| year of publication | ISBN | author(s) | title |
|---|
| 2000 | 978-1-55783-450-8 | Lawrence J. Quirk | Bob Hope: The Road Well-Traveled (Applause Books) |
| 2001 | 978-1-55783-451-5 | Glenn Young | The Best American Short Plays 1999-2000 |
| '' | 978-1-55783-452-2 | '' | The Best American Short Plays 1999-2000 |
| 2000 | 978-1-55783-453-9 | Vince Waldron | The Official Dick Van Dyke Show Book |
| 2001 | 978-1-55783-454-6 | Georges Feydeau | Take Her She's Yours, or Divorce Do Us Part |
| '' | 978-1-55783-455-3 | VASTA | Standard Speech: Essays on Voice and Speech (Applause Books) |
| 2002 | 978-1-55783-456-0 | Robert Cohen | More Power to You (Applause Books) |
| '' | 978-1-55783-457-7 | Margaret Brenman-Gibson | Clifford Odets: American Playwright: The Years from 1906-1940 (Applause Books) |
| 2001 | 978-1-55783-458-4 | Jacob Adler · Lulla Rosenfeld | Jacob Adler: A Life on the Stage, A Memoir (Applause Books) |
| '' | 978-1-55783-459-1 | Keith Ducklin | Sword Fighting: A Manual for Actors & Directors (Applause Books) |
| 2001 | 978-1-55783-460-7 | William Goldman | The Big Picture: Who Killed Hollywood? and Other Essays (Applause Books) |
| '' | 978-1-55783-461-4 | Richard Strand | The Bug (Applause Books) |
| '' | 978-1-55783-462-1 | Leon Katz | Pinocchio (Applause Books) |
| '' | 978-1-55783-463-8 | Georges Feydeau | Feydeau, First to Last: Eight One-Act Comedies (Applause Books) |
| '' | 978-1-55783-464-5 | Myron Matlaw | Nineteenth Century American Plays: Seven Plays Including The Black Crook (Applause Books) |
| 2001 | 978-1-55783-465-2 | Garry O'Connor | William Shakespeare: A Popular Life (Applause Books) |
| '' | 978-1-55783-466-9 | Herb Gardner | Herb Gardner: The Collected Plays (Applause Books) |
| '' | 978-1-55783-467-6 | Arthur Laurents | Original Story By: A Memoir of Broadway and Hollywood (Applause Books) |
| '' | 978-1-55783-468-3 | III, Ward Morehouse | Inside the Plaza: An Intimate Portrait of the Ultimate Hotel |
| '' | 978-1-55783-469-0 | Beatrice Manley | An Actor's Dickens: Scenes for Audition and Performance from the Works of Charles Dickens |
| 2001 | 978-1-55783-470-6 | Barbara Sellers-Young | Breathing, Movement, Exploration |
| '' | 978-1-55783-471-3 | ATAC | The Entertainment Sourcebook 2002: An Insider's Guide on Where to Find Everything |
| '' | 978-1-55783-472-0 | Marie Jones | Stones in His Pockets (Applause Books) |
| 2002 | 978-1-55783-473-7 | Frederick Nolan | The Sound of Their Music: The Story of Rodgers & Hammerstein (Applause Books) |
| '' | 978-1-55783-474-4 | Charles Marowitz | Roar of the Canon: Kott & Marowitz on Shakespeare (Applause Books) |
| 2003 | 978-1-55783-476-8 | John Willis | Theatre World 1999-2000, Vol. 56 |
| '' | 978-1-55783-477-5 | John Willis | Theatre World 1999-2000 |
| 2002 | 978-1-55783-478-2 | '' | Screen World Volume 52: 2001 |
| 2002 | 978-1-55783-479-9 | John Willis | Screen World 2001, Vol. 52 |
| '' | 978-1-55783-480-5 | Mark Glubke | The Best American Short Plays 2000-2001 |
| '' | 978-1-55783-481-2 | Mark Glubke | The Best American Short Plays 2000-2001 |
| 2003 | 978-1-55783-482-9 | Barry Monush | The Biographical Encyclopedia of Hollywood Film Actors |
| 2002 | 978-1-55783-485-0 | Milton E. Polsky | You Can Write a Play! (Applause Books) |
| 2001 | 978-1-55783-489-8 | Anthony Burgess | This Man and Music |
| 2002 | 978-1-55783-490-4 | Emily Mann | Political Stages: Plays That Shaped a Century (Applause Books) |
| '' | 978-1-55783-492-8 | James B. Nicola | Playing the Audience: The Practical Actor's Guide to Live Performance (Applause Books) |
| 2001 | 978-1-55783-495-9 | Lowell Swortzell | The Twelve Plays of Christmas (Applause Books) |
| '' | 978-1-55783-497-3 | VASTA | The Voice in Violence (Applause Books) |
| 2002 | 978-1-55783-498-0 | Janet Rodgers | The Complete Voice and Speech Workout: 74 Exercises for Classroom and Studio Use |
| 2002 | 978-1-55783-499-7 | Garry O'Connor | Paul Scofield: An Actor for All Seasons (Applause Books) |
| '' | 978-1-55783-500-0 | Uta Hagen | Uta Hagen's Acting Class |
| 2003 | 978-1-55783-501-7 | Larry Brody | Television Writing from the Inside Out: Your Channel to Success (Applause Books) |
| 2004 | 978-1-55783-502-4 | Leon Katz | The Greek Myths: Puppet Plays for Children from Ovid's Metamorphoses (Applause Books) |
| 2003 | 978-1-55783-503-1 | Sheridan Morley | John Gielgud: The Authorized Biography (Applause Books) |
| '' | 978-1-55783-504-8 | Pamela Lewis | Talking Funny for Money: An Introduction to the Cartoon/Character/Looping Area of Voice-Overs (Applause Books) |
| 2005 | 978-1-55783-505-5 | John Simon | John Simon on Theater: Criticism 1974-2003 (Applause Books) |
| '' | 978-1-55783-506-2 | John Simon | John Simon on Music: Criticism 1979-2005 (John Simon On--) (Applause Books) |
| '' | 978-1-55783-507-9 | '' | John Simon on Film: Criticism 1982-2001 (Applause Books) |
| 2004 | 978-1-55783-508-6 | Max Wilk | Schmucks with Underwoods: Conversations with America's Classic Screenwriters |
| 2019 | 978-1-55783-509-3 | Glenn Young | Best American Short Plays 2001-2002 |
| 2019 | 978-1-55783-510-9 | Glenn Young | The Best American Short Plays 2001-2002: For Over 60 Years, the Standard Record of Excellence for One-Act Plays in America |
| 978-1-55783-511-6 | Uta Hagen's Acting Class: Two-Video Set [VHS] |
| 2003 | 978-1-55783-512-3 | Jerry Roberts | The Great American Playwrights on the Screen: A Critical Guide to Film TV (Applause Books) |
| 2019 | 978-1-55783-513-0 | Sunday Night Special: An Unofficial Guide To Hbo Dramas |
| 2003 | 978-1-55783-514-7 | Mark O'Donnell | Hairspray: The Complete Book and Lyrics of the Hit Broadway Musical (Applause Books) |
| '' | 978-1-55783-515-4 | Dale Wasserman | The Impossible Musical: The "Man of La Mancha" Story |
| '' | 978-1-55783-516-1 | Jim De Young · John Miller | London Theatre Walks & Expanded Edition: Thirteen Dramatic Tours Through Four Centuries of History and Legend |
| '' | 978-1-55783-517-8 | Al Hirschfeld | Hirschfeld's Harlem: Manhattan's Legendary Artist Illustrates This Legendary City Within a City (Applause Books) |
| '' | 978-1-55783-518-5 | Gordon Kahn · Al Hirschfeld | The Speakeasies of 1932 |
| 2003 | 978-1-55783-519-2 | Horton Foote · Mark Dawidziak | The Shape of the River: The Lost Teleplay About Mark Twain |
| 2019 | 978-1-55783-520-8 | Harlem According To Hirschfeld With Introductions And Essays From ? |
| 2004 | 978-1-55783-521-5 | John Willis · Ben Hodges · Tom Lynch | Theatre World Volume 57 - 2000-2001: Special Tony Honor Edition Paperback |
| 2003 | 978-1-55783-522-2 | Rocco Dal Vera | Film, Broadcast & e-Media Coaching: and Other Contemporary Issues in Professional Voice and Speech Training (Applause Books) |
| 2004 | 978-1-55783-523-9 | John Willis | Theatre World 2000-2001 |
| 2003 | 978-1-55783-525-3 | Association of Theatre Artists and Craftspeople | The Entertainment Sourcebook: 2004 |
| 2004 | 978-1-55783-526-0 | Barry Monush · John Willis | Screen World Volume 54: 2003 |
| 2003 | 978-1-55783-527-7 | Daniel Gerould | Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and Havel (Applause Books) |
| 2004 | 978-1-55783-528-4 | Barry Monush | Screen World: 2003 (v. 54) |
| '' | 978-1-55783-529-1 | Barry Singer | Ever After: The Last Years of Musical Theater, 1977-2019 (Applause Books) |
| '' | 978-1-55783-530-7 | Ellen Schiff | Awake and Singing: Six Great American Jewish Plays (Applause Books) |
| '' | 978-1-55783-531-4 | Mala Powers | Michael Chekhov: On Theatre and the Art of Acting: The Five-Hour Master Class (Applause Acting Series) |
| 2003 | 978-1-55783-532-1 | Tantalus: Behind the Mask |
| 2005 | 978-1-55783-533-8 | John Barton | Tantalus: Behind the Mask |
| 2003 | 978-1-55783-534-5 | John Barton | The Shakespeare Sessions |
| 2007 | 978-1-55783-536-9 | '' | The Working Arts Library/Applause The Shakespeare Sessions (DVD) Applause Books Series DVD |
| 2019 | 978-1-55783-537-6 | William Shakespeare | Working Shakespeare |
| 2004 | 978-1-55783-538-3 | Cicely Berry · Andrew Wade · Jeremy Irons | Working Shakespeare: The Ultimate Actor's Workshop The Consumer Edition |
| '' | 978-1-55783-539-0 | Berry | Working Shakespeare: Workshop 1 |
| 2004 | 978-1-55783-540-6 | William Shakespeare | Working Shakespeare Video Library |
| 2019 | 978-1-55783-541-3 | William Shakespeare | Working Shakespeare: Workshop 2 |
| 2004 | 978-1-55783-542-0 | '' | Working Shakespeare: Workshop 2: Subtext and the World of the Play |
| '' | 978-1-55783-543-7 | '' | Working Shakespeare: Workshop 3: Prose & Verse Texts: Language & Imagery Reveal the Character's Inner Landscape |
| 2003 | 978-1-55783-544-4 | Working Shakespeare: Workshop 3 |
| '' | 978-1-55783-545-1 | Working Shakespeare: Workshop 4 |
| 2004 | 978-1-55783-546-8 | William Shakespeare | Working Shakespeare: Workshop 4: The Whole Voice: Its Sound and Range |
| 978-1-55783-547-5 | The The Working Shakespeare Collection |
| 2003 | 978-1-55783-548-2 | Working Shakespeare: Workshop 5 |
| 2004 | 978-1-55783-549-9 | Jode Susan Millman | Seats: Chicago: 120 Seating Plans to Chicago and Milwaukee Area Theatres, Concert Halls and Sports Stadiums (Seats Chicago: 125 Seating Plans to Chicago and Milwaukee) |
| 2001 | 978-1-55783-550-5 | Paul Sills | A Christmas Carol (Applause Books) |
| 2005 | 978-1-55783-551-2 | Barry Monush | The Encyclopedia of Hollywood Film Actors: From the Silent Era to 1965 (Applause Books) (Vol 1) |
| 2003 | 978-1-55783-553-6 | Boze Boze Hadleigh | Celebrity Lies |
| 2006 | 978-1-55783-554-3 | Lehman Engel | Words with Music: Creating the Broadway Musical Libretto (Applause Books) |
| 2002 | 978-1-55783-555-0 | Max Wilk | OK! The Story of Oklahoma!: A Celebration of America's Most Beloved Musical (Applause Books) |
| '' | 978-1-55783-556-7 | Terrence McNally · David Yazbek | The Full Monty: The Complete Book and Lyrics of the Hit Broadway Musical (Applause Libretto Library) |
| '' | 978-1-55783-557-4 | Stephen Tropiano | The Prime Time Closet: A History of Gays and Lesbians on TV (Applause Books) |
| 2002 | 978-1-55783-558-1 | John Clum | Asking and Telling |
| '' | 978-1-55783-559-8 | Eric Bentley | Bernard Shaw (Applause Books) |
| '' | 978-1-55783-560-4 | Harold Thau · Arthur Tobier | Bronx to Broadway: A Life in Show Business |
| '' | 978-1-55783-561-1 | George Bernard Shaw | Shaw on Shakespeare (Applause Books) |
| 2003 | 978-1-55783-562-8 | Mayo Simon | The Audience & The Playwright: How to Get the Most Out of Live Theatre (Applause Books) |
| 2002 | 978-1-55783-563-5 | Ronald Haver | A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration (Applause Books) |
| '' | 978-1-55783-564-2 | Gail Lumet Buckley | The Hornes: An American Family (Applause Books) |
| 2002 | 978-1-55783-565-9 | Michael Seth Starr | Art Carney: A Biography |
| '' | 978-1-55783-566-6 | Louis Botto · Robert Viagas | At This Theatre: 100 Years of Broadway Shows, Stories and Stars |
| '' | 978-1-55783-567-3 | James Kirkwood | Diary of a Mad Playwright: Perilous Adventures on the Road with Mary Martin and Carol Channing |
| '' | 978-1-55783-574-1 | Garry O'Connor | Alec Guiness: A Life |
| '' | 978-1-55783-575-8 | Leon Katz | Classical Monologues: Younger Men: From Aeschylus to Bernard Shaw (Applause Books) |
| 2002 | 978-1-55783-576-5 | Leon Katz | Classical Monologues: Older Men: From Aeschylus to Bernard Shaw (Applause Books) |
| 2003 | 978-1-55783-579-6 | Jr., Woodie King | The Impact of Race: Theatre and Culture |
| 2002 | 978-1-55783-580-2 | Ted Sennett | Your Show of Shows |
| '' | 978-1-55783-581-9 | Meryle Secrest | Somewhere for Me: A Biography of Richard Rodgers (Applause Books) |
| 2003 | 978-1-55783-582-6 | Jim De Young | London Theatre Walks: Thirteen Dramatic Tours Through Four Centuries of History and Legend |
| 2002 | 978-1-55783-583-3 | Jodé Susan Millman | Seats: New York: Seating Plans to New York Metro Area Theatres, Concert Halls and Sports Stadiums |
| '' | 978-1-55783-584-0 | Sandra Gordon | Action!: Establishing Your Career in Film and Television Production (Applause Books) |
| '' | 978-1-55783-585-7 | Milton Berle · Haskel with Frankel | Milton Berle: An Autobiography |
| '' | 978-1-55783-586-4 | John Kenneth Muir | An Askew View: The Films of Kevin Smith (Applause Books) |
| 2003 | 978-1-55783-587-1 | Ben Hodges | Forbidden Acts: Pioneering Gay & Lesbian Plays of the 20th Century (Applause Books) |
| 2002 | 978-1-55783-588-8 | David Kaufman | Ridiculous!: The Theatrical Life and Times of Charles Ludlam (Applause Books) |
| 2003 | 978-1-55783-589-5 | Horton Foote | The Shape of the River: The Lost Teleplay About Mark Twain |
| 2002 | 978-1-55783-590-1 | Lavonne Mueller | Voices from September 11th (Dramatic Monologues) |
| 2002 | 978-1-55783-592-5 | Peter Parnell | QED: A Play Inspired by the Writings of Richard Feynman and Tuva or Bust! by Ralph Leighton (Applause Books) |
| 978-1-55783-593-2 | Theatre World 1943 |
| 2002 | 978-1-55783-594-9 | Ward Morehouse III | If It Was Easy: A New Comedy (Applause Books) |
| 2013 | 978-1-55783-595-6 | Glenn Young | Let Freedom Ring: Eight Patriotic Plays |
| 2002 | 978-1-55783-596-3 | Mel Gussow | Conversations with Miller (Applause Books) |
| '' | 978-1-55783-597-0 | Association of Theatre Artists and Craftspeople | The Entertainment Sourcebook: 2003: An Insider's Guide on Where to Find Everything |
| '' | 978-1-55783-598-7 | John Willis · Tom Lynch | Screen World Volume 53: 2002 |
| '' | 978-1-55783-599-4 | '' | Screen World Vol. 53, 2002 |
| 2005 | 978-1-55783-600-7 | Eugene B. Bergmann | Excelsior, You Fathead!: The Art and Enigma of Jean Shepherd (Applause Books) |
| 2011 | 978-1-55783-602-1 | Accents And Dialects For The Stage |
| 2019 | 978-1-55783-604-5 | The State Of The Arts |
| '' | 978-1-55783-605-2 | Musical Chairs |
| 2004 | 978-1-55783-607-6 | John Kenneth Muir | The Unseen Force: The Films of Sam Raimi (Applause Books) |
| 2004 | 978-1-55783-609-0 | John Kenneth Muir | Best in Show: The Films of Christopher Guest and Company (Applause Books) |
| 2005 | 978-1-55783-610-6 | '' | Singing a New Tune: The Rebirth of the Modern Film Musical from Evita to De-Lovely and Beyond (Applause Books) |
| 2007 | 978-1-55783-613-7 | Howard Kissel | New York Theatre Walks: Seven Historical Tours from Times Square to Greenwich Village and Beyond (Applause Books) |
| 2004 | 978-1-55783-614-4 | Leon Katz | Classical Monologues: Women: From Aeschylus to Racine (68 B.C. to the 1670s) (Applause Books) |
| 2004 | 978-1-55783-615-1 | Leon Katz | Classical Monologues: Women: From the Restoration to Bernard Shaw (1680s to 1940s) (Applause Books) |
| 2003 | 978-1-55783-616-8 | William Gibson | Golda's Balcony: A Play (Applause Books) |
| 2005 | 978-1-55783-617-5 | Foster Hirsch | Harold Prince and the American Musical Theatre: Expanded Edition |
| 2009 | 978-1-55783-618-2 | Barry Monush | Everybody's Talkin': The Top Films of 1965-1969 |
| 2012 | 978-1-55783-619-9 | '' | The Biographical Encyclopedia Of Hollywood Volume 2 |
| 2004 | 978-1-55783-620-5 | Uta Hagen's Acting Class: The DVDs |
| '' | 978-1-55783-624-3 | Jay Scarfone | The Wizardry of Oz: The Artistry and Magic of the 1939 MGM Classic (Applause Books) |
| '' | 978-1-55783-625-0 | John Willis · Ben Hodges | Theatre World Volume 58 - 2001-2002: Hardcover |
| '' | 978-1-55783-626-7 | John Willis · Ben Hodges · Tom Lynch | Theatre World Volume 58 - 2001-2002: Paper (John Willis Theatre World) |
| '' | 978-1-55783-627-4 | Samuel Fuller | A Third Face: My Tale of Writing, Fighting and Filmmaking (Applause Books) |
| 2004 | 978-1-55783-628-1 | Chicago Seats 18-copy Pre-pack With Display |
| '' | 978-1-55783-630-4 | Ingrid Croce | Jim Croce: Time in a Bottle |
| 2006 | 978-1-55783-631-1 | Steven Suskin | Second Act Trouble: Behind the Scenes at Broadway's Big Musical Bombs (Applause Books) |
| 2004 | 978-1-55783-632-8 | Charlotte Chandler · Billy Wilder | Nobody's Perfect: Billy Wilder, A Personal Biography |
| 2005 | 978-1-55783-634-2 | John with Ben Hodges Willis | Theatre World Volume 59 - 2002-2003: Hardcover |
| '' | 978-1-55783-635-9 | '' | Theatre World Volume 59 - 2002-2003: Softcover |
| 2004 | 978-1-55783-636-6 | Hal Leonard Corp. | The Entertainment Sourcebook 2005 |
| 2005 | 978-1-55783-637-3 | David Kaufman | Ridiculous!: The Theatrical Life and Times of Charles Ludlam (Applause Books) |
| '' | 978-1-55783-638-0 | Barry Monush · John Willis | Screen World Volume 55: 2004: Hardcover |
| '' | 978-1-55783-639-7 | '' | Screen World Volume 55: 2004: Paperback (John Willis Screen World) |
| 2004 | 978-1-55783-640-3 | Charles Marowitz | The Other Chekhov: A Biography of Michael Chekhov, the Legendary Actor, Director, and Theorist |
| 2007 | 978-1-55783-641-0 | Stephen Sondheim | The Complete Sondheim Sourcebook |
| 2004 | 978-1-55783-643-4 | Cicely Berry | The Working Shakespeare Collection: A Workbook for Teachers (Applause Books) |
| 2005 | 978-1-55783-644-1 | Mel Gussow | Michael Gambon: A Life in Acting (Applause Books) |
| 2007 | 978-1-55783-645-8 | Theodore Mann | Journeys in the Night: Creating a New American Theatre with Circle in the Square: A Memoir (Applause Books) |
| 2005 | 978-1-55783-646-5 | Stuart Ostrow | Present at the Creation: Leaping in the Dark and Going Against the Grain: 1776, Pippin, M. Butterfly, La Bete & Other Broadway Adventures (Applause Books) |
| 2004 | 978-1-55783-647-2 | Andrew Wade | The Voice Preparation Workbook:Working Shakespeare Collection: Workshop 5: (Working Arts Library) |
| 2004 | 978-1-55783-648-9 | Michael Chekhov | Michael Chekhov: On Theatre and the Art of Acting: A Guide to Discovery |
| 2006 | 978-1-55783-649-6 | John Kenneth Muir | Mercy in Her Eyes: The Films of Mira Nair (Applause Books) |
| '' | 978-1-55783-650-2 | John Willis · Ben Hodges | Theatre World Volume 60: 2003-2004 |
| '' | 978-1-55783-651-9 | '' | Theatre World Volume 60: 2003-2004 Paperback Edition |
| 2007 | 978-1-55783-652-6 | Ben Hodges · Frederic B. Vogel | The Commercial Theater Institute Guide to Producing Plays and Musicals |
| 2005 | 978-1-55783-653-3 | Ted Chapin | Everything Was Possible: The Birth of the Musical Follies (Applause Books) |
| 2006 | 978-1-55783-654-0 | Michael Caine | Acting In Film: An Actor's Take On Movie Making, The BBC Master Class |
| '' | 978-1-55783-655-7 | William Shakespeare · Neil Freeman | Once More unto the Speech, Dear Friends: The Histories (Applause Books) |
| '' | 978-1-55783-656-4 | William Shakespeare · Neil Freeman | Once More unto the Speech, Dear Friends: The Comedies (Applause Books) |
| 2006 | 978-1-55783-657-1 | William Shakespeare · Neil Freeman | Once More unto the Speech, Dear Friends: The Tragedies (Applause Books) |
| 2005 | 978-1-55783-658-8 | Cy Feuer · Ken Gross | I Got the Show Right Here: The Amazing True Story of How an Obscure Brooklyn Horn Player Became the Last Great Broadway Showman |
| '' | 978-1-55783-659-5 | David Craig | On Singing Onstage [VHS] |
| '' | 978-1-55783-660-1 | David Craig | On Singing Onstage with David Craig: Class Two: Technique [VHS] |
| '' | 978-1-55783-661-8 | CRAIG DAVID | On Singing Onstage: Class Three: Subtext With David Craig (Applause Books) |
| '' | 978-1-55783-662-5 | David Craig | On Singing Onstage [VHS] |
| 2005 | 978-1-55783-663-2 | David Craig | On Singing Onstage [VHS] |
| 2005 | 978-1-55783-664-9 | David Craig | On Singing Onstage [VHS] |
| 2006 | 978-1-55783-665-6 | '' | On Singing Onstage Video Library [VHS] |
| '' | 978-1-55783-666-3 | John Basil | Will Power: How to Act Shakespeare in 21 Days (Applause Books) |
| '' | 978-1-55783-667-0 | Barry Monush · John Willis | Screen World Volume 56: 2005 Cloth Edition |
| '' | 978-1-55783-668-7 | '' | Screen World Volume 56: 2005 Paperback Edition |
| 2005 | 978-1-55783-669-4 | Ray Morton | King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson |
| 2008 | 978-1-55783-670-0 | David Sheward | Rage and Glory: The Volatile Life and Career of George C. Scott (Applause Books) |
| 2006 | 978-1-55783-671-7 | Jeff Lenburg | Who's Who in Animated Cartoons: An International Guide to Film and Television's Award-Winning and Legendary Animators (Applause Books) |
| '' | 978-1-55783-672-4 | Rita Dubas | Shirley Temple: A Pictorial History of the World's Greatest Child Star |
| 2019 | 978-1-55783-673-1 | Hal Leonard Corp. | The American Film Institute Top 100 Movie Quotes of All Time: America's Greatest Quips, Comebacks, and Catchphrases |
| 2005 | 978-1-55783-674-8 | Al Hirschfeld | Hirschfeld's British Aisles (Applause Books) |
| 2005 | 978-1-55783-675-5 | Al Hirschfeld | Hirschfeld's Harlem (Applause Books) |
| '' | 978-1-55783-676-2 | '' | The Speakeasies of 1932 (Applause Books) |
| 2006 | 978-1-55783-678-6 | Christina Ferra-Gilmore | The 7 Steps to Stardom: How to Become a Working Actor in Movies, TV, and Commercials (Applause Books) |
| '' | 978-1-55783-680-9 | Darryl J. Littleton | Black Comedians on Black Comedy: How African-Americans Taught Us to Laugh |
| 2005 | 978-1-55783-681-6 | Robert Kimball · Linda Berlin Emmet | The Complete Lyrics of Irving Berlin |
| '' | 978-1-55783-682-3 | Robert Viagas | The Playbill Broadway Yearbook: June 1, 2004 - May 31, 2005 |
| 2007 | 978-1-55783-684-7 | John Kenneth Muir | TV Year: Volume 1: The Prime Time 2005-2006 Season |
| '' | 978-1-55783-685-4 | John Willis | Theatre World: Volume 61 2004-2005 |
| 2007 | 978-1-55783-686-1 | Maria Aitken | Acting in High Comedy: The 60 Minute BBC Master Class with Maria Aitken |