year of publication | ISBN | author(s) | title |
1988 | 978-0-413-40800-6 | Christopher Milne | The Open Garden |
1986 | 978-0-413-40810-5 | Ivor Cutler | Gruts |
'' | 978-0-413-40980-5 | Roger Zelazny | To Die in Italbar |
1987 | 978-0-413-41030-6 | Rob Ritchie | The Joint Stock Book: Making of a Theatre Collective (Methuen Theatrefile) |
1986 | 978-0-413-41110-5 | Willy Russell | Educating Rita, Stags & Hens and Blood Brothers: Two Plays and a Musical |
'' | 978-0-413-41240-9 | John Willett · Bertolt Brecht · Caspar Neher | Caspar Neher |
'' | 978-0-413-41260-7 | Sarah Daniels | Masterpieces (Modern Plays) |
'' | 978-0-413-41290-4 | Bertolt Brecht | Mother Courage and her Children |
2001 | 978-0-413-41340-6 | Joe Orton | Entertaining Mr Sloane (Modern Classics) |
1986 | 978-0-413-41430-4 | Kathleen Potter | Brookside: Weathering the Storm |
2001 | 978-0-413-41460-1 | Joe Orton | Head to Toe (Modern Fiction) |
1987 | 978-0-413-41480-9 | Arthur Miller | Timebends: A Life |
1986 | 978-0-413-41550-9 | Roger Zelazny | Isle of the Dead |
1986 | 978-0-413-41560-8 | John Cleese | The Golden Skits of Wing-commander Muriel Volestrangler, F.R.H.S. and Bar |
1987 | 978-0-413-41800-5 | Robert Sheckley | Victim Prime |
'' | 978-0-413-41910-1 | Irving Stone | Agony and the Ecstasy, The (A Methuen paperback) |
'' | 978-0-413-41990-3 | Clifford D. Simak | Cemetery World |
'' | 978-0-413-42250-7 | Christopher Isherwood | Mr Norris Changes Trains: 74938681 (Modern Fiction) |
1988 | 978-0-413-42280-4 | C. J. Cherryh | The Kif Strike Back |
1987 | 978-0-413-42310-8 | Ralph Barker | Children of the Benares |
1986 | 978-0-413-42420-4 | Clifford D. Simak | Time is the Simplest Thing |
'' | 978-0-413-42460-0 | Sophocles | Sophocles Plays 1: The Theban Plays: Oedipus the King; Oedipus at Colonus; Antigone:: "Oedipus the King"; "Oedipus at Colonnus"; "Antigone" v. 1 |
1962 | 978-0-413-42780-9 | Patrick White | Living and the Dead |
1968 | 978-0-413-44170-6 | Mervyn Peake | Titus Groan (The Gormenghast trilogy) |
1971 | 978-0-413-44560-5 | J. P. Donleavy | Onion Eaters |
1971 | 978-0-413-44630-5 | Anthony Charles H. Smith | Zero Summer |
1967 | 978-0-413-45180-4 | Joe Orton | Loot (Modern Classics) |
1975 | 978-0-413-45250-4 | Colin Watson | Naked Nuns |
'' | 978-0-413-45260-3 | Arkadi Strugatski · Boris Strugatski | Hard To Be A God |
1977 | 978-0-413-45380-8 | Clive Barker | Theatre Games: A New Approach to Drama Training (Performance Books) |
1992 | 978-0-413-45381-5 | Deena Rosenberg | Fascinating Rhythm: Collaboration of George and Ira Gershwin |
1977 | 978-0-413-45410-2 | Edward Bond | Plays: One - Saved, Early Morning, The Pope's Wedding |
1999 | 978-0-413-45421-8 | KIRI TE KANAWA | Autobiography Kiri TE Kanawa |
1978 | 978-0-413-45480-5 | Pearl S. Buck | Lovers, The , and Other Stories |
'' | 978-0-413-45500-0 | S.J. Perelman | The Most of S.J.Perelman |
'' | 978-0-413-45520-8 | W. L. Warren | King John |
1994 | 978-0-413-45651-9 | Piers Burton-Page | Philharmonic Concerto: Life and Music of Malcolm Arnold |
1978 | 978-0-413-45660-1 | Wally K. Daly | Butterflies Don't Count (Play for Today) |
1993 | 978-0-413-45721-9 | Alexander Poznansky | Tchaikovsky: The Quest for the Inner Man |
1994 | 978-0-413-45731-8 | Alexander Poznansky | Tchaikovsky: The Quest for the Inner Man |
1979 | 978-0-413-45760-8 | Clive Jenkins · Barrie Sherman | Collapse of Work, The |
1987 | 978-0-413-45850-6 | Michael Billington | Stoppard the Playwright (Modern Theatre Profiles) |
'' | 978-0-413-45860-5 | Michael Billington | Stoppard the Playwright (Modern Theatre Profiles) |
1999 | 978-0-413-46060-8 | Noel Coward | Collected Plays, Vol. 1: Hay Fever, The Vortex, Fallen Angels and Easy Virtue |
1979 | 978-0-413-46080-6 | Noël Coward | Coward Plays: 2: Private Lives; Bitter-Sweet; The Marquise; Post-Mortem: "Private Lives", "Bitter-Sweet", The "Marquise", "Post-Mortem" Vol 2 (World Classics) |
1979 | 978-0-413-46100-1 | Noël Coward | Noel Coward Collected Plays: THREE |
'' | 978-0-413-46120-9 | Noel Coward | Collected Plays Volume 4: "Blithe Spirit", "Present Laughter", "This Happy Breed", "Tonight at 8.30 (II)": "Blithe Spirit", "Present Laughter", "This Happy Breed" Vol 4 |
'' | 978-0-413-46130-8 | Colin Watson | Blue Murder |
1980 | 978-0-413-46190-2 | Constantin Stanislavski | An Actor Prepares |
'' | 978-0-413-46200-8 | Constantin Stanislavski | My Life In Art (Biography and Autobiography) |
1982 | 978-0-413-46300-5 | Edward Braun | The Director and the Stage: From Naturalism to Grotowski (Performance Books) |
1980 | 978-0-413-46330-2 | Henrik Ibsen | Ibsen Plays One: Ghosts, The Wild Duck, The Master Builder |
2000 | 978-0-413-46340-1 | Henrik Ibsen | Ibsen Plays Two: A Doll's House, An Enemy of the People, Hedda Gabler |
1980 | 978-0-413-46350-0 | Henrik Johan Ibsen | Ibsen Plays Three (Rosmersholm / The Lady from the Sea / Little Eyolf) |
'' | 978-0-413-46360-9 | Henrik Ibsen | Ibsen Plays Four, The Pillars of Society, John Gabriel Borkman, When We Dead Awaken |
1981 | 978-0-413-46430-9 | Keith Johnstone | Impro: Improvisation and the Theatre |
1979 | 978-0-413-46550-4 | Graham Chapman · John Cleese · Terry Gilliam · Eric Idle · Terry Jones · Michael Palin | Monty Python's Life of Brian (of Nazareth)/MONTYPYTHONSCAPBOOK |
1980 | 978-0-413-46590-0 | Howard Brenton | Romans in Britain (Modern Plays) |
1979 | 978-0-413-46920-5 | Tony Hendra · etc. | Eighties and Look Back, The |
1980 | 978-0-413-46930-4 | Christopher Isherwood | My Guru and His Disciple |
1980 | 978-0-413-46950-2 | Roger Wilmut | From Fringe to Flying Circus |
2004 | 978-0-413-47080-5 | Howard Brenton | Plays for the Poor Theatre ("The Saliva Milkshake", "Christie in Love", "Heads", "The Education of Skinny Spew", "Gum and Goo"): "Saliva Milkshake", ... Love", "Heads", "Skinny Spew", "Gum and Goo" |
1983 | 978-0-413-47220-5 | Edward Gordon Craig | Craig on Theatre (Performance Books) |
2001 | 978-0-413-47230-4 | Bertolt Brecht | Collected Plays: "Round and Pointed Heads", "Fear and Misery", "Carrar's Rifles", "Trial of Lucull Dansen", "How Much Is Your Iron"? v. 4 (Bertolt Brecht: Plays, Poetry & Prose) |
1981 | 978-0-413-47270-0 | '' | Collected Plays: Resistible Rise of Arturo Ui Pt. 2-v.6 (Modern Plays) |
'' | 978-0-413-47490-2 | Donald Carroll · Quentin Crisp | Doing it with Style |
1980 | 978-0-413-47570-1 | Graham Chapman | Liar's Autobiography, A |
'' | 978-0-413-47620-3 | Frank Wedekind · Edward Bond | Spring Awakening (Methuen's Theatre Classics) (Modern Classics) |
'' | 978-0-413-47630-2 | Gerhart Hauptmann | The Weavers (Modern Plays) |
'' | 978-0-413-47760-6 | Constantin Stanislavski | Creating a Role (Performance Books) |
1981 | 978-0-413-47810-8 | Bertolt Brecht | The Resistible Rise of Arturo Ui (Modern Plays): Vol 6 |
1980 | 978-0-413-47820-7 | Bill Oddie | Bill Oddie's Little Black Bird Book |
1981 | 978-0-413-47880-1 | Denis Bablet | Theatre of Edward Gordon Craig |
1981 | 978-0-413-48170-2 | Eric Morecambe | Mr. Lonely |
'' | 978-0-413-48210-5 | Clive Jenkins · Barrie Sherman | Leisure Shock |
'' | 978-0-413-48300-3 | Thelwell | Millstone Round My Neck: Restoration of a Cornish Water Mill |
'' | 978-0-413-48520-5 | John Millington Synge | Complete Plays: In the Shadow of the Glen / Riders to the Sea / the Tinker's Wedding / the Well of the Saints / the Playboy of the Western World / Deirdre of the Sorrows (Methuen World Classics) |
'' | 978-0-413-48650-9 | Robert Hewison | Monty Python: The Case Against |
1981 | 978-0-413-48660-8 | Robert Hewison | Monty Python: The Case Against |
2008 | 978-0-413-48760-5 | Howard Goorney | Theatre Workshop Story |
1981 | 978-0-413-48790-2 | Bertolt Brecht | Poems: 1913-56 |
'' | 978-0-413-48880-0 | John McGrath | The Cheviot, the Stag and the Black, Black Oil (Methuen Modern Plays) |
1985 | 978-0-413-48960-9 | Roger Wilmut | Kindly Leave the Stage: Story of Variety, 1919-60 |
1981 | 978-0-413-49070-4 | Terence Rattigan · Anthony Cole | Plays - One: French Without Tears, The Winslow Boy, The Browning Version, Harlequinade |
'' | 978-0-413-49090-2 | Polly Toynbee | Way We Live Now |
'' | 978-0-413-49200-5 | Lisa Birnbach | Official Preppy Handbook |
1982 | 978-0-413-49250-0 | Shelagh Delaney | A Taste of Honey (Methuen Student Editions): With Commentary and Notes |
'' | 978-0-413-49260-9 | John Arden | Serjeant Musgrave's Dance (Methuen Student Editions) |
1983 | 978-0-413-49270-8 | Bertolt Brecht | Mother Courage and Her Children (Methuen Student Editions) |
1982 | 978-0-413-49280-7 | Harold Pinter | The Caretaker (Methuen Student Editions) |
1982 | 978-0-413-49400-9 | H. V. Morton | A Traveller in Italy |
2004 | 978-0-413-49530-3 | Arthur Schnitzler | La Ronde (Modern Plays) |
1982 | 978-0-413-49590-7 | Stefan Brecht | The Theatre of Visions: Robert Wilson (Biography and Autobiography) |
1986 | 978-0-413-49660-7 | Joe Orton | The Orton Diaries |
1982 | 978-0-413-49740-6 | Nigel Williams | Class Enemy (Modern Plays) |
'' | 978-0-413-49750-5 | August Strindberg | Strindberg Plays: 2: Dream Play; Dance of Death; The Stronger: "Dream Play", "Dance of Death", The "Stronger" Vol 2 (World Classics) |
'' | 978-0-413-49760-4 | Donald Roy | Moliere Five Plays |
'' | 978-0-413-49950-9 | Ronald Harwood | Night at the Theatre |
'' | 978-0-413-49990-5 | Eric Idle | Pass the Butler |
1982 | 978-0-413-50020-5 | Caryl Churchill · Pam Gems · Louise Page · Michelene Wandor | Plays by Women: "Vinegar Tom", "Dusa, Fish, Stas and Vi", "Tissue", "Aurora Leigh" Volume 1 (Play Anthologies): "Vinegar Tom", "Dusa", "FIsh", "Stas and VI", "Tissue", "Aurora Leigh" v. 1 |
'' | 978-0-413-50030-4 | Jean Benedetti | Stanislavski: An Introduction (Performance Books) |
1983 | 978-0-413-50040-3 | Christopher Isherwood | October |
1981 | 978-0-413-50080-9 | Martin Lewis · Peter Walker | Secret Policeman's Other Ball, The |
1989 | 978-0-413-50400-5 | Glyn Jones | The Jet Pioneers |
1983 | 978-0-413-50440-1 | Paul Clements | The Improvised Play: Work of Mike Leigh (A Methuen theatrefile) |
1982 | 978-0-413-50540-8 | J.J. Sempe | Displays of Affection: A Book for People Falling in (or Out of) Love |
1983 | 978-0-413-50610-8 | William Smethurst | Jennifer's Friends |
1982 | 978-0-413-50670-2 | Michael Frayn | Noises off: A Play in Three Acts (A Methuen paperback) |
'' | 978-0-413-50680-1 | S.J. Perelman | Last Laugh |
'' | 978-0-413-50770-9 | Roger Wilmut | From Fringe to Flying Circus |
1984 | 978-0-413-50790-7 | H.Montgomery Hyde | Lord Alfred Douglas |
1982 | 978-0-413-50890-4 | Sue Townsend | The Secret Diary of Adrian Mole Aged Thirteen and Three Quarters |
1983 | 978-0-413-51150-8 | Robert Hewison | Footlights!: Hundred Years of Cambridge Comedy |
'' | 978-0-413-51270-3 | Christop Milne | Hollow On The Hill: The Search for a Personal Philosophy (A Methuen Paperback) |
1982 | 978-0-413-51300-7 | Gary Morecambe | Funny Man: Eric Morecambe by Gary Morecambe |
1983 | 978-0-413-51310-6 | C. J. Cherryh | Downbelow Station |
1983 | 978-0-413-51620-6 | Arnold Wesker | The Merchant (Student Editions) |
'' | 978-0-413-51740-1 | Noël Coward | Noel Coward Collected Plays:Five: Relative Values; Look After Lulu; Waiting in the Wings; Suite in Three Keys: "Relative Values", "Look After Lulu", ... "Suite in Three Keys" Vol 5 (World Classics) |
'' | 978-0-413-51840-8 | Linda Blandford | America on Five Valium a Day |
2005 | 978-0-413-51890-3 | Tennessee Williams | A Streetcar Named Desire (Methuen Student Editions) |
1983 | 978-0-413-51930-6 | Evelyn Waugh | A Little Learning: Vol.1 |
'' | 978-0-413-51940-5 | John Millington Synge | The Playboy of the Western World (Student Editions) |
'' | 978-0-413-51950-4 | Edward Bond | Lear (Student Editions) |
1983 | 978-0-413-51990-0 | C. Northcote Parkinson | The Guernseyman (A Richard Delancey novel) |
'' | 978-0-413-52040-1 | A. A. Milne | The Red House Mystery |
'' | 978-0-413-52130-9 | C. P. Taylor · Cecil P. Taylor | Good (Modern Plays) |
1976 | 978-0-413-52160-6 | August Strindberg | Strindberg Plays: One - "The Father", "Miss Julie", and "The Ghost Sonata" |
1983 | 978-0-413-52200-9 | H. V. Morton | A Stranger in Spain |
2002 | 978-0-413-52210-8 | '' | A Traveller in Southern Italy |
1983 | 978-0-413-52230-6 | Captain Robert Falcon Scott | Scott's Last Expedition: The Journals |
'' | 978-0-413-52250-4 | Henrik Ibsen | Peer Gynt (RSC playtext) |
1984 | 978-0-413-52330-3 | Michael Wilcox | Gay Plays, Vol. 1 (A Methuen theatrefile) |
1983 | 978-0-413-52340-2 | Christopher Milne | The Path Through the Trees |
1985 | 978-0-413-52370-9 | Mervyn Peake | Titus Groan (The Gormenghast trilogy) |
1984 | 978-0-413-52460-7 | Alexei Sayle | Train to Hell |
'' | 978-0-413-52470-6 | Alexei Sayle · David Stafford | Train to Hell |
1988 | 978-0-413-52510-9 | Jean Benedetti | Konstantin Stanislavski: A Life |
1990 | 978-0-413-52520-8 | '' | Stanislavski: A Biography (Methuen Drama): His Life and Art (Biography and Autobiography) |
1983 | 978-0-413-52530-7 | Colin Watson | Hopjoy Was Here |
1985 | 978-0-413-52590-1 | Merlyn Rees | Northern Ireland: A Personal Perspective |
1983 | 978-0-413-52640-3 | Robin Skynner · John Cleese | Families and How to Survive Them |
1983 | 978-0-413-52680-9 | Alphonse Allais | Wolf in Frog's Clothing |
'' | 978-0-413-52800-1 | Tony Coult · Baz Kershaw | Engineers Of The Imagination: Welfare State Handbook (Biography and Autobiography) |
1984 | 978-0-413-52940-4 | Richard Leacroft · Helen Leacroft | Theatre and Playhouse: An Illustrated Survey of Theatre Building from Ancient Greece to the Present Day |
1983 | 978-0-413-53000-4 | Percy Mtwa · Mbongeni Ngema · Barney Simon | Woza Albert! (Modern Plays) (Modern Classics) |
'' | 978-0-413-53060-8 | C. J. Cherryh | Pride of Chanur |
1984 | 978-0-413-53070-7 | '' | Merchanter's Luck |
'' | 978-0-413-53130-8 | Sue Townsend | The Growing Pains of Adrian Mole |
1983 | 978-0-413-53140-7 | Thelwell | Thelwell's Magnificat |
'' | 978-0-413-53210-7 | Jean Giraudoux | Trojan War Will Not Take Place (Modern Plays) |
1983 | 978-0-413-53270-1 | Alan Ayckbourn | Confusions (Student Editions) |
1992 | 978-0-413-53280-0 | C.T. Allmand | Henry V (The English Monarchs Series) |
1983 | 978-0-413-53340-1 | Nick Darke | The Body (RSC playtext) |
1984 | 978-0-413-53480-4 | Steve Gooch | All Together Now: Community Theatre - An Alternative View (A Methuen theatrefile) |
'' | 978-0-413-53560-3 | Clifford D. Simak | Special Deliverance |
1985 | 978-0-413-53730-0 | Peter Roberts | "Plays and Players": 1969-83 v. 2: Thirty Years of British Theatre |
1983 | 978-0-413-53790-4 | Sue Townsend | The Secret Diary Of Adrian Mole Aged 13¾ |
1984 | 978-0-413-53840-6 | Ronald Harwood | All the World's a Stage |
1983 | 978-0-413-53970-0 | Steve Bell | The If... Chronicles |
1984 | 978-0-413-54020-1 | Toyoko Yamasaki | Bonchi |
2002 | 978-0-413-54090-4 | Noël Coward | Hay Fever (Modern Classics) |
1983 | 978-0-413-54100-0 | Charles Ross | Edward IV (The English Monarchs Series) |
1984 | 978-0-413-54270-0 | John Galsworthy · John Galsworthy | Strife (Student Editions) |
'' | 978-0-413-54450-6 | Bertolt Brecht | The Caucasian Chalk Circle (Methuen Student Editions) |
1985 | 978-0-413-54470-4 | Henrik Ibsen | A Doll's House (Methuen Student Editions) |
2000 | 978-0-413-54480-3 | H. V. Morton | In Search of Scotland |
2000 | 978-0-413-54490-2 | H. V. Morton | In Search of England |
1984 | 978-0-413-54500-8 | Joshua Nkomo · Nicholas Harman | Nkomo: My Life |
1985 | 978-0-413-54620-3 | Terence Sir Rattigan | Rattigan: Plays Two: "Deep Blue Sea"; "Separate Tables"; "In Praise of Love"; "Before Dawn" (World Classics) |
1984 | 978-0-413-54790-3 | John Barton | Playing Shakespeare (Performance Books) |
2000 | 978-0-413-54850-4 | H. V. Morton | In Search of Ireland |
1984 | 978-0-413-54870-2 | Willy Russell · Bob Eaton · Chris Mellors | Our Day Out (Young Drama) (Modern Classics) |
'' | 978-0-413-54990-7 | Osbert Lancaster | Littlehampton Saga: "Saracen's Head", "Drayneflete Revealed", "Littlehampton Bequest" (A Methuen humour classic) |
2007 | 978-0-413-55150-4 | Noël Coward | Noel Coward Collected Verse (Coward Collection) |
1984 | 978-0-413-55160-3 | Anton Pavlovich Chekhov | Wild Honey (Modern Plays) |
'' | 978-0-413-55290-7 | Wole Soyinda | A Play of Giants (Modern Plays) |
'' | 978-0-413-55420-8 | David Mamet | Glengarry Glen Ross (Modern Classics) |
2001 | 978-0-413-55480-2 | Caryl Churchill | Top Girls (Modern Plays) (Modern Classics) |
1985 | 978-0-413-55530-4 | Ben Bova | Exiles Trilogy |
1984 | 978-0-413-55580-9 | Harvey Fierstein | Torch Song Trilogy (New theatrescripts) |
1985 | 978-0-413-55600-4 | Clifford D. Simak | Why Call Them Back from Heaven? |
1984 | 978-0-413-55780-3 | John Fullerton | Soviet Occupation of Afghanistan |
'' | 978-0-413-56080-3 | W. C. Sellar · R. J. Yeatman | And Now All This |
1985 | 978-0-413-56290-6 | C.J. Cherryh | Chronicles of Morgaine |
1984 | 978-0-413-56300-2 | Christopher Isherwood | A Meeting by the River |
1983 | 978-0-413-56370-5 | Noel Coward · Noal Coward · Coward | Noel Coward Pomp and Circumstance: A Novel (Coward Collection) |
1998 | 978-0-413-56420-7 | Frank Muir · Denis Norden | The Utterly Ultimate "My Word!" Collection (A Methuen humour classic) |
1984 | 978-0-413-56430-6 | Terry Jones · Michael Palin | Dr. Fegg's Encyclopaedia of All World Knowledge |
1984 | 978-0-413-56520-4 | Robin Skynner · John Cleese | Families and How to Survive Them |
1994 | 978-0-413-56529-7 | R Skynner & John Cle | FAMILIES HOW TO SURVIVE - TSP EDTN |
1984 | 978-0-413-56600-3 | Steve Bell | If...Only Again |
1985 | 978-0-413-56670-6 | Caryl Churchill | Caryl Churchill: Plays Vol. 1 - 'Owners', 'Traps', 'Vinegar Tom', 'Light Shining in Buckinghamshire' & 'Cloud Nine': "Owners"; "Traps"; "Vinegar Tom"; ... in Buckinghamshire"; "Cloud Nine" Vol 1 |
2006 | 978-0-413-56760-4 | Joe Orton | Loot (Student Editions) |
1985 | 978-0-413-56850-2 | Roger Zelazny | The Dream Master (A Methuen paperback) |
1984 | 978-0-413-56910-3 | Bill Oddie · Laura Beaumont | The Toilet Book: 11.5 Minutes a Day and How Not to Waste Them |