| year of publication | ISBN | author(s) | title |
|---|
| 1988 | 978-1-85437-000-6 | Francis W. Greenacre | Francis Danby |
| 1989 | 978-1-85437-008-2 | Richard Shone · Penelope Curtis | W.R.Sickert: Drawings and Paintings, 1890-1942 |
| 1990 | 978-1-85437-031-0 | Simon Wilson · Tate Gallery | Tate Gallery: An Illustrated Companion |
| '' | 978-1-85437-037-2 | Judy Egerton | Wright of Derby |
| '' | 978-1-85437-043-3 | Elizabeth Cowling · Jennifer Mundy | On Classic Ground: Picasso, Leger, De Chirico and the New Classicism 1910-1930 |
| '' | 978-1-85437-048-8 | Lawrence Gowing · David Sylvester | The Paintings of William Coldstream, 1908-87 |
| 1991 | 978-1-85437-071-6 | Leslie Parris · Ian Fleming-Williams | Constable |
| '' | 978-1-85437-072-3 | Leslie Parris | Constable: Pictures from the Exhibition |
| 1991 | 978-1-85437-084-6 | Gerhard Richter · Tate Gallery | Gerhard Richter |
| 1993 | 978-1-85437-103-4 | Maurice Davies | Turner as Professor: The Artist and Linear Perspective |
| '' | 978-1-85437-109-6 | Richard Serra | Weight and Measure, 1992 |
| '' | 978-1-85437-112-6 | Robert Rosenblum · Sarat Maharaj | Roy Lichtenstein |
| '' | 978-1-85437-114-0 | Robert Storr | Robert Ryman |
| 1994 | 978-1-85437-124-9 | Frances Morris | Paris Post War: Art and Existentialism 1945-55 |
| '' | 978-1-85437-131-7 | Elizabeth Cowling · John Golding | Picasso: Sculptor/Painter - Exhibition Catalogue |
| 1994 | 978-1-85437-141-6 | Penelope Curtis · Alan Wilkinson | Barbara Hepworth: A Retrospective |
| 1995 | 978-1-85437-144-7 | Leslie Parris | The Pre-Raphaelites |
| 1994 | 978-1-85437-145-4 | Richard Dorment · Margaret F. MacDonald | James NcNeill Whistler |
| 1985 | 978-1-85437-149-2 | Barbara Hepworth | Barbara Hepworth: A Pictorial Autobiography |
| 1995 | 978-1-85437-157-7 | Karen Hearn | Dynasties: Painting in Tudor and Jacobean England, 1530-1630 |
| 1996 | 978-1-85437-159-1 | Maurice Howard | The Tudor Image |
| 1995 | 978-1-85437-160-7 | Cecilia Powell | Turner in Germany |
| '' | 978-1-85437-169-0 | Karen Hearn | Dynasties: Painting in Tudor and Jacobean England, 1530-1630 |
| 1996 | 978-1-85437-171-3 | Paul Smith | Interpreting Cezanne |
| 1998 | 978-1-85437-183-6 | David Batchelor | Minimalism (Movements in Modern Art) |
| 1997 | 978-1-85437-184-3 | Charles Harrison | Modernism (Movements in Modern Art series) |
| '' | 978-1-85437-185-0 | Fiona Bradley | Surrealism (Movements in Modern Art series) |
| '' | 978-1-85437-186-7 | James Malpas | Realism (Movements in Modern Art series) |
| 1996 | 978-1-85437-188-1 | Andrew Wilton · Ilaria Bignamini | Grand Tour: Lure of Italy in the Eighteenth Century |
| 1994 | 978-1-85437-197-3 | Richard Morphet | R.B. Kitaj: a Retrospective |
| 1996 | 978-1-85437-202-4 | Joyce Townsend · J. M. W. Turner | Turner's Painting Techniques |
| '' | 978-1-85437-204-8 | Monique Beudert | German and American Art from Beuys and Warhol: The Froehlich Collection |
| 1996 | 978-1-85437-205-5 | Jennifer Mundy | Hans Hartung |
| 1999 | 978-1-85437-212-3 | Mark Rothko | Mark Rothko (Revised Edition) |
| 1997 | 978-1-85437-214-7 | Timothy Wilcox | Francis Towne |
| '' | 978-1-85437-217-8 | Elizabeth Prettejohn | Rossetti and His Circle |
| 1998 | 978-1-85437-218-5 | Ian Warrell | Turner on the Loire |
| '' | 978-1-85437-220-8 | Rachel Barnes | The Pre-Raphaelites and Their World |
| '' | 978-1-85437-221-5 | Virginia Button | The Turner Prize |
| '' | 978-1-85437-223-9 | Louisa Buck | Moving Targets: A User's Guide to British Art Now |
| 1997 | 978-1-85437-224-6 | Andre Carion · Michael Tooby · Andre Cariou · Francoise Steel-Coquet | Christopher Wood: A Painter Between Two Cornwalls |
| 1998 | 978-1-85437-225-3 | Penelope Curtis | Barbara Hepworth (St Ives Artists series) (St.Ives Artists) |
| 2002 | 978-1-85437-226-0 | Margaret Garlake | Peter Lanyon (St Ives Artists series) |
| 1998 | 978-1-85437-227-7 | Edmund de Waal | Bernard Leach (St Ives Artists series) |
| 2001 | 978-1-85437-228-4 | Matthew Gale | Alfred Wallis (St Ives Artists series) |
| 1998 | 978-1-85437-231-4 | Frances Spalding | The Tate: A History |
| 1997 | 978-1-85437-234-5 | Elizabeth Einberg | Hogarth the Painter |
| 1998 | 978-1-85437-239-0 | Sarah Whitfield · John Elderfield | Bonnard |
| 1998 | 978-1-85437-240-6 | Anne Lyles · Robin Hamlyn | British Watercolours from the Oppe Collection:With a Selection of: With a Selection of Drawings and Oil Sketches |
| '' | 978-1-85437-245-1 | Elaine Kilmurray · Richard Ormond | John Singer Sargent |
| 1999 | 978-1-85437-248-2 | Stephen Hackney · Rica Jones · Joyce Townsend | Paint and Purpose: A Study of Technique Over Four Centuries of British Art: Study of Technique in British Art |
| 1998 | 978-1-85437-251-2 | David Cottington | Cubism (Movements in Modern Art series) |
| 1999 | 978-1-85437-252-9 | Shulamith Behr | Expressionism (Movements in Modern Art series) |
| '' | 978-1-85437-253-6 | Richard Humphreys | Futurism (Movements in Modern Art series) |
| 1998 | 978-1-85437-254-3 | Belinda Thomson | Post-Impressionism (Movements in Modern Art series) |
| '' | 978-1-85437-256-7 | Nicholas Watkins | Bonnard Colour & Light: Colour and Light |
| '' | 978-1-85437-258-1 | Patrick Heron | Painter as Critic - Patrick Heron: Selected Writings |
| 1999 | 978-1-85437-274-1 | Matthew Gale · Chris Stephens | Barbara Hepworth: Works in the Tate Gallery Collection and the Barbara Hepworth Museum St Ives |
| 1998 | 978-1-85437-275-8 | Kirk Varnedoe · Pepe Karmel | Jackson Pollock |
| 1998 | 978-1-85437-276-5 | Kirk Vardenoe · Pepe Karmel | Jackson Pollock (Tate Gallery) |
| 1999 | 978-1-85437-280-2 | Matthew Gale · David Sylvester | Francis Bacon: Working on Paper |
| '' | 978-1-85437-281-9 | William Vaughan | William Blake (British Artists series) |
| '' | 978-1-85437-282-6 | Richard Cork | Jacob Epstein (British Artists) |
| '' | 978-1-85437-283-3 | Alicia Foster | Gwen John (British Artists series) |
| 2002 | 978-1-85437-284-0 | Stephen Daniels | Joseph Wright (British Artists series) |
| 1999 | 978-1-85437-286-4 | Frances Morris | Chris Burden: When Robots Rule - The Two Minute Airplane Factory |
| 2000 | 978-1-85437-287-1 | Jo Crook · Tom Learner | The Impact of Modern Paints |
| '' | 978-1-85437-292-5 | Rowan Moore · Raymund Ryan | Building Tate Modern: Herzog and De Meuron with Giles Gilbert Scott |
| 1998 | 978-1-85437-293-2 | Chris Stephens | Bryan Winter (St Ives Artists) |
| 2001 | 978-1-85437-302-1 | Mel Gooding | Abstract Art (Movements in Modern Art series) |
| 2002 | 978-1-85437-304-5 | David McCarthy | Pop Art (Movements in Modern Art series) |
| 2001 | 978-1-85437-305-2 | Eleanor Heartney | Postmodernism (Movements in Modern Art series) |
| 2005 | 978-1-85437-306-9 | Debra Bricker Balken | Abstract Expressionism (Movements in Modern Art) |
| 2001 | 978-1-85437-307-6 | Andrew Brighton | Francis Bacon (British Artists series) |
| 2001 | 978-1-85437-308-3 | David Peters Corbett | Walter Sickert (British Artists series) |
| 2000 | 978-1-85437-309-0 | Chris Stephens | Terry Frost (St Ives Artists series) |
| 2002 | 978-1-85437-310-6 | Michael McNay | Patrick Heron |
| 2000 | 978-1-85437-312-0 | I Blazwick | Tate Modern: The Handbook |
| '' | 978-1-85437-313-7 | Elizabeth Prettejohn | Art of the Pre-Raphaelites |
| 2007 | 978-1-85437-316-8 | Louisa Buck | Moving Targets 2: A User's Guide to British Art Now |
| 2000 | 978-1-85437-317-5 | Simon Wilson | Tate Modern: The Guide |
| '' | 978-1-85437-318-2 | Julia Thomas | Victorian Narrative Painting |
| '' | 978-1-85437-322-9 | Frances Morris · Marina Warner | Louise Bourgeois (The Unilever series) |
| '' | 978-1-85437-323-6 | Natalie Rudd · Dawn Ades · Peter Blake | Peter Blake: About Collage |
| 2000 | 978-1-85437-326-7 | Sheena Wagstaff · Edward W. Said | Mona Hatoum: The Entire World as a Foreign Land |
| '' | 978-1-85437-330-4 | Iwona Blazwick · Simon Wilson | TATE MODERN: THE GUIDE |
| '' | 978-1-85437-331-1 | Rowan Moore · Raymund Ryan | Building Tate Modern: Herzog & De Meuron Transforming Giles Gilbert Scott: Herzog and De Meuron with Giles Gilbert Scott |
| '' | 978-1-85437-332-8 | Matthew Craske | Hogarth, William (British Artists) |
| '' | 978-1-85437-333-5 | Sam Smiles | J.M.W. Turner (British Artists series) |
| 2000 | 978-1-85437-337-3 | Direktor Tate Modern Lars Nittve | Tate Modern (Deutsch) |
| '' | 978-1-85437-341-0 | Douglas Gordon | Douglas Gordon |
| 2001 | 978-1-85437-344-1 | Iwona Ed Blazwick | Century City: Art and Culture in the Modern Metropolis (Art Catalogue) |
| 2003 | 978-1-85437-345-8 | Julian Stallabrass | Internet Art: The Online Clash of Culture and Commerce |
| 2001 | 978-1-85437-347-2 | Matthew Gale · Chris Stephens | Barbara Hepworth: Works in the Tate Collection and the Barbara Hepworth Museum St Ives: Works in the Tate Gallery Collection and the Barbara Hepworth Museum St Ives |
| '' | 978-1-85437-350-2 | Adrian Glew | Stanley Spencer: Letters and Writings |
| '' | 978-1-85437-351-9 | Kitty Hauser | Stanley Spencer (British Artists series) |
| '' | 978-1-85437-354-0 | Andrew Wilson | Patrick Heron: Early and Late Garden Paintings |
| 2001 | 978-1-85437-355-7 | Tacita Dean · Clarrie Wallis | Tacita Dean |
| 2002 | 978-1-85437-356-4 | David Blayney Brown | Turner in the Tate Collection |
| 2001 | 978-1-85437-357-1 | Martin Myrone | Henry Fuseli (British Artists series) |
| '' | 978-1-85437-358-8 | Susan May | Juan Munoz (The Unilever Series) |
| '' | 978-1-85437-365-6 | Alyce Mahon · Hal Foster · David Lomas · Neil Cox · Carolyn J. Dean · Vincent Gille · Annie le Brun | Surrealism: Desire Unbound |
| '' | 978-1-85437-368-7 | William Feaver · Paul Moorhouse | Michael Andrews |
| 2007 | 978-1-85437-369-4 | Richard Humphreys | Tate Britain Companion to British Art |
| 2001 | 978-1-85437-370-0 | Martin Myrone | Tate Britain: The Guide |
| '' | 978-1-85437-372-4 | Alison Smith | Exposed: The Victorian Nude |
| 2002 | 978-1-85437-376-2 | Anne Baldassari · Elizabeth Cowling · John Elderfield · Isabelle Monod-Fontaine · Kirk Varnedoe | Matisse Picasso |
| 2001 | 978-1-85437-377-9 | Timothy Hyman | Stanley Spencer |
| 2002 | 978-1-85437-385-4 | Paul Wood | Conceptual Art (Movements in Modern Art series) |
| 2002 | 978-1-85437-387-8 | Andrew Wilton · Tim Barringer | American Sublime: Landscape Painting in the United States, 1820-1880 |
| '' | 978-1-85437-388-5 | Fiona Bradley | Paula Rego (Modern Artists series) |
| '' | 978-1-85437-389-2 | Matthew Collings | Sarah Lucas (Modern Artists series) |
| '' | 978-1-85437-393-9 | Elizabeth Cowling | Interpreting Matisse Picasso |
| 2004 | 978-1-85437-395-3 | Nicholas Serota · Rudi Fuchs · David Batchelor · David Raskin · Richard Shiff | Donald Judd |
| '' | 978-1-85437-398-4 | Helen Searing | Art Spaces: The Architecture of the Four Tates |
| 2002 | 978-1-85437-399-1 | William Feaver | Freud, Lucien |
| 2002 | 978-1-85437-410-3 | Heiner Bastian | Andy Warhol Retrospective |
| '' | 978-1-85437-411-0 | Bill McKibben · Doug Scott · Andrew Wilson | Hamish Fulton: 1 |
| '' | 978-1-85437-412-7 | Miranda Phillips · Chris Stephens | The Barbara Hepworth Sculpture Garden |
| '' | 978-1-85437-413-4 | David Blayney Brown · Christopher Rowell · Ian Warrell | Turner at Petworth |
| 2003 | 978-1-85437-419-6 | Natalie Rudd | Peter Blake (Modern Artists series) |
| 2002 | 978-1-85437-420-2 | David Blayney Brown | Turner in the Tate Collection |
| '' | 978-1-85437-433-2 | Martin Myrone | George Stubbs (British Artists series) |
| 2002 | 978-1-85437-434-9 | William Vaughan | John Constable (British Artists series) |
| 2004 | 978-1-85437-435-6 | David Peters Corbett | Edward Burne-Jones (British Artists series) |
| 2002 | 978-1-85437-436-3 | David Boyd Haycock | Paul Nash (British Artists series) |
| '' | 978-1-85437-442-4 | David Alan Mellor | Interpreting Lucian Freud |
| '' | 978-1-85437-450-9 | Paul Moorhouse | Long, Richard: A Moving World (Tate Publishing) |
| 2003 | 978-1-85437-454-7 | Emma Dexter | Cruel and Tender: Photos of 20th C.: Photography and the Real |
| '' | 978-1-85437-456-1 | Max Beckmann | On My Painting |
| '' | 978-1-85437-457-8 | Judith Nesbitt · Jonathan Watkins | Days Like These: Tate Triennial of Co: The Tate Triennial Exhibition of Contemporary British Art |
| 2003 | 978-1-85437-463-9 | Ian Warrell | Turner & Venice |
| 2004 | 978-1-85437-464-6 | Katrina M. Brown | Douglas Gordon (Modern Artists series) |
| 2003 | 978-1-85437-466-0 | Virginia Button | Christopher Wood (St Ives Artists series) |
| '' | 978-1-85437-467-7 | Dennis Farr | Lynn Chadwick |
| 2004 | 978-1-85437-470-7 | Mary Horlock | Julian Opie (Modern Artists series) |
| 2003 | 978-1-85437-479-0 | Chris Stephens | Barbara Hepworth: Centenary |
| '' | 978-1-85437-480-6 | Ian Warrell | Turner and Venice |
| '' | 978-1-85437-481-3 | Victor H. Miesel | Voices of German Expressionism |
| '' | 978-1-85437-485-1 | Wolfgang Tillmans | If One Thing Matters, Everything Matters |
| 2004 | 978-1-85437-486-8 | Robin Spencer | James Abbott McNeill Whistler (British Artists series) |
| 2003 | 978-1-85437-487-5 | Lisa Tickner | Dante Gabriel Rossetti (British Artists Series) |
| 2003 | 978-1-85437-492-9 | Paul Moorhouse | Bridget Riley |
| 2004 | 978-1-85437-495-0 | Carmen Giménez · Matthew Gale | Constantin Brancusi: The Essence of Things |
| '' | 978-1-85437-496-7 | Clarrie Wallis | In-A-Gadda-Da-Vida: Angus Fairhurst, Damien Hirst and Sarah Lucas: Damien Hirst, Sarah Lucas and Angus Fairhurst |
| '' | 978-1-85437-498-1 | Joyce H Townsend · Jacqueline Ridge · Stephen Hackney | Pre-Raphaelite Painting Techniques |
| '' | 978-1-85437-499-8 | Christopher Newall · Alison Staley | Pre-Raphaelite Vision: Truth to Natur: Truth to Nature |
| '' | 978-1-85437-500-1 | Katherine Lochnan | Turner Whistler Monet |
| 2004 | 978-1-85437-501-8 | Adrian Heathfield | Live: Art and Performance |
| '' | 978-1-85437-502-5 | Martin Postle | Art of the Garden |
| '' | 978-1-85437-503-2 | Emma Dexter | Luc Tuymans |
| '' | 978-1-85437-504-9 | Sheena Wagstaff · David Anfam · Peter Wollen, Brian O'Doherty Margaret Iversen | Edward Hopper (Art) |
| 2003 | 978-1-85437-512-4 | Virginia Button | The Turner Prize: Twenty Years |
| 1900 | 978-1-85437-513-1 | Patrick Noon | Crossing the Channel: British and French Painting in the Age of Romanticism |
| 2003 | 978-1-85437-514-8 | Paul McCarthy | Paul McCarthy at Tate Modern |
| '' | 978-1-85437-516-2 | Emma Dexter | Cruel and Tender: Photography and the Real |
| 2005 | 978-1-85437-518-6 | Claire Bishop | Installation Art |
| 2004 | 978-1-85437-519-3 | Charlotte Mullins | Rachel Whiteread (Modern Artists series) |
| 2005 | 978-1-85437-520-9 | Alex Coles | DesignArt |
| 2003 | 978-1-85437-521-6 | Robert Upstone | The Pre-Raphaeolite Dream: Paintings and Drawings from the Tate Collection |
| 2004 | 978-1-85437-522-3 | Chris Stephens · Katherine Stout | Art & the 60's: This Was Tomorrow |
| 2006 | 978-1-85437-523-0 | Christine Riding | John Everett Millais (British Artists series) |
| 2004 | 978-1-85437-524-7 | Richard Humphreys | Wyndham Lewis (British Artists series) |
| 2005 | 978-1-85437-525-4 | Ceridwen Lloyd-Morgan | Gwen Johns: Letters and Notebooks |
| 2003 | 978-1-85437-527-8 | Tate St Ives · Virginia Button | Partou Zia |
| 2004 | 978-1-85437-530-8 | Tate St Ives · David Blayney Brown · Douglas Young | Mariele Neudecker: Over and Over, Again and Again |
| 2004 | 978-1-85437-531-5 | Tate St Ives · Richard Cork · Susan Daniel-McElroy | David Nash Making and Placing Abstract Sculpture 1978-2004 |
| '' | 978-1-85437-532-2 | Katherine Lochnan | Turner Whistler Monet |
| '' | 978-1-85437-533-9 | Sheena Wagstaff | Edward Hopper |
| 2005 | 978-1-85437-536-0 | Sarah Richardson | Art in a Box: 20 Activity Cards for Children Based on Works from Tate |
| 2003 | 978-1-85437-537-7 | Adrian George | Art, Lies and Videotape: Exposing Per: Exposing Performance |
| 2006 | 978-1-85437-542-1 | Neal Brown | Tracey Emin (Modern Artists series) |
| 2004 | 978-1-85437-543-8 | David Fraser Jenkins · Chris Stephens | Gwen John and Augustus John |
| '' | 978-1-85437-544-5 | Martin Postle | Art of the Garden |
| '' | 978-1-85437-545-2 | Constantin Brancusi | Constantin Brancusi: The Essence of Things |
| 2005 | 978-1-85437-547-6 | Christopher Green | Henri Rousseau: Jungles in Paris |
| 2005 | 978-1-85437-548-3 | Anna Greuzner Robins · Richard Thomson | Degas Sickert Lautrec: London and Paris, 1870-1910 |
| 2004 | 978-1-85437-556-8 | Ella Doran · Silence | A is for Artist |
| '' | 978-1-85437-557-5 | Simon Groom | A Secret History of Clay – From Gauguin to Gormley |
| '' | 978-1-85437-559-9 | Emma Dexter · Michael Auping · Ben Borthwick | Bruce Nauman: Raw Materials (The Unilever Series) |
| '' | 978-1-85437-560-5 | Philip Brookman · Vicente Todoli | Robert Frank: Storylines |
| 2005 | 978-1-85437-562-9 | Olle Granath | Auguste Strindberg: Painter, Writer: The Eye of a Writer |
| '' | 978-1-85437-563-6 | Timothy Wilcox | Samuel Palmer (British Artists series) |
| 2005 | 978-1-85437-564-3 | Martin Postle | Joshua Reynolds: The Creation of Celebrity |
| '' | 978-1-85437-565-0 | Donna De Salvo | Open Systems: Art and the World c.1970: Rethinking Art C.1970 |
| '' | 978-1-85437-566-7 | David Dimbleby | A Picture of Britain |
| '' | 978-1-85437-567-4 | Emma Dexter · Tanya Barson · Frida Kahlo · Gannit Ankori | Frida Kahlo |
| 2004 | 978-1-85437-568-1 | Andrea Fredericksen | Vanishing Point: The Perspective Drawings of J.M.W. Turner |
| 2007 | 978-1-85437-569-8 | Franklin Kelly | J.M.W. Turner |
| 2005 | 978-1-85437-570-4 | Simon Morrissey | Richard Wilson (Modern Artists series) |