| year of publication | ISBN | author(s) | title |
|---|
| 2000 | 978-1-84150-002-7 | J Friedmann | How to Make Money Scriptwriting |
| '' | 978-1-84150-003-4 | B Marshall | Musicals: Hollywood and Beyond |
| 1999 | 978-1-84150-005-8 | Peter Howard · Greg Ashworth | European Heritage Planning and Management |
| 2000 | 978-1-84150-015-7 | Tim Prentki · Jan Selman | Popular Theatre in Political Culture: Britain and Canada in Focus (Theatre studies) |
| 1999 | 978-1-84150-020-1 | JS Dumas | Practical Guide to Usability Testing (Human/computer interaction) |
| 2007 | 978-1-84150-030-0 | E Kac | Media Poetry: An International Anthology |
| 2002 | 978-1-84150-055-3 | Judith Rugg · Daniel Hinchcliffe | Recoveries and Reclamations: Advances in Art and Urban Futures, Volume 2 |
| 2001 | 978-1-84150-060-7 | Ari Hiltunen | Aristotle in Hollywood: Visual Stories That Work (Cinema and Media Series) |
| 2006 | 978-1-84150-064-5 | Michael Punt | Imagination, Technology and Pleasure: The Emergence of Cinema |
| 1999 | 978-1-84150-065-2 | Philip Parker | Art and Science of Screenwriting |
| 2004 | 978-1-84150-066-9 | M Balfour | Theatre in Prison: Theory and Practice |
| 2003 | 978-1-84150-075-1 | Sarah Bennett · John Butler | Locality, Regeneration and Divers[c]ities: Advances in Art and Urban Futures Volume 1 |
| 2009 | 978-1-84150-079-9 | R Griffiths | Queer Cinema in Europe |
| 2004 | 978-1-84150-085-0 | D Konstadakopulos | Learning for Innovation in the Global Knowledge Economy: A European and Southeast Asian Perspective |
| 2000 | 978-1-84150-086-7 | D Carpenter | Digital Magazine Design: With Case Studies |
| 2003 | 978-1-84150-089-8 | Malcolm Miles · Nicola Kirkham | Cultures and Settlements: Advances in Art and Urban Futures, Volume 3 |
| 2004 | 978-1-84150-090-4 | F Corcoran | RTÉ and the Globalisation of Irish Television |
| 2006 | 978-1-84150-107-9 | G Dowd | Genre Matters: Essays in Theory and Criticism |
| 2004 | 978-1-84150-113-0 | NK Hayles | Nanoculture: Implications of the New Technoscience |
| 2005 | 978-1-84150-116-1 | A BentkowskaKafe | Digital Art History: Computers and the History of Art Volume 1 |
| 2004 | 978-1-84150-117-8 | P Brereton | Hollywood Utopia: Ecology in Contemporary American Cinema |
| 2005 | 978-1-84150-118-5 | Malcolm Miles · Tim Hall | Interventions: Art in the Public Sphere: v.4: Advances in Art and Urban Futures: Vol 4 |
| '' | 978-1-84150-119-2 | P Gormley | The New Brutality Film: Race and Affect in Contemporary American Cinema |
| '' | 978-1-84150-124-6 | Zhouying Jin | Global Technological Change: From Hard Technology to Soft Technology |
| '' | 978-1-84150-126-0 | R Hickman | Why We Make Art: And Why it is Taught |
| 2005 | 978-1-84150-127-7 | R Hickman | Critical Studies in Art and Design Education (Readings in Art and Design Education Series) |
| '' | 978-1-84150-129-1 | S Livingstone | Audiences and Publics: v.2: Changing Media: Vol 2 (Changing Europe) |
| 2006 | 978-1-84150-132-1 | Albert Moran · Justin Malbon | Understanding the Global TV Format |
| '' | 978-1-84150-136-9 | M Alexenberg | The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness |
| '' | 978-1-84150-137-6 | A Oddey | The Potentials of Spaces: International Scenography and Performance for the 21st Century |
| '' | 978-1-84150-138-3 | M Langford | Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter |
| 2007 | 978-1-84150-142-0 | A Clarke · G. Mitchell | Videogames and Art (Intellect) |
| 2006 | 978-1-84150-143-7 | G DonmezColin | Cinema of the Other: A Personal Journey with Film-makers from the Middle East and Central Asia |
| 2008 | 978-1-84150-145-1 | T Rayment | The Problem of Assessment in Art and Design (Readings in Art and Design Education Series) |
| 2006 | 978-1-84150-146-8 | T Hardy | Art Education in a Postmodern World |
| 2009 | 978-1-84150-148-2 | PT Cheuk | Hong Kong New Wave Cinema (1978-2000) |
| 2008 | 978-1-84150-149-9 | M Mangan | Performing Dark Arts: A Cultural History of Conjuring (Theatre and Consciousness Series) |
| 2009 | 978-1-84150-162-8 | J Rugg | Issues in Curating Contemporary Art and Performance |
| 2009 | 978-1-84150-166-6 | T Murjas | The Morality of Mrs. Dulska: A Play by Gabriela Zapolska (Play Text Series) |
| '' | 978-1-84150-172-7 | M Starks | Switching to Digital Television: UK Public Policy and the Market |
| 2008 | 978-1-84150-173-4 | M Browning | David Cronenberg: Author or Filmmaker? |
| 2009 | 978-1-84150-174-1 | M Taylor | British Pantomime Performance |
| 2007 | 978-1-84150-176-5 | Trends in Functional Programming 6 |
| 2009 | 978-1-84150-185-7 | J Berra | Declarations of Independence: American Cinema and the Partiality of Independent Production |
| '' | 978-1-84150-190-1 | S Manghani | Image Critique and the Fall of the Berlin Wall |
| '' | 978-1-84150-191-8 | M Alexenberg | Educating Artists for the Future: Learning at the Intersections of Art, Science, Technology and Culture |
| '' | 978-1-84150-195-6 | R Sassoon | The Designer: Half a Century of Change in Image, Training, and Techniques |
| 2009 | 978-1-84150-197-0 | C Simpson | Diasporas of Australian Cinema |
| '' | 978-1-84150-199-4 | R Hickman | Research in Art and Design Education: Issues and Exemplars (Reading in Art & Design Education) |
| '' | 978-1-84150-200-7 | S Garner | Writing on Drawing: Essays on Drawing Practice and Research |
| '' | 978-1-84150-201-4 | L Duff | Drawing - the Purpose |
| 2008 | 978-1-84150-205-2 | Richard Hickman | Critical Studies in Art and Design Education |
| 2009 | 978-1-84150-209-0 | L Leung | Digital Experience Design: Ideas, Industries, Interaction |
| '' | 978-1-84150-211-3 | M Jordan | Art and Theory After Socialism |
| 2009 | 978-1-84150-234-2 | P Small | Sophia Loren: Moulding the Star |
| '' | 978-1-84150-243-4 | A Czepek | Press Freedom and Pluralism in Europe: Concepts and Conditions (ECREA Series) |
| '' | 978-1-84150-244-1 | E Girelli | Beauty and the Beast: Italianness in British Cinema |
| 2010 | 978-1-84150-272-4 | Greg McLaughlin · Stephen Baker | The Propaganda of Peace: The Role of Media and Culture in the Northern Ireland Peace Process |
| 2009 | 978-1-84150-279-3 | Brian O'Neill · Marko Ala-Fossi · Per Jauert · Stephen Lax · Lars Nyre · Helen Shaw | Digital Radio in Europe: Technologies, Industries and Cultures |
| 2002 | 978-1-84150-700-2 | Coveney | Variability in Spoken French Pb |
| 2001 | 978-1-84150-800-9 | Bernard Dumpleton | Brunel's Three Ships |
| 2002 | 978-1-84150-801-6 | Bernard Dumpleton | The Story of the Paddle Steamer |
| 2003 | 978-1-84150-841-2 | Ib Bondebjerg | The Danish Directors: Dialogues on a Contemporary National Cinema |
| 2002 | 978-1-84150-846-7 | Nicola M. Sutherland | Henry IV of France and the Politics of Religion 1572-1596: v. 1 & 2 |
| 2000 | 978-1-84150-847-4 | T Prentki | Popular Theatre in Political Culture: Britain and Canada in Focus (Theatre studies) |
| 2003 | 978-1-84150-848-1 | Rosemary Sassoon | Computers and Typography: v. 2 |
| '' | 978-1-84150-854-2 | Newnham | Andre Malraux: an Age of Oppression Pb: (Le Temps Du Mepris) |
| 2005 | 978-1-84150-935-8 | Jocelyn Hemming | A Devon House: The Story of Poltimore |
| 2006 | 978-1-84150-965-5 | P Parker | The Art and Science of Screenwriting |
| 978-1-84150-967-9 | Detroit: Ruin of a City |