| year of publication | ISBN | author(s) | title |
|---|
| 1978 | 978-0-8357-0321-5 | Jan Louis Perkowski | Gusle and ganga among the Hercegovinians of Toronto (Monograph publishing on demand: Sponsor series) |
| '' | 978-0-8357-0363-5 | Arnoldo De Leon | Apuntes Tejanos |
| '' | 978-0-8357-0367-3 | Ehrhard Bahr | Internationales Verzeichnis der Goethe-Dissertationen (Monograph Publishing: Sponsor series) (German Edition) |
| 1979 | 978-0-8357-0397-0 | Harold David Harrington | Manual of the plants of Colorado, for the identification of the ferns and flowering plants of the state |
| 1980 | 978-0-8357-0503-5 | Richard Pipes | Bibliography of the Published Writings of Peter Berngardovich Struve: Bibliografiia pechatnykh rabot Petra Berngardovicha Struve (Monograph Publishing Sponsor Series) (English and Russian Edition) |
| '' | 978-0-8357-0544-8 | Catherine Omnès | De l'atelier au groupe industriel Vallourec, 1882-1978 (UMI Monographs: Imprint series) (French Edition) |
| 1990 | 978-0-8357-0898-2 | Eugene B. Power · Robert Anderson | Edition of One: The Autobiography of Eugene B. Power, Founder of University Microfilms |
| 1979 | 978-0-8357-1006-0 | Fredrick L Millner | The operas of Johann Adolf Hasse (Studies in musicology) |
| 1980 | 978-0-8357-1058-9 | Charlotte Douglas | Swans of Other Worlds: Kazimir Malevich and the Origins of Abstraction in Russia (Studies in the Fine Arts: The Avant-Garde) |
| '' | 978-0-8357-1060-2 | Hannah L Hedrick | Theo Van Doesburg: Propagandist and Practitioner of the Avant-Garde, 1909-1923 (Studies in the Fine Arts, The Avant-Garde) |
| 1980 | 978-0-8357-1126-5 | John C Schmidt | The Life and Works of John Knowles Paine (Studies in Musicology) |
| 1981 | 978-0-8357-1134-0 | Johann Mattheson | Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary (Studies in musicology) |
| 1980 | 978-0-8357-1140-1 | Richard T Pinnell | Francesco Corbetta and the baroque guitar: With a transcription of his works (Studies in musicology) |
| 1981 | 978-0-8357-1151-7 | Brigid S Barton | Otto Dix and Die neue Sachlichkeit, 1918-1925 (Studies in the fine arts. The avant-garde) |
| '' | 978-0-8357-1161-6 | Richard Hudson | Passacaglio and ciaccona: From guitar music to Italian keyboard variations in the 17th century (Studies in musicology) |
| '' | 978-0-8357-1170-8 | Rita H Mead | Henry Cowell's New Music, 1925-1936: The Society, the Music Editions, and the Recordings (Studies in Musicology) |
| '' | 978-0-8357-1179-1 | Beeke Sell Tower | Klee and Kandinsky in Munich and at the Bauhaus (Studies in the fine arts. The avant-garde) |
| '' | 978-0-8357-1184-5 | Donna G Cardamone | The canzone villanesca alla napolitana and related forms, 1537-1570 (Studies in musicology) |
| 1981 | 978-0-8357-1228-6 | Lois Mendelson | Robert Breer: A Study of His Work in the Context of the Modernist Tradition (Studies in Photography and Cinematography) |
| '' | 978-0-8357-1259-0 | James L Brock | A forecast for the grocery retailing industry in the 1980s (Research for business decisions) |
| '' | 978-0-8357-1265-1 | Stuart E Baker | Georges Feydeau and the Aesthetics of Farce (Theater and Dramatic Studies) |
| 1982 | 978-0-8357-1289-7 | Robert Winter | Compositional origins of Beethoven's opus 131 (Studies in musicology) |
| '' | 978-0-8357-1297-2 | Sherry A Buckberrough | Robert Delaunay: The Discovery of Simultaneity (Studies in the Fine Arts) |
| '' | 978-0-8357-1299-6 | R. L Held | Endless innovations: Frederick Kiesler's theory and scenic design (Studies in the fine arts. The avant-garde) |
| 1982 | 978-0-8357-1304-7 | Sidney Rosenzweig | Casablanca and Other Major Films of Michael Curtiz (Studies in Cinema, No. 14) |
| '' | 978-0-8357-1361-0 | Patrick McCreless | Wagner's "Siegfried": Its drama, history, and music (Studies in musicology) |
| '' | 978-0-8357-1384-9 | Ralph C Merkle | Secrecy, authentication, and public key systems (Computer science) |
| 1984 | 978-0-8357-1466-2 | Walker Cunningham | The keyboard music of John Bull (Studies in musicology) |
| 1983 | 978-0-8357-1472-3 | Richard G Condon | Inuit Behavior and Seasonal Change in the Canadian Arctic (Studies in cultural anthropology) |
| 1984 | 978-0-8357-1474-7 | Sheila Ffolliott | Civic sculpture in the Renaissance: Montorsoli's fountains at Messina (Studies in Renaissance art history) |
| 1985 | 978-0-8357-1475-4 | Gerhard Herz | Essays on J.S. Bach (Studies in musicology) |
| 1984 | 978-0-8357-1492-1 | James Michael Thomas | The Art of the Actor-Manager: Wilson Barrett and the Victorian Theatre (Theater and Dramatic Studies) |
| 1983 | 978-0-8357-1496-9 | Virginia Hancock | Brahms's Choral Compositions and His Library of Early Music (Studies in Music, 76) |
| 1982 | 978-0-8357-1512-6 | SCHOENBERG''S TWELVE-TONE HARMONY - The Suite Op. 29 and the Compositional Sketches |
| 1985 | 978-0-8357-1584-3 | Eric Binnie | The theatrical designs of Charles Ricketts (Theater and dramatic studies) |
| 1984 | 978-0-8357-1589-8 | Kim Stanley Robinson | The novels of Philip K. Dick (Studies in speculative fiction) |
| 1985 | 978-0-8357-1613-0 | Raymond Brebach | Joseph Conrad, Ford Madox Ford, and the making of Romance (Studies in modern literature) |
| 1987 | 978-0-8357-1620-8 | W. Chan and Young, Philip Kim | The Pacific challenge in international business (Research for business decisions) |
| 1985 | 978-0-8357-1646-8 | Lawrence Archbold | Style and structure in the praeludia of Dietrich Buxtehude (Studies in musicology) |
| 1986 | 978-0-8357-1649-9 | Daniel J. Koury | Orchestral Performance Practices in the Nineteenth Century: Size, Proportions and Seating (Studies in Musicology) |
| 1985 | 978-0-8357-1678-9 | Peter Howard Selz | Art in a turbulent era (Contemporary American art critics) |
| '' | 978-0-8357-1682-6 | Stephen D Helmer | Hitler's Berlin: The Speer plans for reshaping the central city (Architecture and urban design) |
| '' | 978-0-8357-1690-1 | Nicolas Calas | Transfigurations, art critical essays, on the modern period (Contemporary American art critics) |
| 1985 | 978-0-8357-1691-8 | Edward M Scahill | The effect of research and development on U.S. market structure (Research in business economics and public policy) |
| 1987 | 978-0-8357-1696-3 | Nikolai Lvov · Ivan Prach | A Collection of Russian Folk Songs (CLASSICS OF RUSSIAN MUSICAL FOLKLORE IN FACSIMILE) |
| 1986 | 978-0-8357-1734-2 | Theodore Turak | William Le Baron Jenney: A Pioneer of Modern Architecture (Architecture and Urban Design) |
| 1987 | 978-0-8357-1781-6 | Donald Gutierrez | Subject-Object Relations in Wordsworth and Lawrence (Studies in Modern Literature) |
| 1988 | 978-0-8357-1833-2 | Stanley Sadie | Handel Tercentenary Collection (Studies in Musicology, 99) |
| '' | 978-0-8357-1842-4 | Shelley C Berg | Le sacre du printemps: Seven productions from Nijinsky to Martha Graham (Theater and dramatic studies) |
| 1989 | 978-0-8357-1885-1 | Lawrence R. Broer | Sanity plea: Schizophrenia in the novels of Kurt Vonnegut (Studies in speculative fiction) |
| '' | 978-0-8357-1922-3 | Carol Anne Mahsun | Pop art: The critical dialogue (Studies in the fine arts) |
| '' | 978-0-8357-1939-1 | Margherita Andreotti | The Early Sculpture of Jean Arp (STUDIES IN THE FINE ARTS AVANT-GARDE) |
| '' | 978-0-8357-1949-0 | Susana Onega Jaen | Form and Meaning in the Novels of John Fowles (Challenging the Literary Canon) |
| 1986 | 978-0-8357-1953-7 | Beth Kalikoff | Murder and Moral Decay in Victorian Popular Literature (Nineteenth-Century Studies) |
| 1989 | 978-0-8357-1961-2 | Carol Ilson | Harold Prince: From Pajama Game to Phantom of the Opera (Theater and Dramatic Studies) |
| 1990 | 978-0-8357-1974-2 | Charles H. Shattuck | Edwin Booth's performances: The Mary Isabella Stone commentaries (Theatre and dramatic studies) |
| 1989 | 978-0-8357-1976-6 | Peter Hitchcock | Working-Class Fiction in Theory and Practice: A Reading of Alan Sillitoe (Challenging the Literary Canon) |
| 1989 | 978-0-8357-1980-3 | Tricia Henry | Break All Rules!: Punk Rock and the Making of a Style (STUDIES IN THE FINE ARTS AVANT-GARDE) |
| '' | 978-0-8357-2014-4 | Kim Stanley Robinson | The Novels of Philip K. Dick (Studies in Speculative Fiction) |
| 1984 | 978-0-8357-2021-2 | Betsy Alayne Ryan | Gertrude Stein's Theatre of the Absolute (Theater and Dramatic Studies) |
| 1989 | 978-0-8357-2028-1 | Richard Martin | Ink in Her Blood: The Life and Crime Fiction of Margery Allingham (Challenging the Literary Canon) |
| 1991 | 978-0-8357-2051-9 | Daniel J. Koury | Orchestral Performance Practices in the Nineteenth Century: Size, Proportions, and Seating (Studies in Musicology) |
| 1992 | 978-0-8357-2210-0 | Claudia Stalb | Musik-Welt, 1880-1882 (Répertoire international de la presse musicale) (German Edition) |
| 1994 | 978-0-8357-2306-0 | Martina Lang | Berliner allgemeine musikalische Zeitung, 1824-1830 (Répertoire international de la presse musicale) (German Edition) |
| '' | 978-0-8357-2330-5 | Edward H Clinkscale | The musical times, 1844-1900 (Repertoire international de la presse musicale) |
| 1980 | 978-0-8357-4887-2 | William Lawrence Goodwin | Handbook for Measurement and Evaluation in Early Childhood Education: Issues, Measures, and Methods (Jossey-Bass Social and Behaviorial Science Series) |
| 1992 | 978-0-8357-8801-4 | James B. Pritchard | Ancient Near Eastern Texts: Relating to the Old Testament |