| year of publication | ISBN | author(s) | title |
|---|
| 1993 | 978-0-500-23670-3 | Ian M. Thom | Robert Davidson: Eagle of the Dawn |
| 1994 | 978-0-500-23672-7 | Nicolas De Oliveira · etc. | Installation Art |
| '' | 978-0-500-23676-5 | Tony Hendra | Brad '61: Portrait of the Artist as a Young Man (A Bob Adelman book) |
| '' | 978-0-500-23678-9 | Mary L. Levkoff | Rodin in His Time: The Cantor Gifts to the Los Angeles County Museum of Art |
| '' | 978-0-500-23683-3 | Hamish Fulton | Richard Long: Walking in Circles (Painters & sculptors) |
| 1996 | 978-0-500-23684-0 | Susan Tallman | The Contemporary Print |
| 1995 | 978-0-500-23685-7 | Jonathan Stephenson | Paint with the Impressionists: A step-by-step guide to their methods and materials for today's artists |
| 1994 | 978-0-500-23686-4 | Christie Mayer Lefkowith | The Art of Perfume: Discovering and Collecting Perfume Bottles |
| '' | 978-0-500-23689-5 | Salvador Dali | Salvador Dali: The Early Years |
| 1994 | 978-0-500-23695-6 | Lesley Hoskins | The Papered Wall: History, Patterns and Techniques of Wallpaper |
| 1995 | 978-0-500-23696-3 | John Boardman | The Diffusion of Classical Art in Antiquity |
| 1994 | 978-0-500-23697-0 | Douglas Druick | Odilon Redon |
| 1995 | 978-0-500-23703-8 | Stanley Baron · Jacques Damase | Sonia Delaunay: The Life of an Artist |
| '' | 978-0-500-23708-3 | Edward Quinn | Picasso in 3-D (Art Memoir S.) |
| '' | 978-0-500-23709-0 | Norton C. Dodge · Alla Rosenfeld | Nonconformist Art: The Soviet Experience, 1956-86 |
| 1996 | 978-0-500-23710-6 | Nigel Jonathan Spivey | Understanding Greek Sculpture: Ancient Meanings, Modern Readings |
| 1995 | 978-0-500-23714-4 | Rio Helmi · Barbara Walker | Bali Style (Style Book) |
| '' | 978-0-500-23715-1 | Ettore Sottsass | Sottsass Ceramics |
| '' | 978-0-500-23719-9 | David Elliott · Dawn Ades · Tim Benton · Iain Boyd Whyte | Art and Power: Europe Under the Dictators 1930-45 |
| 1996 | 978-0-500-23723-6 | Germano Celant | Tony Cragg |
| 1996 | 978-0-500-23727-4 | He Li | Chinese Ceramics: The New Standard Guide |
| '' | 978-0-500-23728-1 | Lynne Warren | Art in Chicago: 1945-95 |
| '' | 978-0-500-23729-8 | Paolo Morachiello | Fra Angelico: The San Marco Frescoes |
| 1998 | 978-0-500-23730-4 | David Hockney | David Hockney's Dog Days |
| 1999 | 978-0-500-23739-7 | Edward Lucie-Smith | Lives of the Great 20th-Century Artists |
| 1998 | 978-0-500-23740-3 | Sarah E. Braddock · Marie O'Mahony | Techno Textiles: Revolutionary Fabrics for Fashion and Design |
| 1997 | 978-0-500-23750-2 | Wolf-Dieter Dube · Stephanie Barron | German Expressionism: Art and Society 1909-1923 (Art of the 20th century) |
| '' | 978-0-500-23751-9 | H. W. Janson · Anthony F. Janson | History of Art |
| 1998 | 978-0-500-23754-0 | Florence Dunn Friedman · Georgina Borromeo | Gifts of the Nile: Ancient Egyptian Faience |
| '' | 978-0-500-23755-7 | Balraj Khanna · Aziz Kurtha | Art of Modern India |
| 1998 | 978-0-500-23757-1 | H. H. Arnason · Prather Marla F. Curator of Twentieth Century Art National Gallery of Art Washington D.C. USA) | A History of Modern Art |
| '' | 978-0-500-23761-8 | Rosalind E. Krauss | The Picasso Papers |
| '' | 978-0-500-23762-5 | Bates Lowry · Isabel Barrett Lowry | Silver Canvas: Daguerreotype Masterpi: Selected Daguerreotypes in the J.Paul Getty Museum |
| 2000 | 978-0-500-23776-2 | Frances Borzello | A World of Our Own: Women as Artists |
| 2001 | 978-0-500-23780-9 | John Boardman | The History of Greek Vases: Potters, Painters, Pictures |
| '' | 978-0-500-23784-7 | Henri Vever · Katherine Purcell | Henri Vever: French Jewelry of the Nineteenth Century |
| '' | 978-0-500-23785-4 | David Hockney | Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters |
| 2001 | 978-0-500-23786-1 | Robert Bartlett | Medieval Panorama |
| '' | 978-0-500-23787-8 | Mark Del Vecchio | Postmodern Ceramics |
| 2002 | 978-0-500-23788-5 | Amy Dempsey | Styles, Schools and Movements: An Encyclopaedic Guide to Modern Art |
| 2001 | 978-0-500-23790-8 | James Putnam | Art and Artifact: The Museum as Medium |
| 2002 | 978-0-500-23792-2 | Frances K. Pohl | Framing America: A Social History of American Art |
| '' | 978-0-500-23795-3 | Till Holger Bochert | The Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting 1430-1530 |
| '' | 978-0-500-23797-7 | Lidia Guibert Ferrara · Frances Borzello | Reclining Nude |
| 2003 | 978-0-500-23798-4 | Michael Rush | Video Art |
| 2002 | 978-0-500-23799-1 | Anthony Julius | Transgressions: The Offences of Art |
| 2003 | 978-0-500-23803-5 | Frederick Hartt · David G. Wilkins | History of Italian Renaissance Art: Painting, Sculpture, Architecture |
| '' | 978-0-500-23805-9 | Yannick Guégan | Trompe L'Oeil Panels and Panoramas: Decorative Images for Artists and Architects |
| 2004 | 978-0-500-23807-3 | George Henderson · Isabel Henderson | The Art of the Picts: Sculpture and Metalwork in Early Medieval Scotland |
| 2003 | 978-0-500-23808-0 | Nicolas De Oliveira · Nicola Oxley · Michael Petry | Installation Art in the New Millennium: The Empire of the Senses |
| 2003 | 978-0-500-23809-7 | Germaine Greer | The Boy |
| '' | 978-0-500-23811-0 | Simon Morley | Writing on the Wall: Word and Image in Modern Art |
| '' | 978-0-500-23812-7 | Marco Livingstone · Kay Heymer | Hockney's Portraits and People |
| 2004 | 978-0-500-23813-4 | Irving Sandler | A Sweeper-Up After Artists: A Memoir by Irving Sandler |
| '' | 978-0-500-23814-1 | Staff of The Andy Warhol Museum | Andy Warhol 365 Takes |
| '' | 978-0-500-23815-8 | Wendy Kaplan | The Arts & Crafts Movement in Europe & America: Design for the Modern World 1880-1920 |
| 2004 | 978-0-500-23816-5 | Brandon Taylor | Collage: The Making of Modern Art |
| 2006 | 978-0-500-23817-2 | Bruce Wands | Art of the Digital Age |
| 2004 | 978-0-500-23818-9 | Hal Foster · Rosalind Krauss | Art Since 1900: Modernism, Antimodernism and Postmodernism |
| 2005 | 978-0-500-23819-6 | Lance Fung | The Snow Show |
| '' | 978-0-500-23820-2 | Martin Harrison | In Camera - Francis Bacon: Photography, Film and the Practice of Painting |
| '' | 978-0-500-23821-9 | Alyce Mahon | Surrealism and the Politics of Eros: 1938-1968 |
| 2006 | 978-0-500-23822-6 | Joline Blais · Jon Ippolito | At the Edge of Art |
| 2005 | 978-0-500-23823-3 | Meher McArthur | The Arts of Asia: Materials · Techniques · Styles |
| '' | 978-0-500-23824-0 | Marina Belozerskaya | Luxury Arts of the Renaissance |
| '' | 978-0-500-23825-7 | Sjraar van Heugten · Marije Vellekoop | Van Gogh: The Master Draughtsman |
| 2005 | 978-0-500-23826-4 | Rainer Metzger | Gustav Klimt: Drawings & Watercolours: Drawings and Watercolours |
| 2006 | 978-0-500-23828-8 | Josef Albers | Josef Albers: Formulation: Articulation |
| '' | 978-0-500-23830-1 | Andrew Wilton | Turner in his Time |
| '' | 978-0-500-23831-8 | Frances Borzello | At Home: The Domestic Interior in Art |
| '' | 978-0-500-23832-5 | Amy Dempsey | Destination Art |
| '' | 978-0-500-23833-2 | Charlotte Mullins | Painting People: The State of the Art |
| 2006 | 978-0-500-23834-9 | David Hockney | David Hockney's Dog Days |
| '' | 978-0-500-23835-6 | Antoinette Le Normand-Romain · Christina Buley-Uribe | Auguste Rodin: Drawings & Watercolours: Drawings and Watercolours |
| 2007 | 978-0-500-23836-3 | Andréa Lauterwein | Anselm Kiefer / Paul Celan: Myth, Mourning and Memory |
| '' | 978-0-500-23837-0 | Julian Bell | Mirror of the World: A New History of Art |
| '' | 978-0-500-23838-7 | Belinda Thomson | Van Gogh Paintings: The Masterpieces |
| '' | 978-0-500-23839-4 | Pamela Todd | The Impressionists at Leisure |
| 2007 | 978-0-500-23840-0 | Mario Ciampi · Philip Tinari | Artists in China: Inside the Contemporary Studio |
| '' | 978-0-500-23841-7 | David Britt | Modern Art: Impressionism to Post-Modernism |
| '' | 978-0-500-23842-4 | Gabriel Badea-Päun · Richard Ormond | The Society Portrait: Painting, Prestige and the Pursuit of Elegance |
| 2008 | 978-0-500-23843-1 | Lynette Singer | The Minbar of Saladin: Reconstructing a Jewel of Islamic Art |
| 2007 | 978-0-500-23844-8 | Patricia G. Berman | In Another Light: Danish Painting in the Nineteenth Century |
| 2008 | 978-0-500-23845-5 | Peter Schjeldahl | Let's See: Writings on Art from The New Yorker |
| '' | 978-0-500-23846-2 | Painton Cowen | English Stained Glass |
| '' | 978-0-500-23847-9 | Clifford S. Ackley · Stephen Coppel | British Prints from the Machine Age: Rhythms of Modern Life 1914-1939 |
| 2008 | 978-0-500-23848-6 | Andrew Perchuk · Stephanie Rosenthal | Allan Kaprow - Art as Life |
| '' | 978-0-500-23849-3 | Sarah Schroth · Ronni Baer | El Greco to Velázquez: Art During the Reign of Philip III |
| '' | 978-0-500-23850-9 | Hans Ulrich Obrist | Formulas for Now |
| '' | 978-0-500-23852-3 | Stella Panayotova | The Macclesfield Psalter: A Complete Facsimile |
| '' | 978-0-500-23853-0 | Charlie Ayres | Lives of the Great Artists |
| 2008 | 978-0-500-23854-7 | Eric Karpeles | Paintings in Proust: A Visual Companion to 'In Search of Lost Time' |
| 2009 | 978-0-500-23855-4 | Alastair Duncan | Art Deco Complete: The Definitive Guide to the Decorative Arts of the 1920s and 1930s |
| 2008 | 978-0-500-23856-1 | Alessandra Zamperini | Ornament and the Grotesque: Fantastical Decoration from Antiquity to Art Nouveau |
| '' | 978-0-500-23857-8 | Bernard D. Cotton | Scottish Vernacular Furniture |
| '' | 978-0-500-23858-5 | Rudolf Frieling · Boris Groys | The Art of Participation: 1950 to Now |
| 2009 | 978-0-500-23861-5 | Charles Avery | A School of Dolphins |
| '' | 978-0-500-23863-9 | John Russell Taylor | Exactitude: Hyperrealist Art Today |
| '' | 978-0-500-23864-6 | Norman Rosenthal · Richard Shone | Sensation: Young British Artists from the Saatchi Collection |
| 2009 | 978-0-500-23865-3 | Leo Jansen · Hans Luijten · Nienke Bakker | Vincent van Gogh - The Letters: The Complete Illustrated and Annotated Edition |
| '' | 978-0-500-23867-7 | Seymour Slive | The Drawings of Rembrandt: A New Study |
| 2010 | 978-0-500-23868-4 | Stephen Wilson | Art + Science Now: How scientific research and technological innovation are becoming key to 21st-century aesthetics |
| '' | 978-0-500-23869-1 | Jonathan Stephenson | Paint with the Impressionists: A step-by-step guide to their methods and materials for today's artists |
| '' | 978-0-500-23870-7 | '' | Paint with the Watercolour Masters: A step-by-step guide to materials and techniques for today's artists |
| '' | 978-0-500-23871-4 | Molly Donovan · Tina Fiske | The Andy Goldsworthy Project |
| 2010 | 978-0-500-23873-8 | Antony Penrose | The Boy Who Bit Picasso |
| '' | 978-0-500-23874-5 | Melissa Chiu · Benjamin Genocchio | Contemporary Asian Art |
| '' | 978-0-500-23875-2 | Martin Gayford | Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud |
| '' | 978-0-500-23876-9 | Christopher Dell | Monsters: A Bestiary of the Bizarre |
| 2011 | 978-0-500-23877-6 | Ralph Skea | Vincent's Gardens: Paintings and Drawings by Van Gogh |
| 2010 | 978-0-500-23878-3 | Shirley Neilsen Blum | Henri Matisse: Rooms with a View |
| '' | 978-0-500-23879-0 | Christopher Dell | What Makes a Masterpiece?: Encounters with Great Works of Art |
| 2010 | 978-0-500-23880-6 | Charlie Ayres | The Story of the World's Greatest Paintings |
| 2011 | 978-0-500-23881-3 | Colin Cruise | Pre-Raphaelite Drawing |
| '' | 978-0-500-23882-0 | Michael Petry | The Art of Not Making: The New Artist / Artisan Relationship |
| 2010 | 978-0-500-23883-7 | Till-Holger Borchert | Van Eyck to Dürer: The Influence of Early Netherlandish Painting on European Art, 1430-1530 |
| 2011 | 978-0-500-23884-4 | Christopher Lloyd | In Search of a Masterpiece: An Art Lover's Guide to Great Britain and Ireland |
| 2012 | 978-0-500-23886-8 | Stephen J. Campbell · Michael W. Cole | A New History of Italian Renaissance Art |
| 2011 | 978-0-500-23887-5 | Martin Gayford | A Bigger Message: Conversations with David Hockney |
| '' | 978-0-500-23888-2 | Patricia Bayer | Art Deco Postcards |
| 2012 | 978-0-500-23889-9 | Rosalind Krauss Hal Foster · Benjamin H. D. Buchloh and David Joselit Yve-Alain Bois | Art Since 1900: Modernism · Antimodernism · Postmodernism |
| '' | 978-0-500-23891-2 | Richard Thomson · Rodolphe Rapetti | Van Gogh to Kandinsky: Symbolist Landscape in Europe 1880-1910 |
| '' | 978-0-500-23893-6 | Susan S. Bean · Homi K. Bhabha | Midnight to the Boom: Painting in India after Independence |
| 2012 | 978-0-500-23894-3 | Bernard Meehan | The Book of Kells |
| 2013 | 978-0-500-23895-0 | John-Paul Stonard | The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss |
| 2012 | 978-0-500-23896-7 | Simon Grant | In My View: Personal Reflections on Art by Today's Leading Artists |
| '' | 978-0-500-23897-4 | Alexander Nagel | Medieval Modern: Art Out of Time |
| '' | 978-0-500-23898-1 | Louisa Buck · Daniel McClean | Commissioning Contemporary Art: A Handbook for Curators, Collectors and Artists |
| '' | 978-0-500-23899-8 | Richard Vine · Robert Lehrman | Joseph Cornell: Shadowplay Eterniday |
| 2013 | 978-0-500-23900-1 | Pascal Bonafoux | Rodin & Eros |
| 2012 | 978-0-500-23901-8 | Peter Brunt · Nicholas Thomas | Art in Oceania: A New History |
| 2013 | 978-0-500-23902-5 | Leah Dickerman | Inventing Abstraction 1910-1925: How a Radical Idea Changed Modern Art |
| '' | 978-0-500-23904-9 | Ralph Skea | Vincent's Trees: Paintings and Drawings by Van Gogh |
| 2013 | 978-0-500-23905-6 | Christine Riding · Richard Johns | Turner & the Sea |
| '' | 978-0-500-23906-3 | Michael Petry | Nature Morte: Contemporary artists reinvigorate the Still-Life tradition |
| '' | 978-0-500-23907-0 | Kelly Grovier | 100 Works of Art That Will Define Our Age |
| '' | 978-0-500-23908-7 | Alex Danchev | The Letters of Paul Cézanne |
| '' | 978-0-500-23909-4 | Mitchell Oakley Smith · Alison Kubler | Art/Fashion in the 21st Century |
| 2014 | 978-0-500-23910-0 | James Hall | The Self-Portrait: A Cultural History |
| 2014 | 978-0-500-23911-7 | Jens Hoffmann | Show Time: The 50 Most Influential Exhibitions of Contemporary Art |
| 2013 | 978-0-500-23912-4 | Danièle Cohn | Anselm Kiefer Studios |
| '' | 978-0-500-23913-1 | Gregory Irvine | Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period |
| 2014 | 978-0-500-23916-2 | Andrew Brown | Art & Ecology Now |
| '' | 978-0-500-23917-9 | Thomas Girst · Heretic | The Duchamp Dictionary |
| '' | 978-0-500-23918-6 | Hans Ulrich Obrist · Tom McCarthy | Mapping It Out: An Alternative Atlas of Contemporary Cartographies |
| '' | 978-0-500-23919-3 | Alistair Hicks | The Global Art Compass: New Directions in 21st-Century Art |
| 2014 | 978-0-500-23920-9 | Wu Hung | Contemporary Chinese Art: A History: 1970s-2000s |
| '' | 978-0-500-23921-6 | Henry Chalfant · Sacha Jenkins | Training Days: The Subway Artists Then and Now |
| '' | 978-0-500-23923-0 | Kurt Beers | 100 Painters of Tomorrow |
| '' | 978-0-500-23924-7 | Philippe de Montebello · Martin Gayford | Rendez-vous with Art |
| 2015 | 978-0-500-23925-4 | Catherine Lampert | Frank Auerbach: Speaking and Painting |
| '' | 978-0-500-23926-1 | Suzanne Hudson | Painting Now |
| 2015 | 978-0-500-23927-8 | Kate Wilson | Drawing and Painting: Materials and Techniques for Contemporary Artists |
| '' | 978-0-500-23928-5 | Adrian George | The Curator's Handbook: Museums, Commercial Galleries, Independent Spaces |
| '' | 978-0-500-23929-2 | Maura Reilly | Women Artists: The Linda Nochlin Reader |
| '' | 978-0-500-23930-8 | Claudia Walde | Mural XXL |
| '' | 978-0-500-23931-5 | Aaron Rosen | Art & Religion in the 21st Century |
| 2015 | 978-0-500-23932-2 | William Myers | Bio Art: Altered Realities |
| 2016 | 978-0-500-23933-9 | Glenn Adamson · Julia Bryan-Wilson | Art in the Making: Artists and their Materials from the Studio to Crowdsourcing |
| 2015 | 978-0-500-23936-0 | Susan Herbert | Cats Galore: A Compendium of Cultured Cats |
| '' | 978-0-500-23937-7 | Patrick Mauriès · Bruno Roger | Piero Fornasetti: Practical Madness |
| '' | 978-0-500-23938-4 | Charlotte Mullins | Picturing People: The New State of Art: The New State of the Art |
| '' | 978-0-500-23939-1 | April Calahan · Cassidy Zachary | Fashion and the Art of Pochoir: The Golden Age of Illustration in Paris |
| '' | 978-0-500-23943-8 | Debra J. DeWitte · M.Kathryn Shields Ralph M. Larmann | The Thames & Hudson Introduction to Art |
| 2016 | 978-0-500-23946-9 | Frances Borzello | Seeing Ourselves: Women's Self-Portraits |
| 2016 | 978-0-500-23949-0 | David Hockney · Martin Gayford | A History of Pictures: From the Cave to the Computer Screen |
| '' | 978-0-500-23952-0 | Judith Brodie · Amy Johnston · Michael J. Lewis | Three Centuries of American Prints: From the National Gallery of Art |
| '' | 978-0-500-23954-4 | Susie Hodge | Art in Detail: 100 Masterpieces |
| 2017 | 978-0-500-23955-1 | Andy Friend | Ravilious & Co: The Pattern of Friendship |
| 2018 | 978-0-500-23956-8 | Professor Martin Kemp | Living with Leonardo: Fifty Years of Sanity and Insanity in the Art World and Beyond |
| 2017 | 978-0-500-23957-5 | Barbara Ehrlich White | Renoir: An Intimate Biography |
| '' | 978-0-500-23959-9 | Olafur Eliasson · Günther Vogt | Your Glacial Expectations |
| 2020 | 978-0-500-23965-0 | John Elderfield · Alex Bacon · Terry R. Myers · Phong Bui | Joe Zucker |
| 2018 | 978-0-500-23970-4 | Maura Reilly | Curatorial Activism: Towards an Ethics of Curating |
| 2017 | 978-0-500-23976-6 | Susie Hodge | Modern Art in Detail: 75 Masterpieces |
| '' | 978-0-500-23979-7 | Quentin Bajac · Olivier Michelon | Being Modern: MoMA in Paris |
| 2018 | 978-0-500-23981-0 | Iain Zaczek | A Chronology of Art: A Timeline of Western Culture from Prehistory to the Present |
| 2018 | 978-0-500-23984-1 | Manfred Sellink · Ron Spronk · Sabine Pénot · Elke Oberthaler | Bruegel: The Master |
| '' | 978-0-500-23989-6 | Axel Rüger | Japanese Prints: The Collection of Vincent van Gogh |
| 2019 | 978-0-500-23996-4 | Courtney Watson McCarthy | Leonardo Pop-ups |
| '' | 978-0-500-23997-1 | Hans den Hartog Jager | Hockney - Van Gogh: The Joy of Nature |
| '' | 978-0-500-23998-8 | Didier Ottinger | Francis Bacon: Books and Painting |
| 1968 | 978-0-500-24062-5 | Karl Lukan · H. Merrick | Alps and Alpinism |
| 1971 | 978-0-500-24078-6 | Desmond Guinness · William Ryan | Irish Houses and Castles |
| 1974 | 978-0-500-24094-6 | Roy Strong · etc. | The Destruction of the Country House, 1875-1975 |
| 1976 | 978-0-500-24096-0 | Brian De Breffny · George Nott | Churches and Abbeys of Ireland |
| 1977 | 978-0-500-24100-4 | Brian De Breffny | Castles of Ireland |
| 1980 | 978-0-500-24105-9 | P. D. A. Harvey | The History of Topographical Maps: Symbols, Pictures and Surveys |
| 1981 | 978-0-500-24108-0 | Richard Muir | Riddles in the British Landscape |
| 1987 | 978-0-500-24130-1 | Ashvin Mehta | The Coasts of India |
| 1992 | 978-0-500-24135-6 | Peter Matthiessen | Baikal: Sacred Sea of Siberia |
| 2006 | 978-0-500-24136-3 | Michael Wörgötter | Type Selector: The User-Friendly Font Swatch |
| 2007 | 978-0-500-24137-0 | Steven Heller · Gail Anderson | New Vintage Type: Classic Fonts for the Digital Age |
| 2011 | 978-0-500-24138-7 | Steven Heller · Lita Talarico | Typography Sketchbooks |
| 2013 | 978-0-500-24142-4 | Stephen Coles | The Geometry of Type: The Anatomy of 100 Essential Typefaces |
| '' | 978-0-500-24144-8 | Peter Dawson · Stephen Coles | The Field Guide to Typography: Typefaces in the Urban Landscape |
| 2015 | 978-0-500-24147-9 | Tony Seddon | Greetings from Retro Design: Vintage Graphics Decade by Decade |
| 2015 | 978-0-500-24148-6 | Tony Seddon · Stephen Coles | The Evolution of Type: A Graphic Guide to 100 Landmark Typefaces |
| '' | 978-0-500-24149-3 | Marvin Sackner · Ruth Sackner | The Art of Typewriting |
| 2017 | 978-0-500-24151-6 | Paul Shaw · Jonathan Hoefler | Revival Type: Digital typefaces inspired by the past |