| year of publication | ISBN | author(s) | title |
|---|
| 1998 | 978-1-84002-008-3 | Michael Kilgarriff | Grace, Beauty and Banjos: Peculiar Lives and Strange Times of Music Hall and Variety Artistes (Oberon Book) |
| 2005 | 978-1-84002-012-0 | Alison Muir · Patricia Hammond | Mime and Improvisation (LAMDA) (LAMDA S.) |
| 1999 | 978-1-84002-037-3 | John Osborne | Plays For England: "Blood of the Bambergs", "Under Plain Cover", "Watch It Come Down " v. 1 (Oberon Books) |
| 1998 | 978-1-84002-038-0 | Steven Berkoff | Graft: Tales of an Actor (Oberon Book) |
| '' | 978-1-84002-040-3 | Steven Berkoff | Graft: Tales of an Actor (Oberon Books) |
| '' | 978-1-84002-041-0 | Stanislaw Wyspianski · Noel Clark | The Wedding (Absolute Classics) |
| '' | 978-1-84002-049-6 | Adrian Mitchell · C.S. Lewis | The Lion, the Witch and the Wardrobe: The Royal Shakespeare Company's Stage Adaptation. An Acting Edition |
| '' | 978-1-84002-053-3 | Keith Baxter | My Sentiments Exactly |
| 2000 | 978-1-84002-054-0 | Raymond Mander · Joe Mitchenson | Theatrical Companion to Coward (Oberon Books) |
| 2000 | 978-1-84002-058-8 | Sheridan Morley · Ruth Leon | A Century of Theatre (Oberon Books) |
| 1999 | 978-1-84002-060-1 | Johan Ludvig Heiberg · Ludvig Holberg | Three Danish Comedies |
| 1998 | 978-1-84002-064-9 | Pam Gems | Marlene (Oberon/Modern Playwrights) |
| '' | 978-1-84002-065-6 | Pam Gems | The Snow Palace (Oberon Modern Plays) |
| 2000 | 978-1-84002-073-1 | Frederick Lonsdale | Plays: "The Last of Mrs.Cheyney", "Canaries Sometimes Sing", "On Approval", "Aren't We All" v. 1 (Oberon Modern Playwrights) |
| 1999 | 978-1-84002-079-3 | Albert Lamorisse | The Red Balloon (Oberon Plays for Young People) |
| '' | 978-1-84002-081-6 | Alex Finlayson | Tobacco Land (Oberon Modern Plays) |
| 1998 | 978-1-84002-084-7 | Tunde Ikoli | Scrape Off the Black (Oberon/Modern Playwrights) |
| 2004 | 978-1-84002-086-1 | August Strindberg | The Plays: Chamber Plays ("The Storm", "The Burned Site", "The Ghost Sonata", "The Pelican", "The Black Glove", "The Great Highway") Vol 2 (Absolute Classics) |
| 1999 | 978-1-84002-097-7 | Pat Hutchins | The House That Sailed Away: Play (Oberon Books) |
| '' | 978-1-84002-099-1 | John Constable | The Southwark Mysteries |
| 2000 | 978-1-84002-102-8 | Peter Hall · John Goodwin | Peter Hall's Diaries: The Story of a Dramatic Battle (Oberon Book) |
| 1999 | 978-1-84002-104-2 | Richard Bean | Toast (Oberon Books) (Modern Plays Series) |
| '' | 978-1-84002-107-3 | Richard Norton-Taylor | The Colour of Justice (Oberon Books) |
| 2000 | 978-1-84002-109-7 | Michael Hastings | Tom and Viv (Oberon Modern Playwrights) |
| 2000 | 978-1-84002-112-7 | Bernard Kops | Shalom Bomb: The Autobiography of Bernard Kops |
| 1999 | 978-1-84002-113-4 | Werner Schwab | Holy Mothers (Oberon Book) |
| 2000 | 978-1-84002-115-8 | Peter Hall | The Autobiography of Peter Hall: Making an Exhibition of Myself |
| 1999 | 978-1-84002-116-5 | Michael Kilgarriff | Grace, Beauty and Banjos: Peculiar Lives and Strange Times of Music Hall and Variety Artistes (Oberon Book) |
| 2003 | 978-1-84002-126-4 | Tariq Ali · Howard Brenton · Andy de la Tour | Collateral Damage (Oberon Modern Plays) |
| 2000 | 978-1-84002-133-2 | Odon von Horvath | Von Horvath: Plays One: "Sladek" / "A Sexual Congress" (Modern Playwrights) |
| '' | 978-1-84002-140-0 | Gordon Steel | Like a Virgin (OBERON MODERN PLAYWRIGHTS) |
| '' | 978-1-84002-143-1 | Aime Cesaire · Philip Crispin | Une tempete |
| '' | 978-1-84002-152-3 | Odon von Horvath | Odon Von Horvath Plays Two: "Italian Night", "Tales from the Vienna Woods" (Oberon Modern Playwrights) |
| '' | 978-1-84002-155-4 | Eugene Labiche | The Threesome (Absolute Classics) |
| 2000 | 978-1-84002-167-7 | Marion Baraitser · Olive Schreiner | The Story of an African Farm (Modern Playwrights) (OBERON MODERN PLAYWRIGHTS) |
| 2006 | 978-1-84002-173-8 | Anthony Horowitz | Mindgame (Modern Playwrights) |
| 2005 | 978-1-84002-178-3 | Henrik Ibsen | Ibsen: Volume Two: "the Wild Duck" and "the Master Builder": Vol. 2 |
| 2001 | 978-1-84002-184-4 | J Murphy | Two Plays: "Kings of the Kilburn High Road", "Brothers of the Brush" (Modern Playwrights) (OBERON MODERN PLAYS) |
| 2003 | 978-1-84002-192-9 | Michael Pennington | Are You There, Crocodile?: Inventing Anton Chekhov |
| 2000 | 978-1-84002-195-0 | Ernst Toller | Ernst Toller Plays One |
| '' | 978-1-84002-203-2 | Torgny Lindgren | Light (Oberon Modern Plays) |
| '' | 978-1-84002-205-6 | Neil Bartlett | In Extremis (Oberon Modern Plays) |
| 2002 | 978-1-84002-208-7 | Gotthold Lessing | Two Jewish Plays: "Nathan the Wise", "The Jews" (Absolute classics) |
| 2001 | 978-1-84002-209-4 | Kay Adshead | The Bogus Woman (Oberon Modern Plays) |
| '' | 978-1-84002-214-8 | John Mortimer | Mortimer: "A Voyage Around My Father", "The Collaborators", "The Dock Brief", "Lunch Hour", "What Shall We Tell Caroline?" v. 1 (Oberon Modern Playwrights) |
| 2005 | 978-1-84002-220-9 | Professor Gunilla M. Anderman | Europe on Stage: Translation and Theatre |
| 2001 | 978-1-84002-236-0 | Chris Chibnall | Kiss Me Like You Mean It (Oberon Modern Plays) |
| '' | 978-1-84002-237-7 | Suzy Almond | School Play (Oberon Modern Plays) |
| 2001 | 978-1-84002-241-4 | Abi Morgan | Tiny Dynamite (Oberon Modern Plays) |
| '' | 978-1-84002-243-8 | Douglas Maxwell | Decky Does a Bronco (Oberon Modern Plays) |
| 2002 | 978-1-84002-247-6 | Sheridan Morley | Spectator at the Theatre: A Decade of First Nights (Absolute Classics) |
| 2001 | 978-1-84002-248-3 | J. B. Priestley | Johnson Over Jordan (Oberon Modern Plays) |
| '' | 978-1-84002-251-3 | J. B. Priestley | Dangerous Corner (Oberon Modern Plays) |
| '' | 978-1-84002-256-8 | Lewis Carroll · Adrian Mitchell | Alice in Wonderland (Plays for Young People) (Oberon Plays for Young People) |
| 2002 | 978-1-84002-260-5 | Nicholas Dromgoole · Ranjit Bolt | Tartuffe (Absolute Classics) |
| '' | 978-1-84002-261-2 | Euripides | Bacchai |
| 2001 | 978-1-84002-263-6 | Andrzej Klimowski | Andrzej Klimowski: A Retrospective Exhibition at the Royal National Theatre (Absolute Classics) |
| 2002 | 978-1-84002-267-4 | Heinrich Von Kleist | The Prince of Homburg (Absolute Classics) |
| 2004 | 978-1-84002-268-1 | Denis Quilley | Happiness Indeed: An Actor's Life (Absolute Classics) |
| 2002 | 978-1-84002-270-4 | Jon Fosse | Plays One: "Someone Is Going to Come", "The Name", "The Guitar Man", "The Child" (Modern Playwrights) |
| 2003 | 978-1-84002-274-2 | Garth Bardsley | Stop the World: The Biography of Anthony Newley |
| 2004 | 978-1-84002-279-7 | Pam Gems | Plays One (Modern Playwrights): 1 |
| 2002 | 978-1-84002-280-3 | Tracey Daley | Shoot 2 Win (Oberon Modern Plays) |
| 2002 | 978-1-84002-282-7 | Jon Fosse | Nightsongs (Oberon Modern Plays) |
| '' | 978-1-84002-285-8 | Peter Oswald | The Golden Ass (Oberon Modern Plays) |
| '' | 978-1-84002-286-5 | Richard Bean | Under the Whaleback (Oberon Modern Plays) |
| 2005 | 978-1-84002-294-0 | J. B. Priestley | The Art of the Dramatist |
| 2002 | 978-1-84002-297-1 | Pierre Marivaux | The Island of Slaves (Absolute Classics) |
| '' | 978-1-84002-301-5 | Tony Parker · Paul Jepson | Life After Life: Interviews with Twelve Murderers (Oberon Modern Plays) |
| '' | 978-1-84002-302-2 | Tanika Gupta | Sanctuary (Oberon Modern Plays) |
| 2002 | 978-1-84002-308-4 | Laurent Gaude | Battle of Will (Oberon Modern Plays) |
| 2003 | 978-1-84002-323-7 | David Foley | The Murders at Argos / Cressida Among the Greeks (Oberon Modern Playwrights) |
| 2002 | 978-1-84002-326-8 | Jon Fosse | The Girl on the Sofa (Modern Playwrights) |
| '' | 978-1-84002-333-6 | Peter Tinniswood | Two Plays for One: "The Last Obit", "On the Whole It's Been Jolly Good" (Oberon Modern Plays) |
| '' | 978-1-84002-340-4 | D. H. Lawrence | The Daughter-in-law (Oberon Modern Plays) |
| '' | 978-1-84002-345-9 | Isabel Wright | Peepshow (Oberon Modern Plays) |
| '' | 978-1-84002-350-3 | Bill Cooper | The Royal Ballet: In House |
| 2002 | 978-1-84002-352-7 | Tanika Gupta | Inside Out (Oberon Modern Plays) |
| '' | 978-1-84002-355-8 | Michael Weller | What the Night Is for (Oberon Modern Plays) |
| 2003 | 978-1-84002-362-6 | Lorca | Yerma: A Play by Federico Garcia Lorca (Absolute Classics) |
| '' | 978-1-84002-365-7 | Guy Helminger | Venezuela (Oberon Modern Plays) |
| '' | 978-1-84002-367-1 | Tanika Gupta | Fragile Land (Oberon Modern Plays) |
| '' | 978-1-84002-374-9 | Johan Persson | The Royal Ballet: 161 Images |
| 2004 | 978-1-84002-384-8 | Jon Fosse | Plays Two: "A Summer's Day", "Dream of Autumn", "Winter" (Oberon Modern Playwrights) |
| 2003 | 978-1-84002-394-7 | Brendan Cowell | Rabbit (Oberon Modern Plays) |
| 2004 | 978-1-84002-399-2 | Charles Dickens | A Christmas Carol (Absolute Classics) |
| 2005 | 978-1-84002-403-6 | Abi Morgan | Two Plays: Splendour/Tender (Oberon Modern Playwrights) |
| 2004 | 978-1-84002-410-4 | Adriano Shaplin | Pugilist Specialist (Oberon Modern Plays) |
| 2004 | 978-1-84002-411-1 | Peter Hall | Shakespeare's Advice to the Players (Absolute Classic) |
| '' | 978-1-84002-413-5 | Howard Barker | The Ecstatic Bible (Oberon Modern Plays) |
| 2003 | 978-1-84002-414-2 | Robert Butler | The Art of Darkness: Staging the Philip Pullman trilogy |
| '' | 978-1-84002-417-3 | Richard Norton-Taylor | Justifying War: Scenes from the Hutton Inquiry (Oberon Modern Plays) |
| 2004 | 978-1-84002-425-8 | Sarah Woods | Cake / Grace (Oberon Modern Plays) |
| '' | 978-1-84002-427-2 | Charles Dickens | Oliver Twist (Absolute Classic) (Oberon Modern Plays) |
| '' | 978-1-84002-429-6 | Paul Lucas · Luke Rhinehart | The Dice House (Oberon Modern Plays) |
| 2004 | 978-1-84002-430-2 | Shelley Silas | Calcutta Kosher (Oberon Modern Plays) |
| '' | 978-1-84002-433-3 | Dennis Kelly | Debris (Oberon Modern Plays) |
| '' | 978-1-84002-435-7 | Lope de Vega | The Dog in the Manger: A Play by Lope De Vega (Absolute Classics) |
| '' | 978-1-84002-442-5 | Tirso De Molina | Tamar's Revenge (Absolute Classic) |
| '' | 978-1-84002-444-9 | Ines De La Cruz | House of Desires (Absolute Classics) |
| 2004 | 978-1-84002-448-7 | Edward Kemp | The Master and Margarita: Edward Kemp (Oberon Modern Plays) |
| '' | 978-1-84002-450-0 | Andrew G. Marshall | Coming Around Again (Oberon Modern Plays) (Oberon Modem) |
| '' | 978-1-84002-452-4 | Will Eno | Thom Pain (based on nothing) (Oberon Modern Plays) |
| '' | 978-1-84002-455-5 | Lyn Haill | Darkness Illuminated: Discussions on Philip Pullman's His Dark Materials |
| '' | 978-1-84002-457-9 | John Fraser | Close Up: An Actor Telling Tales |
| 2004 | 978-1-84002-460-9 | Cristina Franchi | Margot Fonteyn: The Royal Ballet's Prima Ballerina Asoluta (Royal Opera House Heritage) |
| '' | 978-1-84002-461-6 | '' | Frederick Ashton (Royal Opera House Heritage) (Royal Opera House Heritage Series) |
| '' | 978-1-84002-464-7 | Howard Barker | Dead Hands (Oberon Modern Plays) |
| '' | 978-1-84002-468-5 | Peter Karpati | Fourth Gate, The (Oberon Modern Plays S.) |
| 2005 | 978-1-84002-471-5 | Laura Wade | Colder Than Here (Oberon Modern Plays) |
| 2004 | 978-1-84002-474-6 | Victoria Brittain · Gillian Slovo | Guantanamo - 'Honor Bound to Defend Freedom' (Oberon Modern Plays) |
| '' | 978-1-84002-478-4 | Jon Fosse | Plays Three: Mother and Child; Sleep My Baby Sleep; Afternoon; Beautiful; Death Variations (Oberon Modern Playwrights) |
| 2005 | 978-1-84002-479-1 | '' | Plays Four: And We'll Never Be Parted; The Son, Visits; Meanwhile the Lights Go Down and Everything Becomes Black (Oberon Modern Playwrights) |
| 2005 | 978-1-84002-480-7 | Reza de Wet | Plays Two: "African Gothic", "Good Heavens", "Breathing In" (Oberon Modern Playwrights) |
| 2004 | 978-1-84002-488-3 | Carlos Acosta | Tocororo: A Cuban Tale |
| '' | 978-1-84002-494-4 | Kerstin Specht | Marieluise (Oberon Modern Plays) |
| '' | 978-1-84002-496-8 | Tony Green | The Kindness of Strangers (Oberon Modern Plays) |
| 2005 | 978-1-84002-504-0 | John Fraser | Close Up: An Actor Telling Tales |
| 2004 | 978-1-84002-516-3 | William Wycherley | The Country Wife (Oberon Modern Plays) |
| '' | 978-1-84002-522-4 | Gurpreet Kaur Bhatti | Behzti (Oberon Modern Plays) |
| '' | 978-1-84002-523-1 | Louisa May Alcott | Little Women (Oberon Modern Plays) |
| 2006 | 978-1-84002-524-8 | Jaqueline Holborough | Three Plays: Dreams of San Fransisco, The Way South, The Garden Girls (Oberon Modern Playwrights) |
| 2004 | 978-1-84002-527-9 | William Shakespeare | As You Like it |
| 2005 | 978-1-84002-538-5 | Lucy Maud Montgomery | Anne of Green Gables: Based on the Novel by L.M.Montgomery (Oberon Modern Plays) |
| 2005 | 978-1-84002-539-2 | Amelie Nothomb | Human Rites (Oberon Modern Plays) |
| '' | 978-1-84002-543-9 | Iain Landles | War Trilogy: The Siege Angel of Mons Berezina (Oberon Modern Plays) |
| '' | 978-1-84002-544-6 | Gilles Tapie | Invitation: Sylvie Guillem |
| '' | 978-1-84002-545-3 | Dolly Dhingra | The Fortune Club (Oberon Modern Plays) |
| 2006 | 978-1-84002-546-0 | Laura Wade | Breathing Corpses (Oberon Modern Plays) |
| 2005 | 978-1-84002-548-4 | Chris O'Connell | Hymns |
| '' | 978-1-84002-551-4 | Gerhart Hauptmann | Rose Bernd (Oberon Modern Plays) |
| 2005 | 978-1-84002-552-1 | Arthur Schnitzler | Professor Bernhardi (Oberon Modern Plays) |
| '' | 978-1-84002-553-8 | Andrew Haydon | Raw Talent: 50 Years of the National Student Drama Festival |
| '' | 978-1-84002-554-5 | Yasmin Khan · Azma Dar | Bells: AND Chaos (Oberon Modern Plays) |
| '' | 978-1-84002-560-6 | Bella Merlin | With the Rogue's Company: Henry IV at the National Theatre |
| '' | 978-1-84002-562-0 | Robin Soans | Talking to Terrorists (Oberon Modern Plays) |
| 2005 | 978-1-84002-564-4 | Carl Grose · Anna Maria Murphy | Kneehigh Anthology Volume 1: Tristan and Yseult, Red Shoes, The Wooden Frock, The Bacchae (Sydney Festival Release) |
| '' | 978-1-84002-568-2 | Richard Norton-Taylor | Bloody Sunday: Scenes from the Saville Inquiry |
| '' | 978-1-84002-569-9 | Richard Bean | Plays One: The Mentalists Under the Whaleback the God Botherers (Oberon Modern Playwrights): 1 |
| '' | 978-1-84002-571-2 | Howard Barker | The Fence in its Thousandth Year (Oberon Modern Plays) |
| '' | 978-1-84002-574-3 | Dennis Kelly | Osama the Hero |
| 2005 | 978-1-84002-577-4 | Juan Mayorga | Way to Heaven (Oberon Modern Plays) |
| '' | 978-1-84002-578-1 | Lee Simpson | Theatre of Blood (Oberon Modern Plays) |
| '' | 978-1-84002-579-8 | Friedrich Schiller | Mary Stuart (Oberon Classic Plays) |
| '' | 978-1-84002-580-4 | Dennis Kelly | After the End (Oberon Modern Plays) |
| '' | 978-1-84002-582-8 | Rikki Beadle-Blair | Bashment (Oberon Modern Plays) |
| 2005 | 978-1-84002-583-5 | Nikolai Vasilievich Gogol | The Government Inspector (Oberon Classic Plays) |
| '' | 978-1-84002-584-2 | Luigi Pirandello | As You Desire Me (Oberon Modern Plays) |
| '' | 978-1-84002-585-9 | Peter Oswald | The Storm: After Plautus (Oberon Modern Plays) |
| '' | 978-1-84002-586-6 | Alfred De Musset | Seven Plays: Marianne, Fantasio, Don't Trifle with Love, The Candlestick, A Diversion, A Door Must Be Kept Open or Shut, You Can't Think of Everything (Oberon Classics) |
| '' | 978-1-84002-587-3 | William Shakespeare | Hamlet (Oberon Classics) |
| 2005 | 978-1-84002-588-0 | Nick Moran · James Hicks | Telstar (Oberon Modern Plays) |
| '' | 978-1-84002-594-1 | Richard Bean | Harvest (Oberon Modern Plays) |
| '' | 978-1-84002-598-9 | Henry James | Daisy Miller (Oberon Modern Plays) |
| 2007 | 978-1-84002-600-9 | Edda Sharpe · Jan Haydn Rowles | How to Do Accents: The Essential Handbook for Every Actor |
| '' | 978-1-84002-601-6 | Cicely Berry | From Word to Play: A Textual Handbook for Directors and Actors |
| 2006 | 978-1-84002-602-3 | John Snelson | The Ring: An Illustrated History of Wagner's Ring at the Royal Opera House |
| 2005 | 978-1-84002-603-0 | Tim Crouch | An Oak Tree (Oberon Modern Plays) |
| '' | 978-1-84002-609-2 | Mick Gordon | On Ego: Inspired by into the Silent Land |
| 2005 | 978-1-84002-610-8 | Fraser Grace | Who Killed Mr. Drum? (Oberon Modern Plays) |
| 2006 | 978-1-84002-612-2 | Howard Barker | Barker: Plays One: Scenes from an Execution, Victory, The Europeans, The Possibilities: WITH Scenes from an Execution AND Victory, AND the Europeans AND the Possibilities (Oberon Modern Playwrights) |
| 2005 | 978-1-84002-618-4 | Friedrich Schiller | Plays: "The Robbers", "Passion and Politics" v. 1 (Oberon Classics) |
| '' | 978-1-84002-619-1 | '' | Plays: "Don Carlos"; "Mary Stuart" v. 2 (Oberon Classics) |
| '' | 978-1-84002-620-7 | '' | Plays: "Joan of Arc", "William Tell" v. 3 (Oberon Classics) |
| '' | 978-1-84002-621-4 | Adriano Shaplin | Switch Triptych |
| 2006 | 978-1-84002-622-1 | Cristina Franchi | Placido Domingo and the Royal Opera |
| 2006 | 978-1-84002-623-8 | Cristina Franchi | Kenneth MacMillan at the Royal Opera House |
| 2005 | 978-1-84002-624-5 | Tanika Gupta | Gladiator Games (Oberon Modern Plays) |
| '' | 978-1-84002-627-6 | Nicholas Kent | Srebrenica (Oberon Modern Plays) |
| 2006 | 978-1-84002-631-3 | Angela Carter | "Nights at the Circus" (Oberon Modern Plays) (Adaptaton) |
| 2005 | 978-1-84002-633-7 | Nell Leyshon | Comfort Me with Apples (Oberon Modern Plays) |
| '' | 978-1-84002-634-4 | Mark Roman Schultz | A Brief History of Helen of Troy: (Or Everything Will Be Different) (Oberon Modern Plays) |
| '' | 978-1-84002-641-2 | Georg Buchner · Nick Cave | Woyzeck (Oberon Classics) (Oberon Modern Plays) |
| 2006 | 978-1-84002-648-1 | Howard Barker | Barker: Plays Two: "The Castle Gertrude", "The Cry", "Animals in Paradise", "13 Objects": 2 (Oberon Modern Playwrights) |
| '' | 978-1-84002-650-4 | Laura Wade | Other Hands (Oberon Modern Plays) |
| 2007 | 978-1-84002-654-2 | Derek Hines | Gilgamesh (Oberon Book) |
| 2006 | 978-1-84002-655-9 | Tanika Gupta | Sugar Mummies (Oberon Modern Plays) |
| 2006 | 978-1-84002-657-3 | John Mortimer | A Voyage Round My Father (Oberon Modern Plays): 1 |
| '' | 978-1-84002-659-7 | Deborah Gearing | Burn and Rosalind (Oberon Modern Plays) |
| 2007 | 978-1-84002-662-7 | Richard Bean | Plays Two: "Toast" , "Smack Family Robinson" , "Mr England" , "Honeymoon Suite" (Oberon Modern Playwrights): "Toast" , ... Robinson" , "Mr England" , "Honeymoon Suite" |
| 2006 | 978-1-84002-665-8 | Sarah Woods | Visible (Oberon Modern Plays) |
| '' | 978-1-84002-666-5 | John Milton | John Milton's Paradise Lost [Oxford Stage Company] (Oberon Plays) |
| '' | 978-1-84002-670-2 | Sulayman Al-Bassam | The Mirror for Princes: Kalila Wa Dimna (Oberon Modern Plays) |
| '' | 978-1-84002-672-6 | Karoline Gritzner · David Ian Rabey | Theatre of Catastrophe: New Essays on Howard Barker |
| 2006 | 978-1-84002-673-3 | Mervyn Peake | Gormenghast: Adapted from the Mervyn Peake's Trilogy of Novels (Oberon Modern Plays) |
| 2007 | 978-1-84002-676-4 | Howard Barker | Barker: Plays Three: "Claw" , "Ursula" , "He Stumbled" , "The Love of a Good Man" (Oberon Modern Playwrights) |
| 2006 | 978-1-84002-680-1 | Michael Hastings | Tom and Viv (Oberon Modern Plays) |
| '' | 978-1-84002-686-3 | Francesca Beard · Sonali Bhattacharyya · Ian Marchant · Kara Miller · Courttia Newland · Richard Rai O'Neil · Rommi Smith | White Open Spaces |
| '' | 978-1-84002-688-7 | Franz Kafka | Metamorphosis (Oberon Modern Plays) |
| '' | 978-1-84002-690-0 | Colin Teevan | How Many Miles to Basra? (Oberon Modern Plays) |
| '' | 978-1-84002-691-7 | Murray Melvin | The Art of the Theatre Workshop |
| 2006 | 978-1-84002-695-5 | Dennis Kelly | Love and Money (Oberon Modern Plays) |
| 2008 | 978-1-84002-697-9 | Will Hammond · Dan Steward | Verbatim Verbatim: Techniques in Contemporary Documentary Theatre |
| 2006 | 978-1-84002-698-6 | Annie Siddons | Rapunzel |
| '' | 978-1-84002-714-3 | Mick Gordon · A. C. Grayling | On Religion (Oberon Modern Plays) |
| '' | 978-1-84002-717-4 | Alasdair Middleton | The Enchanted Pig (Oberon Plays for Young People) |
| 2007 | 978-1-84002-718-1 | Howard Barker | A Style and Its Origins (Oberon Book) |
| 2006 | 978-1-84002-720-4 | Nina Bawden · Emma Reeves | Carrie's War (Oberon Plays for Young People) |
| 2007 | 978-1-84002-721-1 | William Shakespeare | Cymbeline (Oberon Modern Plays) |
| '' | 978-1-84002-725-9 | John Retallack | The Company of Angels: Four Plays by John Retallack: "Hannah and Hanna" , "Virgins" , " Risk" , "Club Asylum" (Oberon Modern Playwrights) |
| 978-1-84002-727-3 | Against All Gods |
| 2007 | 978-1-84002-728-0 | A. C. Grayling | Against All Gods: Six Polemics on Religion and an Essay on Kindness (Oberon Master Series) |
| '' | 978-1-84002-735-8 | Nobby Clark | London Blues: Photographs by Nobby Clark |
| 2007 | 978-1-84002-743-3 | John Constable | Secret Bankside: Walks Around the Outlaw Borough |
| '' | 978-1-84002-744-0 | Nichola McAuliffe | A Fanny Full of Soap: The Story of a West End Musical |
| '' | 978-1-84002-745-7 | Richard Norton-Taylor | Called to Account |
| '' | 978-1-84002-746-4 | Pierre Marivaux | The Triumph of Love; the Game of Love and Chance (Oberon Classics) |
| '' | 978-1-84002-750-1 | Noah Haidle | Haidle: Plays One: "Rag and Bone" , "Mr Marmalade" , " Vigils" (Oberon Modern Playwrights) |
| 2007 | 978-1-84002-752-5 | Tom Morton-Smith | Salt Meets Wound (Oberon Modern Plays) |
| '' | 978-1-84002-753-2 | Nell Leyshon | Glass Eels (Oberon Modern Plays) |
| '' | 978-1-84002-759-4 | Duncan Macmillan | Monster (Oberon Modern Plays) |
| 978-1-84002-760-0 | Three Plays |
| 2007 | 978-1-84002-763-1 | Ruth Little · Emily McLaughlin | The Royal Court Theatre Inside Out |
| '' | 978-1-84002-764-8 | Rose Collis | Coral Browne: 'This Effing Lady' |
| '' | 978-1-84002-765-5 | Mervyn Millar | The Horse's Mouth: Staging Morpurgo's "War Horse" |
| 2013 | 978-1-84002-768-6 | Daniel Rosenthal | The National Theatre Story |
| 2010 | 978-1-84002-775-4 | Richard Bean | The Big Fellah (Oberon Modern Plays) |
| 2007 | 978-1-84002-776-1 | Lyn Haill | Actors Speaking |
| 2007 | 978-1-84002-777-8 | Royal Ballet | Pas De Deux: The Royal Ballet in Pictures (Royal Ballet): The Royal Ballet in Pictures (Royal Ballet) |
| '' | 978-1-84002-778-5 | Dennis Kelly | Taking Care of Baby (Oberon Modern Plays) |
| '' | 978-1-84002-779-2 | Roger Crane | The Last Confession (Oberon Modern Plays) |
| '' | 978-1-84002-780-8 | Miriam Karlin | Some Sort of a Life |
| '' | 978-1-84002-781-5 | Tom Morris · Emma Rice | A Matter of Life and Death (Oberon Modern Plays) |
| 2007 | 978-1-84002-783-9 | Hassan Abdulrazzak | Baghdad Wedding (Oberon Modern Plays) |
| '' | 978-1-84002-785-3 | Oladipo Agboluaje | The Christ of Coldharbour Lane (Oberon Modern Plays) |
| '' | 978-1-84002-794-5 | Simon Bent | Elling (Oberon Modern Plays) |
| 2008 | 978-1-84002-795-2 | Nichola McAuliffe | A Fanny Full of Soap: The Story of a West End Disaster: The Story of a West End Musical |
| 2007 | 978-1-84002-797-6 | Mick Gordon · A. C. Grayling | Grace (Oberon Modern Plays) |
| '' | 978-1-84002-799-0 | Tim Crouch | England (Oberon Modern Plays) |
| '' | 978-1-84002-800-3 | Bryony Lavery | Stockholm (Oberon Modern Plays) |
| 2007 | 978-1-84002-803-4 | Dennis Kelly | Plays One: "Love and Money" , "Osama the Hero" , "Debris" , "After the End" (Oberon Modern Playwrights) |
| '' | 978-1-84002-804-1 | Caryl Philips · Simon Schama CBE | Rough Crossings (Oberon Modern Plays) |
| '' | 978-1-84002-805-8 | Robin Soans | Life After Scandal (Oberon Modern Plays) |
| '' | 978-1-84002-809-6 | Gianina Carbunariu | Kebab (Oberon Modern Plays) |
| '' | 978-1-84002-810-2 | Ron Hutchinson | Moonlight and Magnolias (Oberon Modern Plays) |
| 2007 | 978-1-84002-816-4 | Oscar Wilde · Phil Clarke | Oscar Wilde Three Plays for Children: Three Magical Plays for Very Young Children (Plays for Young People) |
| 2008 | 978-1-84002-817-1 | Jonathan Croall | Peter Hall's "Bacchai" (National Theatre at Work) (The National Theatre at Work) |
| '' | 978-1-84002-820-1 | Yael Farber | Theatre as Witness: Three Testimonial Plays from South Africa: Three Testimonial Plays from South Africa by Yael Farber (Oberon Modern Playwrights) |
| 2009 | 978-1-84002-821-8 | Alan Shelley | Athol Fugard: His Plays, People and Politics |
| 2008 | 978-1-84002-825-6 | Catherine Weate | The Oberon Book of Modern Monologues for Men |
| '' | 978-1-84002-826-3 | '' | The Oberon Book of Modern Monolgues for Women |
| 2009 | 978-1-84002-828-7 | '' | The Oberon Book of Duologues |
| 2008 | 978-1-84002-830-0 | Simon McBurney | A Disappearing Number (Oberon Modern Plays) |
| '' | 978-1-84002-832-4 | Will Eno | Oh, the Humanity and Other Good Intentions: 5 Short Plays by Will Eno (Oberon Modern Plays) |
| '' | 978-1-84002-839-3 | Nobby Clark | Starfucker: The Rolling Stones Live in London '76 |
| 2008 | 978-1-84002-840-9 | Dennis Kelly | DNA (Oberon Modern Plays) |
| '' | 978-1-84002-841-6 | Lin Coghlan | The Miracle (Oberon Modern Plays) |
| '' | 978-1-84002-843-0 | Deirdre Osborne | Hidden Gems:Contemporary Black British Plays: Six Experimental New Plays by Black British Writers (Oberon Modern Playwrights) |
| '' | 978-1-84002-848-5 | Wajdi Mouawad | Wedding Day at the Cro-Magnons' (Oberon Modern Plays) |
| '' | 978-1-84002-851-5 | Howard Barker | Barker: Plays Four: "I Saw Myself" , " The Dying of Today" , " Found in the Ground" , "The Road, the House, the Road" (Oberon Modern Playwrights) |
| 2008 | 978-1-84002-852-2 | Elaine Paige | Memories: Celebrating 40 Years in the Theatre |
| '' | 978-1-84002-855-3 | Yael Farber | Molora: Based on the Oresteia Trilogy (Oberon Modern Plays) |
| '' | 978-1-84002-856-0 | William Shakespeare | Othello (Oberon Modern Plays) |
| '' | 978-1-84002-857-7 | Paul Sirett | Running the Silk Road (Oberon Modern Plays) |
| '' | 978-1-84002-860-7 | Tanika Gupta | White Boy (Oberon Modern Plays) |
| 2008 | 978-1-84002-861-4 | Tanika Gupta | Meet the Mukherjees (Oberon Modern Plays) |
| 2010 | 978-1-84002-865-2 | Ranjit Bolt | The Art of Translation (Oberon Masters) |
| 2008 | 978-1-84002-874-4 | Philip Ralph | Deep Cut (Oberon Modern Plays) |
| '' | 978-1-84002-875-1 | Pam Gems | Piaf (Oberon Modern Plays) |
| '' | 978-1-84002-882-9 | Katie Mitchell · Fyodor Dostoevsky | ...some trace of her: Inspired by "The Idiot" by Fyodor Dostoevsky |
| 2009 | 978-1-84002-886-7 | Howard Barker | Barker: Plays Five: 5 |
| '' | 978-1-84002-889-8 | Arnold Wesker | Wesker's Social Plays |
| '' | 978-1-84002-892-8 | Nick Asbury | Exit Pursued by a Badger: An Actor's Journey Through History with Shakespeare |
| 2009 | 978-1-84002-898-0 | Virginia McKenna | The Life in My Years |
| 2008 | 978-1-84002-899-7 | Simon Reade · Philip Pullman | Scarecrow and His Servant |
| 2009 | 978-1-84002-900-0 | Richard Bean | England People Very Nice (Oberon Modern Plays) |
| '' | 978-1-84002-902-4 | Oladipo Agboluaje | The Hounding of David Oluwale (Oberon Modern Plays) |
| '' | 978-1-84002-911-6 | Joe Sutton | Complicit (Oberon Modern Plays) |
| '' | 978-1-84002-913-0 | Richard Bean | Plays Three (Oberon Modern Playwrights) |
| '' | 978-1-84002-919-2 | Peter Hall | Shakespeare's Advice to the Players |
| 2009 | 978-1-84002-922-2 | Various | The Great Game: Afghanistan (Oberon Modern Plays) |
| 2010 | 978-1-84002-924-6 | Mustapha Matura | Playboy of the West Indies |
| 2009 | 978-1-84002-925-3 | Oladipo Agboluaje | Iya-ile (The First Wife) (Oberon Modern Plays) |
| '' | 978-1-84002-938-3 | Michael Birkett | The Story of the Ring |
| '' | 978-1-84002-939-0 | Royal Ballet | The Royal Ballet Yearbook 2009/10 |
| '' | 978-1-84002-943-7 | Dennis Kelly | Orphans (Oberon Modern Plays) |
| 2010 | 978-1-84002-944-4 | John Logan | Red (Oberon Modern Plays) |
| 2009 | 978-1-84002-946-8 | Ryan Craig | Our Class (Oberon Modern Plays) |
| '' | 978-1-84002-950-5 | Tim Crouch | The Author (Oberon Modern Plays) |
| 2009 | 978-1-84002-952-9 | Dennis Kelly | DNA (School Edition) |
| '' | 978-1-84002-957-4 | Edda Sharpe · Jan Haydn Rowles | How to Do Accents (Oberon Books) |
| '' | 978-1-84002-960-4 | Robin Soans | Mixed Up North (Oberon Modern Plays) |
| 2010 | 978-1-84002-961-1 | Howard Barker | Plays Six: (Uncle) Vanya, A House of Correction, Let Me, Judith, Lot and His God: 6 |
| 2009 | 978-1-84002-962-8 | A.C. Grayling | To Set Prometheus Free: Religion, Reason and Humanity (Oberon Masters) |
| '' | 978-1-84002-967-3 | Richard Everett | Entertaining Angels (Oberon Modern Plays) |
| 2011 | 978-1-84002-969-7 | Mark Leipacher | Catching the Light: Simon Russell Beale and Sam Mendes |
| 2010 | 978-1-84002-973-4 | Nicholas Dromgoole | The Role of the Critic (Oberon Masters Series) (Oberon Master Series) |
| 2009 | 978-1-84002-976-5 | Atiha Sen Gupta | What Fatima Did (Oberon Modern Plays) |
| 2010 | 978-1-84002-978-9 | Keith Osborn | Something Written in the State of Denmark: An Actor's Year with the Royal Shakespeare Company |
| '' | 978-1-84002-984-0 | Laura Wade | Posh (Oberon Modern Plays) |
| 2010 | 978-1-84002-985-7 | Anya Reiss | Spur of the Moment (Oberon Modern Plays) |
| '' | 978-1-84002-989-5 | Lolly Susi | An Untidy Career: Conversations with George Hall (Oberon Masters) |
| 2012 | 978-1-84002-990-1 | Jan Haydn Rowles · Edda Sharpe | How To Do Standard English Accents: From Traditional RP to the New 21st-Century Neutral Accent |
| 2010 | 978-1-84002-992-5 | Dennis Kelly | The Gods Weep (Oberon Modern Plays) |
| '' | 978-1-84002-995-6 | Thomas Bernhard · Meredith Oakes · Andrea Tierney | Heldenplatz (Oberon Modern Plays) |