported Sightings: Art Chronicles, 1957-87 |
1989 | 978-0-85635-814-2 | Michael Hamburger | Testimonies |
1989 | 978-0-85635-826-5 | H.D. | H.D. Selected Poems |
'' | 978-0-85635-837-1 | Rainer Maria Rilke | Duino Elegies |
'' | 978-0-85635-838-8 | Jean Hartley | Philip Larkin, the Marvell Press and Me |
1990 | 978-0-85635-850-0 | Maurice Collis | The Grand Peregrination: Being the Life and Adventures of Fernao Mendes Pinto (Aspects of Portugal S.) |
'' | 978-0-85635-857-9 | Roger Scruton | Philosopher on Dover Beach |
'' | 978-0-85635-860-9 | Richard Hooker | Ecclesiastical Polity (Anglican Classics in the Fyfield Series) |
1990 | 978-0-85635-899-9 | Eavan Boland | Outside History |
'' | 978-0-85635-900-2 | John Heath-Stubbs | Selected Poems: John Heath-Stubbs |
1991 | 978-0-85635-912-5 | Dilys Powell | Dilys Powell Film Reader |
1992 | 978-0-85635-926-2 | William Morris | Selected Poems: William Morris (Fyfield Books) |
'' | 978-0-85635-930-9 | Gerald Hammond | Horse Racing |
1990 | 978-0-85635-940-8 | John Clare | Midsummer Cushion (Fyfield Books) |
1991 | 978-0-85635-949-1 | Mimi Khalvati | In White Ink |
'' | 978-0-85635-952-1 | Christine Brooke-Rose | Textermination |
1993 | 978-0-85635-955-2 | Charles Boyle | The Very Man |
1992 | 978-0-85635-959-0 | Edna St. Vincent Millay | Selected Poems: Edna St. Vincent Millay |
'' | 978-0-85635-963-7 | David Wright | Poems and Versions |
1992 | 978-0-85635-971-2 | Edward Norgate | Treatise Concerning the Arte of Limning: Together with A More Compendious Discourse Concerning Ye Art of Limning (Fyfield Books) |
'' | 978-0-85635-989-7 | Clarice Lispector | Hour of the Star |
'' | 978-0-85635-991-0 | Leonardo Sciascia | To Each His Own (Black & White) |