| year of publication | ISBN | author(s) | title |
|---|
| 2009 | 978-1-112-07488-2 | Granville Forbes Sturgis | The Influence of the Drama: [1913] |
| '' | 978-1-112-07489-9 | Oliver Elton | The Augustan Ages: [1899] |
| '' | 978-1-112-07490-5 | John Hepburn Millar | The Mid-Eighteenth Century: [1902] |
| '' | 978-1-112-07491-2 | Charles Edwyn Vaughan | The Romantic Revolt: [1907] |
| '' | 978-1-112-07494-3 | Arthur Edwin Krows | Play Production in America: [1916] |
| 2009 | 978-1-112-07496-7 | David Ross Locke | Ekkoes From Kentucky: Bein a Perfect Record Uv the Ups, Downs, and Experiences Uv the Dimocrisy Ez Seen by a Naturalized Kentuckian (1888) |
| '' | 978-1-112-07498-1 | John Heywood | The Proverbs of John Heywood: Being the "Proverbes" of That Author Printed 1546. Ed., With Notes and Introduction (1874) |
| '' | 978-1-112-07499-8 | Charles Eustace Merriman pseud. | Letters From a Son to His Self-Made Father: Being the Replies to Letters From a Self-Made Merchant to His Son (1903) |
| '' | 978-1-112-07504-9 | Henry Halford Vaughan | British Reason in English Rhyme: [1889] |
| '' | 978-1-112-07505-6 | George W. (George Wilbur) Peck | Peck's Uncle Ike and the Red Headed Boy: [1899] |
| 2009 | 978-1-112-07506-3 | Julian Ralph | That Dutchman; or, the German Barber's Humorous Sketches: [1889] |
| '' | 978-1-112-07507-0 | Hugh Quigley | Italy and the Rise of a New School of Criticism in the 18th Century: (With Special Reference to the Work of Pietro Calepio) (1921) |
| '' | 978-1-112-07508-7 | Hamilton Wright Mabie | Backgrounds of Literature: [1903] |
| '' | 978-1-112-07509-4 | Marion Harland | Where Ghosts Walk: The Haunts of Familiar Characters in History and Literature (1898) |
| '' | 978-1-112-07512-4 | Arnold Bennett | Books and Persons: Being Comments on a Past Epoch, 1908-1911 (1917) |
| 2009 | 978-1-112-07514-8 | Edward Garnett | Friday Nights: Literary Criticisms and Appreciations (1922) |
| '' | 978-1-112-07515-5 | Edmund Gosse | Critical Kit-Kats: [1900] |
| '' | 978-1-112-07516-2 | Frank Harris | Contemporary Portraits: With Eight Illustrations (1915) |
| '' | 978-1-112-07519-3 | Mayo Williamson Hazeltine | Chats About Books: Poets and Novelists (1883) |
| '' | 978-1-112-07520-9 | Archibald Henderson | Interpreters of Life and the Modern Spirit: [1911] |
| 2009 | 978-1-112-07521-6 | C. Lewis (Charles Lewis) Hind | Authors and I: [1921] |
| '' | 978-1-112-07522-3 | '' | More Authors and I: [1922] |
| '' | 978-1-112-07524-7 | George Saintsbury | The Later Nineteenth Century: [1907] |
| '' | 978-1-112-07525-4 | John A. (John Alexander) Steuart | Letters to Living Authors: [1892] |
| '' | 978-1-112-07526-1 | Bayard Taylor | Critical Essays and Literary Notes: [1880] |
| 2009 | 978-1-112-07528-5 | Ezra Pound | Instigations of Ezra Pound: Together With an Essay on the Chinese Written Character (1920) |
| '' | 978-1-112-07530-8 | William T. Hall | The Turnover Club: Tales Told at the Meetings of the Turnover Club, About Actors and Actresses (1890) |
| '' | 978-1-112-07531-5 | No Author | The Seamy Side: A Story of the True Condition of Things Theatrical (1906) |
| '' | 978-1-112-07534-6 | Lady Gregory | Our Irish Theatre: A Chapter of Autobiography (1913) |
| '' | 978-1-112-07535-3 | Arthur Augustus Tilley | Studies in the French Renaissance: [1922] |
| 2009 | 978-1-112-07539-1 | Donald Ogden Stewart | A Parody Outline of History: [1921] |
| '' | 978-1-112-07540-7 | Arsene Houssaye | Behind the Scenes of the Comedie Francaise: And Other Recollections (1889) |
| '' | 978-1-112-07541-4 | John Elderkin | A Brief History of the Lotos Club: [1895] |
| '' | 978-1-112-07545-2 | Mary Elizabeth Brown | Dedications: An Anthology of the Forms Used From the Earliest Days of Book-Making to the Present Time (1913) |
| '' | 978-1-112-07547-6 | William Morris Colles | Literature and the Pension List: An Investigation Conducted for the Committee of the Incorporated Society of Authors (1889) |
| 2009 | 978-1-112-07548-3 | Leonard Cox | The Arte or Crafte of Rhethoryke: A Reprint, Ed. With an Introduction, Notes, and Glossarial Index by Frederic Ives Carpenter, Ph.D. (1899) |
| '' | 978-1-112-07550-6 | Archer Tyler Robinson | The Applications of Logic: A Text-Book for College Students (1912) |
| '' | 978-1-112-07551-3 | W. T. (William Tenney) Brewster | Representative Essays on the Theory of Style: Chosen and Ed. By William T. Brewster .. (1921) |
| '' | 978-1-112-07553-7 | Flora Ross Amos | Early Theories of Translation (1920) |
| '' | 978-1-112-07554-4 | Herbert Cushing Tolman | The Art of Translating: With Special Reference to Cauer's Die Kunst Des Uebersetzens (1901) |
| 2009 | 978-1-112-07555-1 | Barrett H. (Barrett Harper) Clark | How to Produce Amateur Plays: A Practical Manual (1917) |
| '' | 978-1-112-07558-2 | Mass.), . Footlight Club (Jamaica Plain | The Footlight Club, One Hundredth Performance: A Scrap of Paper: Eliot Hall, Jamaica Plain, May 4-5, 1906 (1906) |
| '' | 978-1-112-07559-9 | Alice Minnie Herts Heniger | The Children's Educational Theatre: [1911] |
| '' | 978-1-112-07561-2 | Alan Murray Mackinnon | The Oxford Amateurs: A Short History of Theatricals at the University (1910) |
| '' | 978-1-112-07563-6 | Constance D'Arcy Mackay | Patriotic Drama in Your Town: A Manual of Suggestions (1918) |
| 2009 | 978-1-112-07564-3 | Percy MacKaye | Community Drama: Its Motive and Method of Neighborliness (1917) |
| '' | 978-1-112-07565-0 | Reginald Jaffray Lucas | Lord Glenesk and the "Morning Post": [1910] |
| '' | 978-1-112-07570-4 | H. Noel (Hugh Noel) Williams | Queens of the French Stage: [1905] |
| '' | 978-1-112-07573-5 | Francis Marion Wing | "the Fambly Album": Another "Fotygraft Album," Shown to the New Preacher by Rebecca Sparks Peters, Aged Eleven; the "Bigger Album From Upstairs" (1917) |
| '' | 978-1-112-07574-2 | Robert Williams Wood | How to Tell the Birds From the Flowers and Other Woodcuts: A Revised Manual of Flornithology for Beginners (1917) |
| 2009 | 978-1-112-07578-0 | Rollo Anson Tallcott | The Art of Acting and Public Reading: Dramatic Interpretation (1922) |
| '' | 978-1-112-07579-7 | James Young | Making Up: [1905] |
| '' | 978-1-112-07580-3 | Francis Henry Gribble | Rachel: Her Stage Life and Her Real Life (1911) |
| '' | 978-1-112-07581-0 | Thomas Robert Davies | French Romanticism and the Press: The Globe (1906) |
| '' | 978-1-112-07583-4 | Francis Henry Gribble | The Passions of the French Romantics: [1910] |
| 2009 | 978-1-112-07587-2 | Alexander Melville Bell | Elocutionary Manual: The Principles of Elocution, With Exercises and Notations (1887) |
| '' | 978-1-112-07589-6 | S. S. (Samuel Silas) Curry | Imagination and Dramatic Instinct: Some Practical Steps for Their Development (1896) |
| '' | 978-1-112-07590-2 | '' | The Province of Expression: A Search for Principles Underlying Adequate Methods of Developing Dramatic and Oratoric Delivery (1891) |
| '' | 978-1-112-07591-9 | William T. Ross | Voice Culture and Elocution: [1890] |
| '' | 978-1-112-07592-6 | Delbert Moyer Staley | Psychology of the Spoken Word: [1914] |
| 2009 | 978-1-112-07594-0 | Charles Woodward Hutson | A History of French Literature: [1889] |
| '' | 978-1-112-07595-7 | William Albert Nitze | A History of French Literature: From the Earliest Times to the Great War (1922) |
| '' | 978-1-112-07597-1 | Mabell S. C. (Mabell Shippie Clarke) Smith | The Spirit of French Letters: [1912] |
| '' | 978-1-112-07598-8 | Grace Anna Burt | The Art of Expression (1905) |
| '' | 978-1-112-07599-5 | F. M. (Frederick Morris) Warren | A Primer of French Literature: [1889] |
| 2009 | 978-1-112-07600-8 | John Dolman | A Handbook of Public Speaking: [1922] |
| '' | 978-1-112-07601-5 | Richard Dennis Teall Hollister | Speech-Making: [1918] |
| '' | 978-1-112-07602-2 | Ray Keeslar Immel | The Delivery of a Speech: A Manual for Course I in Public Speaking (1921) |
| '' | 978-1-112-07604-6 | Anna Morgan | The Art of Speech and Deportment: [1909] |
| '' | 978-1-112-07606-0 | Matilda Betham-Edwards | Literary Rambles in France (1907) |
| 2009 | 978-1-112-07607-7 | Charles Edmund Neil | Sources of Effectiveness in Public Speaking: Psychological Principles Practically Used in Developing Ability to Speak (1920) |
| '' | 978-1-112-07609-1 | John O'Connor Power | The Making of an Orator: With Examples From Great Masterpieces of Ancient and Modern Eloquence, by John o'connor Power (1906) |
| '' | 978-1-112-07610-7 | Edmund Gosse | French Profiles: [1905] |
| '' | 978-1-112-07613-8 | Emeline Maria Jensen | The Influence of French Literature on Europe: An Historical Research Reference of Literary Value to Students in Universities, Normal Schools, and Junior Colleges (1919) |
| '' | 978-1-112-07614-5 | Thomas De Quincey | Essays on Style, Rhetoric, and Language: [1893] |
| 2009 | 978-1-112-07615-2 | Helen Josephine Ferris | Producing Amateur Entertainments: Varied Stunts and Other Numbers With Program Plans and Directions (1921) |
| '' | 978-1-112-07616-9 | Linwood Taft | The Technique of Pageantry: [1921] |
| '' | 978-1-112-07619-0 | Frederick H. (Frederick Henry) Koch | Raleigh, the Shepherd of the Ocean: A Pageant-Drama (1920) |
| '' | 978-1-112-07620-6 | Geoffroy Atkinson | The Extraordinary Voyage in French Literature Before 1700 (1920) |
| '' | 978-1-112-07621-3 | Josephine Helena Short | Oberammergau: [1910] |
| 2009 | 978-1-112-07626-8 | Amelia Ruth Gere Mason | The Women of the French Salons: [1891] |
| '' | 978-1-112-07628-2 | Bliss Perry | A Study of Prose Fiction: [1902] |
| '' | 978-1-112-07629-9 | Henry Burrowes Lathrop | The Art of the Novelist: [1919] |
| '' | 978-1-112-07631-2 | Brander Matthews | Aspects of Fiction and Other Ventures in Criticism: [1902] |
| '' | 978-1-112-07632-9 | Walter Besant | The Art of Fiction (1884) |
| 2009 | 978-1-112-07633-6 | Clayton Meeker Hamilton | Materials and Methods of Fiction: [1908] |
| '' | 978-1-112-07634-3 | Clayton Meeker Hamilton | A Manual of the Art of Fiction: Prepared for the Use of Schools and Colleges, by Clayton Hamilton ... With an Introduction by Brander Matthews ... (1918) |
| '' | 978-1-112-07635-0 | Charity Dye | The Story-Teller's Art: A Guide to the Elementary Study of Fiction, Intended for High Schools and Academies (1898) |
| '' | 978-1-112-07637-4 | Charles Raymond Barrett | Short Story Writing: A Practical Treatise on the Art of the Short Story (1900) |
| '' | 978-1-112-07639-8 | J. Berg (Joseph Berg) Esenwein | Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story (1909) |
| 2009 | 978-1-112-07640-4 | Lucy Lilian Notestein | The Modern Short Story: A Study of the Form: Its Plot, Structure, Development and Other Requirements (1914) |
| '' | 978-1-112-07641-1 | R. Torceanu | A Simplified Grammar of the Roumanian Language: [1883] |
| '' | 978-1-112-07642-8 | Blanche Colton Williams | A Handbook on Story Writing: [1917] |
| '' | 978-1-112-07643-5 | Robert Wilson Neal | Short Stories in the Making |
| '' | 978-1-112-07645-9 | Edith Birkhead | The Tale of Terror: A Study of the Gothic Romance (1921) |
| 2009 | 978-1-112-07646-6 | James Ross Kaye | Historical Fiction Chronologically and Historically Related: [1920] |
| '' | 978-1-112-07647-3 | Arthur Ransome | A History of Story-Telling: Studies in the Development of Narrative (1909) |
| '' | 978-1-112-07649-7 | Frederick B. (Frederick Bertrand) Robinson | Effective Public Speaking: [1915] |
| '' | 978-1-112-07650-3 | Charles Henry Woolbert | The Fundamentals of Speech: A Behavioristic Study of the Underlying Principles of Speaking and Reading, a Text Book of Delivery (1920) |
| '' | 978-1-112-07652-7 | Emily Montague Mulkin Bishop | Interpretive Forms of Literature (1903) |
| 2009 | 978-1-112-07654-1 | Olaf Morgan Norlie | Principles of Expressive Reading: Impression Before Expression (1918) |
| '' | 978-1-112-07655-8 | E. A. Greening (Edmund Arnold Greening) Lamborn | Expression in Speech and Writing: [1922] |
| '' | 978-1-112-07656-5 | Richard Wood Cone | The Speaking Voice: Its Scientific Basis in Music ... (1908) |
| '' | 978-1-112-07657-2 | S. S. (Samuel Silas) Curry | Mind and Voice: Principles and Methods in Vocal Training (1910) |
| '' | 978-1-112-07658-9 | Katherine Jewell Everts | The Speaking Voice: Principles of Training Simplified and Condensed (1908) |
| 2009 | 978-1-112-07659-6 | Herbert Jennings | Voice and Its Natural Development: [1911] |
| '' | 978-1-112-07660-2 | Edwin Gordon Lawrence | The Power of Speech and How to Acquire it: A Comprehensive System of Vocal Expression (1909) |
| '' | 978-1-112-07661-9 | Arthur Edward Phillips | The Tone System in Public Speaking and Reading: A Discussion of the Sources of Effectiveness in Oral Expression and in the Teaching of Oral Expression, With Illustrations and Suggestions (1910) |
| '' | 978-1-112-07663-3 | Joseph A. (Joseph Albert) Mosher | The Essentials of Effective Gesture, for Students of Public Speaking: [1916] |
| '' | 978-1-112-07665-7 | L. (Louis) Bautain | The Art of Extempore Speaking: Hints for the Pulpit, the Senate and the Bar (1901) |
| 2009 | 978-1-112-07667-1 | Edgar R. (Edgar Rees) Jones | The Art of the Orator: [1912] |
| '' | 978-1-112-07668-8 | J. H. (John Hays) Gardiner | The Making of Arguments: [1912] |
| '' | 978-1-112-07670-1 | Edwin Du Bois Shurter | How to Debate: [1917] |
| '' | 978-1-112-07672-5 | George Baer Fundenburg | Feudal France in the French Epic, a Study of Feudal French Institutions in History and Poetry: [1918] |
| '' | 978-1-112-07673-2 | William Oliver Farnsworth | Uncle and Nephew in the Old French Chansons De Geste: A Study in the Survival of Matriarchy (1913) |
| 2009 | 978-1-112-07674-9 | William Lyon Phelps | Essays on Modern Novelists: [1910] |
| '' | 978-1-112-07675-6 | Thomas G. (Thomas Gunn) Selby | The Theology of Modern Fiction: Being the Twenty-Sixth Fernley Lecture Delivered in Liverpool, July, 1896 (1897) |
| '' | 978-1-112-07676-3 | Hiram Kelly Moderwell | The Theatre of to-Day: [1914] |
| '' | 978-1-112-07678-7 | Laurence Hutton | Curiosities of the American Stage: [1891] |
| '' | 978-1-112-07679-4 | John Ranken Towse | Sixty Years of the Theater: An Old Critic's Memories (1916) |
| 2009 | 978-1-112-07682-4 | Allen Davenport | Stage Affairs in America Today: [1907] |
| '' | 978-1-112-07683-1 | Thomas Herbert Dickinson | The Case of American Drama: [1915] |
| '' | 978-1-112-07685-5 | Charles Frederic Nirdlinger | Masques and Mummers: Essays on the Theatre of Here and Now (1899) |
| '' | 978-1-112-07686-2 | Norman Hapgood | The Stage in America, 1897-1900: [1901] |
| '' | 978-1-112-07691-6 | Remy de Gourmont | The Book of Masks: [1921] |
| 2009 | 978-1-112-07693-0 | Charles Frederic Brede | The German Drama in English on the Philadelphia Stage From 1794 to 1830 (1918) |
| '' | 978-1-112-07695-4 | A. D. Storms comp. | The Players Blue Book: [1901] |
| '' | 978-1-112-07696-1 | No Author | Who's Who on the Stage; the Dramatic Reference Book and Biographic Al Dictionary of the Theatre |
| '' | 978-1-112-07697-8 | B. Roland (Benjamin Roland) Lewis | Contemporary One-Act Plays: With Outline Study of the One-Act Play and Bibliographies (1922) |
| '' | 978-1-112-07698-5 | Edwin Booth | Edwin Booth: Recollections by His Daughter, Edwina Booth Grossmann, and Letters to Her and to His Friends (1894) |
| 2009 | 978-1-112-07703-6 | Stuart Oliver Henry | French Essays and Profiles: [1921] |
| '' | 978-1-112-07704-3 | William Bentley Fowle | Parlor Dramas, or, Dramatic Scenes, for Home Amusement: [1856] |
| '' | 978-1-112-07705-0 | Madalene D. (Madalene Demarest) Barnum | School Plays for All Occasions (1922) |
| '' | 978-1-112-07707-4 | Edwin Bateman Morris | College Comedies: [1911] |
| '' | 978-1-112-07708-1 | Irma Kraft | The Power of Purim, and Other Plays: A Series of One Act Plays Designed for Jewish Religious Schools (1915) |
| 2009 | 978-1-112-07709-8 | A. Mary F. (Agnes Mary Frances) Robinson | Twentieth Century French Writers: (Reviews and Reminiscences) (1920) |
| '' | 978-1-112-07710-4 | Charles Morris | Famous Orators of the World and Their Best Orations: [1902] |
| '' | 978-1-112-07713-5 | Lorenzo Sears | The History of Oratory From the Age of Pericles to the Present Time: Lorenzo Sears (1896) |
| '' | 978-1-112-07715-9 | Geo. M. (George M.) Stone | Public Uses of the Bible: A Study in Biblical Elocution (1890) |
| '' | 978-1-112-07716-6 | J. (Joseph) Chotzner | Hebrew Satire: [1911] |
| 2009 | 978-1-112-07718-0 | William Allen Wood | After-Dinner Speeches and How to Make Them: Speeches Selected and Introduction Written by William Allen Wood (1914) |
| '' | 978-1-112-07721-0 | George H. Bruce | Lawyers, Doctors and Preachers: A Satirical Survey of the Three Learned Professions (1912) |
| '' | 978-1-112-07722-7 | Jules Castier | Rather Like: Some Endeavours to Assume the Mantles of the Great (1920) |
| '' | 978-1-112-07723-4 | John William Cunliffe | Writing of Today: Models of Journalistic Prose (1915) |
| '' | 978-1-112-07724-1 | Arthur Augustus Tilley | Moliere: [1921] |
| 2009 | 978-1-112-07725-8 | W. Moseley (William Moseley) Kerby | Moliere and the Restoration Comedy in England: [1907] |
| '' | 978-1-112-07726-5 | Francois Rabelais | The Works of Rabelais: Faithfully Translated From the French, With Variorum Notes, and Numerous Illustrations by Gustave Dore (1873) |
| '' | 978-1-112-07727-2 | Francois Rabelais | Readings in Rabelais: [1883] |
| '' | 978-1-112-07728-9 | W. F. (William Francis) Smith | Rabelais in His Writings: [1918] |
| '' | 978-1-112-07731-9 | William Henry Oliphant Smeaton | English Satires: With an Introduction by Oliphant Smeaton (1899) |
| 2009 | 978-1-112-07732-6 | Charles Collins | Great Love Stories of the Theatre: A Record of Theatrical Romance (1911) |
| '' | 978-1-112-07733-3 | Forrest Izard | Heroines of the Modern Stage: [1915] |
| '' | 978-1-112-07734-0 | J. Maurice Farrar | Mary Anderson: The Story of Her Life and Professional Career (1884) |
| '' | 978-1-112-07735-7 | Henry Clay Barnabee | Reminiscences of Henry Clay Barnabee: Being an Attempt to Account for His Life, With Some Excuses for His Professional Career (1913) |
| '' | 978-1-112-07737-1 | Irene Castle | My Husband: [1919] |
| 2009 | 978-1-112-07740-1 | Louisa Drew | Autobiographical Sketch of Mrs. John Drew: With an Introduction by Her Son John Drew; With Biographical Notes by D. Taylor ... (1899) |
| '' | 978-1-112-07744-9 | Francis Wilson | Joseph Jefferson: Reminiscences of a Fellow Player (1906) |
| '' | 978-1-112-07746-3 | Olive Logan | The Mimic World and Public Exhibitions: Their History, Their Morals, and Effects (1871) |
| '' | 978-1-112-07747-0 | Clara Morris | Life on the Stage: My Personal Experiences and Recollections (1901) |
| '' | 978-1-112-07749-4 | James Edward Murdoch | The Stage: Or, Recollections of Actors and Acting From an Experience of Fifty Years (1880) |
| 2009 | 978-1-112-07754-8 | Henry Walcott Boynton | Journalism and Literature, and Other Essays (1904) |
| '' | 978-1-112-07755-5 | William Winter | The Press and the Stage: An Oration (1889) |
| '' | 978-1-112-07756-2 | Amy Lowell | Six French Poets: Studies in Contemporary Literature (1915) |
| '' | 978-1-112-07757-9 | Ainsworth Rand Spofford | The Library of Wit and Humor, Prose and Poetry: Selected From the Literature of All Times and Nations (V.4) (1884-94) |
| '' | 978-1-112-07758-6 | Patrick Maxwell | Pribbles and Prabbles: Or, Rambling Reflections on Varied Topics (1906) |
| 2009 | 978-1-112-07760-9 | Don Carlos Seitz | Training for the Newspaper Trade: [1916] |
| '' | 978-1-112-07762-3 | Mark Boyd | Social Gleanings (1875) |
| '' | 978-1-112-07765-4 | John Cordy Jeaffreson | Pleasantries of English Courts and Lawyers: [186-?] |
| '' | 978-1-112-07766-1 | Robert Yelverton Tyrrell | Dublin Translations Into Greek and Latin Verse: [1890] |
| '' | 978-1-112-07770-8 | Robert Ford | Ballads of Babyland: English & American, Selected and Edited With Notes by Robert Ford (1905) |
| 2009 | 978-1-112-07773-9 | Jean Racine | The Suitors: A Comedy in Three Acts (1871) |
| '' | 978-1-112-07774-6 | Arthur Ruhl | Second Nights: People and Ideas of the Theatre to-Day (1914) |
| '' | 978-1-112-07775-3 | Walter Prichard Eaton | Plays and Players: Leaves From a Critic's Scrapbook (1916) |
| '' | 978-1-112-07776-0 | Walter Prichard Eaton | At the New Theatre and Others: The American Stage: Its Problems and Performances, 1908-1910 (1910) |
| '' | 978-1-112-07777-7 | Channing Pollock | The Footlights, Fore and Aft: [1911] |
| 2009 | 978-1-112-07778-4 | Winifred Stephens Whale | French Novelists of to-Day: [1914] |
| '' | 978-1-112-07782-1 | Artemus Ward | The Complete Works of Charles F. Browne, Better Known As "Artemus Ward.": With Portrait by Geflowski, the Sculptor ... (1871) |
| '' | 978-1-112-07784-5 | William Timothy Call | Josh Hayseed in New York: Edited by Wm. T. Call (Sprouts). Illustrated by Coultaus (1887) |
| '' | 978-1-112-07785-2 | Jane Ellen Harrison | Unanimism: A Study of Conversion and Some Contemporary French Poets: Being a Paper Read Before "the Heretics" on November 25, 1912 (1913) |
| '' | 978-1-112-07786-9 | Alan Dale | The Great Wet Way: [1909] |
| 2009 | 978-1-112-07787-6 | Finley Peter Dunne | Dissertations by Mr. Dooley: [1906] |
| '' | 978-1-112-07793-7 | W. E. (William Ely) Hill | Among Us Mortals: Pictures and Legends by W.E. Hill (1917) |
| '' | 978-1-112-07794-4 | Thomas William Jackson | On a Slow Train Through Arkansaw: Funny Railroad Stories: Sayings of the Southern Darkies: All the Latest and Best Minstrel Jokes of the Day (1903) |
| '' | 978-1-112-07795-1 | Ring Lardner | The Young Immigrunts: [1920] |
| '' | 978-1-112-07796-8 | William Pierce Shepard | A Contribution to the History of the Unaccented Vowels in Old French ...: [1897] |
| 2009 | 978-1-112-07798-2 | Rossiter Johnson | The Alphabet of Rhetoric: With a Chapter on Elocution; Intended as a Familiar Companion for All That Care to Speak and Write Correctly (1903) |
| '' | 978-1-112-07799-9 | Thomas Raynesford Lounsbury | The Standard of Usage in English: [1908] |
| '' | 978-1-112-07800-2 | Ralph Olmsted Williams | Some Questions of Good English, Examined in Controversies With Dr. Fitzedward Hall: [1897] |
| '' | 978-1-112-07802-6 | Harry Kurz | European Characters in French Drama of the Eighteenth Century: By Harry Kurz, Ph. D. (1916) |
| '' | 978-1-112-07803-3 | Brander Matthews | French Dramatists of the 19th Century: [1881] |