| year of publication | ISBN | author(s) | title |
|---|
| 1968 | 978-0-19-314917-5 | Catherine Gough | Boyhoods of Great Composers (Young Reader's Guides to Music) |
| 1975 | 978-0-19-314919-9 | May Davis · Anita Davis | All About Music |
| 1976 | 978-0-19-314920-5 | Juliette Alvin | Music for the Handicapped Child |
| '' | 978-0-19-314921-2 | David Ward | Hearts and Hands and Voices: Music in the Education of the Slow Learner |
| 1978 | 978-0-19-314922-9 | John Hosier | Sorcerer's Apprentice and Other Stories (Young Reader's Guides to Music) |
| 1980 | 978-0-19-314923-6 | Mervyn Bruxner | Orchestra (Young Reader's Guides to Music S.) |
| '' | 978-0-19-314924-3 | Benjamin William Appleby · Frederick Fowler | "Nutcracker", "Swan Lake", "Sleeping Beauty" and "Firebird" |
| 1981 | 978-0-19-314925-0 | Wendy-Ann Ensor | Heroes and Heroines in Music |
| 1982 | 978-0-19-314926-7 | '' | More Heroes and Heroines in Music |
| 1948 | 978-0-19-315102-4 | Edmund H. Fellowes | English Madrigal Composers |
| 1964 | 978-0-19-315126-0 | Donald Francis Tovey | Essays in Musical Analysis: Suppty. v.: Chamber Music |
| 1935 | 978-0-19-315127-7 | Donald Francis Tovey | Essays in Musical Analysis: Symphonies vol 1 |
| '' | 978-0-19-315128-4 | '' | Essays in Musical Analysis. Volume II: Symphonies |
| 2005 | 978-0-19-315129-1 | '' | Essays in Musical Analysis: Concertos v. 3 |
| 978-0-19-315130-7 | '' | Essays in Musical Analysis, vol. 4: Illustrative Music |
| 978-0-19-315131-4 | Donald Francis Tovey | Essays in Musical Analysis: Vocal Music v. 5 |
| 1939 | 978-0-19-315132-1 | '' | Essays in Musical Analysis: Supplementary Essays, Glossary and Index v. 6 |
| 1961 | 978-0-19-315133-8 | Eric Blom | Some Great Composers |
| 1972 | 978-0-19-315136-9 | Donald Francis Tovey | Essays in Musical Analysis: Suppty. v.: Chamber Music |
| '' | 978-0-19-315137-6 | '' | ESSAYS IN MUSICAL ANALYSIS: SYMPHONIES 1 |
| '' | 978-0-19-315138-3 | '' | Essays in Musical Analysis: Symphonies, Variations and Orchestral Polyphony v. 2 |
| '' | 978-0-19-315139-0 | '' | Essays in Musical Analysis: Concertos v. 3 |
| 1972 | 978-0-19-315140-6 | Donald Francis Tovey | ESSAYS IN MUSICAL ANALYSIS: ILLUSTRATIVE MUSIC 4 |
| 1937 | 978-0-19-315141-3 | '' | Essays in Musical Analysis. Volume V: Vocal Music |
| 1972 | 978-0-19-315142-0 | '' | Essays in Musical Analysis: Supplementary Essays, Glossary and Index v. 6 |
| 1975 | 978-0-19-315143-7 | '' | Essays in Musical Analysis: v. 1-6 & Suppty. v. |
| '' | 978-0-19-315144-4 | Edmund H. Fellowes | English Madrigal Composers |
| 1978 | 978-0-19-315145-1 | Joseph Kerman | The Beethoven Quartets |
| 1982 | 978-0-19-315146-8 | Donald Francis Tovey | Essays in Musical Analysis: Symphonies and Other Orchestral Music v. 2 |
| 1981 | 978-0-19-315147-5 | '' | Essays in Musical Analysis: Symphonies and Other Orchestral Music v. 2 (Oxford Paperbacks) |
| 1981 | 978-0-19-315148-2 | Donald Francis Tovey | Essays in Musical Analysis: Concertos and Choral Works v. 3 |
| '' | 978-0-19-315149-9 | '' | Essays in Musical Analysis: Concertos and Choral Works |
| 1991 | 978-0-19-315153-6 | Bonnie J. Blackburn · etc. · Edward Lowinsky · Clement Miller | A Correspondence of Renaissance Musicians |
| 1988 | 978-0-19-315155-0 | Nicolas Slonimsky | Perfect Pitch: A Life Story |
| '' | 978-0-19-315156-7 | Susana Walton | William Walton: Behind the Facade |
| 1995 | 978-0-19-315159-8 | Henry-Louis de La Grange | Gustav Mahler: Volume 2. Vienna: The Years of Challenge (1897-1904): Vienna: The Years of Challenge (1897-1904) Vol 2 (de La Grange: Mahler 4 volumes) |
| 1999 | 978-0-19-315160-4 | Henry-Louis de La Grange | Gustav Mahler, Vol. 3, Vienna: Triumph and Disillusion (1904-1907)) |
| 1989 | 978-0-19-315161-1 | Donald Francis Tovey | Chamber Music |
| 1959 | 978-0-19-315203-8 | Winton Dean | Handel's Dramatic Oratorios and Masques |
| 1948 | 978-0-19-315204-5 | Edmund H. Fellowes | William Byrd |
| 1954 | 978-0-19-315205-2 | Ed. Abraham Gerald Ernest Heal | Handel, a Symposium. |
| 1959 | 978-0-19-315206-9 | Imogen Holst | Henry Purcell, 1659-95 |
| 1966 | 978-0-19-315214-4 | Herbert Kennedy Andrews | Technique of Byrd's Vocal Polyphony |
| 1968 | 978-0-19-315216-8 | Herbert Weinstock | Rossini: A Biography |
| 1970 | 978-0-19-315217-5 | Winton Dean | Handel and the Opera Seria (The Ernest Bloch lectures) |
| 1971 | 978-0-19-315218-2 | Gilbert Reaney | Machaut (Oxford Study of Composers) |
| 1986 | 978-0-19-315219-9 | Winton Dean · John Merrill Knapp | Handel's Operas, 1704-26 |
| 1974 | 978-0-19-315220-5 | David Brown | Wilbye (Oxford Study of Composers) |
| 1973 | 978-0-19-315223-6 | Louise Cuyler | Emperor Maximilian I and Music |
| '' | 978-0-19-315224-3 | Malcolm Boyd | Palestrina's Style: A Practical Introduction |
| 1981 | 978-0-19-315225-0 | Margaret Bent | Dunstaple (Oxford Studies of Composers) |
| 1977 | 978-0-19-315227-4 | Leon B. Plantinga | Clementi: His Life and Music |
| '' | 978-0-19-315229-8 | Edward E. Lowinsky · Bonnie J. Blackburn | Josquin Des Prez 1971: International Conference Proceedings |
| 1974 | 978-0-19-315231-1 | Denis Arnold | Giovanni Gabrieli (Oxford Studies of Composers) |
| 1980 | 978-0-19-315232-8 | Denis Arnold | Giovanni Gabrieli and the Music of the Venetian High Renaissance |
| 1986 | 978-0-19-315234-2 | Peter Dennison | Pelham Humfrey (Oxford Studies of Composers) |
| 1980 | 978-0-19-315236-6 | Ellen T. Harris | Handel and the Pastoral Tradition |
| 1982 | 978-0-19-315237-3 | Jerome Roche | Lassus (Oxford Studies of Composers) |
| 1978 | 978-0-19-315238-0 | W. G. Whittaker | The Cantatas of Johann Sebastian Bach: Sacred and Secular |
| 1985 | 978-0-19-315243-4 | Graham Dixon | Carissimi (Oxford Studies of Composers) |
| 1986 | 978-0-19-315244-1 | Peter Dennison | Pelham Humfrey (Oxford Studies of Composers) |
| 1990 | 978-0-19-315245-8 | Professor Michael Talbot | Tomaso Albinoni: The Venetian Composer and His World |
| 1987 | 978-0-19-315246-5 | Hans-Gunter Ottenberg | Carl Philipp Emanuel Bach |
| 1985 | 978-0-19-315247-2 | Denis Arnold | Giovanni Gabrieli and the Music of the Venetian High Renaissance |
| 1991 | 978-0-19-315248-9 | Silke Leopold | Monteverdi: Music in Transition |
| 1986 | 978-0-19-315249-6 | Graham Dixon | Carissimi (Oxford Studies of Composers) |
| 1994 | 978-0-19-315250-2 | Donald Burrows · Martha J. Ronish | A Catalogue of Handel's Musical Autographs |
| 1989 | 978-0-19-315251-9 | Friedrich Erhardt Niedt | Musical Guide: 1700-21 Pt.1-3 (Early Music Series) |
| 1990 | 978-0-19-315252-6 | Ellen T. Harris | Henry Purcell's Dido and Aeneas (Clarendon Paperbacks) |
| 1991 | 978-0-19-315254-0 | Anne W. Robertson | The Service-Books of the Royal Abbey of Saint-Denis: Images of Ritual and Music in the Middle Ages (Oxford Monographs on Music) |
| 1992 | 978-0-19-315256-4 | Bruce Gustafson · David Fuller | A Catalogue of French Harpsichord Music 1699-1780 |
| 1987 | 978-0-19-315257-1 | Howard E. Smither | A History of the Oratorio: The Oratorio in the Classical Era v.3: The Oratorio in the Classical Era Vol 3 |
| 1989 | 978-0-19-315258-8 | Frits Noske | Sweelinck (Oxford studies of composers) |
| 1988 | 978-0-19-315259-5 | Frits Noske | Sweelinck (Oxford studies of composers) |
| 1990 | 978-0-19-315260-1 | Ethan Haimo | Schoenberg's Serial Odyssey: The Evolution of His Twelve-tone Method, 1914-28 (Monographs on Music) |
| 1989 | 978-0-19-315262-5 | Malcolm Gillies | Bartok in Britain: A Guided Tour |
| 1991 | 978-0-19-315263-2 | Philip J. Whitmore | Unpremeditated Art: Cadenza in the Classical Keyboard Concerto (Monographs on Music) |
| 1992 | 978-0-19-315264-9 | John M. Ward | Music for Elizabethan Lutes: Osborn Commonplace-book Tablatures and Related Sources |
| 1990 | 978-0-19-315265-6 | Winton Dean | Essays on Opera |
| 2000 | 978-0-19-315267-0 | Antonio De Almeida | Thematic Catalogue of the Works of Jacques Offenbach |
| 1963 | 978-0-19-315308-0 | Sergei Aleksandrovich Dianin | Borodin |
| 1968 | 978-0-19-315309-7 | Gerald Abraham | Chopin's Musical Style |
| 1970 | 978-0-19-315310-3 | Martin Cooper | Beethoven: The Last Decade, 1817-27 |
| 1974 | 978-0-19-315311-0 | David Brown | Mikhail Glinka: A Biographical and Critical Study |
| 1974 | 978-0-19-315312-7 | Alan Tyson | Beethoven Studies: v.1 |
| 1986 | 978-0-19-315313-4 | Douglas Porter Johnson · etc. · Alan Tyson · Robert Winter | The Beethoven Sketchbooks: History, Reconstruction, Inventory |
| 1985 | 978-0-19-315314-1 | Roland John Wiley | Tchaikovsky's Ballets:Swan Lake,Sleeping Beauty,Nutcracker (Oxford monographs on music) |
| 1978 | 978-0-19-315315-8 | Alan Tyson | Beethoven Studies: v. 2 |
| 1992 | 978-0-19-315318-9 | Deryck Cooke | I Saw the World End: A Study of Wagner's Ring (Clarendon Paperbacks) |
| 1990 | 978-0-19-315319-6 | Alexandra Orlova | Tchaikovsky: A Self-portrait |
| 1985 | 978-0-19-315321-9 | Martin Cooper | Beethoven: The Last Decade, 1817-27 |
| 2002 | 978-0-19-315322-6 | Dieter Borchmeyer | Richard Wagner: Theory and Theatre |
| 1991 | 978-0-19-315325-7 | Michael C. Tusa | "Euryanthe" and Carl Maria Von Weber's Dramaturgy of German Opera (Studies in Musical Genesis & Structure) |
| 1987 | 978-0-19-315327-1 | Boris de Schloezer | Scriabin: Artist and Mystic |
| 1990 | 978-0-19-315329-5 | Steven Huebner | The Operas of Charles Gounod |
| 1988 | 978-0-19-315331-8 | Pieter C. van den Toorn | Stravinsky and the "Rite of Spring": The Beginnings of a Musical Language |
| 1996 | 978-0-19-315332-5 | Nicholas Marston | Beethoven's Piano Sonata in E, Op. 109 (Studies in Musical Genesis, Structure & Interpretation) |
| 1965 | 978-0-19-315412-4 | Frank Howes | Music of William Walton |
| 1968 | 978-0-19-315414-8 | Michael Kennedy | Portrait of Elgar |
| '' | 978-0-19-315416-2 | Imogen Holst | Music of Gustav Holst |
| 1971 | 978-0-19-315420-9 | John E. Lunn · Ursula Vaughan Williams · U. Vaughan Williams | Ralph Vaughan Williams: A Pictorial Biography |
| '' | 978-0-19-315421-6 | Roman Vlad | Stravinsky |
| '' | 978-0-19-315422-3 | Norman Kay | Shostakovich (Oxford Studies of Composers) |
| 1975 | 978-0-19-315424-7 | Reginald Smith Brindle | New Music: The Avant-garde Since 1945 |
| 1972 | 978-0-19-315425-4 | Jerrold Northrop Moore | Elgar: A Life in Photographs |
| 1973 | 978-0-19-315426-1 | Roger Nichols | Debussy (Oxford Studies of Composers) |
| 1972 | 978-0-19-315427-8 | Roy Douglas | Working with R.V.W. |
| 1975 | 978-0-19-315428-5 | Roger Nichols | Messiaen (Oxford Studies of Composers) |
| 1976 | 978-0-19-315429-2 | Robin Maconie | Works of Karlheinz Stockhausen |
| 1973 | 978-0-19-315431-5 | Frank Stewart Howes | Music of William Walton |
| 1977 | 978-0-19-315433-9 | Professor Stewart R. Craggs · Michael Kennedy | William Walton: A Thematic Catalogue of His Musical Works |
| 1975 | 978-0-19-315434-6 | Jerrold Northrop Moore | Elgar on Record: The Composer and the Gramophone |
| 1970 | 978-0-19-315436-0 | Imogen Holst | Music of Gustav Holst |
| 1977 | 978-0-19-315437-7 | Lionel Carley · Robert Threlfall | Delius: A Life in Pictures |
| 1978 | 978-0-19-315438-4 | Hugh Macdonald | Scriabin (Oxford Study of Composers) |
| 1977 | 978-0-19-315439-1 | H.Wiley Hitchcock | Ives (Oxford Study of Composers) |
| 1979 | 978-0-19-315442-1 | Paul Griffiths | Boulez (Oxford Study of Composers) |
| 1984 | 978-0-19-315443-8 | Arthur Jacobs | Arthur Sullivan: A Victorian Musician |
| 1979 | 978-0-19-315444-5 | Roman Vlad | Stravinsky |
| 1985 | 978-0-19-315445-2 | '' | Stravinsky |
| 1987 | 978-0-19-315446-9 | Edward Elgar | Elgar and His Publishers: Letters of a Creative Life |
| 1984 | 978-0-19-315447-6 | Jerrold Northrop Moore | Edward Elgar: A Creative Life |
| 1982 | 978-0-19-315448-3 | Michael Kennedy | Portrait of Elgar (Oxford Paperbacks) |
| '' | 978-0-19-315449-0 | '' | Portrait of Elgar (Oxford Paperbacks) |
| 1981 | 978-0-19-315450-6 | Paul Griffiths | John Cage (Oxford studies of composers) |
| 1991 | 978-0-19-315455-1 | David Osmond-Smith | Berio (Oxford Studies of Composers) |
| 1984 | 978-0-19-315457-5 | Imogen, Holst | The Music of Gustav Holst: And, Holst's Music Reconsidered |
| 1986 | 978-0-19-315458-2 | Imogen Holst | The Music of Gustav Holst and Holst's Music Reconsidered |
| 1985 | 978-0-19-315459-9 | Roger Nichols | Messiaen (Oxford Studies of Composers) |
| 1995 | 978-0-19-315464-3 | Richard Widdess | The Ragas of Early Indian Music: Modes, Melodies, and Musical Notations from the Gupta Period to c. 1250 (Oxford Monographs on Music) |
| 1986 | 978-0-19-315465-0 | Roger Nichols | Messiaen (Oxford Studies of Composers) |
| 1990 | 978-0-19-315466-7 | Alexander L. Ringer | Arnold Schoenberg: The Composer as Jew |
| 1987 | 978-0-19-315467-4 | Mya Tannenbaum | Conversations with Stockhausen |
| 1987 | 978-0-19-315468-1 | Reginald Smith Brindle | The New Music: The Avant-garde since 1945 |
| 1990 | 978-0-19-315469-8 | Marcel Dietschy | A Portrait of Claude Debussy |
| 1987 | 978-0-19-315471-1 | Reginald Smith Brindle | The New Music: The Avant-Garde since 1945 |
| 1990 | 978-0-19-315472-8 | Edward Elgar | Letters of a Lifetime |
| 1989 | 978-0-19-315473-5 | '' | Windflower Letters: Correspondence with Alice Caroline Stuart Wortley and Her Family |
| 1990 | 978-0-19-315474-2 | Professor Stewart R. Craggs | William Walton: A Catalogue |
| 1992 | 978-0-19-315475-9 | Simon Wright | Villa-Lobos (Oxford Studies of Composers) |
| '' | 978-0-19-315476-6 | Simon Wright | Villa-Lobos (Oxford Studies of Composers) |
| 1990 | 978-0-19-315477-3 | Robin Maconie | The Works of Karlheinz Stockhausen |
| 1991 | 978-0-19-315478-0 | David Osmond-Smith | Berio (Oxford Studies of Composers) |
| 1956 | 978-0-19-316101-6 | C.H. Colles | Growth of Music |
| 1956 | 978-0-19-316102-3 | C.H. Colles | Growth of Music |
| '' | 978-0-19-316103-0 | Henry Cope Colles | Growth of Music: v. 1 |
| '' | 978-0-19-316104-7 | C.H. Colles | Growth of Music: v. 2 |
| '' | 978-0-19-316105-4 | '' | Growth of Music: v. 3 |
| 1955 | 978-0-19-316107-8 | Percy A. Scholes | Listener's History of Music: v. 1 |
| '' | 978-0-19-316108-5 | Percy A. Scholes | Listener's History of Music: v. 2 |
| 1955 | 978-0-19-316109-2 | Percy A. Scholes | Listener's History of Music: To the Composers of Today v. 3 |
| '' | 978-0-19-316110-8 | '' | A Miniature History of Music |
| 1972 | 978-0-19-316114-6 | '' | Listener's History of Music: To the Composers of Today v. 3 |
| 1978 | 978-0-19-316115-3 | Henry Cope Colles | The Growth of Music: Study in Musical History |
| '' | 978-0-19-316116-0 | '' | The Growth of Music: Study in Musical History |
| 1984 | 978-0-19-316118-4 | Jerome Roche | North Italian Church Music in the Age of Monteverdi (Oxford Monographs on Music) |
| 1989 | 978-0-19-316121-4 | Peter Van Der Merwe | Origins of the Popular Style: Antecedents of Twentieth-century Popular Music |
| 1990 | 978-0-19-316124-5 | John Caldwell · etc. | The Well-enchanting Skill: Music, Poetry and Drama in the Culture of the Renaissance - Essays in Honour of F.W.Sternfeld |
| 1992 | 978-0-19-316125-2 | Rankin | Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays: Plainsong and Mediaeval Music Society Centennial Essays |
| 1990 | 978-0-19-316126-9 | Eleanor Selfridge-Field | The Works of Benedetto and Alessandro Marcello: A Thematic Catalogue with Commentary on the Composers, Repertory and Sources |
| 1970 | 978-0-19-316202-0 | Martin Cooper | French Music from the Death of Berlioz to the Death of Faure |
| 1973 | 978-0-19-316203-7 | Eta Harich-Schneider | A History of Japanese Music |
| 1963 | 978-0-19-316301-0 | Egon Wellesz | Ancient and Oriental Music: Ancient and Oriental Music Vol 1 (The New Oxford History of Music) |
| 1954 | 978-0-19-316302-7 | Anselm Hughes | New Oxford History of Music: The Early Middle Ages to 1300 v. 2 (The New Oxford History of Music) |
| 1963 | 978-0-19-316303-4 | Gerald Abraham · Anselm Hughes | Ars Nova and the Renaissance 1300-1540: Ars Nova and the Renaissance, 1300-1540 Vol 3 (The New Oxford History of Music) |
| 1954 | 978-0-19-316304-1 | Gerald Abraham | The Age of Humanism 1540-1630: The Age of Humanism, 1540-1630 Vol 4 (The New Oxford History of Music) |
| 1975 | 978-0-19-316305-8 | Anthony Lewis · Nigel Fortune | Opera and Church Music 1630-1750: Opera and Church Music, 1630-1750 Vol 5 (The New Oxford History of Music) |
| 1986 | 978-0-19-316306-5 | Gerald Abraham | Concert Music 1630-1750: Concert Music, 1630-1750 Vol 6 (The New Oxford History of Music) |
| 1973 | 978-0-19-316307-2 | Egon Wellesz · F. W. Sternfeld | The Age of Enlightenment 1745-1790: The Age of Enlightenment, 1745-90 Vol 7 (The New Oxford History of Music) |
| 1982 | 978-0-19-316308-9 | Gerald Abraham | The Age of Beethoven 1790-1830: The Age of Beethoven, 1790-1830 Vol 8 (The New Oxford History of Music) |
| 1990 | 978-0-19-316309-6 | Gerald Abraham | Romanticism (1830-1890): Romanticism, 1830-90 Vol 9 (The New Oxford History of Music) |
| 1974 | 978-0-19-316310-2 | Martin Cooper | The Modern Age 1890-1960 (The New Oxford History of Music - Vol 10) |
| 1966 | 978-0-19-316316-4 | Milos Velimirovic | Studies in Eastern Chant: v. 1 |
| 1971 | 978-0-19-316318-8 | Milos Velimirovic | Studies in Eastern Chant: v. 2 |
| 1970 | 978-0-19-316319-5 | Walter Gerboth | Index to Musical Festschriften and Similar Publications |
| 1973 | 978-0-19-316320-1 | Milos Velimirovic | Studies in Eastern Chant: v. 3 |
| 1981 | 978-0-19-316321-8 | William L. Smoldon | Music of the Mediaeval Church Dramas |
| 1974 | 978-0-19-316324-9 | Gerald Abraham | Tradition of Western Music |
| 1985 | 978-0-19-316327-0 | Reinhard Strohm | Music in Late Mediaeval Bruges (Oxford Monographs on Music) |
| 1990 | 978-0-19-316329-4 | Richard Crocker · David Hiley | The Early Middle Ages to 1300: The Early Middle Ages to 1300 Vol 2 (The New Oxford History of Music) |
| '' | 978-0-19-316333-1 | Daniel Leech-Wilkinson | Machaut's Mass: An Introduction |
| 1972 | 978-0-19-316401-7 | David Johnson | Music and Society in Lowland Scotland in the Eighteenth Century |
| 1973 | 978-0-19-316402-4 | Roger Fiske | English Theatre Music in the Eighteenth Century |
| 1984 | 978-0-19-316404-8 | Lewis Lockwood | Music in Renaissance Ferrara, 1400-1505: The Creation of a Musical Centre in the Fifteenth Century (Oxford Monographs on Music) |
| 1986 | 978-0-19-316406-2 | Michael Praetorius | Syntagma Musicum: De Organographia v.2: De Organographia Vol 2 (Early Music Series) |
| 2001 | 978-0-19-316408-6 | Susan Wollenberg | Music at Oxford in the Eighteenth and Nineteenth Centuries |
| 1986 | 978-0-19-316409-3 | Roger Fiske | English Theatre Music in the Eighteenth Century |
| 1990 | 978-0-19-316410-9 | H.Wiley Hitchcock | Marc-Antoine Charpentier (Oxford Studies of Composers) |
| '' | 978-0-19-316411-6 | '' | Marc-Antoine Charpentier (Oxford Studies of Composers) |
| 1988 | 978-0-19-316412-3 | Stephen L. Clark | C.P.E.Bach Studies |
| '' | 978-0-19-316413-0 | Richard Maunder | Mozart's "Requiem": On Preparing a New Edition |
| 1991 | 978-0-19-316415-4 | Bruce Alan Brown | Gluck and the French Theatre in Vienna |
| 1990 | 978-0-19-316416-1 | Roland John Wiley | A Century of Russian Ballet: Documents and Eyewitness Accounts, 1810-1910 |
| 1987 | 978-0-19-316417-8 | Andrew Thomson BSc MB ChB | The Life and Times of Charles-Marie Widor, 1844-1937 |
| 1990 | 978-0-19-316418-5 | Reinhard Strohm | Music in Late Medieval Bruges (Oxford Monographs on Music) |
| 1968 | 978-0-19-316501-4 | Avril Dankworth | Jazz: An Introduction to Its Musical Basis |
| 1947 | 978-0-19-317101-5 | A. Jacob | Musical Handwriting |
| 1962 | 978-0-19-317102-2 | Vera Gray · Rachel Percival | Music, Movement and Mime for Children |
| 1963 | 978-0-19-317103-9 | Imogen Holst | An ABC of Music (Oxford Paperback Reference) |
| 1975 | 978-0-19-317104-6 | Alan Boustead | Writing Down Music |