| year of publication | ISBN | author(s) | title |
|---|
| 2018 | 978-1-4744-1925-3 | Hendrik Kraetzschmar · Paola Rivetti | Islamists and the Politics of the Arab Uprisings: Governance, Pluralisation and Contention |
| '' | 978-1-4744-1926-0 | Hendrik Kraetzschmar · Paola Rivetti | Islamists and the Politics of the Arab Uprisings: Governance, Pluralisation and Contention |
| '' | 978-1-4744-1944-4 | Boel Ulfsdotter · Anna Backman Rogers | Female Authorship and the Documentary Image: Theory, Practice and Aesthetics |
| '' | 978-1-4744-1947-5 | Boel Ulfsdotter · Anna Backman Rogers | Female Agency and Documentary Strategies: Subjectivities, Identity and Activism |
| 2019 | 978-1-4744-1950-5 | Adham Saouli | Hezbollah: Socialisation and its Tragic Ironies |
| '' | 978-1-4744-1951-2 | Adham Saouli | Hezbollah: Socialisation and its Tragic Ironies |
| 2018 | 978-1-4744-1955-0 | Goran Stanivukovic · John H. Cameron | Tragedies of the English Renaissance: An Introduction (Renaissance Dramas and Dramatists) |
| 2018 | 978-1-4744-1965-9 | Jennie Batchelor · Manushag N. Powell | Women'S Periodicals and Print Culture in Britain, 1690-1820s: The Long Eighteenth Century (The Edinburgh History of Women's Periodical Culture in Britain) |
| 2016 | 978-1-4744-1968-0 | Stefano Baschiera · Russ Hunter | Italian Horror Cinema |
| 2019 | 978-1-4744-1969-7 | Aurelia Armstrong · Keith Green · Andrea Sangiacomo | Spinoza and Relational Autonomy: Being with Others |
| 2017 | 978-1-4744-1973-4 | Mcmanus Francis | Scottish Environmental Law Essentials (Edinburgh Law Essentials) |
| '' | 978-1-4744-1979-6 | Ben Cislaghi | Human Rights and Community-Led Development: Lessons from Tostan (Studies in Global Justice and Human Rights) |
| '' | 978-1-4744-2022-8 | Tahia Abdel Nasser | Literary Autobiography and Arab National Struggles (Edinburgh Studies in Modern Arabic Literature) (Edinburgh Critical Studies in Victorian Culture) |
| '' | 978-1-4744-2025-9 | Marjorie Mantle | Mediation: A Practical Guide for Lawyers |
| 2018 | 978-1-4744-2031-0 | Claire McDiarmid | Scottish Criminal Law Essentials (Edinburgh Law Essentials) |
| '' | 978-1-4744-2034-1 | John Caughie · Trevor Griffiths · Maria A. Velez-Serna | Early Cinema in Scotland |
| 2017 | 978-1-4744-2051-8 | Reuven Snir | Modern Arabic Literature: A Theoretical Framework |
| 2017 | 978-1-4744-2054-9 | Mathew Whiting | Sinn Fein and the IRA: From Revolution to Moderation |
| 2020 | 978-1-4744-2070-9 | Joanna Gavins | Poetry in the Mind: The Cognition of Contemporary Poetic Style |
| 2018 | 978-1-4744-2073-0 | Annamaria Motrescu-Mayes · Heather Norris Nicholson | British Women Amateur Filmmakers: National Memories and Global Identities |
| 2019 | 978-1-4744-2076-1 | Jamie Steele | Francophone Belgian Cinema (Traditions in World Cinema) |
| 2017 | 978-1-4744-2092-1 | Michael Gott · Todd Herzog | East, West and Centre: Reframing Post-1989 European Cinema |
| '' | 978-1-4744-2094-5 | Neelam Sidhar Wright | Bollywood and Postmodernism: Popular Indian Cinema in the 21st Century |
| 2018 | 978-1-4744-2095-2 | Kristin Bluemel · Michael McCluskey | Rural Modernity in Britain: A Critical Intervention |
| '' | 978-1-4744-2098-3 | Robinson Joanna | Dickens and Demolition: Literary Afterlives and Mid-Nineteenth Century Urban Development (Edinburgh Critical Studies in Victorian Culture) |
| 978-1-4744-2120-1 | Political Violence: An Interdisciplinary Introduction |
| 978-1-4744-2121-8 | Political Violence: An Interdisciplinary Introduction |
| 2018 | 978-1-4744-2130-0 | Jonas Cope | The Dissolution of Character in Late Romanticism, 1820 - 1839 (Edinburgh Critical Studies in Romanticism) |
| 2019 | 978-1-4744-2133-1 | Jonathan Ellis | Reading Elizabeth Bishop: An Edinburgh Companion (Edinburgh Companions to Literature and the Humanities) |
| 2017 | 978-1-4744-2139-3 | Zeina G. Halabi | The Unmaking of the Arab Intellectual: Prophecy, Exile and the Nation (Edinburgh Studies in Modern Arabic Literature) |
| '' | 978-1-4744-2145-4 | Lucy Ella Rose | Suffragist Artists in Partnership: Gender, Word and Image (Edinburgh Critical Studies in Victorian Culture) |
| 2018 | 978-1-4744-2156-0 | Ingunn Lunde | Language on Display: Writers, Fiction and Linguistic Culture in Post-Soviet Russia (Russian Language and Society) |
| '' | 978-1-4744-2161-4 | Corey Schultz | Moving Figures: Class and Feeling in the Films of Jia Zhangke (Edinburgh Studies in East Asian Film) |
| 2018 | 978-1-4744-2164-5 | Sozita Goudouna | Beckett's Breath: Anti-Theatricality and the Visual Arts (Edinburgh Critical Studies in Modernism, Drama and Performance) |
| '' | 978-1-4744-2177-5 | Mirko Canevaro · Andrew Erskine · Benjamin Gray · Josiah Ober | Ancient Greek History and Contemporary Social Science (Edinburgh Leventis Studies) |
| 2017 | 978-1-4744-2180-5 | Dong Hoon Kim | Eclipsed Cinema: The Film Culture of Colonial Korea (Edinburgh Studies in East Asian Film) |
| 2018 | 978-1-4744-2183-6 | Louis Bayman · Natalia Pinazza | Journeys on Screen: Theory, Ethics, Aesthetics |
| 2019 | 978-1-4744-2281-9 | Laura Roberts | Irigaray and Politics: A Critical Introduction (Thinking Politics) |
| '' | 978-1-4744-2282-6 | Laura Roberts | Irigaray and Politics: A Critical Introduction (Thinking Politics) |
| 2018 | 978-1-4744-2288-8 | Hilary Radner · Alistair Fox | Raymond Bellour: Cinema and the Moving Image |
| '' | 978-1-4744-2289-5 | Hilary Radner · Alistair Fox | Raymond Bellour: Cinema and the Moving Image |
| 2017 | 978-1-4744-2308-3 | Dale Hudson | Vampires, Race and Transnational Hollywoods (Traditions in American Cinema) |
| 2019 | 978-1-4744-2311-3 | Richard Farmer | Transformation and Tradition in 1960s British Cinema |
| 978-1-4744-2312-0 | 1960s British Cinema: Transformation and Tradition |
| 2020 | 978-1-4744-2321-2 | Elizabeth Urban | Conquered Populations in Early Islam: Non-Arabs, Slaves and the Sons of Slave Mothers (Edinburgh Studies in Classical Islamic History and Culture) |
| 2019 | 978-1-4744-2341-0 | Matthew Holtmeier | Contemporary Political Cinema |
| 2018 | 978-1-4744-2344-1 | Justin D. Edwards · Johan Hoglund | B-Movie Gothic: International Perspectives (Traditions in World Cinema) |
| '' | 978-1-4744-2347-2 | Isaac Hui | Volpone's Bastards: Theorising Jonson's City Comedy |
| 2018 | 978-1-4744-2378-6 | James Harvey | Jacques Ranciere and the Politics of Art Cinema |
| 2017 | 978-1-4744-2381-6 | Aiden Warren · Damian Grenfell | Rethinking Humanitarian Intervention in the 21st Century |
| '' | 978-1-4744-2393-9 | Jennifer J. Smith | The American Short Story Cycle |
| 2019 | 978-1-4744-2423-3 | Charlie Michael | French Film in the Blockbuster Era: Globalization and the Cultural Politics of a Popular Cinema (Traditions in World Cinema) |
| 2018 | 978-1-4744-2426-4 | Murray Leeder | Refocus: The Films of William Castle (ReFocus: The American Directors Series) |
| 978-1-4744-2433-2 | Contemporary American Indian Film (Traditions in American Cinema) |
| 2017 | 978-1-4744-2439-4 | Stephen Deutsch · Larry Sider | The New Soundtrack: Volume 7, Issue 2 |
| 2018 | 978-1-4744-2440-0 | Frederik Van Dam | The Edinburgh Companion to Anthony Trollope (Edinburgh Companions to Literature and the Humanities) |
| 2017 | 978-1-4744-2455-4 | Neil Kenny | Text, Knowledge, and Wonder in Early Modern France: Essays in Honour of Stephen Bamforth: Nottingham French Studies Volume 56, Issue 3 (Traditions in American Cinema) |
| '' | 978-1-4744-2456-1 | John Marmysz | Cinematic Nihilism: Encounters, Confrontations, Overcomings |
| 2018 | 978-1-4744-2459-2 | Gary Bettinson · Daniel Martin | Hong Kong Horror Cinema |
| 2020 | 978-1-4744-2462-2 | Vivian Lee | The Other Side of Glamour: Hong Kong's Left-Wing Studios (Global Film Studios) |
| 2018 | 978-1-4744-2474-5 | Zara Dinnen | The Edinburgh Companion to Contemporary Narrative Theories (Edinburgh Companions to Literature) |
| 2019 | 978-1-4744-2480-6 | Caron Gentry | Disordered Violence: How Gender, Race and Heteronormativity Structure Terrorism (Advances in Critical Military Studies) |
| 2017 | 978-1-4744-2483-7 | Elissa Marder | Literature and Psychoanalysis: Open Questions: Paragraph Volume 40, Issue 3 (Paragraph Special Issues) |
| 2018 | 978-1-4744-2484-4 | Julie Codell · Linda K. Hughes | Replication in the Long Nineteenth Century: Re-Makings and Reproductions |
| 2020 | 978-1-4744-2488-2 | David Finkelstein | The Edinburgh History of the British and Irish Press: 2: Expansion and Evolution, 1800-1900 |
| 2017 | 978-1-4744-2503-2 | James McElvenny | Language and Meaning in the Age of Modernism: C.K. Ogden and His Contemporaries |
| 978-1-4744-2519-3 | Marmion: A Tale of Flodden Field (Edinburgh Edition of Walter Scotts Poetry) |
| 2018 | 978-1-4744-2526-1 | Katarzyna Paszkiewicz | Genre, Authorship and Contemporary Women Filmmakers |
| 2019 | 978-1-4744-2529-2 | Katarzyna Paszkiewicz | Genre, Authorship and Contemporary Women Filmmakers |
| 2018 | 978-1-4744-2543-8 | Eva Erman · Niklas Moller | The Practical Turn in Political Theory |
| 978-1-4744-2544-5 | The Practical Turn in Political Theory |
| 978-1-4744-2548-3 | WILSON CELINE SCIAMMA |
| 2019 | 978-1-4744-2573-5 | Lisa Maurice | Screening Divinity (Screening Antiquity) |
| 2017 | 978-1-4744-2586-5 | Christopher Pullen | Straight Girls and Queer Guys: The Hetero Media Gaze in Film and Television (Edinburgh Studies in Film and Intermediality) |
| '' | 978-1-4744-2587-2 | Olaf Brill · Gary D. Rhodes | Expressionism in the Cinema (Intelligence, Surveillance and Secret Warfare) |
| '' | 978-1-4744-2588-9 | Tarek Elhaik | The Incurable-Image: Curating Post-Mexican Film and Media Arts (Edinburgh Studies in Film and Intermediality) (Edinburgh East Asian Studies) |
| 2017 | 978-1-4744-2589-6 | Frances Smith · Timothy Shary | Refocus: The Films of Amy Heckerling (Refocus Eup) |
| '' | 978-1-4744-2590-2 | Heidi Wilkins | Talkies, Road Movies and Chick Flicks: Gender, Genre and Film Sound in American Cinema (ReFocus) |
| '' | 978-1-4744-2591-9 | Alexander Burry · Frederick White | Border Crossing: Russian Literature Into Film |
| '' | 978-1-4744-2592-6 | Austin Fisher | Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation |
| '' | 978-1-4744-2593-3 | Igor Krstic | Slums on Screen: World Cinema and the Planet of Slums (Edinburgh Companions to the Gothic) |
| 2017 | 978-1-4744-2594-0 | Simon Willmetts | In Secrecy's Shadow: The OSS and CIA in Hollywood Cinema 1941-1979 (Traditions in American Cinema) |
| '' | 978-1-4744-2595-7 | Vlad Strukov | Contemporary Russian Cinema: Symbols of a New Era |
| '' | 978-1-4744-2596-4 | Ian Aitken | The Major Realist Film Theorists: A Critical Anthology |
| '' | 978-1-4744-2597-1 | Stephen Monteiro | Screen Presence: Cinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon (Edinburgh Studies in Film and Intermediality Eup) |
| '' | 978-1-4744-2598-8 | Matthew Carter · Andrew Patrick Nelson | Refocus: The Films of Delmer Daves (Refocus Eup) |
| 2017 | 978-1-4744-2599-5 | Chris Perriam · Darren Waldron | French and Spanish Queer Film: Audiences, Communities and Cultural Exchange |
| '' | 978-1-4744-2601-5 | Michael Gott | French-Language Road Cinema: Borders, Diasporas, Migration and 'New Europe' (Traditions in World Cinema) |
| '' | 978-1-4744-2602-2 | Aaron Kerner | Extreme Cinema: Affective Strategies in Transnational Media |
| 2018 | 978-1-4744-2612-1 | Talissa Ford | Radical Romantics: Prophets, Pirates, and the Space Beyond Nation (Edinburgh Critical Studies in Romanticism) |
| '' | 978-1-4744-2629-9 | Barry Nevin | Cracking Gilles Deleuze's Crystal: Narrative Space-Time in the Films of Jean Renoir |
| 978-1-4744-2632-9 | Cracking Gilles Deleuze's Crystal: Narrative Space-Time in the Films of Jean Renoir |
| 2017 | 978-1-4744-2639-8 | Konrad Hirschler | Medieval Damascus: Plurality and Diversity in an Arabic Library: The Ashrafiya Library Catalogue (Edinburgh Studies in Classical Islamic History and Culture E) |
| '' | 978-1-4744-2640-4 | Allen James Fromherz | The Near West: Medieval North Africa, Latin Europe and the Mediterranean in the Second Axial Age |
| 2017 | 978-1-4744-2643-5 | Peter Webb | Imagining the Arabs: Arab Identity and the Rise of Islam (Music and the Moving Image) |
| '' | 978-1-4744-2644-2 | Paul Starkey | Sonallah Ibrahim: Rebel with a Pen (Edinburgh Companions to the Gothic) |
| '' | 978-1-4744-2645-9 | Jonathan N Lipman | Islamic Thought in China: Sino-Muslim Intellectual Evolution from the 17th to the 21st Century |
| '' | 978-1-4744-2714-2 | Richard Seaford | Universe and Inner Self in Early Indian and Early Greek Thought (Traditions in World Cinema) |
| '' | 978-1-4744-2723-4 | Peter Hopkins | Scotland'S Muslims: Society, Politics and Identity (Traditions in American Cinema) |
| 2019 | 978-1-4744-2724-1 | Peter Hopkins | Scotland'S Muslims: Society, Politics and Identity |
| 2019 | 978-1-4744-2734-0 | Christine Kelly | Juvenile Justice in Victorian Scotland |
| 2018 | 978-1-4744-2737-1 | Simon Hobbs | Cultivating Extreme Art Cinema: Text, Paratext and Home Video Culture |
| 2020 | 978-1-4744-2738-8 | '' | Cultivating Extreme Art Cinema: Text, Paratext and Home Video Culture |
| 2018 | 978-1-4744-2745-6 | Patrick Gray | Shakespeare and the Fall of the Roman Republic: Selfhood, Stoicism and Civil War (Edinburgh Critical Studies in Shakespeare and Philosophy) |
| '' | 978-1-4744-2753-1 | Julie Orr | Scotland, Darien and the Atlantic World, 1698-1700 |
| '' | 978-1-4744-2754-8 | Julie Orr | Scotland, Darien and the Atlantic World, 1698-1700 |
| '' | 978-1-4744-2768-5 | Anna Ball · Karim Mattar | The Edinburgh Companion to the Postcolonial Middle East (Edinburgh Companions to Literature and the Humanities) |
| 2019 | 978-1-4744-2777-7 | Jerrold E. Hogle · Robert Miles | The Gothic and Theory: An Edinburgh Companion (Edinburgh Companions to the Gothic) |
| '' | 978-1-4744-2785-2 | Michelle Royer | Marguerite Duras: Feminine Subjectivity and Sensoriality (Visionaries) |
| 2018 | 978-1-4744-2788-3 | Christopher Holliday | The Computer-Animated Film: Industry, Style and Genre |
| 2019 | 978-1-4744-2789-0 | Christopher Holliday | The Computer-Animated Film: Industry, Style and Genre |
| 2018 | 978-1-4744-2805-7 | Kenneth Ross · Mariz Tadros · Todd Johnson | Christianity in North Africa and West Asia (Edinburgh Companions to Global Christianity) |
| 2017 | 978-1-4744-2823-1 | Anna Triandafyllidou | Multicultural Governance in a Mobile World (Edinburgh Critical Studies in Modernism, Drama and Performance) |
| 2017 | 978-1-4744-2838-5 | Margaret Malloch · Paul Rigby | Human Trafficking: The Complexities of Exploitation |
| '' | 978-1-4744-2840-8 | Oliver P. Richmond · Sandra Pogodda | Post-Liberal Peace Transitions: Between Peace Formation and State Formation (Edinburgh Critical Studies in Victorian Culture) |
| 2018 | 978-1-4744-2845-3 | Brian Hu | Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and Taiwan (Edinburgh Studies in East Asian Film) |
| 2020 | 978-1-4744-2852-1 | Gillian Knoll | Conceiving Desire: Metaphor, Cognition and Eros in Lyly and Shakespeare (Edinburgh Critical Studies in Shakespeare and Philosophy) |
| 2019 | 978-1-4744-2856-9 | Michael Demson · Regina Hewitt | Commemorating Peterloo: Violence, Resilience, and Claim-Making During the Romantic Era (Edinburgh Critical Studies in Romanticism) |
| 2018 | 978-1-4744-2860-6 | Joanne Ella Parsons · Ruth Heholt | The Victorian Male Body (Edinburgh Critical Studies in Victorian Culture) |
| '' | 978-1-4744-2868-2 | Murray Pomerance | Cinema, If You Please: The Memory of Taste, the Taste of Memory |
| '' | 978-1-4744-2872-9 | Missy Molloy · Mimi Nielsen · Meryl Shriver-Rice | Refocus: The Films of Susanne Bier (ReFocus: The International Directors Series) |
| 2019 | 978-1-4744-2873-6 | Missy Molloy | Refocus: the Films of Susanne Bier (ReFocus: The International Directors Series) |
| 2020 | 978-1-4744-2892-7 | Stefano Baschiera · Miriam de Rosa | Film and Domestic Space: Architectures, Representations, Dispositif |
| 2018 | 978-1-4744-2900-9 | Zeina Halabi | The Unmaking of the Arab Intellectual: Prophecy, Exile and the Nation (Edinburgh Studies in Modern Arabic Literature) |
| '' | 978-1-4744-2901-6 | Jorgen Bruhn | Cinema Between Media: An Intermediality Approach |
| 2018 | 978-1-4744-2902-3 | Jorgen Bruhn · Anne Gjelsvik | Cinema Between Media: An Intermediality Approach |
| 2019 | 978-1-4744-2917-7 | Roxana Preda | The Edinburgh Companion to Ezra Pound and the Arts (Edinburgh Companions to Literature and the Humanities) |
| '' | 978-1-4744-2924-5 | Brenda Hollweg · Igor Krsti? | World Cinema and the Essay Film |
| 2017 | 978-1-4744-2931-3 | Louise Settle | Sex for Sale in Scotland: Prostitution in Edinburgh and Glasgow, 1900-1939 (Paragraph Special Issues) |
| '' | 978-1-4744-2939-9 | Johnny Walker | Contemporary British Horror Cinema: Industry, Genre and Society (The Edinburgh Edition of Thomas Reid) |
| 2018 | 978-1-4744-2940-5 | Harvey G. Cohen | Who's in the Money?: The Great Depression Musicals and Hollywood s New Deal (Traditions in American Cinema) |
| '' | 978-1-4744-2941-2 | Harvey G. Cohen | Who's in the Money?: The Great Depression Musicals and Hollywood s New Deal (Traditions in American Cinema) |
| 2017 | 978-1-4744-2944-3 | Alistair Fox | Coming-Of-Age Cinema in New Zealand: Genre, Gender and Adaptation (Traditions in World Cinema) |
| 2019 | 978-1-4744-2945-0 | Alastair Fox | Coming-Of-Age Cinema in New Zealand: Genre, Gender and Adaptation (Traditions in World Cinema) |
| 2018 | 978-1-4744-2946-7 | Alistair Fox | Coming of Age Cinema in New Zealand: Genre, Gender and Adaptation (Edinburgh Studies in Ancient Persia) |
| 2019 | 978-1-4744-2948-1 | Keith Corson | Refocus: the Films of Francis Veber (ReFocus: The American Directors Series) |
| 2018 | 978-1-4744-2968-9 | Stephanie Genz · Benjamin Brabon | Postfeminism: Cultural Texts and Theories |
| '' | 978-1-4744-2994-8 | Jerod Ra'del Hollyfield | Framing Empire: Postcolonial Adaptations of Victorian Literature in Hollywood |
| 2020 | 978-1-4744-2995-5 | Jerod Hollyfield | Framing Empire: Postcolonial Adaptations of Victorian Literature in Hollywood |
| 2017 | 978-1-4744-3019-7 | Chloe Germaine Buckley | Twenty-First-Century Children s Gothic: From the Wanderer to Nomadic Subject (Traditions in American Cinema) |
| 2017 | 978-1-4744-3020-3 | Chloe Germaine Buckley | Twenty-First-Century Children s Gothic: From the Wanderer to Nomadic Subject (Traditions in American Cinema) |
| 2019 | 978-1-4744-3021-0 | David Johnson | Dreaming of Freedom in South Africa: Literature Between Critique and Utopia |
| '' | 978-1-4744-3025-8 | Jonathan Boulter | Posthuman Space in Samuel Beckett's Short Prose (Other Becketts) |
| 2018 | 978-1-4744-3029-6 | Kendra Marston | Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood |
| 2020 | 978-1-4744-3030-2 | '' | Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood |
| 2018 | 978-1-4744-3033-3 | Dorothy Wai Sim Lau | Chinese Stardom in Participatory Cyberculture (International Film Stars) |
| '' | 978-1-4744-3085-2 | Gary D. Rhodes | The Birth of the American Horror Film |
| '' | 978-1-4744-3086-9 | '' | The Birth of the American Horror Film |
| 2019 | 978-1-4744-3089-0 | Richard G. Smith | Jean Baudrillard: the Missing Pieces: Uncollected Writings and Photographs |
| '' | 978-1-4744-3090-6 | Jean Baudrillard: the Missing Pieces: Uncollected Writings and Photographs |
| 2018 | 978-1-4744-3099-9 | Safa Saracoglu | Nineteenth-Century Local Governance in Ottoman Bulgaria: Politics in Provincial Councils (Edinburgh Studies on the Ottoman Empire) |
| 2019 | 978-1-4744-3107-1 | Kelly McWilliam | Ana Kokkinos: An Oeuvre of Outsiders (Visionaries) |
| 978-1-4744-3113-2 | Contemporary Latin American Cinema: New Transnationalisms (Traditions in World Cinema) |
| 2018 | 978-1-4744-3114-9 | Tommy Gustafsson · Pietari Kaapa | Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace (Traditions in World Cinema) |
| 2018 | 978-1-4744-3129-3 | Andrew Glazzard | The Case of Sherlock Holmes: Secrets and Lies in Conan Doyle's Detective Fiction |
| 2019 | 978-1-4744-3133-0 | Charles Tung | Modernism and Time Machines (Edinburgh Critical Studies in Modernist Culture) |
| 2018 | 978-1-4744-3146-0 | Lynne Pearce | Drivetime: Literary Excursions in Automotive Consciousness |
| '' | 978-1-4744-3147-7 | Phyllis Lassner | Espionage and Exile: Fascism and Anti-Fascism in British Spy Fiction and Film |
| '' | 978-1-4744-3148-4 | Kevin Brazil · David Sergeant · Tom Sperlinger | Doris Lessing and the Forming of History |
| '' | 978-1-4744-3150-7 | Patrick Collier | Modern Print Artefacts: Textual Materiality and Literary Value in British Print Culture, 1890-1930s (Edinburgh Critical Studies in Modernist Culture) |
| '' | 978-1-4744-3151-4 | S.E. Gontarski | Beckett Matters: Essays on Beckett's Late Modernism |
| 2018 | 978-1-4744-3152-1 | Rebecca Bowler · Claire Drewery | May Sinclair: Re-Thinking Bodies and Minds |
| '' | 978-1-4744-3153-8 | Kevin A. Morrison | Victorian Liberalism and Material Culture: Synergies of Thought and Place (Edinburgh Critical Studies in Victorian Culture) |
| '' | 978-1-4744-3155-2 | Thomas P. Anderson | Shakespeare'S Fugitive Politics (Edinburgh Critical Studies in Shakespeare and Philosophy) |
| '' | 978-1-4744-3161-3 | Kevin Curran | Shakespeare and Judgment |
| '' | 978-1-4744-3162-0 | Megan Coyer | Literature and Medicine in the Nineteenth-Century Periodical Press: Blackwood'S Edinburgh Magazine, 1817-1858 (Edinburgh Critical Studies in Romanticism) |
| 2018 | 978-1-4744-3163-7 | Marcus Nordlund | The Shakespearean Inside: A Study of the Complete Soliloquies and Solo Asides |
| '' | 978-1-4744-3167-5 | Julian Daniel Gutierrez-Albilla | Aesthetics, Ethics and Trauma and the Cinema of Pedro Almodovar |
| 2019 | 978-1-4744-3168-2 | Kevin J. Donnelly · Beth Carroll | Contemporary Musical Film (Music and the Moving Image) |
| '' | 978-1-4744-3169-9 | Charles Burnetts | Improving Passions: Sentimental Aesthetics and American Film |
| '' | 978-1-4744-3170-5 | Steven Jacobs · Susan Felleman · Vito Adriaensens · Lisa Colpaert | Screening Statues: Sculpture and Cinema (Edinburgh Studies in Film and Intermediality) |
| '' | 978-1-4744-3171-2 | John Marmysz | Cinematic Nihilism: Encounters, Confrontations, Overcomings |
| 2019 | 978-1-4744-3172-9 | Frances Smith | Rethinking the Hollywood Teen Movie: Gender, Genre and Identity |
| '' | 978-1-4744-3173-6 | Nikolaj Lubecker · Daniele Rugo | James Benning's Environments: Politics, Ecology, Duration |
| '' | 978-1-4744-3174-3 | Boel Ulfsdotter · Anna Backman Rogers | Female Agency and Documentary Strategies: Subjectivities, Identity and Activism |
| '' | 978-1-4744-3175-0 | '' | Female Authorship and the Documentary Image: Theory, Practice and Aesthetics |
| '' | 978-1-4744-3177-4 | Julian Hanich | The Audience Effect: On the Collective Cinema Experience |
| 2019 | 978-1-4744-3178-1 | Irene Gonzalez-Lopez · Michael Smith | Tanaka Kinuyo: Nation, Stardom and Female Subjectivity (Edinburgh Studies in East Asian Film) |
| '' | 978-1-4744-3179-8 | Murray Pomerance · Kyle Stevens | Close-Up: Great Cinematic Performances Volume 1: America (International Film Stars) |
| 2019 | 978-1-4744-3180-4 | Murray Pomerance · Kyle Stevens | Close-Up: Great Cinematic Performances Volume 2: International (International Film Stars) |
| '' | 978-1-4744-3183-5 | Calum Waddell | The Style of Sleaze: The American Exploitation Film, 1959 - 1977 (Traditions in American Cinema) |
| '' | 978-1-4744-3184-2 | Michael Gott · Thibaut Schilt | Cinema-Monde: Decentred Perspectives on Global Filmmaking in French |
| '' | 978-1-4744-3185-9 | Alejandro Yarza | The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth |
| '' | 978-1-4744-3186-6 | Catherine Dousteyssier-Khoze | Claude Chabrol's Aesthetics of Opacity |
| 2019 | 978-1-4744-3187-3 | Murray Pomerance | Hamlet Lives in Hollywood: John Barrymore and the Acting Tradition Onscreen |
| '' | 978-1-4744-3188-0 | Sarah Atkinson | From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition |
| 2018 | 978-1-4744-3191-0 | Lisa Stead | Off to the Pictures: Cinemagoing, Women's Writing and Movie Culture in Interwar Britain |
| '' | 978-1-4744-3192-7 | Iwan Morgan · Philip John Davies | Hollywood and the Great Depression: American Film, Politics and Society in the 1930s |
| '' | 978-1-4744-3193-4 | Ann Davies | Contemporary Spanish Gothic |
| '' | 978-1-4744-3194-1 | Ewa Mazierska · Matilda Mroz · Elzbieta Ostrowska | The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure |
| 2018 | 978-1-4744-3195-8 | Terence McSweeney | American Cinema in the Shadow of 9/11 |
| '' | 978-1-4744-3196-5 | Ian Aitken · Camille Deprez | The Colonial Documentary Film in South and South-East Asia |
| '' | 978-1-4744-3197-2 | Miklos Kiss · Steven Willemsen | Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema |
| '' | 978-1-4744-3198-9 | Esther Yau · Tony Williams | Hong Kong Neo-Noir (Edinburgh Studies in East Asian Film) |
| '' | 978-1-4744-3218-4 | Omar Khalifah | Nasser in the Egyptian Imaginary (Edinburgh Studies in Modern Arabic Literature) |