| year of publication | ISBN | author(s) | title |
|---|
| 1967 | 978-0-7145-0011-9 | Alan Burns | Babel |
| 1969 | 978-0-7145-0034-8 | Samuel Beckett | Proust: And Three Dialogues with Georges Duthuit (Calderbooks S.) |
| '' | 978-0-7145-0042-3 | Samuel Beckett | Murphy (Calder Modern Classics) |
| 1967 | 978-0-7145-0044-7 | Eugene Ionesco | Notes and Counter Notes (Calderbooks S.) |
| 1972 | 978-0-7145-0056-0 | Ann Quin | Passages |
| 1966 | 978-0-7145-0112-3 | Samuel Beckett | Molloy: Malone Dies - The Unnamable |
| 1964 | 978-0-7145-0119-2 | Ann Quin | Berg |
| 1965 | 978-0-7145-0124-6 | Heinrich Böll | Billiards at Half Past Nine |
| '' | 978-0-7145-0168-0 | Heinrich Boll | The Clown |
| 1970 | 978-0-7145-0170-3 | Antonin Artaud | Antonin Artaud: Collected Works (Volume 1) |
| 1972 | 978-0-7145-0172-7 | Antonin Artaud | Antonin Artaud: Collected Works (Volume 2) |
| 1966 | 978-0-7145-0233-5 | Witold Gombrowicz | Ferdydurke |
| 1967 | 978-0-7145-0256-4 | Robert Creeley | Gold Diggers |
| 2010 | 978-0-7145-0265-6 | Gottfried Keller | Green Henry: (Calder Collection) |
| 1981 | 978-0-7145-0267-0 | Stanley Sadie | Handel (Calderbooks) (Calderbooks S.) |
| 1964 | 978-0-7145-0277-9 | Samuel Beckett | How it is |
| 2001 | 978-0-7145-0289-2 | Raymond Roussel | Impressions of Africa (Calderbooks) (Calderbooks S.) |
| 1970 | 978-0-7145-0298-4 | Alain Robbe-Grillet | In the Labyrinth (Calderbooks) (Calderbooks S.) |
| 2005 | 978-0-7145-0301-1 | Peter Weiss | The Investigation: Oratorio in Eleven Cantos |
| 1998 | 978-0-7145-0311-0 | Alain Robbe-Grillet | Jealousy (Jupiter Books) |
| 1972 | 978-0-7145-0342-4 | Charles Rostand | Liszt (Illustrated Calderbook) |
| 1976 | 978-0-7145-0346-2 | Georges Bataille | Literature and Evil |
| 1969 | 978-0-7145-0361-5 | Peter Weiss | Marat/Sade |
| 1972 | 978-0-7145-0381-3 | Marguerite Duras | Moderato Cantabile (Calderbooks) (Calderbooks S.) |
| 1976 | 978-0-7145-0385-1 | Samuel Beckett | MOLLOY |
| 1960 | 978-0-7145-0456-8 | Eugene Ionesco | Plays Volume One: The Lesson / The Chairs / The Bald Prima Donna / Jacques or Obedience |
| 1961 | 978-0-7145-0458-2 | '' | Plays: v. 2 (Calderbooks S.) |
| 1966 | 978-0-7145-0466-7 | '' | Plays: v. 6 (Calderbooks) |
| 1971 | 978-0-7145-0490-2 | Claude Samuel | Prokofiev |
| 1985 | 978-0-7145-0511-4 | Marguerite Duras | The Sailor from Gibraltar |
| 1988 | 978-0-7145-0521-3 | H. F. Garten · J. M. Ritchie | Seven Expressionist Plays: Kokoschka to Barlach (Calderbooks S.) |
| 2011 | 978-0-7145-0526-8 | John Cage | Silence |
| 1984 | 978-0-7145-0544-2 | Albert Maltz | Tale of One January (Calderbooks) |
| 1970 | 978-0-7145-0610-4 | Samuel Beckett | Watt |
| 1971 | 978-0-7145-0613-5 | Pierre Drieu La Rochelle | Will O' the Wisp |
| 1968 | 978-0-7145-0620-3 | John Cage | Year from Monday: Lectures and Writings |
| 1970 | 978-0-7145-0640-1 | Colin Wilson | Strindberg (Playscripts) |
| '' | 978-0-7145-0658-6 | Pauline Kael | Kiss Kiss Bang Bang |
| '' | 978-0-7145-0685-2 | Roland Topor | Joko's Anniversary |
| 1972 | 978-0-7145-0705-7 | Samuel Beckett | More Pricks Than Kicks (Calderbooks S.) |
| 1970 | 978-0-7145-0708-8 | Felicien Marceau | Creezy |
| 1971 | 978-0-7145-0715-6 | John Atkins | George Orwell |
| 1983 | 978-0-7145-0734-7 | Raymond Roussel | Locus Solus (French surrealism) |
| 1971 | 978-0-7145-0746-0 | Gay Talese | The Kingdom and the Power: The Story of the Men who Influence the Institution that Influences the World: History of the "New York Times" |
| 1972 | 978-0-7145-0757-6 | Ingmar Bergman | Persona and Shame (Persona & Shame Ppr) |
| 1970 | 978-0-7145-0763-7 | Anthony Shaffer | Sleuth (Playscripts) (Playscripts S.) |
| 1974 | 978-0-7145-0773-6 | James Robertson | Profit or People?: New Social Role of Money (Open Forum S.) |
| 1974 | 978-0-7145-0779-8 | Antonin Artaud | Antonin Artaud: Collected Works (Volume 3) |
| 1971 | 978-0-7145-0807-8 | Manfred Von Conta | The Deathbringer |
| '' | 978-0-7145-0837-5 | Ivan Illich | Celebration of Awareness ([Open forum]) |
| 1977 | 978-0-7145-0854-2 | Jean Arp | Collected French Writings (Calderbooks) (Calderbooks S.) |
| 1973 | 978-0-7145-0868-9 | Frank Wedekind | The Lulu Plays: And Other Sex Tragedies v. 1 (German Expressionism) (German Expressionism S.) |
| 1962 | 978-0-7145-0871-9 | Ken Kesey | One Flew Over the Cuckoo's Nest |
| 1995 | 978-0-7145-0879-5 | Ivan Illich | Deschooling Society (Open Forum) (Open Forum S.) |
| 1972 | 978-0-7145-0880-1 | Trevor Griffiths | Occupations and the Big House (Playscripts) |
| '' | 978-0-7145-0881-8 | Trevor Griffiths | Occupations (Playscripts) |
| '' | 978-0-7145-0882-5 | Mustapha Matura | As Time Goes by (Playscripts) |
| '' | 978-0-7145-0883-2 | Mustapha Matura | As Time Goes by (Playscripts) |
| 1972 | 978-0-7145-0884-9 | Ann Quin | Tripticks |
| '' | 978-0-7145-0890-0 | Heathcote Williams | AC/DC (Playscripts) (Playscripts S.) |
| 1973 | 978-0-7145-0938-9 | Heinrich Boll | Absent Without Leave |
| 2000 | 978-0-7145-0941-9 | Pauline Kael | Deeper into Movies. The essential Kael collection: from '69 to '72 |
| '' | 978-0-7145-0944-0 | David Dalton | Piece of My Heart: On the Road with Janis Joplin |
| 1972 | 978-0-7145-0952-5 | Samuel Beckett | How it is (Calderbooks S.) |
| 1973 | 978-0-7145-0961-7 | John C. Lilly | The Centre of the Cyclone: An Autobiography of Inner Space (Open forum) |
| '' | 978-0-7145-0965-5 | Samuel Beckett | First Love |
| '' | 978-0-7145-0973-0 | Ivan Illich | Tools for Conviviality (Open Forum) |
| 1974 | 978-0-7145-0974-7 | '' | Tools for Conviviality (Open Forum S.) |
| 1974 | 978-0-7145-0985-3 | Samuel Beckett | Texts for Nothing (Signature) |
| 1973 | 978-0-7145-1006-4 | Tim O'Brien | If I Die in a Combat Zone (Memoir of Vietnam) |
| 1994 | 978-0-7145-1043-9 | John Cage | Silence: Lectures and Writings |
| 2003 | 978-0-7145-1049-1 | Jeremy Sandford | Smiling David: Story of David Oluwale (Open Forum) |
| 1973 | 978-0-7145-1053-8 | Samuel Beckett | Trilogy: "Molloy", "Malone Dies", "Unnameable" (Calderbooks S.) |
| 1974 | 978-0-7145-1058-3 | Ivan Illich | Energy and Equity (Open Forum S.) |
| 1975 | 978-0-7145-1082-8 | Igor Stravinsky | An Autobiography (1903-1934) |
| 1974 | 978-0-7145-1091-0 | Samuel Beckett | Mercier and Camier |
| 1975 | 978-0-7145-1093-4 | Nathalie Sarraute | Do You Hear Them? |
| '' | 978-0-7145-1095-8 | Ivan Illich | Medical Nemesis: The Expropriation of Health (Open Forum) |
| 1974 | 978-0-7145-1096-5 | '' | Medical Nemesis: The Expropriation of Health (Open Forum/Ideas in Progress Series) |
| 1977 | 978-0-7145-1126-9 | E.J. Burford | The Orrible Synne: Look at London Lechery from Roman to Cromwellian Times |
| 1976 | 978-0-7145-1135-1 | John Cage | M: Writings, 1967-72 |
| '' | 978-0-7145-1136-8 | Elias Canetti | Kafka's Other Trial: The Letters to Felice |
| 1977 | 978-0-7145-1139-9 | Samuel Beckett | Mercier and Camier (Calderbooks S.) |
| 1976 | 978-0-7145-2500-6 | Gottfried Benn | Primal Vision: Selected Writings |
| '' | 978-0-7145-2502-0 | Julio Cortazar | 62: A Model Kit |
| 2005 | 978-0-7145-2510-5 | Ivan Illich | Disabling Professions (Open Forum S.) |
| 1976 | 978-0-7145-2516-7 | Jeremy Sandford | Cathy Come Home |
| 1994 | 978-0-7145-2520-4 | Julio Cortazar | Cronopios and Famas |
| 1985 | 978-0-7145-2541-9 | John Cage | A Year from Monday: Lectures and Writings |
| 1979 | 978-0-7145-2545-7 | Anthony Shaffer | Murderer |
| 1972 | 978-0-7145-2551-8 | Philippe Ariés | Western Attitudes Toward Death: From the Middle Ages to the Present |
| 1976 | 978-0-7145-2554-9 | James Robertson | Power, Money and Sex (Open Forum S.) |
| '' | 978-0-7145-2569-3 | John Turner | Housing by People (Open Forum S.) |
| 1978 | 978-0-7145-2571-6 | Helene Parmelin | Art Anti-art: Anartism Explored (Signature) |
| 1982 | 978-0-7145-2580-8 | Elias Canetti | The Voices of Marrakesh |
| 1977 | 978-0-7145-2582-2 | Pauline Kael | Reeling: Film Writings 1972-1975 |
| 1977 | 978-0-7145-2589-1 | Helmut Heissenbuttel · Michael Hamburger | Texts |
| 1978 | 978-0-7145-2590-7 | Helmut Heissenbuttel | Texts |
| 1977 | 978-0-7145-2598-3 | Hubert Selby | The Demon |
| 1978 | 978-0-7145-2599-0 | Hubert Selby | The Demon: A Novel |
| 1976 | 978-0-7145-2610-2 | Andres Segovia | Andres Segovia: An Autobiography of the Years 1893-1920 |
| 2010 | 978-0-7145-2615-7 | Judith Williamson | Decoding Advertisements: Ideology and Meaning in Advertising (Open Forum S.) |
| 1979 | 978-0-7145-2616-4 | Yevgeny Aleksandrovich Yevtushenko | The Face Behind the Face |
| 1978 | 978-0-7145-2628-7 | Ivan Illich | Right to Useful Unemployment (Open Forum) |
| 1977 | 978-0-7145-2635-5 | Andreas Segovia | Segovia: An Autobiography of the Years 1893-1920 |
| 1977 | 978-0-7145-2636-2 | Andreas Segovia | Segovia: An Autobiography of the Years 1893-1920 |
| 1978 | 978-0-7145-2651-5 | Charles Marowitz | Marowitz Shakespeare (Adaptations and Collages of Hamlet, Macbeth, the Taming of t) |
| '' | 978-0-7145-2657-7 | Robert Creeley | Hello: A Journal |
| '' | 978-0-7145-2662-1 | Julie Coryell · Laura Friedman | Jazz/Rock Fusion |
| 1979 | 978-0-7145-2663-8 | Ivan Illich | The Right to Useful Unemployment (Open Forum S.) |
| '' | 978-0-7145-2672-0 | Witold Gombrowicz | Ferdydurke |
| '' | 978-0-7145-2683-6 | Georges Bataille | Blue of Noon |
| 1981 | 978-0-7145-2690-4 | John Cage | For the Birds: John Cage in Conversation with Daniel Charles |
| 1980 | 978-0-7145-2691-1 | '' | For the Birds: John Cage in Conversation with Daniel Charles |
| 1973 | 978-0-7145-2704-8 | '' | Empty Words: Writings, 1973-78 |
| 1981 | 978-0-7145-2706-2 | Robin Maconie | Stockhausen |
| 1981 | 978-0-7145-2710-9 | Ivan Illich | Shadow Work (Open forum) |
| '' | 978-0-7145-2711-6 | '' | Shadow Work |
| 1980 | 978-0-7145-2726-0 | Pauline Kael | When the Lights Go Down |
| 1981 | 978-0-7145-2733-8 | Henrik Stangerup | Man Who Wanted to be Guilty |
| 1982 | 978-0-7145-2738-3 | Witold Gombrowicz | Possessed |
| '' | 978-0-7145-2739-0 | Pierre Klossowski | Roberte Ce Soir |
| 1984 | 978-0-7145-2750-5 | John L McKnight | The Mask of Love |
| 1974 | 978-0-7145-2752-9 | Rafael Martinez Nadal | Lorca's The Public |
| 1983 | 978-0-7145-2758-1 | Ivan Illich | Gender (Open Forum) |
| '' | 978-0-7145-2765-9 | Kenneth Gangemi | The Interceptor Pilot |
| 1982 | 978-0-7145-2768-0 | Gabriel Faure | Gabriel Faure: His Life Through His Letters |
| 1980 | 978-0-7145-2771-0 | Gwynne Edwards | Lorca: The Theatre Beneath the Sand |
| 1990 | 978-0-7145-2782-6 | Tadeusz Kantor | Wielopole | Wielopole |
| 1983 | 978-0-7145-2786-4 | Federico Garcia Lorca | Deep Song and Other Prose |
| 1989 | 978-0-7145-2811-3 | Erik Satie | Satie: Seen Through His Letters |
| 1984 | 978-0-7145-2818-2 | Lionel Tiger | Men in Groups |
| '' | 978-0-7145-2820-5 | Paul T. Rogers | Saul's Book |
| 1985 | 978-0-7145-2829-8 | Luciano Berio | Two Interviews |
| 1993 | 978-0-7145-2832-8 | Gwynne Edwards | Discreet Art of Luis Bunuel: A Reading of His Films |
| 1986 | 978-0-7145-2840-3 | Hubert Selby | Song of the Silent Snow |
| 1986 | 978-0-7145-2841-0 | Pauline Kael | Taking it All In |
| '' | 978-0-7145-2847-2 | Nicole Ward Jouve | The Streetcleaner: Yorkshire Ripper Case on Trial |
| 1988 | 978-0-7145-2848-9 | Georges Bataille | Abbe C., L' |
| 1986 | 978-0-7145-2850-2 | '' | Blue of Noon |
| 1988 | 978-0-7145-2851-9 | Judith Williamson | Consuming Passions: The Dynamics of Popular Culture |
| 2005 | 978-0-7145-2854-0 | Ivan Illich | H2O & The Waters of Forgetfulness (Open Forum S.) |
| 1986 | 978-0-7145-2857-1 | Leos Janacek | Janacek's Uncollected Essays on Music |
| '' | 978-0-7145-2866-3 | Pauline Kael | Taking it All in |
| 1987 | 978-0-7145-2869-4 | Pauline Kael | State of the Art (Film Writings, 1983-1985) |
| '' | 978-0-7145-2872-4 | Georges Bataille | Eroticism |
| 1989 | 978-0-7145-2880-9 | Jean Toussaint | The Bathroom |
| 1988 | 978-0-7145-2883-0 | Renate Rubinstein | Take it and Leave it: Aspects of Being Ill |
| '' | 978-0-7145-2884-7 | Nicole Ward Jouve | The Streetcleaner: Yorkshire Ripper Case on Trial |
| '' | 978-0-7145-2887-8 | Karlheinz Stockhausen | Stockhausen on Music |
| '' | 978-0-7145-2891-5 | Ivan Illich · Barry Sanders | A. B. C. - Alphabetization of the Popular Mind [ ABC ] |
| 1989 | 978-0-7145-2896-0 | Yevgeny Yevtushenko | Early Poems |
| 1981 | 978-0-7145-2898-4 | Luciano Berio | Two Interviews |
| 1990 | 978-0-7145-2903-5 | Pauline Kael | Hooked: Film Writings, 1985-88 |
| 1987 | 978-0-7145-2914-1 | '' | State of the Art: Film Writings 1983-1985: Film Writings, 1983-85 |
| 1997 | 978-0-7145-2917-2 | Fritz Spiegl | Lives, Wives and Loves of the Great Composers |
| 1989 | 978-0-7145-2918-9 | Karlheinz Stockhausen | Stockhausen on Music |
| 1991 | 978-0-7145-2920-2 | Stephen Koch | Stargazer: Life, World and Films of Andy Warhol |
| 1993 | 978-0-7145-2928-8 | Julien Green · Julian Greene | Paris |
| 1991 | 978-0-7145-2929-5 | Lionel Tiger | The Manufacture of Evil: Ethics, Evolution and the Industrial System |
| 1991 | 978-0-7145-2930-1 | Henrik Stangerup | The Man Who Wanted to be Guilty |
| 1985 | 978-0-7145-2931-8 | Merce Cunningham | Dancer and the Dance (Merce Cunningham in Conversation with Jacqueline Lesschaeve) |
| 1992 | 978-0-7145-2933-2 | Oystein Lonn | Tom Reber's Last Retreat |
| '' | 978-0-7145-2937-0 | Ivan Illich | In the Mirror of the Past: Lectures and Addresses, 1978-90 |
| 1993 | 978-0-7145-2950-9 | Christopher Palmer | The Composer in Hollywood |
| 1989 | 978-0-7145-2951-6 | Leos Janacek | Janacek's Uncollected Essays on Music |
| 1993 | 978-0-7145-2952-3 | Katia Spiegelman | Peculiar Politics: A Romantic Comedy |
| 1992 | 978-0-7145-2953-0 | Pauline Kael | Movie Love |
| 1993 | 978-0-7145-2955-4 | Julien Green | The Green Paradise: 1900-16 v. 1: An Autobiography |
| 2006 | 978-0-7145-2958-5 | Henri-Pierre Roche | Jules Et Jim |
| 1993 | 978-0-7145-2961-5 | Edvard Grieg · Frederick Delius | Grieg and Delius: A Chronicle of Their Friendship in Letters |
| 1995 | 978-0-7145-2965-3 | Witold Gombrowicz | Three Plays: "Princess Ivona", "The Marriage" and "Operetta" |
| 1994 | 978-0-7145-2967-7 | Sue Roe · Susan Sellers · Nicole Ward Jouve · Michele Roberts | The Semi-transparent Envelope: Women Writing - Feminism and Fiction |
| 1993 | 978-0-7145-2969-1 | Julien Green | A War at Sixteen: 1916-19 v. 2: An Autobiography (Jeunes Annees) |
| 1994 | 978-0-7145-2974-5 | Jean Cocteau | The Art of Cinema |
| '' | 978-0-7145-2975-2 | Pauline Kael | I Lost it at the Movies: Film Writings, 1954-65 |
| '' | 978-0-7145-2976-9 | '' | Going Steady: Film Writings, 1968-69 (Film Writings 1968-1969) |
| 1990 | 978-0-7145-2977-6 | Peter Du Preez | Genocide: Psychology of Mass Murder (Briefings) |
| 1994 | 978-0-7145-2980-6 | Erik Satie | Satie: Seen Through His Letters |
| '' | 978-0-7145-2982-0 | Ninian Smart | Choosing a Faith (Briefings) |