| year of publication | ISBN | author(s) | title |
|---|
| 2003 | 978-1-85459-714-4 | Thomas Dekker | The Shoemakers' Holiday (Drama Classics) |
| 2007 | 978-1-85459-716-8 | Tim Fountain | So You Want to Be a Playwright?: How to Write a Play and Get It Produced |
| 2003 | 978-1-85459-717-5 | Greg Kotis · Mark Hollmann | Urinetown |
| 2002 | 978-1-85459-723-6 | Amanda Whittington | Be My Baby |
| 2003 | 978-1-85459-725-0 | Jean Newlove · John Dalby | Laban for All |
| '' | 978-1-85459-728-1 | Joanna Murray-Smith | Honour (Nick Hern Book) |
| '' | 978-1-85459-731-1 | Oleg Presnyakov · Vladimir Presnyakov | Terrorism |
| '' | 978-1-85459-733-5 | Chris Hannan | Shining Souls |
| '' | 978-1-85459-734-2 | Gail Pallin | Stage Management: The Essential Handbook |
| 2003 | 978-1-85459-737-3 | Christopher Heimann · Neil Monaghan · Diene Petterle | 100 |
| 2005 | 978-1-85459-738-0 | Thomas Middleton | Women Beware Women (Drama Classics) |
| 2003 | 978-1-85459-740-3 | Debbie Tucker Green | Born Bad |
| '' | 978-1-85459-741-0 | '' | Dirty Butterfly |
| 2004 | 978-1-85459-743-4 | Caryl Churchill | A Number |
| 2003 | 978-1-85459-744-1 | Caryl Churchill | Far Away |
| '' | 978-1-85459-745-8 | Polly Teale | After Mrs. Rochester |
| '' | 978-1-85459-747-2 | Robert Holman | Holes in the Skin |
| 2004 | 978-1-85459-748-9 | Moliere | The Miser (Drama Classics) |
| '' | 978-1-85459-749-6 | Euripides | Electra (Drama Classics) |
| 2003 | 978-1-85459-751-9 | Harriet Walter | Other People's Shoes: Thoughts on Acting |
| 2003 | 978-1-85459-752-6 | Stella Feehily | Duck |
| 2004 | 978-1-85459-753-3 | Antony Sher | Year of the King |
| 2003 | 978-1-85459-754-0 | Antony Sher | I.D. |
| 2004 | 978-1-85459-756-4 | Sophocles | Electra (Drama Classics) |
| 2003 | 978-1-85459-757-1 | Liz Lochhead | Thebans |
| '' | 978-1-85459-758-8 | Lope de Vega · Tanya Ronder | Peribanez |
| '' | 978-1-85459-759-5 | Oleg Presnyakov · Vladimir Presnyakov | Playing the Victim |
| 2005 | 978-1-85459-760-1 | Peter Harness · Ronan O'Donnell | Singular Male Voices |
| 2003 | 978-1-85459-763-2 | Fin Kennedy | Protection |
| '' | 978-1-85459-764-9 | Suzan-Lori Parks | Topdog/Underdog |
| '' | 978-1-85459-765-6 | Gotthold Ephraim Lessing | Nathan the Wise |
| 2003 | 978-1-85459-767-0 | Henry Adam | The People Next Door |
| '' | 978-1-85459-768-7 | Philip Pullman · Nicholas Wright | His Dark Materials |
| 2005 | 978-1-85459-771-7 | Oscar Wilde | Lady Windermere's Fan (Drama Classics) |
| 2004 | 978-1-85459-773-1 | Mel Gussow | Gambon: A Life in Acting |
| '' | 978-1-85459-776-2 | Peter Flannery | Singer (Nick Hern Books) |
| '' | 978-1-85459-777-9 | Conor McPherson | Mcpherson: Collected Plays: Vol two |
| '' | 978-1-85459-778-6 | David Edgar | Continental Divide: Daughters of the Revolution / Mothers against |
| 2004 | 978-1-85459-779-3 | Stephen Unwin | So You Want to be a Theatre Director? |
| 2007 | 978-1-85459-781-6 | Oliver Ford Davies | Performing Shakespeare: Preparation, Rehearsal, Performance |
| 2006 | 978-1-85459-782-3 | John Wright | Why Is That So Funny?: A Practical Exploration of Physical Comedy |
| 2004 | 978-1-85459-785-4 | Gareth Armstrong | A Case for Shylock: Around the World with Shakespeare's Jew |
| '' | 978-1-85459-789-2 | George Orwell | Animal Farm (play) |
| '' | 978-1-85459-791-5 | Mary Webb · Helen Edmundson | Gone to Earth |
| 2008 | 978-1-85459-792-2 | Federico Garcia Lorca | Blood Wedding (Drama Classics) |
| 2007 | 978-1-85459-793-9 | Bella Merlin | The Complete Stanislavsky Toolkit |
| 2004 | 978-1-85459-795-3 | John August · Tim Burton | Big Fish |
| '' | 978-1-85459-796-0 | Charlie Kaufman · Michel Gondry | Eternal Sunshine of the Spotless Mind (Script) |
| 2005 | 978-1-85459-803-5 | Nick Moseley | Acting and Reacting: Tools for the Modern Actor |
| 2004 | 978-1-85459-804-2 | Ayub Khan-Din | Notes on Falling Leaves |
| '' | 978-1-85459-818-9 | Fernando de Rojas | Celestina (Drama Classics) |
| 2004 | 978-1-85459-819-6 | Conor McPherson | Shining City |
| '' | 978-1-85459-825-7 | Nikolai Erdman | The Mandate |
| '' | 978-1-85459-831-8 | Philip Pullman · Nicholas Wright | His Dark Materials - The Play (Nick Hern Book) |
| 2005 | 978-1-85459-836-3 | Ian Smith | Pinter in the Theatre |
| '' | 978-1-85459-838-7 | Declan Donnellan | The Actor and the Target |
| 2004 | 978-1-85459-839-4 | Jonathan Lichtenstein | The Pull of Negative Gravity (Nick Hern Books Drama Classics) |
| 2007 | 978-1-85459-840-0 | Max Stafford-Clark · Philip Roberts | Taking Stock: The Theatre of Max Stafford-Clark |
| 2005 | 978-1-85459-842-4 | Henrik Ibsen | Hedda Gabler |
| '' | 978-1-85459-843-1 | Enda Walsh | The Small Things |
| 2005 | 978-1-85459-845-5 | Stephen Mulrine | Chekhov - 4 Plays: "The Seagull", "Uncle Vanya", "Three Sisters", "The Cherry Orchard" (Drama Classic: Collections) |
| '' | 978-1-85459-846-2 | K. McLeish · Stephen Mulrine | Ibsen - 3 Plays: "A Doll's House", "Ghosts", "Hedda Gabler" (Drama Classic: Collections) |
| '' | 978-1-85459-848-6 | Trevor Griffiths | Restoration Comedy: "The Country Wife", "The Rover", "The Way of the World" (Drama Classic: Collections) |
| 2004 | 978-1-85459-850-9 | Joanna Murray-Smith | Bombshells |
| 2005 | 978-1-85459-851-6 | August Strindberg · Caryl Churchill | A Dream Play |
| '' | 978-1-85459-855-4 | Federico Garcia Lorca | Blood Wedding (Classics in Translation) |
| '' | 978-1-85459-856-1 | Debbie Tucker Green | Stoning Mary |
| 2005 | 978-1-85459-857-8 | Frederic Schiller | Don Carlos (Classics in Translation) |
| '' | 978-1-85459-859-2 | William Shakespeare | Thomas More (RSC Gunpowder Season) |
| '' | 978-1-85459-860-8 | Thomas Middleton · William Rowley | A New Way to Please You (RSC Gunpowder Season) |
| '' | 978-1-85459-862-2 | Ben Jonson | Sejanus - His Fall (RSC Gunpowder Season) |
| '' | 978-1-85459-863-9 | Elizabeth Kuti | The Sugar Wife |
| 2006 | 978-1-85459-864-6 | Ian Smith | Pinter in the Theatre |
| 2005 | 978-1-85459-865-3 | Amanda Whittington | Satin 'n' Steel |
| 2005 | 978-1-85459-868-4 | Euripides | Hecuba (Drama Classics) |
| 2006 | 978-1-85459-869-1 | Marina Caldarone | Classical Monologues for Men (Good Audition Guide) |
| '' | 978-1-85459-870-7 | Marina Caldarone | Classical Monologues for Women (Good Audition Guide) |
| '' | 978-1-85459-871-4 | Barry Grantham | Commedia Plays: Scenarious - Scripts - Lazzi |
| 2005 | 978-1-85459-874-5 | Xiaoli Wang | In the Bag |
| '' | 978-1-85459-875-2 | Arthur Riordan | Improbable Frequency (Nick Hern Book) |
| '' | 978-1-85459-876-9 | Conor McPherson | Port Authority |
| 2005 | 978-1-85459-878-3 | Rachel Corrie | My Name is Rachel Corrie (Nick Hern Book) |
| '' | 978-1-85459-879-0 | Timothy West · Prunella Scales | So You Want to be an Actor? (Nick Hern Book) |
| '' | 978-1-85459-882-0 | Polly Teale | Bronte (Nick Hern Book) |
| '' | 978-1-85459-886-8 | Howard Brenton | Paul |
| '' | 978-1-85459-887-5 | Amanda Whittington | Be My Baby (Nick Hern Book) |
| 2005 | 978-1-85459-891-2 | Ronan O'Donnell | The Doll Tower (Nick Hern Book) |
| '' | 978-1-85459-893-6 | Mark Murphy | The Night Shift |
| '' | 978-1-85459-894-3 | Helen Edmundson | Coram Boy: based on the novel by Jamila Gavin (Nick Hern Book) |
| 2007 | 978-1-85459-896-7 | Pierre Carlet De Chamblain De Marivaux | A Game of Love and Chance (Drama Classics) |
| 2005 | 978-1-85459-900-1 | Edward Kemp | 5/11 (Nick Hern Books) |
| '' | 978-1-85459-905-6 | Chris Johnston | House of Games |
| '' | 978-1-85459-906-3 | Rachel Corrie | My Name is Rachel Corrie: The Writings of Rachel Corrie |
| 2006 | 978-1-85459-907-0 | Stella Feehily | O Go My Man (Nick Hern Books) |
| 2006 | 978-1-85459-910-0 | Jacqueline Wilson · Vicky Ireland | Bad Girls (Nick Hern Books) |
| '' | 978-1-85459-911-7 | Jacqueline Wilson · Vicky Ireland | The Lottie Project |
| 2005 | 978-1-85459-912-4 | Debbie Tucker Green | Trade and Generations (Nick Hern Books) |
| '' | 978-1-85459-913-1 | Iain F. Macleod | I Was a Beautiful Day (Nick Hern Books) |
| 2006 | 978-1-85459-914-8 | John Gay | The Beggar's Opera (Drama Classics) |
| '' | 978-1-85459-915-5 | Noah Baumbach | The Squid and the Whale (Screenplay) |
| '' | 978-1-85459-917-9 | Moira Buffini · Anna Reynolds · Catherine Johnson · Stewart Permutt | Singular (female) Voices: Three Plays for One Actress (Nick Hern Books) |
| 2006 | 978-1-85459-922-3 | Johann Wolfgang von Goethe | Faust (Drama Classics) |
| '' | 978-1-85459-925-4 | Stephen Lowe | Touched (Nick Hern Books) |
| '' | 978-1-85459-926-1 | Jez Butterworth | The Winterling (Nick Hern Books) |
| 2009 | 978-1-85459-934-6 | William Shakespeare | Romeo and Juliet (Shakespeare Folios) |
| 2006 | 978-1-85459-935-3 | Nina Raine | Rabbit (Nick Hern Books) |
| '' | 978-1-85459-937-7 | Alecky Blythe | Cruising (Nick Hern Book) |
| 2007 | 978-1-85459-939-1 | Malorie Blackman · Dominic Cooke | Noughts and Crosses (Royal Shakespeare Company) |
| 2006 | 978-1-85459-940-7 | Howard Brenton | In Extremis (Nick Hern Book) |
| '' | 978-1-85459-941-4 | August Strindberg | The Father |
| 2007 | 978-1-85459-943-8 | Kenneth Tynan | Profiles |
| 2008 | 978-1-85459-946-9 | Rachel Corrie · Alan Rickman · Katherine Viner | My Name is Rachel Corrie |
| 2006 | 978-1-85459-949-0 | Conor McPherson | The Seafarer |
| 2006 | 978-1-85459-952-0 | James Joyce | Exiles (Nick Hern Book) |
| '' | 978-1-85459-957-5 | Steve Thompson | Whipping it Up (Nick Hern Book) |
| '' | 978-1-85459-959-9 | Caryl Churchill | Drunk Enough to Say I Love You? |
| 2007 | 978-1-85459-961-2 | John Abbott | The Improvisation Book (Nick Hern Books) |
| '' | 978-1-85459-964-3 | Fin Kennedy | How to Disappear Completely and Never be Found (Nick Hern Book) |
| '' | 978-1-85459-965-0 | Sir George Etherege | The Man of Mode (Drama Classics) |
| 2007 | 978-1-85459-966-7 | Thomas Middleton | A Chaste Maid in Cheapside (Drama Classics) |
| '' | 978-1-85459-967-4 | Mike Alfreds | Different Every Night: Rehearsal and Performance Techniques for Actors and Directors: Freeing the Actor |
| 2006 | 978-1-85459-969-8 | Michael Morpurgo | Kensuke's Kingdom |
| '' | 978-1-85459-971-1 | Kristin Linklater | Freeing the Natural Voice |
| '' | 978-1-85459-974-2 | Jonathan Lichtenstein | Memory (Nick Hern Books) |
| 2007 | 978-1-85459-982-7 | Tony Kushner | Angels in America: Part One [Millennium Approaches] & Part Two [Perestroika] |
| '' | 978-1-85459-990-2 | Tena Stivicic | Fragile |
| 2007 | 978-1-85459-991-9 | Eugene Ionesco · ad. Tanya Ronder | Macbett (Royal Shakespeare Company) |
| 2008 | 978-1-85459-996-4 | Richard Pilbrow | Stage Lighting Design: The Art, the Craft, the Life |
| 2007 | 978-1-85459-997-1 | Enda Walsh | The Walworth Farce |