year of publication | ISBN | author(s) | title |
2000 | 978-1-85242-068-0 | PACK | Serpents Tail Valentine Day MA |
1987 | 978-1-85242-108-3 | Waguih Ghali | Beer in the Snooker Club |
'' | 978-1-85242-112-0 | Luisa Valenzuela | The Lizard's Tail (Masks) |
'' | 978-1-85242-113-7 | Juan Goytisolo | Landscapes After the Battle |
1988 | 978-1-85242-123-6 | Neil Bartlett | Who Was That Man?: Present for Mr.Oscar Wilde (Masks) |
1990 | 978-1-85242-124-3 | John Agard | Mangoes and Bullets |
1999 | 978-1-85242-127-4 | Langston Hughes | Selected Poems |
1985 | 978-1-85242-128-1 | Claude McKay | A Long Way from Home: an Autobiography |
1997 | 978-1-85242-131-1 | Manuel Vazquez Montalban | Title: Murder in the Central Committee A Mask Noir Title |
1989 | 978-1-85242-139-7 | Herta Muller | The Passport (Masks) |
'' | 978-1-85242-143-4 | Gianni Celati | Voices from the Plains (Masks) |
1997 | 978-1-85242-147-2 | Carter/Watney | Taking Liberties: AIDS and Cultural Politics |
1989 | 978-1-85242-151-9 | Mehdi Charef | Tea in the Harem |
'' | 978-1-85242-158-8 | Juan Goytisolo | Count Julian (Masks) |
1989 | 978-1-85242-159-5 | Manuel Vázquez Montalbán | The Angst-Ridden Executive (Mask Noir) |
1990 | 978-1-85242-164-9 | Cavazzoni | The Voice of the Moon |
'' | 978-1-85242-168-7 | Elfriede Jelinek | Wonderful, Wonderful Times (Masks) |
'' | 978-1-85242-172-4 | Suzannah Dunn | Darker Days than Usual (90's) |
1991 | 978-1-85242-182-3 | Margo Glantz | The Family Tree |
1992 | 978-1-85242-183-0 | Elfriede Jelinek | Lust (Masks) |
1990 | 978-1-85242-184-7 | Juan José Saer | The Witness (Masks) |
1994 | 978-1-85242-185-4 | Bonnie Greer | Hanging By Her Teeth (90's) |
1993 | 978-1-85242-188-5 | Ann Caesar · Michael Caesar | The Quality of Light: Modern Italian Short Stories |
1992 | 978-1-85242-191-5 | Juan Carlos Onetti | The Shipyard (Extraordinary Classics) |
1990 | 978-1-85242-192-2 | Juan Goytisolo | Juan the Landless (Masks) |
1996 | 978-1-85242-196-0 | Juan Carlos Onetti | Let the Wind Speak (Extraordinary Classics) |
1991 | 978-1-85242-198-4 | Michel Tremblay | The Fat Woman Next Door is Pregnant |
1990 | 978-1-85242-199-1 | Simon Reynolds | Blissed Out: the Raptures of Rock |
1991 | 978-1-85242-202-8 | Gerhard Durlacher | Stripes in the Sky: A Wartime Memoir |
'' | 978-1-85242-204-2 | Fernando Pessoa | The Book of Disquiet (Extraordinary Classics) |
1992 | 978-1-85242-206-6 | Didier Daeninckx | Murder In Memoriam (Mask Noir) |
1996 | 978-1-85242-210-3 | Humann | Night Drive: Modern German Short Stories |
1991 | 978-1-85242-212-7 | Gianni Celati | Appearances (Masks) |
'' | 978-1-85242-216-5 | Mary Russell | Please Don't Call it Soviet Georgia: o/p |
1991 | 978-1-85242-219-6 | Lynne Tillman | Motion Sickness (Masks) |
1992 | 978-1-85242-223-3 | Pier Vittorio Tondelli | Separate Rooms (Masks) |
'' | 978-1-85242-228-8 | Atima Srivastava | Transmission (90s) |
'' | 978-1-85242-236-3 | Walter Mosley | A Red Death (Mask Noir) |
1994 | 978-1-85242-237-0 | Elfriede Jelinek | Women as Lovers (Masks) |
1991 | 978-1-85242-243-1 | David Toop | Rap Attack 2: African Rap to Global Hip Hop |
1994 | 978-1-85242-247-9 | Didier Daeninckx | A Very Profitable War (Mask Noir) |
1995 | 978-1-85242-249-3 | Juan José Saer | The Event (Masks) |
'' | 978-1-85242-254-7 | Simon Reynolds · Joy Press | The Sex Revolts: Gender, Rebellion & Rock n'Roll: Gender, Rebellion and Rock 'n' Roll |
1992 | 978-1-85242-255-4 | Elizabeth Young · Graham Caveney | Shopping in Space: Essays on American 'Blank Generation' Fiction |
'' | 978-1-85242-258-5 | David Wojnarowicz | Close to the Knives: A Memoir of Disintegration |
1992 | 978-1-85242-259-2 | Hayward/Lefanu | God: An Anthology of Fiction |
1993 | 978-1-85242-266-0 | Juan Goytisolo | Makbara (Masks) |
1992 | 978-1-85242-268-4 | Derek Raymond | The Crust On Its Uppers (Mask Noir) |
1993 | 978-1-85242-273-8 | Juan José Saer | Nobody Nothing Never (Masks) |
1992 | 978-1-85242-276-9 | Robert Walser | The Walk (Extraordinary Classics) |
'' | 978-1-85242-277-6 | Kate Pullinger | Where Does Kissing End? (Masks) |
'' | 978-1-85242-278-3 | Dennis Cooper | Frisk |
1993 | 978-1-85242-283-7 | Walter Mosley | White Butterfly (Mask Noir) |
1994 | 978-1-85242-287-5 | Diamela Eltit | Sacred Cow (Masks) |
1996 | 978-1-85242-289-9 | Pieke Biermann | Violetta (Mask Noir) |
1998 | 978-1-85242-291-2 | César Aira | The Hare |
1993 | 978-1-85242-292-9 | Rosa Liksom | One Night Stands (Masks) |
1998 | 978-1-85242-297-4 | Juan José Saer | The Investigation |
1993 | 978-1-85242-298-1 | Paul Gilroy | Small Acts: Thoughts on the Politics of Black Cultures |
'' | 978-1-85242-299-8 | Grace Andreacchi | Music For Glass Orchestra (Masks) |
'' | 978-1-85242-301-8 | Juan Carlos Onetti | A Brief Life (Extraordinary Classics) |
1993 | 978-1-85242-309-4 | Dennis Cooper | Wrong |
1995 | 978-1-85242-312-4 | Julian Rathbone | Accidents Will Happen (Mask Noir) |
'' | 978-1-85242-313-1 | Luisa Valenzuela | Bedside Manners (High Risk) |
'' | 978-1-85242-319-3 | Woody Haut | Pulp Culture: Hardboiled Fiction & the Cold War: Hard Boiled Fiction and the Cold War |
1994 | 978-1-85242-321-6 | John Giorno | You Got to Burn to Shine - new and selected writings (High Risk) |
'' | 978-1-85242-323-0 | June Jordan | Haruko/Love Poems (High Risk Books) |
'' | 978-1-85242-327-8 | Sapphire | American Dreams (High Risk) |
1998 | 978-1-85242-328-5 | Guibert | To the Friend Who Did Not Save My Life |
1994 | 978-1-85242-330-8 | Benjamin Weissman | Dear Dead Person (High Risk) |
1997 | 978-1-85242-331-5 | Cookie Mueller | Ask Dr. Mueller: The Writings of Cookie Mueller |
1997 | 978-1-85242-332-2 | Gary Indiana | Let it Bleed: Essays 1985-1995: Essays, 1985-95 |
1996 | 978-1-85242-333-9 | Robert Glück | Jack the Modernist (High Risk) |
1995 | 978-1-85242-334-6 | Robert Glück | Margery Kempe (High Risk) |
'' | 978-1-85242-338-4 | Jayne County · Rupert Smith | Man Enough to be a Woman: The Autobiography of Jayne County |
1993 | 978-1-85242-342-1 | Altman | Homosexual: Oppression and Liberation |
1996 | 978-1-85242-364-3 | Neil Bartlett | Mr Clive and Mr Page |
2002 | 978-1-85242-365-0 | Walter Mosley | Bad Boy Brawly Brown |
1995 | 978-1-85242-368-1 | James Purdy | Malcolm |
1996 | 978-1-85242-370-4 | Walter Mosley | A Little Yellow Dog (Mask Noir) |
1994 | 978-1-85242-371-1 | Dennis Cooper | Closer |
1993 | 978-1-85242-372-8 | Jorge Amado | The War of the Saints |
1994 | 978-1-85242-373-5 | Dennis Cooper | Try |
1996 | 978-1-85242-374-2 | Rupert Smith | Physique: The Life of John S. Barrington |
1995 | 978-1-85242-375-9 | Walter Mosley | RL's Dream |
1997 | 978-1-85242-377-3 | Matthew Collin · John Godfrey | Altered State: The Story of Ecstasy Culture and Acid House |
2002 | 978-1-85242-379-7 | Martin Chalmers | Beneath Black Stars: Contemporary Austrian Short Stories |
1994 | 978-1-85242-380-3 | Walter Mosley | Black Betty (Mask Noir) |
1997 | 978-1-85242-382-7 | David Toop | Ocean of Sound: Ambient sound and radical listening in the age of communication: Aether Talk, Ambient Sound and Imaginary Worlds |
1995 | 978-1-85242-391-9 | John Dale | Dark Angel (Mask Noir) |
1998 | 978-1-85242-395-7 | Laurence O'Toole | Pornocopia: Porn, Sex, Technology and Desire |
1996 | 978-1-85242-400-8 | Lynne Tillman | Haunted Houses (High Risk) |
1995 | 978-1-85242-401-5 | Horace McCoy | They Shoot Horses, Dont They? (Midnight classics) |
1998 | 978-1-85242-402-2 | Horace McCoy | I Should Have Stayed Home (Midnight Classics) |
1995 | 978-1-85242-405-3 | Pagan Kennedy | Spinsters (High Risk) |
'' | 978-1-85242-406-0 | William S. Burroughs | Ghost of Chance (High Risk) |
'' | 978-1-85242-408-4 | Catherine Bush | Minus Time (High Risk) |
1996 | 978-1-85242-418-3 | Bornstein/Sulli | Nearly Roadkill: An Infobahn Gender Adventure (High Risk) |
'' | 978-1-85242-420-6 | Lydia Davis | The End of the Story (High Risk) |
1996 | 978-1-85242-421-3 | Lydia Davis | Break it Down (High Risk) |
1997 | 978-1-85242-429-9 | Edward Leffingwell · J. Hoberman | Jack Smith: Flaming Creature: His Amazing Life and Times: Life and Work of Jack Smith (A Lookout book) |
'' | 978-1-85242-430-5 | Steven Shaviro | Doom Patrols: A Theoretical Fiction About Postmodernism (Serpent's Tail High Risk Books) |
'' | 978-1-85242-431-2 | Richard Peabody | A Different Beat: Writings by Women of the Beat Generation: Writing by Women of the Beat Generation (High Risk) |
1996 | 978-1-85242-432-9 | Diamanda Galás | Shit of God: The Texts of Diamanda Galás (High Risk) |
'' | 978-1-85242-433-6 | Horace McCoy | Kiss Tomorrow Goodbye (Midnight Classics) |
1998 | 978-1-85242-434-3 | '' | No Pockets in a Shroud (Midnight Classics) |
'' | 978-1-85242-439-8 | Daniel Evan Weiss | Hell on Wheels (High Risk) |
1997 | 978-1-85242-440-4 | Lynne Tillman | The Broad Picture: Essays 1986-1996 |
1998 | 978-1-85242-447-3 | David Goodis | The Blonde on the Street Corner (Mask Noir) |
1998 | 978-1-85242-449-7 | David Goodis | The Moon in the Gutter (Midnight Classics) |
'' | 978-1-85242-450-3 | Jill Johnston | Admission Accomplished: The Lesbian Nation Years (1970-74): Lesbian Nation Years, 1970-75 (High Risk Books) |
1999 | 978-1-85242-453-4 | Daniel Evan Weiss | Honk if you Love Aphrodite (High Risk Books) |
2002 | 978-1-85242-455-8 | Pat MacEnulty | Sweet Fire (High Risk Books) |
2004 | 978-1-85242-456-5 | Heather Lewis | Notice (High Risk) |
2002 | 978-1-85242-457-2 | William S. Burroughs | Ghost of Chance (High Risk Books) |
2005 | 978-1-85242-461-9 | Heather Lewis | House Rules (High Risk Books) |
2007 | 978-1-85242-465-7 | Pat MacEnulty | From May to December |
2006 | 978-1-85242-467-1 | Lionel Shriver | We Need To Talk About Kevin (Five Star Paperback) |
'' | 978-1-85242-468-8 | Pat MacEnulty | Time to Say Goodbye |
'' | 978-1-85242-469-5 | David Goodis | Black Friday: And Selected Stories |
'' | 978-1-85242-472-5 | Adrian McKinty | Hidden River (Five Star Paperback) |
2006 | 978-1-85242-474-9 | Jean-Patrick Manchette | The Prone Gunman |
2007 | 978-1-85242-475-6 | Jean-Patrick Manchette | Three to Kill |
2006 | 978-1-85242-476-3 | Nicholas Royle | Mortality |
'' | 978-1-85242-477-0 | Elizabeth Wilson | The Twilight Hour |
2007 | 978-1-85242-479-4 | Stella Duffy | Mouths of Babes |
2006 | 978-1-85242-480-0 | Daniil Kharms | Incidences |
'' | 978-1-85242-481-7 | Juan Carlos Onetti | The Shipyard |
2007 | 978-1-85242-483-1 | Garth Cartwright | Princes Amongst Men: Journeys with Gypsy Musicians |
'' | 978-1-85242-484-8 | Emily Maguire | Taming the Beast (Five Star Paperback) |
2006 | 978-1-85242-485-5 | Kathy Acker | Bodies of Work: Essays |
2007 | 978-1-85242-486-2 | Rafael Reig | Blood on the Saddle (Five Star Paperback) |
'' | 978-1-85242-487-9 | Kate Pullinger | A Little Stranger (Five Star Paperback) |
2007 | 978-1-85242-489-3 | Joe Boyd | White Bicycles: Making Music in the 1960s |
'' | 978-1-85242-490-9 | Lionel Shriver | Double Fault |
'' | 978-1-85242-492-3 | James E. Cherry | Shadow of Light |
'' | 978-1-85242-494-7 | Tony Saint | Blag |
'' | 978-1-85242-499-2 | Bethan Roberts | The Pools |
1995 | 978-1-85242-505-0 | Robert Walser | Institute Benjamenta (Extraordinary Classics) |
1998 | 978-1-85242-508-1 | Stella Duffy | Wavewalker (Mask Noir) |
1996 | 978-1-85242-511-1 | Ken Bruen | Rilke on Black (Mask Noir) |
1996 | 978-1-85242-513-5 | James Gardiner | Who's a Pretty Boy, Then?: One Hundred and Fifty Years of Gay Life in Pictures |
1997 | 978-1-85242-518-0 | Walter Mosley | Always Outnumbered, Always Outgunned |
1996 | 978-1-85242-519-7 | Stewart Home | Slow Death (High Risk) |
1997 | 978-1-85242-521-0 | Rosemary Bailey | Scarlet Ribbons: A Priest with AIDS |
1996 | 978-1-85242-522-7 | Ted. Polhemus | THE CUSTOMIZED BODY. |
1998 | 978-1-85242-525-8 | Julian Rathbone | Brandenburg Concerto (Mask Noir) |
2001 | 978-1-85242-526-5 | Elizabeth Young | Pandora's Handbag: Adventures in the Book World: Selected Prose, Past and Present |
1997 | 978-1-85242-527-2 | Dacia Maraini | Voices |
1996 | 978-1-85242-535-7 | Oscar Zarate | It's Dark in London: Graphic Short Stories (Mask Noir) |
1998 | 978-1-85242-536-4 | Erica Davies | 20 Maresfield Gardens: A Guide to the Freud Museum (A paperback original) |
'' | 978-1-85242-543-2 | Luisa Valenzuela | Symmetries (High Risk) |
1999 | 978-1-85242-547-0 | Woody Haut | Neon Noir: Contemporary American Crime Fiction |
1997 | 978-1-85242-548-7 | Stewart Home | Blow Job |
'' | 978-1-85242-549-4 | Dorothy Porter | The Monkeys Mask (Mask Noir) |
'' | 978-1-85242-553-1 | Helena Reckitt · Joshua Oppenheimer | Acting on AIDS: Sex, Drugs and Politics |
'' | 978-1-85242-557-9 | Jon Stock | The Riot Act (Mask Noir) |
1998 | 978-1-85242-558-6 | Toni Davidson | Intoxication: An anthology of stimulant-based writing |
1997 | 978-1-85242-560-9 | Stewart Home | Mind Invaders: A Reader in Psychic Warfare, Cultural Sabotage and Semiotic Terrorism |
1997 | 978-1-85242-572-2 | Patricia Duncker | Monsieur Shoushana's Lemon Tree |
'' | 978-1-85242-575-3 | Stewart Home | Come Before Christ and Murder Love (High Risk) |
1999 | 978-1-85242-576-0 | Patricia Duncker | James Miranda Barry |
'' | 978-1-85242-578-4 | Martin Limón | Slicky Boys (Mask Noir) |
1998 | 978-1-85242-579-1 | Walter Mosley | Gone Fishin' (Easy Rawlins) |
1999 | 978-1-85242-584-5 | Michel Houellebecq | Whatever |
1998 | 978-1-85242-585-2 | Ken Bruen | Her Last Call to Louis MacNeice (Mask Noir) |
1997 | 978-1-85242-586-9 | Dennis Cooper | Guide |
1998 | 978-1-85242-587-6 | Neil Bartlett | Mr Clive and Mr Page (Five Star) |
'' | 978-1-85242-588-3 | Alan Sinfield | Gay and After: Gender, Culture and Consumption |
'' | 978-1-85242-589-0 | Ajay Singh | Give 'Em Hell, Hari |
1998 | 978-1-85242-592-0 | Roberto Arlt | The Seven Madmen (Extraordinary Classics) |
'' | 978-1-85242-594-4 | James Gardiner | Who's a Pretty Boy, Then?: One Hundred and Fifty Years of Gay Life in Pictures |
1999 | 978-1-85242-595-1 | David Toop | Exotica: Fabricated Soundscapes in a Real World: Fabricated Soundscapes in the Real World |
1998 | 978-1-85242-597-5 | Christopher Fowler | Personal Demons |
'' | 978-1-85242-602-6 | Kenzaburo Oe | The Silent Cry (Five Star) |
1997 | 978-1-85242-603-3 | Walter Mosley | Gone Fishin' (Five star) |
1998 | 978-1-85242-604-0 | Matthew Collin | Altered State: The Story of Ecstasy Culture and Acid House (Five Star) |
1999 | 978-1-85242-607-1 | Judith "Jack" Halberstam · Del LaGrace Volcano | The Drag King Book |
'' | 978-1-85242-608-8 | Jimmy Boyle | Hero of the Underworld |
'' | 978-1-85242-616-3 | Stella Duffy | Fresh Flesh |
1999 | 978-1-85242-619-4 | Dorothy Porter | Akhenaten |
'' | 978-1-85242-627-9 | David Toop | Rap Attack 3: African Rap To Global Hip Hop |
2001 | 978-1-85242-629-3 | Vicki Hendricks | Voluntary Madness |
1999 | 978-1-85242-630-9 | Paul Smail | Smile |
2000 | 978-1-85242-639-2 | David Peace | Red Riding Nineteen Seventy Seven (The Red Riding Quartet) |
1999 | 978-1-85242-643-9 | Blanche McCrary Boyd | Terminal Velocity |
'' | 978-1-85242-645-3 | Erik Davis | TechGnosis: Myth, Magic & Mysticism in the Age of Information: Myth, Magic and Mysticism in the Age of Information |
2001 | 978-1-85242-647-7 | Fernando Vallejo | Our Lady of the Assassins |
2000 | 978-1-85242-650-7 | Walter Mosley | Walkin' the Dog |
2003 | 978-1-85242-651-4 | Harry Shapiro | Shooting Stars: Drugs, Hollywood and the Movies |
2000 | 978-1-85242-657-6 | Mary Woronov | Snake (Serpent's Tail High Risk Books) |
'' | 978-1-85242-660-6 | Ernest J. Gaines | A Gathering of Old Men |
2001 | 978-1-85242-664-4 | Danny King | The Burglar Diaries |
2002 | 978-1-85242-665-1 | Danny King | The Bank Robber Diaries |
2001 | 978-1-85242-666-8 | Vicki Hendricks | Voluntary Madness |