Other ISBN ranges for No Exit Press: No Exit Press (978-1-874061-...) · No Exit Press (978-1-901982-...)
| year of publication | ISBN | author(s) | title |
|---|---|---|---|
| 2001 | 978-1-84243-001-9 | Charles Willeford | The Woman Chaser |
| '' | 978-1-84243-003-3 | Charles Willeford | Wild Wives/High Priest of California |
| 2000 | 978-1-84243-007-1 | Jacques Black | Football Betting to Win |
| '' | 978-1-84243-008-8 | Tom Robbins | Fierce Invalids Home from Hot Climates |
| 2001 | 978-1-84243-009-5 | Charles Willeford | Miami Blues |
| '' | 978-1-84243-010-1 | '' | New Hope for the Dead |
| '' | 978-1-84243-011-8 | '' | Sideswipe (Hoke Moseley detective thriller) |
| 2001 | 978-1-84243-012-5 | Charles Willeford | The Way We Die Now (Hoke Moseley detective thriller) |
| '' | 978-1-84243-014-9 | Robert B. Parker | Perish Twice |
| '' | 978-1-84243-022-4 | Tom Robbins | Still Life with Woodpecker |
| '' | 978-1-84243-024-8 | '' | Even Cowgirls Get the Blues |
| 2003 | 978-1-84243-025-5 | Sparkle Hayter | What's a Girl Gotta Do? (A Robin Hudson mystery) |
| 2001 | 978-1-84243-026-2 | Sparkle Hayter | The Chelsea Girl Murders (A Robin Hudson mystery) |
| '' | 978-1-84243-027-9 | Charles Willeford | The Machine in Ward Eleven |
| 2001 | 978-1-84243-028-6 | Tom Robbins | Fierce Invalids Home from Hot Climates |
| '' | 978-1-84243-029-3 | Lawrence Block | The Burglar in the Closet (Bernie Rhodenbarr Mystery) |
| '' | 978-1-84243-030-9 | Lawrence Block | The Burglar in the Rye (Bernie Rhodenbarr Mystery) |
| 2002 | 978-1-84243-032-3 | Robert B. Parker | Potshot |
| '' | 978-1-84243-034-7 | Tom Robbins | Skinny Legs and All |
| 2001 | 978-1-84243-035-4 | '' | Jitterbug Perfume |
| 2002 | 978-1-84243-036-1 | Tom Robbins | Half Asleep in Frog Pajamas |
| 2001 | 978-1-84243-039-2 | David Spanier | The Hand I Played: A Poker Memoir |
| 2002 | 978-1-84243-042-2 | Sparkle Hayter | Naked Brunch |
| '' | 978-1-84243-043-9 | Daniel Woodrell | The Death of Sweet Mister |
| 2007 | 978-1-84243-046-0 | Jakob Arjouni | Kismet (Kayankaya) |
| 2002 | 978-1-84243-047-7 | Jason Starr | Hard Feelings |
| '' | 978-1-84243-049-1 | Daniel Woodrell | The Ones You Do |
| '' | 978-1-84243-050-7 | Sparkle Hayter | Nice Girls Finish Last (A Robin Hudson mystery) |
| '' | 978-1-84243-051-4 | Lawrence Block | The Burglar Who Thought He Was Bogart (Bernie Rhodenbarr Mystery) |
| 2002 | 978-1-84243-052-1 | Lawrence Block | The Burglar in the Library (Bernie Rhodenbarr Mystery) |
| '' | 978-1-84243-053-8 | Daniel Woodrell | The Death of Sweet Mister |
| 2003 | 978-1-84243-054-5 | Sparkle Hayter | Naked Brunch |
| 2002 | 978-1-84243-057-6 | Robert B. Parker | Death in Paradise: A Jesse Stone Novel |
| '' | 978-1-84243-058-3 | '' | Sudden Mischief (A Spenser novel) |
| '' | 978-1-84243-059-0 | '' | Widow's Walk: A Spenser Novel |
| '' | 978-1-84243-064-4 | Lawrence Block | The Burglar Who Painted Like Mondrian (Bernie Rhodenbarr Mystery) |
| 2002 | 978-1-84243-065-1 | Lawrence Block | Burglars Can't be Choosers |
| '' | 978-1-84243-068-2 | '' | The Burglar Who Traded Ted Williams |
| 2003 | 978-1-84243-070-5 | Max Decharne | Hardboiled Hollywood |
| '' | 978-1-84243-073-6 | James Sallis | Cypress Grove |
| '' | 978-1-84243-075-0 | Robert B. Parker | Shrink Rap: A Sunny Randall Mystery |
| 2002 | 978-1-84243-080-4 | Barry Forshaw | Crimetime: 30 |
| '' | 978-1-84243-081-1 | Edward Bunker | The Animal Factory |
| 2003 | 978-1-84243-082-8 | Edward Bunker | No Beast So Fierce |
| 2003 | 978-1-84243-086-6 | Georges Simenon | Red Lights |
| '' | 978-1-84243-087-3 | Georges Simenon | Striptease |
| '' | 978-1-84243-091-0 | Edward Bunker | Little Boy Blue |
| '' | 978-1-84243-092-7 | '' | Dog Eat Dog |
| '' | 978-1-84243-094-1 | James Sallis | Cypress Grove |
| 2004 | 978-1-84243-095-8 | Jason Starr | Tough Luck |
| 2003 | 978-1-84243-097-2 | Robert B. Parker | Back Story |
| 2004 | 978-1-84243-100-9 | Tom Robbins | Villa Incognito |
| 2004 | 978-1-84243-101-6 | Tom Robbins | Villa Incognito |
| 2004 | 978-1-84243-102-3 | Tom Robbins | Villa Incognito |
| '' | 978-1-84243-103-0 | '' | The Villa Incognito |
| 2009 | 978-1-84243-109-2 | Jason Starr | Fake ID |
| 2004 | 978-1-84243-111-5 | Lawrence Block | The Burglar Who Studied Spinoza |
| 2006 | 978-1-84243-113-9 | James Sallis | Drive |
| 2007 | 978-1-84243-114-6 | '' | Drive |
| 2004 | 978-1-84243-116-0 | Robert B. Parker | Stone Cold |
| '' | 978-1-84243-117-7 | Lawrence Block | The Burglar on the Prowl |
| '' | 978-1-84243-120-7 | Max Decharne | Straight from the Fridge, Dad: A Dictionary of Hipster Slang |
| '' | 978-1-84243-121-4 | Paul Cain | Fast One |
| 2004 | 978-1-84243-123-8 | Robert B. Parker | Bad Business |
| '' | 978-1-84243-129-0 | Tom Robbins | Another Roadside Attraction |
| '' | 978-1-84243-130-6 | Kem Nunn | Tijuana Straits |
| 2005 | 978-1-84243-131-3 | Kem Nunn | Tijuana Straits |
| '' | 978-1-84243-132-0 | Jason Starr | Twisted City |
| '' | 978-1-84243-134-4 | Sparkle Hayter | Bandit Queen Boogie |
| 2005 | 978-1-84243-138-2 | Theodore Roszak | Flicker |
| '' | 978-1-84243-139-9 | Robert B. Parker | Double Play |
| '' | 978-1-84243-140-5 | '' | Melancholy Baby (Sunny Randall Novel) |
| '' | 978-1-84243-141-2 | '' | Cold Service |
| 2006 | 978-1-84243-142-9 | Robert B. Parker | Sea Change |
| 2005 | 978-1-84243-143-6 | '' | School Days |
| '' | 978-1-84243-144-3 | Tom Robbins | Wild Ducks Flying Backward |
| '' | 978-1-84243-149-8 | Eric Ambler | The Levanter: 1 (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-150-4 | Jakob Arjouni | Happy Birthday, Turk (No Exit 18 Years) |
| '' | 978-1-84243-151-1 | Lawrence Block | The Burglar Who Studied Spinoza (No Exit Press 18 Years Classic) |
| 2005 | 978-1-84243-152-8 | Edward Bunker | The Animal Factory (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-153-5 | Anthony Frewin | London Blues (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-154-2 | William Hjortsberg | Falling Angel (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-155-9 | Sparkle Hayter | Nice Girls Finish Last (A Robin Hudson mystery) |
| '' | 978-1-84243-156-6 | John Milne | Alive and Kicking (No Exit Press 18 Years Classic) |
| 2005 | 978-1-84243-157-3 | Kem Nunn | Tapping the Source: 9 (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-158-0 | Jack O'Connell | The Word Made Flesh (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-159-7 | Robert B. Parker | Night Passage (A Jesse Stone novel) |
| '' | 978-1-84243-160-3 | Tom Robbins | Another Roadside Attraction (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-161-0 | James Sallis | Death Will Have Your Eyes (No Exit Press 18 Years Classic) |
| 2005 | 978-1-84243-163-4 | Jason Starr | Cold Caller (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-164-1 | Mark Timlin | All the Empty Places (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-165-8 | Charles Willeford | Miami Blues (No Exit Press 18 Years Classic) |
| '' | 978-1-84243-166-5 | Daniel Woodrell | Muscle for the Wing (A Shade novel) |
| '' | 978-1-84243-167-2 | Robert B. Parker | Double Play |
| 2006 | 978-1-84243-170-2 | '' | Cold Service |
| 2006 | 978-1-84243-171-9 | Tom Robbins | Wild Ducks Flying Backward |
| '' | 978-1-84243-172-6 | Robert B. Parker | School Days |
| '' | 978-1-84243-173-3 | '' | Blue Screen |
| '' | 978-1-84243-174-0 | Eric Ambler | The Light of Day |
| '' | 978-1-84243-179-5 | James Grady | Mad Dogs |
| 2007 | 978-1-84243-183-2 | James Sallis | Cripple Creek |
| 2006 | 978-1-84243-184-9 | Robert B. Parker | Blue Screen |
| 2006 | 978-1-84243-185-6 | Robert B. Parker | Dream Girl |
| 2007 | 978-1-84243-187-0 | '' | Sea Change |
| 2007 | 978-1-84243-188-7 | Robert B. Parker | High Profile |
| '' | 978-1-84243-192-4 | '' | Blue Screen |
| '' | 978-1-84243-193-1 | James Grady | Six Days of the Condor |
| '' | 978-1-84243-194-8 | David Thomson | Suspects |
| '' | 978-1-84243-205-1 | James Grady | Mad Dogs |
| 2007 | 978-1-84243-207-5 | Robert B. Parker | Spare Change |
| '' | 978-1-84243-209-9 | '' | Now and Then |
| '' | 978-1-84243-212-9 | Victoria Carolan | WW1 at Sea |
| '' | 978-1-84243-214-3 | Robert B. Parker | HIGH PROFILE |
| '' | 978-1-84243-215-0 | Edward Bunker | Stark |
| 2007 | 978-1-84243-216-7 | Robert B. Parker | Dream Girl |
| '' | 978-1-84243-217-4 | David R. Carter | The Western |
| '' | 978-1-84243-218-1 | Colin Odell · Michelle LeBlanc | Horror Films |
| '' | 978-1-84243-224-2 | Lee Martin | Gangsters Wives |
| '' | 978-1-84243-225-9 | Colin Odell · Michelle LeBlanc | David Lynch |
| 2007 | 978-1-84243-226-6 | Jean-Marc Lofficier · Randy Lofficier | Tintin (Pocket Essentials) (The Pocket Essential) |
| '' | 978-1-84243-228-0 | Michael Ventura | Cassavetes Directs |
| '' | 978-1-84243-232-7 | Robin Ramsay | Who Shot JFK? (Pocket Essentials) |
| '' | 978-1-84243-234-1 | James Sallis | Cripple Creek |
| '' | 978-1-84243-235-8 | Jakob Arjouni | Kismet (Kayankaya) |
| 2007 | 978-1-84243-237-2 | Nick Harding | How to be a Good Atheist |
| '' | 978-1-84243-240-2 | Bill Price | Tutankhamun Egypt's Most Famous Pharoah (Pocket Essential) |
| '' | 978-1-84243-245-7 | Mike Paine | ANCIENT GREECE (Pocket Essentials) |
| 2008 | 978-1-84243-248-8 | Nick Rennison | Rivals of Sherlock Holmes |
| '' | 978-1-84243-251-8 | Westwood · Emma | Monster Movies (Pocket Essential Series) |
| '' | 978-1-84243-253-2 | Derek Hill | Charlie Kaufman and Hollywood's Merry Band of Pranksters, Fabulists and Dreamers - An excursion into the American New Wave |
| 2010 | 978-1-84243-254-9 | Sean Martin | New Waves in Cinema |
| 2009 | 978-1-84243-261-7 | Lee Martin | The Lipstick Killers |
| 2008 | 978-1-84243-262-4 | Robert B. Parker | Spare Change: A Sunny Randall Novel |
| 2008 | 978-1-84243-263-1 | Robert B. Parker | NOW & THEN |
| '' | 978-1-84243-264-8 | Edward Bunker | Stark |
| '' | 978-1-84243-266-2 | Bunker · Edward | No Beast So Fierce |
| '' | 978-1-84243-267-9 | Bunker · Edward | Animal Factory |
| '' | 978-1-84243-268-6 | '' | Little Boy Blue |
| 2008 | 978-1-84243-269-3 | Bunker · Edward | Dog Eat Dog |
| 2009 | 978-1-84243-271-6 | Leigh Russell | Cut Short (DI Geraldine Steel) |
| '' | 978-1-84243-273-0 | Lyndsay Russell | Fat Chance |
| 2008 | 978-1-84243-276-1 | Tom Bowling | Antigallican, The |
| '' | 978-1-84243-277-8 | James Sallis | Salt River |
| 2009 | 978-1-84243-279-2 | Odell · Colin · Le Blanc · Michelle | Studio Ghibli: The Films of Hayao Miyazaki and Isao Takahata |
| 2008 | 978-1-84243-280-8 | Michelle Le Blanc · Colin Odell | Vampire Films (Pocket Essentials) |
| '' | 978-1-84243-282-2 | Tom Fallows · Curtis Owen | George A. Romero (Pocket Essentials) |
| 2007 | 978-1-84243-283-9 | Chris Wiegand | French New Wave (Pocket Essentials) |
| 2008 | 978-1-84243-285-3 | Brian J. Robb | Laurel & Hardy (Pocket Essentials) |
| 2009 | 978-1-84243-286-0 | Martin Fitzgerald | Orson Welles (Pocket Essentials) |
| 2008 | 978-1-84243-291-4 | Steven Paul Davies | Out at the Movies: A History of Gay Cinema |
| 2009 | 978-1-84243-294-5 | Richard Asplin | Conman |
| '' | 978-1-84243-297-6 | Clem Chambers | The Armageddon Trade |
| 2009 | 978-1-84243-298-3 | Clem Chambers | Armageddon Trade, The (No Exit Press) |
| 2008 | 978-1-84243-301-0 | Paul Hardy | Filming on a Microbudget |
| 2009 | 978-1-84243-304-1 | Alex Cox | 10,000 Ways to Die: A Director's Take on the Spaghetti Western |
| 2008 | 978-1-84243-308-9 | Robert B. Parker | Small Vices |
| 2009 | 978-1-84243-313-3 | '' | Sea Change |
| '' | 978-1-84243-321-8 | Bowling · Tom | Antigallican, The |
| '' | 978-1-84243-325-6 | Robert B. Parker | Hugger Mugger |
| 2009 | 978-1-84243-327-0 | Robert B. Parker | Widow's Walk |
| '' | 978-1-84243-331-7 | Tom Robbins | B is for Beer |
| '' | 978-1-84243-334-8 | Mikel J. Koven | Blaxploitation Films |