| year of publication | ISBN | author(s) | title |
|---|
| 1989 | 978-0-931340-04-8 | Hans Vogt | Johann Sebastian Bach's Chamber Music: Background, Analyses, Individual Works (English and German Edition) |
| 2003 | 978-0-931340-06-2 | Dietrich Fischer-Dieskau | Robert Schumann: Words and Music: The Vocal Compositions |
| '' | 978-0-931340-08-6 | Nikolaus Harnoncourt | The Musical Dialogue: Thoughts on Monteverdi, Bach and Mozart |
| '' | 978-0-931340-09-3 | Arnold Feil | Franz Schubert: Die schone Mullerin * Winterreise (The Lovely Miller Maiden * Winter Journey) |
| 1988 | 978-0-931340-13-0 | Edward Tarr | The Trumpet (English and German Edition) |
| 2003 | 978-0-931340-15-4 | Raymond Meylan | The Flute |
| '' | 978-0-931340-17-8 | Andrew Farkas | Lawrence Tibbett: Singing Actor |
| '' | 978-0-931340-18-5 | William R. Moran | Herman Klein and the Gramophone (Amadeus) |
| 1989 | 978-0-931340-19-2 | Giacomo Meyerbeer · Heinz Becker · Gudrun Becker | Giacomo Meyerbeer, a Life in Letters |
| 1990 | 978-0-931340-24-6 | Enrico, Jr. Caruso · Andrew Farkas | Enrico Caruso: My Father and My Family (Opera Biography) |
| 2003 | 978-0-931340-27-7 | Philippe Beaussant | Francois Couperin |
| 1991 | 978-0-931340-28-4 | Jacob Avshalomov | The Concerts Reviewed: 65 Years of the Portland Youth Philharmonic |
| 1991 | 978-0-931340-29-1 | James Johnson · Robert Burns | Scots Musical Museum - 1787-1803 - In Two Volumes |
| 1990 | 978-0-931340-32-1 | Robert Anderson | Elgar in Manuscript |
| 1991 | 978-0-931340-35-2 | Michael Stegemann | Camille Saint-Saens and the French Solo Concerto: From 1850 to 1920 |
| '' | 978-0-931340-38-3 | Abram Loft | Violin and Keyboard |
| '' | 978-0-931340-39-0 | Heinz Gartner | Constanze Mozart: After the Requiem |
| 2003 | 978-0-931340-41-3 | Roger Nichols | Debussy Remembered |
| 1992 | 978-0-931340-45-1 | Abram Loft | Ensemble: A Rehearsal Guide to Thirty Great Works of Chamber Music |
| 2003 | 978-0-931340-46-8 | Seymour Fink | Mastering Piano Technique: A Guide for Students, Teachers and Performers (Amadeus) |
| '' | 978-0-931340-48-2 | Paul Jackson | Saturday Afternoons at the Old Met: The Metropolitan Opera Broadcasts, 1931-1950 |
| 1992 | 978-0-931340-49-9 | Mary Cyr | Performing Baroque Music |
| 2003 | 978-0-931340-51-2 | Arthur Jacobs | Arthur Sullivan: A Victorian Musician |
| 1992 | 978-0-931340-53-6 | Tim Carter | Music in Late Renaissance & Early Baroque Italy |
| 2003 | 978-0-931340-55-0 | Kurt Blaukopf | Musical Life in a Changing Society: Aspects of Musical Sociology (Amadeus) |
| 1993 | 978-0-931340-56-7 | John C. Tibbetts | Dvorak in America, 1892-1895 |
| 1992 | 978-0-931340-57-4 | Stewart Buettner · Reinhard G. Pauly | Great Composers Great Artists: Portraits |
| 2019 | 978-0-931340-58-1 | Geoffrey Skelton | Wagner in Thought and Practice |
| 1993 | 978-0-931340-59-8 | Lorraine Gorrell | The Nineteenth-Century German Lied: Hardcover |
| 2003 | 978-0-931340-60-4 | John Frederick Cone | Adelina Patti: Queen of Hearts (Opera Biography) |
| '' | 978-0-931340-61-1 | Michael Thomas Roeder | A History of the Concerto (Amadeus) |
| 1993 | 978-0-931340-64-2 | J. B. Steane | The Grand Tradition: Seventy Years of Singing on Record |
| 2003 | 978-0-931340-67-3 | Claude Samuel | Olivier Messiaen: Music and Color: Conversations with Claude Samuel |
| 2003 | 978-0-931340-68-0 | Ann McCutchan | Marcel Moyse: Voice of the Flute (Amadeus) |
| 1994 | 978-0-931340-69-7 | John Ardoin | The Furtwangler Record |
| '' | 978-0-931340-70-3 | Claude Kenneson | Szekely and Bartok: The Story of a Friendship |
| '' | 978-0-931340-71-0 | Charles Osborne | The Bel Canto Operas: A Guide to the Operas of Rossini, Bellini, and Donizetti |
| 2019 | 978-0-931340-73-4 | Annetta Hoffnung | Gerard Hoffnung |
| 2003 | 978-0-931340-74-1 | Malcolm Gillies | Bartok Companion, The |
| 1994 | 978-0-931340-75-8 | Malcolm Gillies | The Bartok Companion |
| 2003 | 978-0-931340-78-9 | Howard Taubman | The Pleasure of Their Company: A Reminiscence (Amadeus) |
| '' | 978-0-931340-79-6 | Heinz Gartner | John Christian Bach - Mozart's Friend and Mentor |
| '' | 978-0-931340-80-2 | Catherine Cessac | Marc-Antoine Charpentier |
| 2003 | 978-0-931340-81-9 | William R. Trotter | Priest of Music: The Life of Dimitri Mitropoulos (Amadeus) |
| 2019 | 978-0-931340-82-6 | Danile Pistone | Nineteenth-Century Italian Opera from Rossini to Puccini |
| 1996 | 978-0-931340-84-0 | Charles Osborne | Bel Canto Operas of Rossini, Donizetti, and Bellini |
| 2003 | 978-0-931340-86-4 | F. E. Kirby | Music for Piano: A Short History |
| '' | 978-0-931340-87-1 | Charles Neilson Gattey | Luisa Tetrazzini: The Florentine Nightingale (Opera Biography Series ; No. 5) |
| '' | 978-0-931340-88-8 | Habib Hassan Touma | The Music of the Arabs |
| 1995 | 978-0-931340-89-5 | Adolphe Nourrit | The Great Tenor Tragedy: The Last Days of Adolphe Nourrit As Told (Mostly by Himself) |
| 2003 | 978-0-931340-90-1 | John Ardoin | The Callas Legacy: The Complete Guide to Her Recordings on Compact Disc (Amadeus) |
| 1995 | 978-0-931340-91-8 | Nikolaus Harnoncourt | Baroque Music Today: Music As Speech: Ways to a New Understanding of Music |
| 2003 | 978-0-931340-95-6 | Peter Hill | Messiaen Companion, The: Hardcover |
| '' | 978-0-931340-96-3 | Francoise Tillard | Fanny Mendelssohn (Amadeus) |
| '' | 978-0-931340-97-0 | Paul Roberts | Images: The Piano Music of Claude Debussy |
| 1995 | 978-0-931340-98-7 | Daniel Snowman | Placido Domingo's Tales from the Opera |
| 1996 | 978-0-931340-99-4 | Alan Sanders · J. B. Steane · Elisabeth Schwarzkopf | Elisabeth Schwarzkopf: A Career on Record |