| year of publication | ISBN | author(s) | title |
| 1992 | 978-1-880559-00-0 | Susan McCartney | Travel Photography: A Complete Guide to How to Shoot and Sell |
| '' | 978-1-880559-01-7 | Stuart Kahan | Accepted |
| '' | 978-1-880559-02-4 | Michal Heron | The Photographer's Organizer |
| '' | 978-1-880559-03-1 | Liane Sebastin | Electronic Design and Publishing: Business Practices |
| '' | 978-1-880559-04-8 | Thomas Hauser | The Family Legal Companion |
| 1993 | 978-1-880559-05-5 | Roz Goldfarb | Careers By Design a Headhunters Secre |
| 1993 | 978-1-880559-06-2 | Carl W. Battle · Reuben Brown | Senior Counsel: Legal and Financial Strategies for Age 50 and Beyond |
| '' | 978-1-880559-07-9 | Daniel Grant | On Becoming an Artist |
| '' | 978-1-880559-08-6 | Nina Schuyler | The Unemployment Survival Handbook |
| 1997 | 978-1-880559-09-3 | David Cleary · Virginia Cleary | Retire Smart: Sound Advice to Help You Make Your Retirement Years Happy, Healthy and Active |
| 1994 | 978-1-880559-10-9 | Chuck Delaney | Wedding Photography and Video |
| 1993 | 978-1-880559-11-6 | Michal Heron · David Mactavish | Pricing Photography: The Complete Guide to Assignment and Stock Prices |
| 1994 | 978-1-880559-12-3 | Susan McCartney | NATURE & WILDLIFE PHOTOGRAPHY |
| '' | 978-1-880559-13-0 | Leonard D. Duboff | The Art Business Encyclopedia |
| '' | 978-1-880559-14-7 | Leonard D. Duboff | The Art Business Encyclopedia |
| 2006 | 978-1-880559-15-4 | Michael Bierut · Steven Heller · William Drenttel · DK Holland | Looking Closer: Critical Writings on Graphic Design (Looking Closer) |
| 1994 | 978-1-880559-16-1 | Carl W. Battle | Smart Maneuvers: Taking Control of Your Career and Personal Success in the Information Age |
| 1994 | 978-1-880559-17-8 | Daniel Grant | The Artist's Resource Handbook |
| '' | 978-1-880559-18-5 | Monona Rossol | The Artist's Complete Health & Safety Guide |
| 1995 | 978-1-880559-19-2 | Leonard D. Duboff | The Law (In Plain English for Photographers) |
| 1994 | 978-1-880559-20-8 | Katherine Atwell Herbert | Writing Scripts Hollywood Will Love |
| '' | 978-1-880559-21-5 | Julius Vitali | The Fine Artist's Guide to Marketing and Self-Promotion |
| 1995 | 978-1-880559-22-2 | Liane Sebastian | Electronic Design and Publishing: Business Practices |
| '' | 978-1-880559-23-9 | Bernhard J. Suess | Mastering Black-And-White Photography: From Camera to Darkroom |
| '' | 978-1-880559-24-6 | Maria Piscopo | PHOTOGRAPHER'S GUIDE TO MARKETING & |
| 1995 | 978-1-880559-25-3 | Harvey J. Platt | Your Living Trust & Estate Plan: How to Maximize Your Family's Assets and Protect Your Loved Ones |
| '' | 978-1-880559-26-0 | Tad Crawford | BUSINESS & LEGAL FORMS GRAPH DESIGN |
| '' | 978-1-880559-27-7 | Caryn R. Leland | Licensing Art and Design: A Professional's Guide to Licensing and Royalty Agreements |
| '' | 978-1-880559-28-4 | Don Sparkman | The Design & Printing Buyer's Survival Guide |
| '' | 978-1-880559-29-1 | Donald Sparkman | SELLING GRAPHIC DESIGN, 1ST EDITION |
| 1995 | 978-1-880559-30-7 | Tad Crawford | BUSINESS & LEGAL FORMS FINE ARTISTS |
| '' | 978-1-880559-31-4 | Nina Schuyler | The Business of Multimedia |
| '' | 978-1-880559-32-1 | Carl R. Baldwin | Immigration: Questions & Answers (Immigration Questions & Answers) |
| 1996 | 978-1-880559-33-8 | Daniel Grant | BUSINESS OF BEING AN ARTIST, 2ND ED |
| '' | 978-1-880559-34-5 | Michael Saint Nicholas · Michael Saint Nichols | An Actor's Guide: Your First Year in Hollywood |
| 1997 | 978-1-880559-35-2 | Julius Vitali | The Fine Artist's Guide to Marketing and Self-Promotion: Innovative Techniques to Build Your Career As an Artist |
| 1996 | 978-1-880559-36-9 | Rena Shagan | Booking & Tour Management for the Performing Arts |
| 1995 | 978-1-880559-37-6 | Tad Crawford | Business and Legal Forms for Authors & Self-Publishers |
| 1996 | 978-1-880559-38-3 | International Design Conference in Aspen 1995 · John Kao | The New Business of Design: The Forty-Fifth International Design Conference in Aspen |
| '' | 978-1-880559-39-0 | Timothy Binkley | Symmetry Studio Version 2.0 |
| 1996 | 978-1-880559-40-6 | V. A. Shiva | Arts and the Internet: A Guide to the Revolution |
| '' | 978-1-880559-41-3 | Annette Lieberman · Vicki Lindner | The Money Mirror: How Money Reflects Women's Dreams, Fears, and Desires |
| '' | 978-1-880559-42-0 | Leonard D. Duboff | The Performing Arts Business Encyclopedia |
| '' | 978-1-880559-43-7 | Lee Wilson | COPYRIGHT GUIDE |
| '' | 978-1-880559-44-4 | John Ruskin | The Laws of Fesole |
| 1996 | 978-1-880559-45-1 | Timothy K. Maloy | The Internet Research Guide: A Concise, Friendly, and Practical Handbook for Anyone Researching in the Wide World of Cyberspace |
| '' | 978-1-880559-46-8 | Joe Farace | The Digital Imaging Dictionary |
| '' | 978-1-880559-47-5 | Jill Snyder | CARING FOR YOUR ART, REV'D |
| 1991 | 978-1-880559-48-2 | Susan Abbott · Barbara Webb | Fine Art Publicity: The Complete Guide for Galleries and Artists |
| 1996 | 978-1-880559-49-9 | Susan Abbott | Corporate Art Consulting |
| '' | 978-1-880559-50-5 | Tad Crawford | BUSINESS & LEGAL FORMS AUTHORS & SE |
| 1994 | 978-1-880559-51-2 | '' | The Secret Life of Money: How Money Can Be Food for the Soul |
| 1996 | 978-1-880559-52-9 | Carl W. Battle · Jean B. Barish · Craig M. Bell · National Legal Information Services (U. S.) | Legal-Wise: Self-Help Legal Guide for Everyone |
| '' | 978-1-880559-53-6 | Carl R. Baldwin | Inmigracion Preguntas Y Respuestas |
| 1997 | 978-1-880559-54-3 | John Ruskin | Lectures on Art (Aesthetics Today) |
| 1996 | 978-1-880559-55-0 | Richard Curtis | Mastering the Business of Writing |
| 1997 | 978-1-880559-56-7 | Michael Beirut · Steven Heller · William Drenttel · DK Holland | Looking Closer 2, No. 2: Critical Writings on Graphic Design (Looking Closer) |
| 1997 | 978-1-880559-57-4 | Roz Goldfarb | Careers by Design: A Headhunter's Secrets for Success and Survival in Graphic Design |
| '' | 978-1-880559-58-1 | Daniel Grant | The Artist's Resource Handbook |
| '' | 978-1-880559-59-8 | Lee Wilson | The Trademark Guide: A Friendly Handbook for Protecting and Profiting from Trademarks |
| '' | 978-1-880559-60-4 | V. A. Shiva | The Internet Publicity Guide: How to Maximize Your Marketing and Promotion in Cyberspace |
| '' | 978-1-880559-61-1 | Timothy K. Maloy | The Writer's Internet Handbook |
| 1997 | 978-1-880559-62-8 | Joe Farace | The Photographer's Internet Handbook |
| 1996 | 978-1-880559-63-5 | Fred Koller | How to Pitch and Promote Your Songs |
| '' | 978-1-880559-64-2 | Nelson Aldrich | Old Money: The Mythology of Wealth in America |
| '' | 978-1-880559-65-9 | Tricia Snell · David Biespiel · Stanley Kunitz | Artists Communities: A Directory of Residencies in the United States Offering Time and Space for Creativity |
| 1997 | 978-1-880559-66-6 | Edward R. Lilley | The Business of Studio Photography: How to Start and Run a Successful Photography Studio |
| 1998 | 978-1-880559-67-3 | Carol Milano | Hers: The Wise Woman's Guide to Starting a Business on $2,000 or Less |
| 1997 | 978-1-880559-68-0 | Michal Heron · David Mactavish | Pricing Photography: The Complete Guide to Assignment and Stock Prices |
| 1998 | 978-1-880559-69-7 | William Herbert Desmonde | Magic, Myth, and Money: The Origin of Money in Religious Ritual |
| 1997 | 978-1-880559-70-3 | Michal Heron | Stock Photography Business Forms: Everything You Need to Succeed in Stock Photography |
| '' | 978-1-880559-71-0 | Steven Heller · Marie Finamore | Design Culture: An Anthology of Writing from the AIGA Journal of Graphic Design |
| '' | 978-1-880559-72-7 | Carl Battle | The Patent Guide: A Friendly Handbook for Protecting and Profiting from Patents |
| 1997 | 978-1-880559-74-1 | Mary Moreno | The Writer's Guide to Corporate Communications |
| 1998 | 978-1-880559-75-8 | Peggy Hadden | The Artist's Guide to New Markets: Opportunities to Show and Sell Art Beyond Galleries |
| 1997 | 978-1-880559-76-5 | Steven Heller · Karen Pomeroy | Design Literacy: Understanding Graphic Design |
| '' | 978-1-880559-77-2 | Walter Pater | Imaginary Portraits (Aesthetics Today) |
| '' | 978-1-880559-79-6 | Daniel Grant | The Writer's Resource Handbook |
| '' | 978-1-880559-80-2 | Timothy K. Maloy | The Writer's Internet Handbook |
| 1998 | 978-1-880559-81-9 | Lee Wilson | The Trademark Guide |
| 1997 | 978-1-880559-82-6 | Tad Crawford | BUSINESS & LEGAL FORMS PHOTOGRAPHER |
| '' | 978-1-880559-83-3 | Daniel Grant | How to Start and Succeed As an Artist |
| 1998 | 978-1-880559-84-0 | Carl R. Baldwin | Immigration Questions & Answers |
| 1998 | 978-1-880559-85-7 | John Brooks | Once in Golconda: A True Drama of Wall Street 1920-1938 |
| '' | 978-1-880559-86-4 | Michael F. Havelin | Photography for Writers: Using Photography to Increase Your Writing Income |
| '' | 978-1-880559-87-1 | Tad Crawford | Business and Legal Forms for Crafts |
| '' | 978-1-880559-88-8 | Bernhard J. Suess | Creative Black-And-White Photography: Advanced Camera and Darkroom Techniques |
| '' | 978-1-880559-89-5 | AIGA | AIGA Professional Practices in Graphic Design: American Institute of Graphic Arts |
| 1998 | 978-1-880559-90-1 | Bill Beckley · David Shapiro | UNCONTROLLABLE BEAUTY (Aesthetics Today) |
| '' | 978-1-880559-91-8 | John Brooks | The Go-Go Years: The Drama and Crashing Finale of Wall Street's Bullish 60's |
| '' | 978-1-880559-92-5 | Tad Crawford · Susan Mellon | The Artist-Gallery Partnership: A Practical Guide to Consigning Art |
| '' | 978-1-880559-93-2 | Richard Farber | Historic Photographic Processes: A Guide to Creating Handmade Photographic Images |
| '' | 978-1-880559-94-9 | Joe Farace | Re-Engineering the Photo Studio: Bringing Your Studio into the Digital Age |
| 1998 | 978-1-880559-95-6 | Leonard Duboff | The Law (in Plain English) for Small Businesses: Third Edition |
| '' | 978-1-880559-96-3 | Carl W. Battle | The Retirement Handbook: How to Maximize Your Assets and Protect Your Quality of Life |
| '' | 978-1-880559-97-0 | Glenn Alterman | Promoting Your Acting Career |
| '' | 978-1-880559-98-7 | Richard Curtis | This Business of Publishing: An Insider's View of Current Trends and Tactics |
| '' | 978-1-880559-99-4 | Steven Heller | The Education of a Graphic Designer |