| year of publication | ISBN | author(s) | title |
|---|
| 2015 | 978-0-7486-9562-1 | Dan Edwards | Independent Chinese Documentary: Alternative Visions, Alternative Publics (Edinburgh Studies in East Asian Film) (Edinburgh Studies in East Asian Film Eup) |
| 2014 | 978-0-7486-9569-0 | Sherif Ayoub | Derivatives in Islamic Finance: Examining the Market Risk Management Framework (Edinburgh Guides to Islamic Finance) (Edinburgh Guides to Islamic Finance Eup) |
| '' | 978-0-7486-9589-8 | Yucel Yanikdag | Healing the Nation: Prisoners of War, Medicine and Nationalism in Turkey, 1914-1939 |
| 2018 | 978-0-7486-9590-4 | Sascha Bru | The European Avant-Gardes, 1905-1935: A Portable Guide |
| 2016 | 978-0-7486-9602-4 | Tiago De Luca · Nuno Barradas Jorge | Slow Cinema (Traditions in World Cinema) |
| 2015 | 978-0-7486-9604-8 | '' | Slow Cinema (Traditions in World Cinema) |
| 2017 | 978-0-7486-9606-2 | Stefanie Van De Peer | Negotiating Dissidence: The Pioneering Women of Arab Documentary |
| 2015 | 978-0-7486-9616-1 | Benjamin Isakhan | The Legacy of Iraq: From the 2003 War to the 'Islamic State' |
| '' | 978-0-7486-9624-6 | Samira Aghacy | Writing Beirut: Mappings of the City in the Modern Arabic Novel (Edinburgh Studies in Modern Arabic Literature) |
| 2017 | 978-0-7486-9632-1 | Woojeong Joo | The Cinema of Ozu Yasujiro: Histories of the Everyday (Edinburgh Studies in East Asian Film) |
| 2015 | 978-0-7486-9634-5 | Neelam Sidhar Wright | Bollywood and Postmodernism: Popular Indian Cinema in the 21st Century |
| '' | 978-0-7486-9655-0 | Ikram Masmoudi | War and Occupation in Iraqi Fiction (Edinburgh Studies in Modern Arabic Literature) |
| 2016 | 978-0-7486-9658-1 | Neil Blain · David Hutchison · Gerry Hassan | Scotland's Referendum and the Media: National and International Perspectives |
| 2015 | 978-0-7486-9674-1 | Angela Wright · Dale Townshend | Romantic Gothic: An Edinburgh Companion (Edinburgh Companions to the Gothic) (Edinburgh Companions to the Gothic Eup) |
| 2014 | 978-0-7486-9677-2 | Michele Schreiber | American Postfeminist Cinema: Women, Romance and Contemporary Culture (Traditions in American Cinema) |
| 2016 | 978-0-7486-9678-9 | Raphael J. Heffron · Gavin F. M. Little | Delivering Energy Law and Policy in the EU and the US: A Reader |
| 2014 | 978-0-7486-9692-5 | Fatemeh Keshavarz | Lyrics of Life: Sa'di on Love, Cosmopolitanism and Care of the Self (Edinburgh Studies in Classical Islamic History and Culture) (Edinburgh Studies in Classical Islamic History and Culture E) |
| '' | 978-0-7486-9705-2 | Caroline Ruddell | The Besieged Ego: Doppelgangers and Split Identity Onscreen |
| 2014 | 978-0-7486-9706-9 | Andrew B.R. Elliott | The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century |
| '' | 978-0-7486-9716-8 | A.J. Bartlett · Justin Clemens · Jon Roffe | Lacan Deleuze Badiou |
| '' | 978-0-7486-9718-2 | John W. Lango | The Ethics of Armed Conflict: A Cosmopolitan Just War Theory |
| '' | 978-0-7486-9738-0 | Daniela Berghahn | Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema |
| 2015 | 978-0-7486-9745-8 | Daniel Martin | Extreme Asia: The Rise of Cult Cinema from the Far East |
| 2019 | 978-0-7486-9747-2 | Laura Sava | Theatre Through the Camera Eye: The Poetics of an Intermedial Encounter (Edinburgh Studies in Film and Intermediality) |
| 2017 | 978-0-7486-9765-6 | Scott S. Reese | Imperial Muslims: Islam, Community and Authority in the Indian Ocean, 1839-1937 |
| 2014 | 978-0-7486-9773-1 | Daniela Angelucci · Sarin Marchetti | Deleuze and the Concept of Cinema: Volume 8, No.3: Deleuze Studies (Deleuze Studies Special Issues) |
| 2015 | 978-0-7486-9774-8 | Remus Valsan | Trusts and Patrimonies (Edinburgh Studies in Law) |
| 2016 | 978-0-7486-9781-6 | Zohar Amar · Lev Efraim | Arabian Drugs in Early Medieval Mediterranean Medicine (Edinburgh Studies in Classical Islamic History and Culture E) |
| 2015 | 978-0-7486-9795-3 | Angelos Koutsourakis · Mark Steven | The Cinema of Theo Angelopoulos |
| '' | 978-0-7486-9797-7 | Nikolaj Lubecker | The Feel-Bad Film (Edinburgh Studies in Film Eup) |
| 2015 | 978-0-7486-9799-1 | Nikolaj Lubecker | The Feel Bad Film (Edinburgh Studies in Film Eup) |
| 2014 | 978-0-7486-9804-2 | Ryan Bishop | Comedy and Cultural Critique in American Film |
| 2017 | 978-0-7486-9819-6 | Charles Burnetts | Improving Passions: Sentimental Aesthetics and American Film |
| 2018 | 978-0-7486-9821-9 | Kiki Tianqi Yu | 'My' Self on Camera: First Person Documentary Practice in an Individualising China (Edinburgh Studies in East Asian Film) |
| 2015 | 978-0-7486-9823-3 | Gillian Doyle · Philip Schlesinger · Raymond Boyle · Lisa W. Kelly | The Rise and Fall of the UK Film Council |
| 2016 | 978-0-7486-9867-7 | Michael Gott | French-Language Road Cinema: Borders, Diasporas, Migration and 'New Europe' (Traditions in World Cinema) |
| 2017 | 978-0-7486-9891-2 | Dina Rezk | The Arab World and Western Intelligence: Analysing the Middle East, 1956-1981 (Intelligence, Surveillance and Secret Warfare) |
| 2018 | 978-0-7486-9893-6 | Martin Halliwell · Nick Witham | Reframing 1968: American Politics, Protest and Identity |
| '' | 978-0-7486-9895-0 | Martin Halliwell · Nick Witham | Reframing 1968: American Politics, Protest and Identity |
| 2015 | 978-0-7486-9910-0 | David Church | Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom |
| 2016 | 978-0-7486-9919-3 | Chris Perriam · Darren Waldron | French and Spanish Queer Film: Audiences, Communities and Cultural Exchange |
| 2017 | 978-0-7486-9924-7 | Alejandro Yarza | The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan's Labyrinth |
| 2014 | 978-0-7486-9977-3 | James MacDowell | Happy Endings in Hollywood Cinema: Cliche, Convention and the Final Couple |
| 2016 | 978-0-7486-9992-6 | Iwan Morgan · Philip John Davies | Hollywood and the Great Depression: American Film, Politics and Society in the 1930s |
| 2019 | 978-0-7486-9998-8 | Thomas Green | The Spiritual Jurisdiction in Reformation Scotland: A Legal History |