| year of publication | ISBN | author(s) | title |
|---|
| 1991 | 978-0-941188-10-4 | Steven D. Katz | Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions) |
| '' | 978-0-941188-11-1 | Michael Wiese | Film & Video Financing |
| 1992 | 978-0-941188-13-5 | Christopher Vogler | The Writer's Journey: Mythic Structure for Storytellers & Screenwriters |
| '' | 978-0-941188-14-2 | Steven D. Katz | Film Directing Cinematic Motion: A Workshop for Staging Scenes |
| 1994 | 978-0-941188-17-3 | Jay Gordon | Good Food Today, Great Kids Tomorrow: 50 Things You Can Do for Healthy, Happy Children |
| '' | 978-0-941188-18-0 | Morrie Warshawski | Shaking the Money Tree: How to Get Grants and Donations for Film and Video Projects |
| 1995 | 978-0-941188-21-0 | Kathryn Shaw Whitver | The Digital Videomaker's Guide |
| '' | 978-0-941188-22-7 | Michael Wiese | Film and Video Budgets, Second Edition |
| 1999 | 978-0-941188-23-4 | John Gaspard · Gaspard Newton | Persistence of Vision: An Impractical Guide to Producing a Feature Film for Under $30,000 |
| 1999 | 978-0-941188-24-1 | Judith Weston | Directing Actors: Creating Memorable Performances for Film & Television |
| 2000 | 978-0-941188-25-8 | James O Fraioli | Storyboarding 101: A Crash Course in Professional Storyboarding (Michael Wise Productions) |
| 2001 | 978-0-941188-26-5 | David Sonnenschein | Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema |
| '' | 978-0-941188-28-9 | Marcie Begleiter | From Word to Image: Storyboarding and the Filmmaking Process |
| 2000 | 978-0-941188-29-6 | Michael Halperin | Writing the Second ACT: Building Conflict and Tension in Your Film Script |
| 2001 | 978-0-941188-31-9 | James K Shea | The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood |
| '' | 978-0-941188-33-3 | Dale Newton · John Gaspard | Digital Filmmaking 101: An Essential Guide to Producing Low Budget Movies |
| '' | 978-0-941188-34-0 | Deke Simon · Michael Wiese | Film & Video Budgets: Includes Digital Video |
| '' | 978-0-941188-35-7 | Richard E La Motte | Costume Design 101 (Costume Design 101: The Business & Art of Creating) |
| 2002 | 978-0-941188-37-1 | Sam O'Steen · Bobbie O'Steen | Cut to the Chase: Forty-Five Years of Editing America's Favourite Movies |
| 2002 | 978-0-941188-39-5 | Neill D Hicks · Neil D Hicks | Writing the Action Adventure Film: The Moment of Truth |
| '' | 978-0-941188-40-1 | Michael Halperin | Writing the Killer Treatment: Selling Your Story Without a Script |
| 2003 | 978-0-941188-41-8 | Stuart Voytilla · Scott Petri | Writing the Comedy Film: Make 'em Laugh |
| 2002 | 978-0-941188-43-2 | Mark W. Travis | Directing Feature Films: The Creative Collaborarion Between Director, Writers, and Actors |
| '' | 978-0-941188-44-9 | Kathie Fong Yoneda | The Script-Selling Game: A Hollywood Insider's Look at Getting Your Script Sold and Produced / By Kathie Fong Yoneda |
| '' | 978-0-941188-45-6 | Deborah S Patz | Film Production Management 101: The Ultimate Guide for Film and Television Production Management and Coordination (Michael Wiese Productions) |
| '' | 978-0-941188-46-3 | Neill D Hicks | Writing the Thriller Film: The Terror Within (Michael Wiese Productions) |
| 2003 | 978-0-941188-49-4 | Martin Roth | The Crime Writer's Reference Guide: 1001 Tips for Writing the Perfect Murder |
| 1998 | 978-0-941188-57-9 | Michael Wiese | The Independent Film and Videomaker's Guide, Second Edition (Michael Wiese Productions) |
| 1999 | 978-0-941188-58-6 | Robert A Berman · Bob Berman | Fade In: The Screenwriting Process, Second Edition |
| 1999 | 978-0-941188-59-3 | Mark W Travis | The Director's Journey |
| '' | 978-0-941188-62-3 | Michael Tobias | The Search for Reality: The Art of Documentary Filmmaking |
| '' | 978-0-941188-65-4 | James Bonnet | Stealing Fire from the Gods: A Dynamic New Story Model for Writers and Filmmakers |
| '' | 978-0-941188-66-1 | Stuart Voytilla | Myth & the Movies: Discovering the Myth Structure of 50 Unforgettable Films |
| '' | 978-0-941188-68-5 | Ernest Pintoff | Animation 101 |
| 1999 | 978-0-941188-69-2 | Steve Carlson | Hitting Your Mark |
| 1998 | 978-0-941188-70-8 | Christopher Vogler | The Writers Journey: Mythic Structure for Writers, 2nd Edition |
| 1999 | 978-0-941188-71-5 | Dale W Bell | Woodstock: An Inside Look at the Movie That Shook Up the World and Defined a Generation |
| '' | 978-0-941188-72-2 | Neill D Hicks | Screenwriting 101: The Essential Craft of Feature Film Writing |
| 2000 | 978-0-941188-73-9 | Jeremy Vineyard | Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know |
| 2003 | 978-0-941188-75-3 | Claudia Johnson · Matt Stevens | Script Partners: What Makes Film and TV Writing Teams Work |
| '' | 978-0-941188-76-0 | Mark Steven Bosko | The Complete Independent Movie Marketing Handbook |
| 2004 | 978-0-941188-77-7 | Gil Bettman | First Time Director: How to Make Your Breakthrough Movie |
| 2003 | 978-0-941188-78-4 | Judith Weston | The Film Director's Intuition: Script Analysis and Rehearsal Techniques |
| '' | 978-0-941188-79-1 | Morrie Warshawski | Shaking the Money Tree, 2nd Edition: How to Get Grants and Donations for Film and Video (Shaking the Money Tree: The Art of Getting Grants & Donations) |
| '' | 978-0-941188-80-7 | Scott Billups | Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career (The Filmmaker's Guide to the 21st Century) |
| 2003 | 978-0-941188-83-8 | Brad Schreiber | What Are You Laughing At?: How to Write Funny Screenplays, Stories, and More |
| 2004 | 978-0-941188-84-5 | Richard D. Pepperman | The Eye Is Quicker: Film Editing: Making a Good Film Better |
| '' | 978-0-941188-87-6 | William Indick | Psychology for Screenwriters |
| '' | 978-0-941188-89-0 | Kim Adelman | The Ultimate Filmmaker's Guide to Short Films: Making It Big in Shorts |
| '' | 978-0-941188-90-6 | Steven D Katz | Film Directing: Cinematic Motion, Second Edition |
| '' | 978-0-941188-91-3 | Bruce Mamer · Jason Wallace | Digital Editing with Final Cut Pro 4: Professional Post-Production Technique |
| 2004 | 978-0-941188-92-0 | Joe Leydon | Joe Leydon's Guide to Essential Movies You Must See: If You Read, Write About, or Make Movies |
| '' | 978-0-941188-93-7 | John Scott Lewinski | Alone in a Room |
| 2005 | 978-0-941188-94-4 | Christina Hamlett | Could It Be a Movie?: How to Get Your Ideas from Out of Your Head and Up on the Screen |
| 2004 | 978-0-941188-95-1 | Phil Hall | The Encyclopedia of Underground Movies: Films from the Fringes of Cinema |
| '' | 978-0-941188-96-8 | Sable Jak | Writing the Fantasy Film: Heroes and Journeys in Alternate Realities |
| 2005 | 978-0-941188-97-5 | Marisa D'vari | Creating Characters: Let Them Whisper Their Secrets |
| 2004 | 978-0-941188-99-9 | Gael Chandler | Cut by Cut: Editing Your Film or Video |