| year of publication | ISBN | author(s) | title |
|---|
| 1990 | 978-1-85459-007-7 | William Shakespeare | Twelfth Night (Director's Shakespeare) |
| 1989 | 978-1-85459-010-7 | Kate Harwood | First Run: New Plays by New Writers: Bk. 1 |
| 1990 | 978-1-85459-017-6 | Alasdair Cameron | Scot-free: New Scottish Plays |
| 1989 | 978-1-85459-021-3 | Joshua Sobol | Ghetto |
| '' | 978-1-85459-026-8 | Howard Brenton · Tariq Ali · Ali Tariq | Iranian Nights (Royal Court Theatre) |
| '' | 978-1-85459-037-4 | Joan Plowright · Richard Olivier | Olivier at Work: The National Years |
| 2007 | 978-1-85459-050-3 | Kenneth Tynan | Theatre Writings |
| 1989 | 978-1-85459-066-4 | Peter Flannery | Singer |
| 1988 | 978-1-85459-070-1 | Tim Goodwin | Britain's Royal National Theatre: First 25 Years |
| 1990 | 978-1-85459-078-7 | Howard Brenton · Tariq Ali · Ali Tariq | Moscow Gold |
| 2003 | 978-1-85459-089-3 | Luigi Pirandello | Six Characters in Search of an Author (Drama Classics) |
| 1989 | 978-1-85459-090-9 | Caryl Churchill | Cloud Nine |
| 2001 | 978-1-85459-094-7 | Jean Racine | Phaedra (Drama Classics) |
| 1991 | 978-1-85459-102-9 | Eugene O'Neill | Long Day's Journey into Night |
| 1995 | 978-1-85459-107-4 | Stephen Sondheim · Hugh Wheeler | A Little Night Music |
| 1991 | 978-1-85459-108-1 | Stephen Sondheim · Hugh Wheeler | Sweeney Todd |
| '' | 978-1-85459-117-3 | Edmond Rostand | Cyrano De Bergerac |
| 1995 | 978-1-85459-123-4 | Howard Brenton | Hot Irons: Diaries, Essays, Journalism |
| 2002 | 978-1-85459-127-2 | Declan Donnellan | The Actor and the Target |
| 1995 | 978-1-85459-136-4 | Eugene O'Neill | Desire Under the Elms |
| 1992 | 978-1-85459-138-8 | '' | Mourning Becomes Electra |
| 1994 | 978-1-85459-143-2 | '' | The Iceman Cometh |
| 2004 | 978-1-85459-145-6 | Stephen Sondheim · Burt Shevelove · Larry Gelbart | A Funny Thing Happened on the Way to the Forum |
| 1994 | 978-1-85459-148-7 | Stephen Gray | South Africa Plays: New South African Drama (The international collection) |
| '' | 978-1-85459-151-7 | Eugene O'Neill | The Hairy Ape |
| 1995 | 978-1-85459-154-8 | George Farquhar | Beaux' Stratagem (Drama Classics) |
| 1992 | 978-1-85459-156-2 | Tony Kushner | Angels in America: A Gay Fantasia on National Themes: Millennium Approaches Pt.1 |
| 1993 | 978-1-85459-160-9 | Jean Newlove | Laban for Actors and Dancers: Putting Laban's Movement Theory into Practice - A Step-by-step Guide |
| 1994 | 978-1-85459-164-7 | Euripides | Medea (Drama Classics) |
| 1997 | 978-1-85459-174-6 | N.V. Gogol | The Government Inspector (Drama Classics) |
| 1999 | 978-1-85459-178-4 | Aphra Behn | The Rover, The (Drama Classics) |
| 1996 | 978-1-85459-183-8 | Georg Buchner | Woyzeck (Drama Classics) |
| 1995 | 978-1-85459-184-5 | Henrik Ibsen | Hedda Gabler (Drama Classics) |
| 1993 | 978-1-85459-185-2 | Michael Billington | One Night Stands: A Critic's View of British Theatre, 1971-91 |
| 1998 | 978-1-85459-188-3 | Pedro Calderon De La Barca · CALDERON | Life Is a Dream (Drama Classics) |
| 1997 | 978-1-85459-189-0 | Alfred Jarry | The Ubu Plays (Drama Classics) |
| 2000 | 978-1-85459-192-0 | Thomas Middleton · William Rowley | The Changeling (Drama Classics) |
| 1994 | 978-1-85459-197-5 | Moliere | The Hypochondriac (Drama Classics) |
| 1995 | 978-1-85459-198-2 | William Congreve | The Way of the World (Drama Classics) |
| 1994 | 978-1-85459-199-9 | Christopher Marlowe | The Jew of Malta (Drama Classics) |
| 1994 | 978-1-85459-201-9 | Mel Gussow | Conversations with Pinter |
| 1995 | 978-1-85459-204-0 | Johann Wolfgang von Goethe · Howard Brenton | Faust: Pts. 1 & 2 |
| '' | 978-1-85459-205-7 | August Strindberg | Miss Julie (Drama Classics) |
| '' | 978-1-85459-208-8 | Ariel Dorfman | Death and the Maiden |
| 1997 | 978-1-85459-210-1 | John M. Synge | The Playboy of the Western World (Drama Classics) |
| 1993 | 978-1-85459-211-8 | Sophie Treadwell | Machinal (Royal National Theatre) |
| 2001 | 978-1-85459-225-5 | William Wycherley | The Country Wife (Drama Classics) |
| 1995 | 978-1-85459-227-9 | Diane Samuels | Kindertransport (Nick Hern Books) |
| 2002 | 978-1-85459-239-2 | John McGrath | Naked Thoughts That Roam About: Reflections on Theatre 1958-2001 (Nick Hern Books) |
| 1996 | 978-1-85459-249-1 | Carlos Fuentes · Griselda Gambaro · Mario Vargas Llosa · Gabriel Garcia Marquez · Octavio Paz · Jose Triana | Latin-American Plays (International Collection) |
| '' | 978-1-85459-254-5 | Pam Gems | Stanley |
| 1994 | 978-1-85459-255-2 | Tony Kushner | Angels in America: A Gay Fantasia on National Themes: Perestroika Pt. 2 |
| 2000 | 978-1-85459-264-4 | Dorfman | Reader |
| 1994 | 978-1-85459-272-9 | Kevin Elyot | My Night with Reg |
| 1997 | 978-1-85459-273-6 | Richard Pilbrow | Stage Lighting |
| 1994 | 978-1-85459-275-0 | Caryl Churchill | The Skriker |
| '' | 978-1-85459-277-4 | Stephen Jeffreys | The Libertine |
| 1994 | 978-1-85459-281-1 | Helen Edmundson | The Clearing |
| 1997 | 978-1-85459-284-2 | Michael Pennington | "Hamlet": A User's Guide |
| 1995 | 978-1-85459-292-7 | David Edgar | Pentecost (NHB International Collection) |
| '' | 978-1-85459-293-4 | James Stock | Star Gazy Pie |
| 1996 | 978-1-85459-300-9 | Eugene Labiche | An Italian Straw Hat (Drama Classics) |
| 1998 | 978-1-85459-309-2 | Chris Johnston | House of Games |
| 1997 | 978-1-85459-313-9 | Ayub Khan-Din | East Is East |
| '' | 978-1-85459-314-6 | David Haig | My Boy Jack (Nick Hern Books) |
| '' | 978-1-85459-317-7 | Max Stafford-Clark | Letters to George: The Account of a Rehearsal |
| '' | 978-1-85459-318-4 | Simon Callow · Helen Osborne | The National |
| 1997 | 978-1-85459-323-8 | Simon Callow · Helen Osborne | The National (Nick Hern Books) |
| '' | 978-1-85459-327-6 | Caryl Churchill | Blue Heart |
| 1998 | 978-1-85459-329-0 | Polly Teale · Charlotte Bronte | Jane Eyre (Nick Hern Books) |
| 1996 | 978-1-85459-330-6 | Cyril Tourneur | The Revenger's Tragedy (Drama Classics) |
| '' | 978-1-85459-335-1 | Christopher Marlowe | Doctor Faustus (Drama Classics) |
| 1997 | 978-1-85459-337-5 | Caryl Churchill · Orlando Gough | Hotel (Nick Hern Books) |
| '' | 978-1-85459-340-5 | George Farquhar | The Recruiting Officer (Drama Classics) |
| '' | 978-1-85459-342-9 | Caryl Churchill | Churchill Plays: 3 (Collected Plays vol. 3) Icecream; Mad Forest; The Skriker; Thyestes; Lives of the Great Poisoners; A Mouthful of Birds: v. 3 (Collected plays) |
| 1999 | 978-1-85459-344-3 | '' | This is a Chair |
| 1997 | 978-1-85459-351-1 | Henrik Ibsen | The Master Builder (Drama Classics) |
| 1997 | 978-1-85459-353-5 | Alex Jones | Noise (Nick Hern Books) |
| 1998 | 978-1-85459-359-7 | Joe Orton | Fred and Madge |
| 1996 | 978-1-85459-360-3 | Frank Darabont | The Shawshank Redemption: Screenplay & Notes (NHB Shooting Scripts) |
| '' | 978-1-85459-366-5 | Jez Butterworth | Mojo (Nick Hern Books) |
| '' | 978-1-85459-370-2 | John McGrath | A Good Night Out |
| 1998 | 978-1-85459-372-6 | John Dryden | All for Love (Drama Classics) |
| 1997 | 978-1-85459-376-4 | Ariel Dorfman · Tony Kushner | Widows |
| '' | 978-1-85459-377-1 | Thomas Kyd | The Spanish Tragedy (Drama Classics) |
| 1998 | 978-1-85459-383-2 | Philip Howard | Scotland Plays (Nick Hern Books) |
| 1996 | 978-1-85459-386-3 | Royal Shakespeare Company | Everyman (Drama Classics) |
| 1998 | 978-1-85459-389-4 | Mikhail Bulgakov · Ron Hutchinson | Flight (Nick Hern Books) |
| 1996 | 978-1-85459-390-0 | Ariel Dorfman | Death and the Maiden |
| '' | 978-1-85459-395-5 | Shirley Brown | Bristol Old Vic Theatre School |
| 1997 | 978-1-85459-398-6 | Enda Walsh | Disco Pigs (Nick Hern Books) |
| 2005 | 978-1-85459-407-5 | Henry Porter | Two Angry Women of Abington (Globe Quartos) |
| 1998 | 978-1-85459-408-2 | Thomas Dekker | The Honest Whore (Globe Quartos) |
| 1998 | 978-1-85459-409-9 | Thomas Middleton | A Mad World, My Masters (Globe Quartos) |
| '' | 978-1-85459-410-5 | Christopher Marlowe | Edward II (Drama Classics) |
| '' | 978-1-85459-420-4 | Richard Brinsley Sheridan | The School for Scandal (Drama Classics) |
| 1999 | 978-1-85459-422-8 | Mark O'Rowe | Howie the Rookie (Nick Hern Books) |
| '' | 978-1-85459-423-5 | Terence Rattigan | The Deep Blue Sea (Nick Hern Books) |
| 1998 | 978-1-85459-426-6 | Tariq Ali · Howard Brenton · Ali Tariq | Ugly Rumours (Instant Playscript) |
| 1999 | 978-1-85459-434-1 | Simon Gray | Just the Three of Us (Nick Hern Books) |
| '' | 978-1-85459-435-8 | Henrik Ibsen | Peer Gynt (Drama Classics) |
| 1999 | 978-1-85459-441-9 | Oliver Goldsmith | She Stoops to Conquer (Drama Classics) |
| '' | 978-1-85459-442-6 | Conor McPherson | Four Plays |
| '' | 978-1-85459-444-0 | Stephen Jeffreys | The Clink (Nick Hern Books) |
| '' | 978-1-85459-445-7 | Mark O'Rowe | From Both Hips (Nick Hern Books) |
| 2001 | 978-1-85459-453-2 | Frank Wedekind | Lulu (Nick Hern Books Drama Classics) |
| 1999 | 978-1-85459-460-0 | Oscar Wilde | An Ideal Husband (Drama Classics) |
| 2000 | 978-1-85459-466-2 | Barry Grantham | Playing Commedia |
| 1999 | 978-1-85459-467-9 | Terence Rattigan | The Winslow Boy (Drama Classics) |
| 2000 | 978-1-85459-470-9 | Simon Gray | Japes (Nick Hern Books Drama Classics) |
| '' | 978-1-85459-471-6 | Billy Roche | The Wexford Trilogy: "Handful of Stars", "Poor Beast in the Rain", "Belfry" |
| 2000 | 978-1-85459-474-7 | Peter Nichols | Diaries, 1969-1977 |
| '' | 978-1-85459-485-3 | David Edgar | Albert Speer |
| '' | 978-1-85459-486-0 | L. Till · Barry Hines | Kes: Play |
| '' | 978-1-85459-489-1 | Amanda Whittington | Be My Baby |
| '' | 978-1-85459-494-5 | Marie Jones | Stones in His Pockets: AND Night in November |
| 2001 | 978-1-85459-499-0 | Martin Millar · Don Makichan · Doon MacKichan | Emma |
| 2008 | 978-1-85459-522-5 | Joanna Murray-Smith | The Female of the Species |
| 2008 | 978-1-85459-527-0 | Diane Samuels | Kindertransport |
| '' | 978-1-85459-579-9 | Lukas Barfuss | The Sexual Neuroses of Our Parents |
| 2007 | 978-1-85459-583-6 | David Haig | My Boy Jack (Nick Hern Books) |
| '' | 978-1-85459-584-3 | Bruce Norris | The Pain and the Itch |
| '' | 978-1-85459-593-5 | Jonathan Lewis and Miranda Foster | All Mouth |
| 2000 | 978-1-85459-601-7 | Kate Atkinson | Abandonment |
| '' | 978-1-85459-602-4 | Liz Lochhead | Medea |
| 2000 | 978-1-85459-605-5 | Peter Nichols | Passion Play |
| 2004 | 978-1-85459-612-3 | Orlanda Cook | Singing with Your Own Voice |
| 2001 | 978-1-85459-613-0 | Bella Merlin | Beyond Stanislavsky |
| '' | 978-1-85459-619-2 | Timothy West | A Moment Towards the End of the Play (Nick Hern Books Drama Classics) |
| '' | 978-1-85459-622-2 | William Shakespeare | Twelth Night (Shakespeare Folios) |
| '' | 978-1-85459-624-6 | Francis Beaumont | The Knight of the Burning Pestle (Drama Classics) |
| '' | 978-1-85459-630-7 | Dymphna Callery | Through the Body |
| 2001 | 978-1-85459-631-4 | David Edgar | The Prisoner's Dilemma |
| 2002 | 978-1-85459-637-6 | Moliere | Tartuffe (Drama Classics) |
| 2001 | 978-1-85459-643-7 | Conor McPherson | The Weir |
| '' | 978-1-85459-648-2 | August Wilson | Jitney |
| '' | 978-1-85459-649-9 | Gail Pallin | Stage Management - the Essential Handbook (Queensgate Theatre Studies) |
| 2006 | 978-1-85459-654-3 | Henrik Ibsen | The Wild Duck (Drama Classics) |
| 2001 | 978-1-85459-657-4 | Tim Fountain · Quentin Crisp | Resident Alien: Quentin Crisp Explains It All |
| 2002 | 978-1-85459-659-8 | Barbara Houseman | Finding Your Voice: A Complete Voice Training Manual for Actors (Nick Hern Book) |
| '' | 978-1-85459-665-9 | Nicholas Wright | Vincent in Brixton (Nick Hern Books) |
| 2006 | 978-1-85459-668-0 | Chris Johnston | The Improvisation Game: Discovering the Secrets of Spontaneous Performance |
| 2002 | 978-1-85459-672-7 | Diane Samuels | The True Life Fiction of Mata Hari |
| 2004 | 978-1-85459-674-1 | Marina Caldarone · Maggie Lloyd-Williams | Actions: The Actor's Thesaurus |
| 2002 | 978-1-85459-683-3 | Anne Dennis | The Articulate Body: The Physical Training of the Actor |
| '' | 978-1-85459-688-8 | Julian Fellowes · Robert Altman | Gosford Park (Shooting Scripts) |
| 2002 | 978-1-85459-690-1 | Vassily Sigarev | Plasticine |
| '' | 978-1-85459-695-6 | John Fletcher | RSC Classics: The Island Princess (RSC Classics) |
| 2003 | 978-1-85459-698-7 | Oliver Ford Davies | Playing Lear |
| 2002 | 978-1-85459-699-4 | Jez Butterworth | The Night Heron |
| '' | 978-1-85459-705-2 | Matt Wolf | Sam Mendes at the Donmar Warehouse: Stepping into Freedom |
| '' | 978-1-85459-707-6 | Thomas Heywood | The Wise Woman of Hoxton (Globe Quartos) |
| 2003 | 978-1-85459-708-3 | Charlie Kaufman · Spike Jonze | Adaptation (Shooting Scripts) |
| 2002 | 978-1-85459-709-0 | Caryl Churchill | A Number |
| '' | 978-1-85459-712-0 | Peter Brook | Evoking (and Forgetting!) Shakespeare |
| 2004 | 978-1-85459-713-7 | Euripides | Women of Troy (Drama Classics) |
| 2003 | 978-1-85459-714-4 | Thomas Dekker | The Shoemakers' Holiday (Drama Classics) |
| 2007 | 978-1-85459-716-8 | Tim Fountain | So You Want to Be a Playwright?: How to Write a Play and Get It Produced |
| 2003 | 978-1-85459-717-5 | Greg Kotis · Mark Hollmann | Urinetown |
| 2002 | 978-1-85459-723-6 | Amanda Whittington | Be My Baby |
| 2003 | 978-1-85459-725-0 | Jean Newlove · John Dalby | Laban for All |
| 2003 | 978-1-85459-731-1 | Oleg Presnyakov · Vladimir Presnyakov | Terrorism |
| '' | 978-1-85459-734-2 | Gail Pallin | Stage Management: The Essential Handbook |
| 2005 | 978-1-85459-738-0 | Thomas Middleton | Women Beware Women (Drama Classics) |
| 2003 | 978-1-85459-740-3 | Debbie Tucker Green | Born Bad |
| '' | 978-1-85459-741-0 | '' | Dirty Butterfly |
| 2004 | 978-1-85459-743-4 | Caryl Churchill | A Number |
| 2003 | 978-1-85459-744-1 | Caryl Churchill | Far Away |
| '' | 978-1-85459-745-8 | Polly Teale | After Mrs. Rochester |
| 2004 | 978-1-85459-748-9 | Moliere | The Miser (Drama Classics) |
| '' | 978-1-85459-749-6 | Euripides | Electra (Drama Classics) |
| 2003 | 978-1-85459-751-9 | Harriet Walter | Other People's Shoes: Thoughts on Acting |
| '' | 978-1-85459-752-6 | Stella Feehily | Duck |
| 2004 | 978-1-85459-753-3 | Antony Sher | Year of the King |
| 2003 | 978-1-85459-754-0 | '' | I.D. |
| 2004 | 978-1-85459-756-4 | Sophocles | Electra (Drama Classics) |
| 2003 | 978-1-85459-758-8 | Lope de Vega · Tanya Ronder | Peribanez |
| '' | 978-1-85459-759-5 | Oleg Presnyakov · Vladimir Presnyakov | Playing the Victim |
| 2005 | 978-1-85459-760-1 | Peter Harness · Ronan O'Donnell | Singular Male Voices |
| 2003 | 978-1-85459-764-9 | Suzan-Lori Parks | Topdog/Underdog |
| 2003 | 978-1-85459-765-6 | Gotthold Ephraim Lessing | Nathan the Wise |
| '' | 978-1-85459-768-7 | Philip Pullman · Nicholas Wright | His Dark Materials |
| 2005 | 978-1-85459-771-7 | Oscar Wilde | Lady Windermere's Fan (Drama Classics) |
| 2004 | 978-1-85459-773-1 | Mel Gussow | Gambon: A Life in Acting |
| '' | 978-1-85459-776-2 | Peter Flannery | Singer (Nick Hern Books) |
| '' | 978-1-85459-777-9 | Conor McPherson | Mcpherson: Collected Plays: Vol two |
| '' | 978-1-85459-778-6 | David Edgar | Continental Divide: Daughters of the Revolution / Mothers Against |
| 2004 | 978-1-85459-779-3 | Stephen Unwin | So You Want to be a Theatre Director? |
| 2007 | 978-1-85459-781-6 | Oliver Ford Davies | Performing Shakespeare: Preparation, Rehearsal, Performance |
| 2006 | 978-1-85459-782-3 | John Wright | Why Is That So Funny?: A Practical Exploration of Physical Comedy |
| 2004 | 978-1-85459-785-4 | Gareth Armstrong | A Case for Shylock: Around the World with Shakespeare's Jew |
| '' | 978-1-85459-789-2 | George Orwell | Animal Farm (play) |
| 2007 | 978-1-85459-793-9 | Bella Merlin | The Complete Stanislavsky Toolkit |
| 2004 | 978-1-85459-795-3 | John August · Tim Burton | Big Fish |
| '' | 978-1-85459-796-0 | Charlie Kaufman · Michel Gondry | Eternal Sunshine of the Spotless Mind (Script) |
| 2005 | 978-1-85459-803-5 | Nick Moseley | Acting and Reacting: Tools for the Modern Actor |
| 2004 | 978-1-85459-804-2 | Ayub Khan-Din | Notes on Falling Leaves |
| '' | 978-1-85459-818-9 | Fernando de Rojas | Celestina (Drama Classics) |
| '' | 978-1-85459-819-6 | Conor McPherson | Shining City |
| 2004 | 978-1-85459-825-7 | Nikolai Erdman | The Mandate |
| 2005 | 978-1-85459-836-3 | Ian Smith | Pinter in the Theatre |
| '' | 978-1-85459-838-7 | Declan Donnellan | The Actor and the Target |
| 2004 | 978-1-85459-839-4 | Jonathan Lichtenstein | The Pull of Negative Gravity (Nick Hern Books Drama Classics) |
| 2007 | 978-1-85459-840-0 | Max Stafford-Clark · Philip Roberts | Taking Stock: The Theatre of Max Stafford-Clark |
| 2005 | 978-1-85459-842-4 | Henrik Ibsen | Hedda Gabler |
| '' | 978-1-85459-843-1 | Enda Walsh | The Small Things |
| '' | 978-1-85459-845-5 | Stephen Mulrine | Chekhov - 4 Plays: "The Seagull", "Uncle Vanya", "Three Sisters", "The Cherry Orchard" (Drama Classic: Collections) |
| '' | 978-1-85459-846-2 | K. McLeish · Stephen Mulrine | Ibsen - 3 Plays: "A Doll's House", "Ghosts", "Hedda Gabler" (Drama Classic: Collections) |
| 2005 | 978-1-85459-848-6 | Trevor Griffiths | Restoration Comedy: "The Country Wife", "The Rover", "The Way of the World" (Drama Classic: Collections) |
| '' | 978-1-85459-851-6 | August Strindberg · Caryl Churchill | A Dream Play |
| '' | 978-1-85459-855-4 | Federico Garcia Lorca | Blood Wedding (Classics in Translation) |
| '' | 978-1-85459-856-1 | Debbie Tucker Green | Stoning Mary |
| '' | 978-1-85459-857-8 | Frederic Schiller | Don Carlos (Classics in Translation) |
| 2005 | 978-1-85459-859-2 | William Shakespeare | Thomas More (RSC Gunpowder Season) |
| '' | 978-1-85459-860-8 | Thomas Middleton · William Rowley | A New Way to Please You (RSC Gunpowder Season) |
| '' | 978-1-85459-862-2 | Ben Jonson | Sejanus - His Fall (RSC Gunpowder Season) |
| 2006 | 978-1-85459-864-6 | Ian Smith | Pinter in the Theatre |
| 2005 | 978-1-85459-865-3 | Amanda Whittington | Satin 'n' Steel |
| '' | 978-1-85459-868-4 | Euripides | Hecuba (Drama Classics) |
| 2006 | 978-1-85459-870-7 | Marina Caldarone | Classical Monologues for Women (Good Audition Guide) |
| '' | 978-1-85459-871-4 | Barry Grantham | Commedia Plays: Scenarious - Scripts - Lazzi |
| 2005 | 978-1-85459-874-5 | Xiaoli Wang | In the Bag |
| 2005 | 978-1-85459-875-2 | Arthur Riordan | Improbable Frequency (Nick Hern Book) |
| '' | 978-1-85459-876-9 | Conor McPherson | Port Authority |
| '' | 978-1-85459-878-3 | Rachel Corrie | My Name Is Rachel Corrie (Nick Hern Book) |
| '' | 978-1-85459-879-0 | Timothy West · Prunella Scales | So You Want to Be an Actor? (Nick Hern Book) |
| '' | 978-1-85459-882-0 | Polly Teale | Bronte (Nick Hern Book) |
| 2005 | 978-1-85459-886-8 | Howard Brenton | Paul |
| '' | 978-1-85459-887-5 | Amanda Whittington | Be My Baby (Nick Hern Book) |
| '' | 978-1-85459-891-2 | Ronan O'Donnell | The Doll Tower (Nick Hern Book) |
| '' | 978-1-85459-893-6 | Mark Murphy | The Night Shift |
| '' | 978-1-85459-894-3 | Helen Edmundson | Coram Boy: based on the novel by Jamila Gavin (Nick Hern Book) |
| 2007 | 978-1-85459-896-7 | Pierre Carlet De Chamblain De Marivaux | A Game of Love and Chance (Drama Classics) (Drama Classics) |
| 2005 | 978-1-85459-900-1 | Edward Kemp | 5/11 (Nick Hern Books) |
| 2005 | 978-1-85459-905-6 | Chris Johnston | House of Games |
| '' | 978-1-85459-906-3 | Rachel Corrie | My Name Is Rachel Corrie: The Writings of Rachel Corrie |
| 2006 | 978-1-85459-907-0 | Stella Feehily | O Go My Man (Nick Hern Books) |
| '' | 978-1-85459-911-7 | Jacqueline Wilson · Vicky Ireland | The Lottie Project |
| 2005 | 978-1-85459-912-4 | Debbie Tucker Green | Trade and Generations (Nick Hern Books) |
| '' | 978-1-85459-913-1 | Iain F. Macleod | I Was a Beautiful Day (Nick Hern Books) |
| 2006 | 978-1-85459-914-8 | John Gay | The Beggar's Opera (Drama Classics) |
| '' | 978-1-85459-917-9 | Moira Buffini · Anna Reynolds · Catherine Johnson · Stewart Permutt | Singular (Female) Voices: Three Plays for One Actress (Nick Hern Books) |
| 2006 | 978-1-85459-922-3 | Johann Wolfgang von Goethe | Faust (Drama Classics) |
| '' | 978-1-85459-925-4 | Stephen Lowe | Touched (Nick Hern Books) |
| '' | 978-1-85459-926-1 | Jez Butterworth | The Winterling (Nick Hern Books) |
| 2007 | 978-1-85459-939-1 | Malorie Blackman · Dominic Cooke | Noughts and Crosses (Royal Shakespeare Company) |
| 2006 | 978-1-85459-940-7 | Howard Brenton | In Extremis (Nick Hern Book) |
| '' | 978-1-85459-941-4 | August Strindberg | The Father |
| 2007 | 978-1-85459-943-8 | Kenneth Tynan | Profiles |
| 2008 | 978-1-85459-946-9 | Rachel Corrie · Alan Rickman · Katherine Viner | My Name is Rachel Corrie |
| 2006 | 978-1-85459-949-0 | Conor McPherson | The Seafarer |
| '' | 978-1-85459-959-9 | Caryl Churchill | Drunk Enough to Say I Love You? |
| 2007 | 978-1-85459-964-3 | Fin Kennedy | How to Disappear Completely and Never Be Found |
| 2007 | 978-1-85459-965-0 | Sir George Etherege | The Man of Mode (Drama Classics) (Drama Classics) |
| '' | 978-1-85459-966-7 | Thomas Middleton | A Chaste Maid in Cheapside (Drama Classics) (Drama Classics) |
| 2006 | 978-1-85459-971-1 | Kristin Linklater | Freeing the Natural Voice |
| 2007 | 978-1-85459-982-7 | Tony Kushner | Angels in America: Parts One and Two |
| '' | 978-1-85459-991-9 | Eugene Ionesco · ad. Tanya Ronder | Macbett (Royal Shakespeare Company) |