year of publication | ISBN | author(s) | title |
2000 | 978-1-84243-000-2 | Max Decharne | Straight from the Fridge Dad |
2001 | 978-1-84243-001-9 | Charles Willeford | The Woman Chaser |
'' | 978-1-84243-002-6 | K. C. Constantine | Grievance |
'' | 978-1-84243-003-3 | Charles Willeford | Wild Wives/High Priest of California |
2000 | 978-1-84243-007-1 | Jacques Black | Football Betting to Win |
'' | 978-1-84243-008-8 | Tom Robbins | Fierce Invalids Home From Hot Climates |
2001 | 978-1-84243-009-5 | Charles Willeford | Miami Blues |
'' | 978-1-84243-010-1 | '' | New Hope for the Dead |
2001 | 978-1-84243-011-8 | Charles Willeford | Sideswipe (Hoke Moseley detective thriller) |
'' | 978-1-84243-012-5 | '' | The Way We Die Now (Hoke Moseley detective thriller) |
'' | 978-1-84243-014-9 | Robert B. Parker | Perish Twice |
'' | 978-1-84243-022-4 | Tom Robbins | Still Life With Woodpecker |
'' | 978-1-84243-024-8 | '' | Even Cowgirls Get The Blues |
2001 | 978-1-84243-025-5 | Sparkle Hayter | WHAT'S A GIRL GOTTA DO? (A Robin Hudson Mystery) |
'' | 978-1-84243-026-2 | Sparkle Hayter | CHELSEA GIRL MURDERS, THE (A Robin Hudson Mystery) |
'' | 978-1-84243-027-9 | Charles Willeford | Machine in Ward Eleven |
'' | 978-1-84243-028-6 | Tom Robbins | Fierce Invalids Home From Hot Climates |
'' | 978-1-84243-029-3 | Lawrence Block | The Burglar in the Closet (Bernie Rhodenbarr Mystery) |
2001 | 978-1-84243-030-9 | Lawrence Block | BURGLAR IN THE RYE, THE (Bernie Rhodenbarr Mystery) |
2002 | 978-1-84243-032-3 | Robert B. Parker | Potshot |
'' | 978-1-84243-034-7 | Tom Robbins | SKINNY LEGS AND ALL |
2001 | 978-1-84243-035-4 | '' | Jitterbug Perfume |
2002 | 978-1-84243-036-1 | Tom Robbins | Half Asleep In Frog Pajamas |
2001 | 978-1-84243-037-8 | Lawrence Block | Affairs of Chip Harrison |
'' | 978-1-84243-039-2 | David Spanier | HAND I PLAYED, THE: A Poker Memoir |
'' | 978-1-84243-041-5 | James Sallis | Ghost Of A Flea (A Lew Griffin Novel) |
2002 | 978-1-84243-042-2 | Sparkle Hayter | Naked Brunch Limited Ed |
'' | 978-1-84243-043-9 | Daniel Woodrell | The Death of Sweet Mister |
'' | 978-1-84243-044-6 | Jason Starr | HARD FEELINGS |
2007 | 978-1-84243-046-0 | Jakob Arjouni | Kismet (Kayankaya) |
2002 | 978-1-84243-047-7 | Jason Starr | Hard Feelings |
2002 | 978-1-84243-049-1 | Daniel Woodrell | Ones You Do |
'' | 978-1-84243-050-7 | Sparkle Hayter | NICE GIRLS FINISH LAST (A Robin Hudson mystery) |
'' | 978-1-84243-051-4 | Lawrence Block | Burglar Who Thought He Was Bogart (Bernie Rhodenbarr Mystery) |
'' | 978-1-84243-052-1 | '' | Burglar in the Library (Bernie Rhodenbarr Mystery) |
'' | 978-1-84243-053-8 | Daniel Woodrell | The Death of Sweet Mister |
2003 | 978-1-84243-054-5 | Sparkle Hayter | NAKED BRUNCH |
2002 | 978-1-84243-057-6 | Robert B. Parker | Death in Paradise: A Jesse Stone Novel |
2002 | 978-1-84243-058-3 | Robert Parker | SUDDEN MISCHIEF (A Spenser novel) |
'' | 978-1-84243-059-0 | Robert B. Parker | Widow's Walk: A Spenser Novel |
'' | 978-1-84243-060-6 | Joseph Hansen | The Little Dog Laughed (A Brandstetter Mystery) |
'' | 978-1-84243-063-7 | Joseph Hansen | Early Graves (A Brandstetter mystery) |
'' | 978-1-84243-064-4 | Lawrence Block | The Burglar Who Painted Like Mondrian (Bernie Rhodenbarr Mystery) |
2002 | 978-1-84243-065-1 | Lawrence Block | Burglars Can't be Chosers |
'' | 978-1-84243-068-2 | '' | Burglar Who Traded Ted Williams |
2003 | 978-1-84243-070-5 | Max Decharne | Hardboiled Hollywood |
'' | 978-1-84243-073-6 | James Sallis | CYPRESS GROVE |
'' | 978-1-84243-075-0 | Robert B. Parker | Shrink Rap: A Sunny Randall Mystery |
2002 | 978-1-84243-080-4 | Barry Forshaw | Crimetime: 30 |
'' | 978-1-84243-081-1 | Eddie Bunker | ANIMAL FACTORY, THE |
2007 | 978-1-84243-082-8 | Edward Bunker | No Beast So Fierce |
2003 | 978-1-84243-086-6 | Georges Simenon | Red Lights |
2003 | 978-1-84243-087-3 | Georges Simenon | STRIPTEASE |
'' | 978-1-84243-091-0 | Edward Bunker | Little Boy Blue |
'' | 978-1-84243-092-7 | '' | Dog Eat Dog |
'' | 978-1-84243-093-4 | Nik Cohn | I am Still the Greatest Says Johnny Angelo |
'' | 978-1-84243-094-1 | James Sallis | Cypress Grove |
2004 | 978-1-84243-095-8 | Jason Starr | Tough Luck |
2003 | 978-1-84243-096-5 | Nick Tosches | In the Hand of Dante |
2003 | 978-1-84243-097-2 | Robert B. Parker | Back Story |
2004 | 978-1-84243-100-9 | Tom Robbins | The Villa Incognito |
'' | 978-1-84243-101-6 | '' | The Villa Incognito |
2004 | 978-1-84243-102-3 | Tom Robbins | Villa Incognito |
'' | 978-1-84243-103-0 | '' | VILLA INCOGNITO |
2015 | 978-1-84243-108-5 | Jason Starr | Nothing Personal |
2005 | 978-1-84243-109-2 | '' | Fake Id |
2004 | 978-1-84243-111-5 | Lawrence Block | The Burglar Who Studied Spinoza |
2006 | 978-1-84243-113-9 | James Sallis | Drive |
2007 | 978-1-84243-114-6 | '' | Drive |
2004 | 978-1-84243-116-0 | Robert B. Parker | Stone Cold |
'' | 978-1-84243-117-7 | Lawrence Block | Burglar on the Prowl |
2005 | 978-1-84243-119-1 | Max Décharné | Hardboiled Hollywood |
2004 | 978-1-84243-120-7 | Max Decharne | Straight From The Fridge Dad: A Dictionary of Hipster Slang |
'' | 978-1-84243-121-4 | Paul Cain | Fast One |
'' | 978-1-84243-123-8 | Robert B. Parker | Bad Business |
2004 | 978-1-84243-126-9 | Victor Gischler | PISTOL POETS |
'' | 978-1-84243-129-0 | Tom Robbins | Another Roadside Attraction |
'' | 978-1-84243-130-6 | Kem Nunn | TIJUANA STRAITS |
2005 | 978-1-84243-131-3 | Kem Nunn | TIJUANA STRAITS |
'' | 978-1-84243-132-0 | Jason Starr | Twisted City |
'' | 978-1-84243-134-4 | Sparkle Hayter | BANDIT QUEEN BOOGIE |
2005 | 978-1-84243-138-2 | Theodore Roszak | Flicker |
'' | 978-1-84243-139-9 | Robert B. Parker | Double Play |
'' | 978-1-84243-140-5 | '' | Melancholy Baby (Sunny Randall Novel) |
2005 | 978-1-84243-141-2 | Robert B. Parker | Cold Service |
2006 | 978-1-84243-142-9 | '' | SEA CHANGE |
2005 | 978-1-84243-143-6 | '' | School Days |
'' | 978-1-84243-144-3 | Tom Robbins | Wild Ducks Flying Backwards |
'' | 978-1-84243-149-8 | Eric Ambler | The Levanter: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-150-4 | Jakob Arjouni | Happy Birthday, Turk (No Exit 18 Years) |
'' | 978-1-84243-151-1 | Lawrence Block | The Burglar Who Studied Spinoza: No Exit 18 Promo (No Exit Press 18 Years Classic) |
2005 | 978-1-84243-152-8 | Edward Bunker | The Animal Factory: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-153-5 | Anthony Frewin | London Blues (No Exit Press 18 Years Classic) |
'' | 978-1-84243-154-2 | William Hjortsberg | Falling Angel: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-155-9 | Sparkle Hayter | Nice Girls Finish Last: No Exit 18 Promo (A Robin Hudson Mystery) |
'' | 978-1-84243-156-6 | John Milne | Alive And Kicking: No Exit 18 Promo (No Exit Press 18 Years Classic) |
2005 | 978-1-84243-157-3 | Kem Nunn | TAPPING THE SOURCE: No Exit 18 Promo: 9 (No Exit Press 18 Years Classic) |
'' | 978-1-84243-158-0 | Jack O'Connell | WORD MADE FLESH: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-159-7 | Robert B. Parker | Night Passage: No Exit 18 Promo (A Jesse Stone Novel) |
'' | 978-1-84243-160-3 | Tom Robbins | Another Roadside Attraction: No Exit 18 promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-161-0 | James Sallis | Death Will Have Your Eyes (No Exit Press 18 Years Classic) |
2005 | 978-1-84243-162-7 | Wang Shuo | PLEASE DON'T CALL ME HUMAN: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-163-4 | Jason Starr | Cold Caller (No Exit Press 18 Years Classic) |
'' | 978-1-84243-164-1 | Mark Timlin | All The Empty Places: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-165-8 | Charles Willeford | MIAMI BLUES: No Exit 18 Promo (No Exit Press 18 Years Classic) |
'' | 978-1-84243-166-5 | Daniel Woodrell | Muscle For The Wing: No Exit 18 Promo (A Shade Novel) |
2005 | 978-1-84243-167-2 | Robert B. Parker | Double Play |
2007 | 978-1-84243-168-9 | Joseph Hansen | The Complete Brandstetter: All 12 Novels in the Dave Brandstetter Series |
2006 | 978-1-84243-170-2 | Robert B. Parker | Cold Service |
'' | 978-1-84243-171-9 | Tom Robbins | Wild Ducks Flying Backward |
'' | 978-1-84243-172-6 | Robert B. Parker | School Days |
'' | 978-1-84243-173-3 | '' | Blue Screen |
'' | 978-1-84243-174-0 | Eric Ambler | The Light Of Day |
2006 | 978-1-84243-179-5 | James Grady | MAD DOGS |
2007 | 978-1-84243-183-2 | James Sallis | Cripple Creek |
2006 | 978-1-84243-184-9 | Robert B. Parker | Blue Screen |
'' | 978-1-84243-185-6 | '' | Dream Girl |
2007 | 978-1-84243-187-0 | Robert B. Parker | Sea Change |
'' | 978-1-84243-188-7 | '' | HIGH PROFILE |
'' | 978-1-84243-192-4 | '' | Blue Screen |
'' | 978-1-84243-193-1 | James Grady | Six Days of the Condor |
'' | 978-1-84243-194-8 | David Thomson | Suspects |
2006 | 978-1-84243-197-9 | Robert B. Parker | Hush Money (A Spenser novel) |
2007 | 978-1-84243-205-1 | James Grady | MAD DOGS |
2007 | 978-1-84243-207-5 | Robert Parker | SPARE CHANGE |
'' | 978-1-84243-209-9 | Robert B. Parker | Now and Then |
'' | 978-1-84243-212-9 | Victoria Carolan | WW1 at Sea (Pocket Essentials) |
'' | 978-1-84243-214-3 | Robert B. Parker | HIGH PROFILE |
'' | 978-1-84243-215-0 | Eddie Bunker | STARK |
2007 | 978-1-84243-216-7 | Robert B. Parker | Dream Girl |
'' | 978-1-84243-217-4 | David R. Carter | The Western |
'' | 978-1-84243-218-1 | Colin Odell · Michelle Le Blanc | HORROR FILMS |
'' | 978-1-84243-224-2 | Lee Martin | GANGSTERS WIVES |
'' | 978-1-84243-225-9 | Colin Odell · Michelle Le Blanc | David Lynch |
2007 | 978-1-84243-226-6 | Jean-Marc Lofficier · Randy Lofficier | Tintin (Pocket Essentials) (The Pocket Essential) |
'' | 978-1-84243-227-3 | Michael Ventura | Cassavetes Directs |
'' | 978-1-84243-228-0 | Michael Ventura | CASSAVETES DIRECTS: On The Set of Love Streams |
'' | 978-1-84243-232-7 | Robin Ramsay | WHO SHOT JFK? (Pocket Essentials) |
'' | 978-1-84243-234-1 | James Sallis | Cripple Creek |
2007 | 978-1-84243-235-8 | Jakob Arjouni | Kismet (Kayankaya) |
'' | 978-1-84243-237-2 | Nick Harding | HOW TO BE A GOOD ATHEIST |
'' | 978-1-84243-240-2 | Bill Price | Tutankhamun Egypt's Most Famous Pharoah (Pocket Essential) |
2008 | 978-1-84243-245-7 | Mike Paine | ANCIENT GREECE (Pocket Essentials (Hardcover)) |
'' | 978-1-84243-248-8 | Nick Rennison | Rivals of Sherlock Holmes |
2009 | 978-1-84243-250-1 | Lee Martin | Lipstick Killers, The |
2008 | 978-1-84243-251-8 | Emma Westwood | Monster Movies (Pocket Essentials (Paperback)) |
'' | 978-1-84243-253-2 | Derek Hill | Charlie Kaufman and Hollywood's Merry Band of Pranksters, Fabulists and Dreamers - An excursion into the American New Wave |
2013 | 978-1-84243-254-9 | Sean Martin | New Waves in Cinema |
2008 | 978-1-84243-255-6 | Roland Thorne | SAMURAI FILMS |
2017 | 978-1-84243-256-3 | Helen de Witt | CINEMA AND REVOLUTION |
2009 | 978-1-84243-258-7 | Jakob Arjouni | Chez Max |
2009 | 978-1-84243-261-7 | Lee Martin | The Lipstick Killers |
2008 | 978-1-84243-262-4 | Robert B. Parker | Spare Change: A Sunny Randall Novel (Sunny Randall Novels) |
'' | 978-1-84243-263-1 | '' | NOW & THEN |
'' | 978-1-84243-264-8 | Edward Bunker | Stark |
2018 | 978-1-84243-265-5 | Adrian Wootton | Screening Graham Greene |
2008 | 978-1-84243-266-2 | Edward Bunker | No Beast So Fierce |
'' | 978-1-84243-267-9 | '' | Animal Factory |
2008 | 978-1-84243-268-6 | Edward Bunker | Little Boy Blue |
'' | 978-1-84243-269-3 | '' | Dog Eat Dog |
'' | 978-1-84243-270-9 | Bunker · Edward | Mr Blue |
2009 | 978-1-84243-271-6 | Leigh Russell | Cut Short (DI Geraldine Steel) |
2011 | 978-1-84243-273-0 | Lyndsay Russell | Making it Big |
2008 | 978-1-84243-275-4 | Liam Burke | Superhero Movies (Pocket Essentials) |
'' | 978-1-84243-276-1 | Tom Bowling | Antigallican, The |
'' | 978-1-84243-277-8 | James Sallis | Salt River |
2010 | 978-1-84243-278-5 | '' | Salt River |
2009 | 978-1-84243-279-2 | Colin Odell · Michelle Le Blanc | Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata |
2008 | 978-1-84243-280-8 | Michelle Le Blanc · Colin Odell | Vampire Films (Pocket Essentials) |
2008 | 978-1-84243-282-2 | Tom Fallows · Curtis Owen | George A. Romero (Pocket Essentials) |
2007 | 978-1-84243-283-9 | Chris Wiegand | French New Wave (Pocket Essentials) |
2008 | 978-1-84243-285-3 | Brian J. Robb | Laurel & Hardy (Pocket Essentials (Paperback)) |
2010 | 978-1-84243-286-0 | Martin Fitzgerald | Orson Welles (Pocket Essentials (Paperback)) |
2009 | 978-1-84243-287-7 | Simon B. Kenny | Bruce Lee (Pocket Essentials) |
'' | 978-1-84243-288-4 | Max Décharné | Straight From the Fridge, Dad - A Dictionary of Hipster Slang |
2008 | 978-1-84243-291-4 | Steven Paul Davies | Out at the Movies: A History of Gay Cinema |
'' | 978-1-84243-292-1 | Jacky Bowring | Field Guide to Melancholy, A |
2009 | 978-1-84243-294-5 | Richard Asplin | Conman |
2010 | 978-1-84243-295-2 | Edward Bunker | Death Row Breakout & Other Stories |
2008 | 978-1-84243-296-9 | Wang Shuo | Playing for Thrills |
2009 | 978-1-84243-297-6 | Clem Chambers | The Armageddon Trade |
'' | 978-1-84243-298-3 | Clem Chambers | Armageddon Trade, The (Jim Evans) |
2008 | 978-1-84243-301-0 | Paul Hardy | Filming on a Microbudget |
2009 | 978-1-84243-302-7 | Brian J. Robb | Timeless Adventures - How Doctor Who Conquered TV |
2010 | 978-1-84243-303-4 | Howard Hughes | Spaghetti Westerns |
2009 | 978-1-84243-304-1 | Alex Cox | 10,000 Ways to Die: A Director's Take on the Spaghetti Western |
2011 | 978-1-84243-305-8 | James Clarke | Movie Movements (Kamera Books) |
2009 | 978-1-84243-306-5 | Jack O'Connell | The Resurrectionist |
2008 | 978-1-84243-308-9 | Robert B. Parker | Small Vices |
2009 | 978-1-84243-310-2 | Clem Chambers | Armageddon Trade, The |
2010 | 978-1-84243-311-9 | Douglas Keesey | Neo-Noir: Contemporary Film Noir from Chinatown to The Dark Knight (Kamera Books) |
2008 | 978-1-84243-312-6 | Bill Price | Charles Darwin: Origins and Arguments |
2009 | 978-1-84243-313-3 | Robert B. Parker | Sea Change |
2010 | 978-1-84243-316-4 | Merlin Coverley | Utopia (Pocket Essentials (Paperback)) |
'' | 978-1-84243-318-8 | James Gracey | Dario Argento |
2010 | 978-1-84243-320-1 | Richards · Andy | Asian Horror (Kamera Books) |
2009 | 978-1-84243-321-8 | Tom Bowling | Antigallican, The |
'' | 978-1-84243-324-9 | Dan Laughey | Media Studies |
'' | 978-1-84243-325-6 | Robert B. Parker | Hugger Mugger |
'' | 978-1-84243-326-3 | '' | Pot Shot |
'' | 978-1-84243-327-0 | '' | Widow's Walk |
2010 | 978-1-84243-329-4 | Mark Timlin | Stay Another Day (Nick Sharman) |
2009 | 978-1-84243-331-7 | Tom Robbins | B is for Beer |
2009 | 978-1-84243-332-4 | Sean Martin | Knights Templar, The |
2010 | 978-1-84243-334-8 | Mikel J. Koven | Blaxploitation Films |
'' | 978-1-84243-335-5 | Tom Robbins | B is for Beer |
2011 | 978-1-84243-338-6 | Colin Odell · Michelle Le Blanc | John Carpenter (Creative Essentials) |
2010 | 978-1-84243-339-3 | Sean Martin | Gnostics, The (Pocket Essentials (Paperback)) |
'' | 978-1-84243-341-6 | Clem Chambers | Twain Maxim, The |
'' | 978-1-84243-344-7 | Leigh Russell | Road Closed (A DI Geraldine Steel Thriller Book 2) |
'' | 978-1-84243-347-8 | Merlin Coverly | Psychogeography (Pocket Essentials (Paperback)) |
2010 | 978-1-84243-348-5 | Mark Campbell | Doctor Who: The Episode Guide (Pocket Essentials) |
2012 | 978-1-84243-354-6 | Leigh Russell | Cut Short (A DI Geraldine Steel Thriller Book 1) |
2010 | 978-1-84243-355-3 | Mark Campbell | Doctor Who (Pocket Essentials) - Sixth Edition |
2011 | 978-1-84243-356-0 | Leigh Russell | Dead End (A DI Geraldine Steel Thriller Book 3) |
'' | 978-1-84243-364-5 | Victor LaValle | Big Machine |
2012 | 978-1-84243-365-2 | Andy Glynne | Documentaries (Creative Essentials) |
2011 | 978-1-84243-366-9 | Sean Martin | Andrei Tarkovsky |
'' | 978-1-84243-367-6 | Clem Chambers | Kusanagi |
'' | 978-1-84243-369-0 | James Sallis | Killer is Dying, The |
'' | 978-1-84243-394-2 | Howard Linskey | The Drop (David Blake 1) |
2011 | 978-1-84243-500-7 | James Sallis | Drive |
2012 | 978-1-84243-501-4 | Patrick Nash | Short Films: Writing the Screenplay (Creative Essentials) |
'' | 978-1-84243-502-1 | Howard Linskey | The Damage (David Blake 2) |
2011 | 978-1-84243-510-6 | Lucy Scher | Reading Screenplays (Creative Essentials) |
2012 | 978-1-84243-532-8 | Max Decharne | Straight From The Fridge Dad |
'' | 978-1-84243-594-6 | Leigh Russell | Death Bed (A DI Geraldine Steel Thriller Book 4) |
2011 | 978-1-84243-620-2 | Anthony Frewin | Sixty Three Closure |
2012 | 978-1-84243-696-7 | James Sallis | The Long-Legged Fly |
2012 | 978-1-84243-724-7 | James Sallis | Drive |
'' | 978-1-84243-728-5 | '' | Cypress Grove (Turner Trilogy) |
'' | 978-1-84243-837-4 | '' | Driven |
'' | 978-1-84243-841-1 | Mark Whitehead · Miriam Rivett | Jack The Ripper |
2013 | 978-1-84243-858-9 | Leigh Russell | Stop Dead (A DI Geraldine Steel Thriller Book 5) |
'' | 978-1-84243-866-4 | Robin Ramsay | Who Shot JFK?: New Edition (Pocket Essentials (Paperback)) |