| year of publication | ISBN | author(s) | title |
|---|
| 2004 | 978-1-84457-000-3 | Geoff Andrew | The Films of Nicholas Ray: The Poet of Nightfall |
| '' | 978-1-84457-001-0 | Geoff Andrew | The Films of Nicholas Ray: The Poet of Nightfall |
| '' | 978-1-84457-002-7 | Isabel Santaolalla · Peter William Evans | Luis Bunuel: New Readings |
| '' | 978-1-84457-003-4 | Isabel Santaolalla and Peter William Evans | Luis Bunuel: New Readings |
| '' | 978-1-84457-006-5 | Jason Wood | 100 American Independent Films (Screen Guides) |
| 2004 | 978-1-84457-008-9 | Roy Perkins · Martin Stollery | British Film Editors: The Heart of the Movie |
| '' | 978-1-84457-009-6 | Graeme Turner | Contemporary World Television |
| '' | 978-1-84457-010-2 | Graeme Turner | Contemporary World Television |
| '' | 978-1-84457-012-6 | Michael Witt | The French Cinema Book |
| '' | 978-1-84457-014-0 | Philip Brophy | 100 Modern Soundtracks (BFI Screen Guides) |
| 2004 | 978-1-84457-016-4 | Leo Bersani · Ulysse Dutoit | Forms of Being: Cinema, Aesthetics, Subjectivity |
| 2007 | 978-1-84457-018-8 | Melvyn Stokes · Richard Maltby | Hollywood Abroad: Audiences and Cultural Exchange |
| 2004 | 978-1-84457-021-8 | Glen Creeber | Serial Television: Big Drama on the Small Screen |
| 2005 | 978-1-84457-026-3 | Kevin Donnelly | The Spectre of Sound: Music in Film and Television |
| 2004 | 978-1-84457-027-0 | Alistair D. McGown | BFI Television Handbook 2005 2005: The Essential Guide to UK TV |
| 2005 | 978-1-84457-028-7 | Stephen Teo | Wong Kar-Wai: Auteur of Time (World Directors) |
| '' | 978-1-84457-029-4 | NA NA | Wong Kar-Wai: Auteur of Time (World Directors) |
| 2007 | 978-1-84457-030-0 | Michel Chion | David Lynch |
| 2004 | 978-1-84457-031-7 | S. S. Prawer | Nosferatu: Phantom Der Nacht (BFI Modern Classics) |
| '' | 978-1-84457-032-4 | Ryan Gilbey | Groundhog Day (BFI Film Classics) |
| '' | 978-1-84457-033-1 | Edward Buscombe | Unforgiven (BFI Film Classics) |
| '' | 978-1-84457-034-8 | Joan Mellen | In the Realm of the Senses (BFI Film Classics) |
| 2004 | 978-1-84457-035-5 | Kevin Jackson | Withnail & I |
| '' | 978-1-84457-036-2 | Rachel Viney | Teaching Contemporary British Broadcasting |
| '' | 978-1-84457-038-6 | Robert Bird | Andrei Rublev (BFI Film Classics) |
| '' | 978-1-84457-039-3 | Toby Miller · Nitin Govil · John McMurria · Richard Maxwell · Ting Wang | Global Hollywood 2: No. 2 |
| '' | 978-1-84457-040-9 | Mark Sinker | "If...." (BFI Film Classics) |
| 2004 | 978-1-84457-041-6 | Gary Indiana | "Viridiana" (BFI Film Classics) |
| '' | 978-1-84457-042-3 | Eddie Dyja | BFI Film Handbook: 2005 |
| '' | 978-1-84457-044-7 | Michel Chion · Trista Selous | The "Thin Red Line" (BFI Modern Classics) (BFI Film Classics) |
| 2007 | 978-1-84457-045-4 | Joshua Clover | The Matrix (BFI Film Classics) |
| 2004 | 978-1-84457-046-1 | Simon Popple and Patrick Russell Vanessa Toulmin | The Lost World of Mitchell and Kenyon: Edwardian Britain on Film |
| '' | 978-1-84457-047-8 | Vanessa Toulmin · Simon Popple · Patrick Russell | The Lost World of Mitchell and Kenyon: Edwardian Britain on Film |
| 2005 | 978-1-84457-048-5 | Allen Eyles | Odeon Cinemas: From J. Arthur Rank to the Multiplex v. 2 |
| 2011 | 978-1-84457-049-2 | Toby Miller · Nitin Govil · John McMurria · Richard Maxwell · Ting Wang | Global Hollywood: No. 2 |
| 2007 | 978-1-84457-050-8 | Jim Kitses | Horizons West: The Western from John Ford to Clint Eastwood (BFI Film Classics) |
| '' | 978-1-84457-054-6 | Julianne Pidduck | Contemporary Costume Film: Space, Place and the Past |
| 2005 | 978-1-84457-056-0 | Mark Le Fanu | Mizoguchi and Japan |
| 2005 | 978-1-84457-057-7 | Mark Le Fanu | Mizoguchi and Japan |
| '' | 978-1-84457-058-4 | Peter Fraser | Teaching Music Video (Teaching Film and Media Studies) |
| '' | 978-1-84457-059-1 | M. Wheeler | European Television Industries (BFI International Screen Industries) |
| 2008 | 978-1-84457-061-4 | Sarah Casey Benyahia | Teaching Contemporary British Cinema (Teaching Film and Media Studies) |
| 2005 | 978-1-84457-062-1 | Richard Armstrong | Understanding Realism (Understanding the Moving Image) |
| 2007 | 978-1-84457-063-8 | M Chion | David Lynch |
| 2005 | 978-1-84457-064-5 | Douglas Gomery | The Hollywood Studio System: A History |
| '' | 978-1-84457-066-9 | A. Sargeant | British Cinema: A Critical and Interpretive History |
| '' | 978-1-84457-068-3 | R. Moseley | Fashioning Film Stars: Dress, Culture, Identity |
| 2005 | 978-1-84457-069-0 | Geoff Andrew | 10 (BFI Film Classics) |
| 2010 | 978-1-84457-070-6 | Peter Swaab | Bringing Up Baby (BFI Film Classics) |
| 2007 | 978-1-84457-071-3 | Laura Cottingham | "Fear Eats the Soul": ("Angst Essen Seele Auf") (BFI Film Classics) |
| 2005 | 978-1-84457-072-0 | Leo Braudy | On the Waterfront (BFI Film Classics) |
| 2007 | 978-1-84457-073-7 | D Rudkin | "Vampyr" (BFI Film Classics) |
| 2009 | 978-1-84457-074-4 | Bfi Author Record | Understanding Realism |
| 2005 | 978-1-84457-076-8 | Catherine Johnson | Telefantasy |
| 2006 | 978-1-84457-078-2 | Barney Oram · James Newman | Teaching Video Games (Teaching Film and Media Studies) |
| 2005 | 978-1-84457-079-9 | Mark Readman | Teaching Film Censorship and Controversy (Teaching Film and Media Studies) |
| '' | 978-1-84457-080-5 | Wendy Helsby | Understanding Representation (Understanding the Moving Image) |
| '' | 978-1-84457-081-2 | David Wharton · Jeremy Grant | Teaching Auteur Study (Teaching Film and Media Studies) |
| '' | 978-1-84457-082-9 | Matthew Hall | Teaching Men and Film (Teaching Film and Media Studies) |
| '' | 978-1-84457-084-3 | Philip Brophy | 100 Anime (BFI Screen Guides) |
| 2006 | 978-1-84457-086-7 | Glen Creeber | Tele-visions: An Introduction to Studying Televisions |
| 2005 | 978-1-84457-088-1 | Brett Mills | Television Sitcom |
| 2005 | 978-1-84457-089-8 | Anne Billson | Buffy the Vampire Slayer (BFI TV Classics) |
| '' | 978-1-84457-090-4 | Kim Newman | Doctor Who (BFI TV Classics Series) |
| '' | 978-1-84457-091-1 | Ben Walters | The "Office" (BFI TV Classics S.) |
| '' | 978-1-84457-092-8 | Michael Eaton | "Our Friends in the North" (BFI TV Classics) |
| '' | 978-1-84457-093-5 | Ian Christie and Andrew Moor | Michael Powell: International Perspectives on an English Film-maker |
| 2005 | 978-1-84457-094-2 | Ian Christie and Andrew Moor | Michael Powell: International Perspectives on an English Film-maker |
| 2006 | 978-1-84457-095-9 | David Curtis | A History of Artists' Film and Video in Britain |
| '' | 978-1-84457-096-6 | David Curtis | A History of Artists' Film and Video in Britain |
| 2005 | 978-1-84457-097-3 | Paolo Cherchi Usai | The Griffith Project: Films Produced in 1916-1918 v. IX (Griffith Project) (The Griffith Project Vols 1-12) |
| '' | 978-1-84457-099-7 | Rachel Dwyer | 100 Bollywood Films (Screen Guides) |
| '' | 978-1-84457-102-4 | David Wharton | Teaching Auteur Study (Teaching Film and Media Studies S.) |
| 2006 | 978-1-84457-104-8 | Timothy Havens | Global Television Marketplace (International Screen Industries) |
| '' | 978-1-84457-107-9 | Douglas Gomery | Television Industries |
| 2006 | 978-1-84457-112-3 | Edward Buscombe | 100 Westerns (BFI Screen Guides) |
| '' | 978-1-84457-119-2 | Valentina Vitali · Paul Willemen | Theorising National Cinema |
| '' | 978-1-84457-120-8 | Valentina Vitali · Paul Willemen | Theorising National Cinema |
| '' | 978-1-84457-121-5 | Mark Polizzotti | Los Olvidados (BFI Film Classics) |
| '' | 978-1-84457-122-2 | Joan Mellen | "Modern Times" (BFI Film Classics) |
| 2006 | 978-1-84457-124-6 | Alastair Phillips · Ginette Vincendeau | Journeys of Desire: European Actors in Hollywood - A Critical Companion |
| '' | 978-1-84457-125-3 | Robert Murphy | Directors in British and Irish Cinema: A Reference Companion |
| '' | 978-1-84457-126-0 | Robert Murphy | Directors in British and Irish Cinema: A Reference Companion |
| 2011 | 978-1-84457-128-4 | A. L. Rees | Fields of View: Art, Film and Spectatorship |
| 2006 | 978-1-84457-131-4 | Jill Poppy | Teaching Stars and Performance (Teaching Film and Media Studies) |
| '' | 978-1-84457-132-1 | Jeremy Points | Teaching TV Drama (Teaching Film and Media Studies) |
| '' | 978-1-84457-133-8 | John Hill | Cinema and Northern Ireland: Film, Culture and Politics |
| 2006 | 978-1-84457-134-5 | John Hill | Cinema and Northern Ireland: Film, Culture and Politics |
| '' | 978-1-84457-135-2 | M. Wheeler | Hollywood: Politics and Society |
| '' | 978-1-84457-139-0 | Paul Farley | Distant Voices, Still Lives (BFI Film Classics) |
| 2007 | 978-1-84457-141-3 | Roy Stafford | Understanding Audiences and the Film Industry (Understanding the Moving Image) |
| '' | 978-1-84457-142-0 | James Naremore | On Kubrick |
| 2006 | 978-1-84457-144-4 | Vanessa Toulmin | Electric Edwardians: The Story of the Mitchell and Kenyon Collection |
| '' | 978-1-84457-145-1 | '' | Electric Edwardians: The Story of the Mitchell & Kenyon Collection |
| 2007 | 978-1-84457-146-8 | Symon Quy | Teaching Short Films (Teaching Film and Media Studies) |
| 2006 | 978-1-84457-148-2 | Sim Branaghan · Stephen Chibnall | British Film Posters: An Illustrated History |
| 2004 | 978-1-84457-149-9 | Ernesto R. Acevedo-Munoz | Pedro Almodovar (World Directors) |
| 2007 | 978-1-84457-150-5 | '' | Pedro Almodovar (World Directors) |
| 2007 | 978-1-84457-151-2 | James Baker · Patrick Toland | Teaching Film at GCSE (Teaching Media at GCSE) |
| 2008 | 978-1-84457-152-9 | M.L. White | Teaching Digital Video Production at GCSE (Teaching Media at GCSE) |
| '' | 978-1-84457-153-6 | Eileen Lewis | Teaching Television at GCSE (Teaching Media at GCSE) |
| 2007 | 978-1-84457-154-3 | Steve Chibnall · Brian McFarlane | Quota Quickies: The Birth of the British 'B ' Film |
| '' | 978-1-84457-155-0 | Steve Chibnall · Brian McFarlane | Quota Quickies: The Birth of the British 'B ' Film |
| 2006 | 978-1-84457-156-7 | NA NA | Teaching Black Cinema (Teaching Film and Media Studies) |
| 2009 | 978-1-84457-157-4 | Pam Cook | Baz Luhrmann (World Directors) |
| 2010 | 978-1-84457-158-1 | Pam Cook | Baz Luhrmann (World Directors) |
| 2007 | 978-1-84457-160-4 | Jason Wood | 100 Road Movies (BFI Screen Guides) |
| '' | 978-1-84457-162-8 | James Newman · Iain Simons | 100 Videogames (Screen Guides) |
| '' | 978-1-84457-164-2 | Steven Jay Schneider | 100 European Horror Films (Screen Guides) |
| 2007 | 978-1-84457-166-6 | Aaron Gerow | Kitano Takeshi (World Directors) |
| '' | 978-1-84457-170-3 | Daniel Rosenthal | 100 Shakespeare Films (Screen Guides) |
| '' | 978-1-84457-172-7 | Phil Wickham | Understanding Television Texts (Understanding the Moving Image) |
| '' | 978-1-84457-173-4 | J.M. Tyree · Ben Walters | The Big Lebowski |
| 2008 | 978-1-84457-174-1 | Ben A. Hervey | Night of the Living Dead (BFI Film Classics) |
| 2007 | 978-1-84457-175-8 | Charles J. Maland | City Lights (BFI Film Classics) |
| 2008 | 978-1-84457-176-5 | Steven Ungar | Cleo de 5 a 7 (BFI Film Classics) |
| 2007 | 978-1-84457-178-9 | Kevin Jackson | Lawrence of Arabia (BFI Film Classics) |
| 2014 | 978-1-84457-179-6 | Kemp · Philip | The Apu Trilogy (BFI Film Classics) |
| 2008 | 978-1-84457-180-2 | Darrell Davis · Emilie Yueh-yu Yeh | East Asian Screen Industries (International Screen Industries) |
| '' | 978-1-84457-181-9 | Darrell Davis · Emilie Yueh-yu Yeh | East Asian Screen Industries (International Screen Industries) |
| 2007 | 978-1-84457-183-3 | Charlotte Brunsdon | London in Cinema |
| 978-1-84457-184-0 | Kaushik Bhaumik · Leila Jordan | Indian Cinema Book |
| 2015 | 978-1-84457-185-7 | Kaushik Bhaumik · Leila Jordan | Indian Cinema Book |
| 2009 | 978-1-84457-190-1 | Geoffrey Macnab | Screen Epiphanies |
| 2010 | 978-1-84457-191-8 | Geoffrey Macnab | Screen Epiphanies: Film-makers on the films that inspired them |
| 2007 | 978-1-84457-192-5 | Pam Cook | The Cinema Book |
| 2007 | 978-1-84457-193-2 | Pam Cook | The Cinema Book |
| '' | 978-1-84457-194-9 | Patrick Russell | 100 British Documentaries (BFI Screen Guides (Hardcover)) |
| '' | 978-1-84457-195-6 | '' | 100 British Documentaries (Screen Guides) |
| '' | 978-1-84457-196-3 | Stella Bruzzi | Seven Up (BFI TV Classics) |
| '' | 978-1-84457-198-7 | Glen Creeber | The Singing Detective (BFI TV Classics) |
| 2007 | 978-1-84457-199-4 | Glyn Davis | Queer as Folk (BFI TV Classics) |
| '' | 978-1-84457-200-7 | John Caughie | Edge of Darkness (BFI TV Classics) |
| '' | 978-1-84457-201-4 | Nicholas Mirzoeff | Seinfeld (BFI TV Classics) |
| 2011 | 978-1-84457-203-8 | John Hill | Ken Loach: The Politics of Film and Television |
| 2007 | 978-1-84457-205-2 | Maggie Brown | A Licence to be Different - The Story of Channel 4 |
| 2008 | 978-1-84457-206-9 | Annette Kuhn | Ratcatcher (BFI Film Classics) |
| 2010 | 978-1-84457-210-6 | Richard Dyer | Nino Rota: Music, Film and Feeling |
| 2008 | 978-1-84457-213-7 | Phil Wickham | The Likely Lads (BFI TV Classics) |
| '' | 978-1-84457-214-4 | Ina Rae Hark | Star Trek (BFI TV Classics) |
| 2009 | 978-1-84457-216-8 | Jim Hillier · Alastair Phillips | 100 Film Noirs (Screen Guides) |
| 2008 | 978-1-84457-218-2 | Glen Creeber | The Television Genre Book |
| 2006 | 978-1-84457-221-2 | Sim Branaghan | British Film Posters: An Illustrated History |
| 2010 | 978-1-84457-222-9 | Bfi Author Record | Londons West End Cinema |
| 2008 | 978-1-84457-223-6 | Sarah Casey Benyahia | Teaching Film and TV Documentary (Teaching Film and Media Studies) |
| 2007 | 978-1-84457-226-7 | Michael Chanan | Politics of Documentary |
| '' | 978-1-84457-229-8 | Scott Anthony | Night Mail (BFI Film Classics) |
| 2008 | 978-1-84457-230-4 | Andrew Osmond | Spirited Away (BFI Film Classics) |
| 2008 | 978-1-84457-231-1 | D.A. Miller | 8 1/2 (BFI Film Classics) |
| '' | 978-1-84457-232-8 | Paolo Cherchi Usai | The Griffith Project, Volume 11 (The Griffith Project Vols 1-12) |
| '' | 978-1-84457-236-6 | Chris Berry | Chinese Films in Focus II |
| '' | 978-1-84457-237-3 | Chris Berry | Chinese Films in Focus II |
| '' | 978-1-84457-238-0 | Robert S. C. Gordon | Bicycle Thieves (BFI Film Classics) |
| 2008 | 978-1-84457-239-7 | Noah Isenberg | Detour (BFI Film Classics) |
| 978-1-84457-253-3 | Into Animation (BRO60) |
| 2008 | 978-1-84457-255-7 | Steven Cohan | CSI: Crime Scene Investigation (BFI TV Classics) |
| 2009 | 978-1-84457-262-5 | Michael Berry | Jia Zhangke's 'Hometown Trilogy': Xiao Wu, Platform, Unknown Pleasures (BFI Film Classics) |
| '' | 978-1-84457-263-2 | Mark Duguid | Cracker (BFI TV Classics) |
| '' | 978-1-84457-264-9 | Barry Keith Grant · Jim Hillier | 100 Documentary Films (Screen Guides) |
| '' | 978-1-84457-265-6 | Barry Keith Grant · Jim Hillier | 100 Documentary Films (Screen Guides) |
| '' | 978-1-84457-266-3 | Amelie Hastie | The Bigamist (BFI Film Classics) |
| 2008 | 978-1-84457-268-7 | Paolo Cherchi Usai | The Griffith Project, Volume 12 (The Griffith Project Vols 1-12) |
| 2008 | 978-1-84457-269-4 | Leon Hunt | The League of Gentlemen (BFI TV Classics) |
| 2009 | 978-1-84457-270-0 | Jonathan Conlin | Civilisation (BFI TV Classics) |
| 2008 | 978-1-84457-271-7 | Winston | Claiming the Real: Documentary: Grierson and Beyond |
| '' | 978-1-84457-273-1 | Robert Shail | Seventies British Cinema |
| 2009 | 978-1-84457-275-5 | Murphy · Robert | The British Cinema Book |
| '' | 978-1-84457-276-2 | Murphy · Robert | The British Cinema Book |
| '' | 978-1-84457-277-9 | Will Brooker | Star Wars (BFI Film Classics) |
| 2010 | 978-1-84457-278-6 | Barry Keith Grant | Invasion of the Body Snatchers (BFI Film Classics) |
| '' | 978-1-84457-280-9 | Andrew Pulver | Night and the City (BFI Film Classics) |
| 2009 | 978-1-84457-282-3 | Ginette Vincendeau · Peter Graham | The French New Wave: Critical Landmarks |
| 2010 | 978-1-84457-284-7 | Melvyn Stokes | Gilda (BFI Film Classics) |
| 2009 | 978-1-84457-285-4 | Julian Jackson | La Grande Illusion (BFI Film Classics) |
| 2010 | 978-1-84457-286-1 | Peter Kramer | 2001: A Space Odyssey (BFI Film Classics) |
| 2011 | 978-1-84457-287-8 | John Gill | Far From Heaven (BFI Film Classics) |
| 2010 | 978-1-84457-288-5 | James Naremore | Sweet Smell of Success (BFI Film Classics) |
| 2009 | 978-1-84457-289-2 | Jason Wood | 100 American Independent Films (Screen Guides) |
| 2009 | 978-1-84457-290-8 | Jason Wood | 100 American Independent Films (Screen Guides) |
| 2010 | 978-1-84457-292-2 | Jon Lewis | The Godfather |
| '' | 978-1-84457-293-9 | Andrew Shail · Robin Stoate | Back to the Future (BFI Film Classics) |
| 2009 | 978-1-84457-302-8 | Joe Khalil · Marwan M. Kraidy | Arab Television Industries (International Screen Industries) |
| 2011 | 978-1-84457-308-0 | Bryony Dixon | 100 Silent Films (Screen Guides) |
| 2019 | 978-1-84457-310-3 | Tamara L. Falicov | Latin American Film Industries (International Screen Industries) |
| '' | 978-1-84457-311-0 | Tamara L. Falicov | Latin American Film Industries (International Screen Industries) |
| 2010 | 978-1-84457-314-1 | Paul Coates | Cinema and Colour (Telord 1403) |
| '' | 978-1-84457-316-5 | Stephen Lacey | Cathy Come Home (BFI TV Classics) |
| 2014 | 978-1-84457-317-2 | Randy Nichols | The Video Game Business (International Screen Industries) |
| '' | 978-1-84457-318-9 | Randy Nichols | The Video Game Business (International Screen Industries) |
| 2009 | 978-1-84457-319-6 | Steve Chibnall · Brian McFarlane | The British 'B' Film |
| 2010 | 978-1-84457-321-9 | James Piers Taylor | Shadows of Progress |
| 2011 | 978-1-84457-323-3 | Andrew Utterson | From IBM to MGM |
| 2011 | 978-1-84457-325-7 | Sue Vice | Shoah (BFI Film Classics) |
| '' | 978-1-84457-326-4 | Sarah Kozloff | The Best Years of Our Lives (BFI Film Classics) |
| 2019 | 978-1-84457-334-9 | Richard Weight | Porridge (BFI TV Classics) |
| 2010 | 978-1-84457-335-6 | James Walters · Tom Brown | Film Moments |
| 2009 | 978-1-84457-337-0 | Michael Curtin | The American Television Industry (International Screen Industries) |
| 2010 | 978-1-84457-340-0 | Andrew Osmond | 100 Animated Feature Films (Screen Guides) |
| 2013 | 978-1-84457-343-1 | Christopher Frayling | The Innocents (BFI Film Classics) |
| 2011 | 978-1-84457-344-8 | Song Hwee Lim · Julian Ward | The Chinese Cinema Book |