Cornell University Press · Edition Sammlung Essl · Fink (Wilhelm) · Pennsylvania State University Press · Prickly Paradigm Press · Roth Horowitz, LLC · Routledge · Stanford University Press · University of Illinois Press · Yale University Press
| title | media type | ISBN-13 | year of publica- tion | other author(s) | |
|---|---|---|---|---|---|
| Art History Versus Aesthetics | Paperback | 978-0-415-97689-3 | 2005 | ||
| Compression vs. Expression: Containing and Explaining the World's Art | " | 978-0-300-09790-0 | 2006 | John Onians · Cao Yiqiang · Wilfried van Damme · Rita Eder · Arlene Fleming · Derek Gillman · Jyotindra Jain | |
| How to Use Your Eyes | " | 978-0-415-99363-0 | 2008 | ||
| How to Use Your Eyes | Hardcover | 978-0-415-92254-8 | 2000 | ||
| Is Art History Global? | Paperback | 978-0-415-97785-2 | 2006 | ||
| Landscape Theory | " | 978-0-415-96054-0 | 2008 | Rachel DeLue | |
| Marco Breuer: Tremors, Ephemera | Hardcover | 978-0-9670774-3-7 | 2001 | Gemma De Cruz | |
| Master Narratives and Their Discontents | Paperback | 978-0-415-97270-3 | 2005 | ||
| On the Strange Place of Religion in Contemporary Art | Hardcover | 978-0-415-96988-8 | 2004 | ||
| on the strange place of religion in contemporary art | Paperback | 978-0-415-96989-5 | 2004 | ||
| Our Beautiful, Dry, and Distant Texts: Art History As Writing | Hardcover | 978-0-271-01630-6 | 1998 | ||
| Photography Theory | " | 978-0-415-97782-1 | 2006 | ||
| Photography Theory | Paperback | 978-0-415-97783-8 | 2006 | ||
| Pictures and Tears: A History of People Who Have Cried in Front of Paintings | " | 978-0-415-97053-2 | 2004 | ||
| Pictures and Tears: How a Painting Can Make You Cry | Hardcover | 978-0-415-93713-9 | 2001 | ||
| Re-Enchantment | " | 978-0-203-89166-7 | 2008 | ||
| Renaissance Theory | Paperback | 978-0-415-96046-5 | 2008 | Robert Williams | |
| Six Stories from the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980-2000 | " | 978-0-8047-4148-4 | 2008 | ||
| Stories of Art | Library Binding | 978-0-415-93942-3 | 2002 | ||
| Stories of Art | Paperback | 978-0-415-93943-0 | 2002 | ||
| The Domain of Images | " | 978-0-8014-8724-8 | 2001 | ||
| The Object Stares Back: On the Nature of Seeing | " | 978-0-15-600497-8 | 1997 | ||
| The State of Art Criticism | Hardcover | 978-0-415-97786-9 | 2007 | ||
| The State of Art Criticism | Paperback | 978-0-415-97787-6 | 2007 | MICHAEL NEWMAN | |
| Transcendence | Hardcover | 978-0-415-96051-9 | 2008 | ||
| Transcendence | Paperback | 978-0-415-96052-6 | 2008 | ||
| (un)gemalt /painted | Gebundene Ausgabe | 978-3-902001-07-8 | 2002 | Daniel Birnbaum · Hans U Obrist · Charles Harrison | |
| Visual Literacy | Paperback | 978-0-415-95811-0 | 2007 | ||
| Visual Practices Across the University | Broschiert | 978-3-7705-4373-1 | 2007 | ||
| Visual Studies: A Skeptical Introduction | Hardcover | 978-0-415-96680-1 | 2003 | ||
| Visual Studies: A Skeptical Introduction | Paperback | 978-0-415-96681-8 | 2003 | ||
| What Happened to Art Criticism? | " | 978-0-9728196-3-3 | 2003 | ||
| What Painting is | " | 978-0-415-92662-1 | 2000 | ||
| What Photography is | Hardcover | 978-0-415-99568-9 | 2010 | ||
| What Photography Is | Paperback | 978-0-415-99569-6 | 2010 | ||
| Why Art Cannot Be Taught: A HANDBOOK FOR ART STUDENTS | " | 978-0-252-06950-5 | 2001 | ||