| year of publication | ISBN | author(s) | title |
| 1983 | 978-0-936756-02-8 | Jean Baudrillard | Simulations (Foreign Agents Series) |
| 1984 | 978-0-936756-04-2 | Jean-Francois Lyotard | Driftworks (Semiotext(e) / Foreign agents) |
| 1990 | 978-0-936756-05-9 | Paul Virilio | Popular Defense & Ecological Struggles |
| 1984 | 978-0-936756-08-0 | P. M. | Bolo Bolo (Foreign Agents) |
| 1986 | 978-0-936756-09-7 | Gilles Deleuze · Félix Guattari | Nomadology: The War Machine |
| 1988 | 978-0-936756-10-3 | Jean Baudrillard | Forget Foucault (Semiotext(e) / Foreign Agents) |
| '' | 978-0-936756-13-4 | Peter Lamborn Wilson | Scandal: Essays in Islamic Heresy |
| 1989 | 978-0-936756-14-1 | Leopoldina Fortunati | Arcane of Reproduction: Housework, Prostitution, Labor and Capital |
| 1988 | 978-0-936756-15-8 | Peter Lamborn Wilson | Scandal: Essays in Islamic Heresy |
| 1991 | 978-0-936756-18-9 | Paul Thorez | Model Children: Inside the Republic of Red Scarves |
| 1993 | 978-0-936756-19-6 | Michael Ryan | Gulliver |
| 1990 | 978-0-936756-21-9 | Felix Guattari · Antonio Negri · Michael Ryan | Communists Like Us (Semiotext) |
| 1989 | 978-0-936756-25-7 | Antonio Negri | Marx Beyond Marx: Lessons on the Grundrisse |
| '' | 978-0-936756-26-4 | Constantine George Caffentzis | Clipped Coins Abused Words and Civil Government: John Locks Philosophy of Money |
| '' | 978-0-936756-27-1 | '' | Clipped Coins, Abused Words, and Civil Government: John Locke's Philosophy of Money |
| 1988 | 978-0-936756-29-5 | A. Belden Fields | Trotskyism and Maoism |
| 1986 | 978-0-936756-33-2 | Paul Virilio | Speed & Politics |
| 1992 | 978-0-936756-34-9 | Chris Cutler | File Under Popular: Theoretical and Critical Writings on Music (Semiotext(e)) |
| 1988 | 978-0-936756-36-3 | Jean Baudrillard | The Ecstasy of Communication (Foreign Agents) |
| 1998 | 978-0-936756-38-7 | Michel Foucault | Interventions |
| 1990 | 978-0-936756-39-4 | Rolando Perez | Anarchy & Schizoanalysis, On |
| 1991 | 978-0-936756-42-4 | Paul Virilio · Philip Beitchman | The Aesthetics of Disappearance |
| '' | 978-0-936756-43-1 | Bart Plantenga | Semiotext (E) Sf |
| 1998 | 978-0-936756-48-6 | William S. Burroughs | Collected Interviews of William S. Burroughs (Double Agents Series) |
| 1998 | 978-0-936756-49-3 | Silvia Federici | Caliban & the Witches |
| 1990 | 978-0-936756-51-6 | Jean Baudrillard | Fatal Strategies |
| 1993 | 978-0-936756-52-3 | Louis Kaplan | Damned Universe of Charles Fort, The |
| 1987 | 978-0-936756-57-8 | Erje Ayden | Sadness at Leaving: An Espionage Romance |
| 1990 | 978-0-936756-63-9 | Heiner Muller | Germania |
| 1991 | 978-0-936756-67-7 | Eileen Myles | Not Me (Native Agents) |
| '' | 978-0-936756-68-4 | Kathy Acker | Hannibal Lecter, My Father (Native Agents) |
| 1992 | 978-0-936756-69-1 | Robin James · Dave Mandl · Neil Strauss · Sue Ann Harkey | Cassette Mythos |
| 1998 | 978-0-936756-72-1 | Crowbar Irreverend | Popular Reality |
| 1991 | 978-0-936756-73-8 | Paul Virilio | Lost Dimension |
| 1993 | 978-0-936756-74-5 | Dhoruba Bin Wahad · Assata Shakur · Mumia Abu-Jamal | Still Black, Still Strong |
| 1991 | 978-0-936756-76-9 | Hakim Bey | T.A.Z. the Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism (New Autonomy Series) |
| 1993 | 978-0-936756-79-0 | Rene Vienet | Enrages and Situationists in the Occupation Movement: Paris, May, 1968 |
| 1987 | 978-0-936756-80-6 | Michael Brownstein | Touch, The: A Novel |
| 1992 | 978-0-936756-87-5 | Roberta Allen · Lynne Tillman | The Madame Realism Complex |
| 1993 | 978-0-936756-88-2 | Thom Metzger | This Is Your Final Warning! (Autonomedia New Autonomy Series) |
| 1992 | 978-0-936756-89-9 | Bob Black | Friendly Fire (New Autonomy Series) |
| 1994 | 978-0-936756-92-9 | James Koehnline | Gone to Croatan: Origins of North American Dropout Culture |
| 1993 | 978-0-936756-94-3 | Bart Plantenga | Radiotext (E) |
| 1994 | 978-0-936756-95-0 | Pierre Clastres | Archeology of Violence |
| 1992 | 978-0-936756-98-1 | David Rattray | How I Became One of the Invisible (Native Agents) |
| '' | 978-0-936756-99-8 | Eldon Garnet | The Narrative Body |