| year of publication | ISBN | author(s) | title |
|---|
| 1971 | 978-0-903102-00-1 | Marius Petipa | Russian Ballet Master: Memoirs |
| 1972 | 978-0-903102-01-8 | Deryck Lynham | Chevalier Noverre: Father of Modern Ballet |
| 1973 | 978-0-903102-02-5 | Dame Ninette De Valois | Come Dance with Me |
| 1972 | 978-0-903102-03-2 | Albert Smith | Natural History of the Ballet Girl |
| 1973 | 978-0-903102-04-9 | Joan Lawson | History of Ballet and Its Makers |
| '' | 978-0-903102-05-6 | Joan Lawson | History of Ballet and Its Makers |
| 1974 | 978-0-903102-06-3 | Anton Dolin | Olga Spessivtzeva: The Sleeping Ballerina |
| '' | 978-0-903102-07-0 | '' | Olga Spessivtzeva: The Sleeping Ballerina |
| 1975 | 978-0-903102-08-7 | Ivor Guest | Fanny Cerrito: Life of a Romantic Ballerina |
| '' | 978-0-903102-09-4 | Ivor Guest | Fanny Cerrito: Life of a Romantic Ballerina |
| 1974 | 978-0-903102-10-0 | Bolshoi Ballet |
| '' | 978-0-903102-11-7 | John Lazzarini · Roberta Lazzarini | Bolshoi Ballet |
| 1975 | 978-0-903102-12-4 | Lois Ellfeldt | Primer for Choreographers: Introduction to Modern Dance Composition |
| 1975 | 978-0-903102-13-1 | Lois Ellfeldt | Primer for Choreographers, A: Introduction to Modern Dance Composition |
| 1976 | 978-0-903102-14-8 | Nesta Macdonald | Diaghilev Observed: By Critics in England and the United States, 1911-29 |
| 1977 | 978-0-903102-15-5 | Dolores Kirton Cayou | Modern Jazz Dance |
| '' | 978-0-903102-16-2 | '' | Modern Jazz Dance |
| 1976 | 978-0-903102-17-9 | David Vaughan | Royal Ballet at Covent Garden |
| '' | 978-0-903102-18-6 | David Vaughan | Royal Ballet at Covent Garden |
| '' | 978-0-903102-19-3 | A.V. Coton | Writings on Dance, 1938-68 |
| '' | 978-0-903102-20-9 | '' | Writings on Dance, 1938-68 |
| 1975 | 978-0-903102-21-6 | Jurgen Vollmer | Nureyev in Paris: Making of the Film "Jeune Homme Et La Mort" |
| 1976 | 978-0-903102-22-3 | Keith Money | Art of Margot Fonteyn |
| 1976 | 978-0-903102-23-0 | David Leonard | Nureyev |
| '' | 978-0-903102-24-7 | David Leonard | Nureyev |
| 1977 | 978-0-903102-25-4 | Asaf Messerer | Classes in Classical Ballet |
| '' | 978-0-903102-26-1 | Thomas Victor | Making of a Dance: Baryshnikov and Fracci in John Butler's "Medea" |
| '' | 978-0-903102-27-8 | '' | Making of a Dance: Baryshnikov and Fracci in John Butler's "Medea" |
| '' | 978-0-903102-28-5 | Ifan Kyrle Fletcher | Bibliographical Descriptions of Forty Rare Dance Books |
| 1977 | 978-0-903102-29-2 | Selma Jeanne Cohen | Dance as a Theatre Art |
| '' | 978-0-903102-30-8 | Selma Jeanne Cohen | Dance as a Theatre Art: Source Readings in Dance History from 1581 to the Present |
| 1977 | 978-0-903102-31-5 | Selma Jeanne Cohen | Dance as a Theatre Art: Source Readings in Dance History from 1581 to the Present |
| 1930 | 978-0-903102-32-2 | Andre Levinson | Marie Taglioni |
| 1980 | 978-0-903102-33-9 | '' | Marie Taglioni |
| 1978 | 978-0-903102-34-6 | Richard Austin | Natalia Makarova, Ballerina |
| '' | 978-0-903102-35-3 | Soame Jenyns | Art of Dancing |
| '' | 978-0-903102-36-0 | '' | Art of Dancing |
| '' | 978-0-903102-37-7 | Edward Gordon Craig | On Movement and Dance |
| '' | 978-0-903102-38-4 | Doris Humphrey | Art of Making Dances |
| 1978 | 978-0-903102-39-1 | Doris Humphrey | Art of Making Dances, The |
| 1979 | 978-0-903102-40-7 | Karel Shook | Elements of Classical Ballet Technique |
| '' | 978-0-903102-41-4 | '' | Elements of Classical Ballet Technique |
| 1978 | 978-0-903102-42-1 | Leslie E. Spatt · Horst Koegler | Stuttgart Ballet |
| 2008 | 978-0-903102-43-8 | Andre Eglevsky · John Gregory | Nicolas Legat: Heritage of a Ballet Master |
| 1980 | 978-0-903102-44-5 | Kirsten Ralov | Bournonville School: Weekly Classes (Dance Program 12) |
| '' | 978-0-903102-45-2 | Ivor Guest | Romantic Ballet in Paris |
| 1979 | 978-0-903102-46-9 | Nicolai Serrebrenikov · Joan Lawson | Art of Pas de Deux |
| 1982 | 978-0-903102-47-6 | Tamara Karsavina | Theatre Street: The Reminiscences of Tamara Karsavina |
| 1980 | 978-0-903102-48-3 | Beryl F. Manthorp | Towards Ballet: Dance Training for the Very Young |
| '' | 978-0-903102-49-0 | Ernestine Stodelle | Dance Technique of Doris Humphrey |
| '' | 978-0-903102-50-6 | Ernestine Stodelle | Dance Technique of Doris Humphrey |
| 1980 | 978-0-903102-51-3 | Rita Allcock · Wendy Bland | Dance in Education: A Practical Handbook to the Teaching of Dance in the Secondary School |
| '' | 978-0-903102-52-0 | Maxine Sheets-Johnstone | Phenomenology of Dance |
| 2008 | 978-0-903102-53-7 | Richard Buckle | Buckle at the Ballet: Selected Criticism |
| 1980 | 978-0-903102-54-4 | Jean Morrison Brown | Vision of Modern Dance |
| '' | 978-0-903102-55-1 | '' | Vision of Modern Dance |
| 2008 | 978-0-903102-56-8 | Cyril W. Beaumont | A Bibliography of the Dance Collection of Doris Niles and Serge Leslie |
| '' | 978-0-903102-57-5 | Vladimir Polunin · Cyril Beaumont | The Continental Method of Scene Painting |
| '' | 978-0-903102-58-2 | Arthur Saint-Leon · Ivor Guest | Letters from a Ballet Master |
| 2008 | 978-0-903102-59-9 | Ann Hutchinson | Fanny Elssler's Cachucha |
| 1981 | 978-0-903102-60-5 | L.M. Vincent | Dancer's Book of Health, The |
| '' | 978-0-903102-61-2 | Wendy Hilton · Caroline Gaynor | Dance of Court and Theatre: French Noble Style, 1690-1725 |
| 1995 | 978-0-903102-62-9 | Roberta Lazzarini | Maximova and Vasiliev at the Bolshoi |
| 1982 | 978-0-903102-63-6 | Antonio Cornazano | Book on the Art of Dancing |
| 2008 | 978-0-903102-64-3 | Leslie E. Spatt · Mary Clarke | Antoinette Sibley |
| 1982 | 978-0-903102-65-0 | Jack Anderson | The One and Only: Ballet Russe de Monte Carlo |
| '' | 978-0-903102-66-7 | Janet Adshead-Lansdale | Study of Dance, The |
| '' | 978-0-903102-67-4 | Betty Redfern | Concepts in Modern Educational Dance |
| '' | 978-0-903102-68-1 | John Guthrie | Historical Dances for the Theatre: Pavan and the Minuet |
| 1983 | 978-0-903102-69-8 | Ivor Guest | Adventures of a Ballet Historian |
| 2006 | 978-0-903102-70-4 | Melusine Wood | Historical Dances |
| 1984 | 978-0-903102-71-1 | Ann Kipling Brown · Monica Parker | Dance Notation for Beginners: Labanotation and Benesh Movement Notation |
| 2008 | 978-0-903102-72-8 | Barbara Newman · Leslie E. Spatt | Sadler's Wells Royal Ballet: "Swan Lake" |
| 1983 | 978-0-903102-73-5 | Betty Redfern | Dance, Art and Aesthetics |
| 1984 | 978-0-903102-74-2 | Janet Adshead-Lansdale · June Layson | Dance History: A Methodology for Study |
| 1984 | 978-0-903102-75-9 | Ann Hutchinson Guest | Dance Notation: The Process of Recording Movement on Paper |
| 2008 | 978-0-903102-76-6 | Adolf De Meyer · Jennifer Dunning · Richard Buckle · Ann Hutchinson Guest | "Apres-midi d'un Faune": Vaslav Nijinsky, 1912 |
| '' | 978-0-903102-77-3 | Ivor Guest | Jules Perrot: Master of the Romantic Ballet |
| '' | 978-0-903102-78-0 | Adolf De Meyer · Jennifer Dunning · Richard Buckle · Ann Hutchinson Guest | "Apres-midi D'un Faune": Vaslav Nijinsky, 1912 |
| 1984 | 978-0-903102-79-7 | Helen Wingrave · Robert Harrold | Aspects of Folk Dance in Europe |
| 1996 | 978-0-903102-80-3 | John Playford · Hugh Mellor · Leslie Bridgewater | The English Dancing Master |
| 1984 | 978-0-903102-81-0 | Ann Hutchinson | Labanotation: System of Analyzing and Recording Movement |
| 1985 | 978-0-903102-82-7 | Edwin Binney | Glories of the Romantic Ballet |
| 1985 | 978-0-903102-83-4 | Edwin Binney | Glories of the Romantic Ballet |
| 1984 | 978-0-903102-84-1 | Nicolai Serrebrenikov · Joan Lawson | The Art of Pas De Deux |
| 1985 | 978-0-903102-85-8 | Joan W. White | Twentieth Century Dance in Britain: History of Five Dance Companies |
| 2008 | 978-0-903102-86-5 | Richard Ralph · John Weaver | The Life and Works of John Weaver: An Account of His Life, Writings and Theatrical Productions |
| 1985 | 978-0-903102-87-2 | Fiona Cecil-Smith | Dancer's Audition Guide to Europe |
| 2008 | 978-0-903102-88-9 | Madame" "Lalagia | Spanish Dancing: A Practical Handbook |
| 1985 | 978-0-903102-89-6 | Laurel Martyn | Let Them Dance: A Preparation for Dance and Life |
| 2006 | 978-0-903102-90-2 | Andrei Lopoukov · Alexander Shirayev · Alexander Bocharov | Character Dance |
| 1985 | 978-0-903102-91-9 | Alexander Bland | Observer of the Dance, 1958-82 |
| 1986 | 978-0-903102-92-6 | Anthony Twiner · Richard Muncey | The Muncey Music Book: Guide to Musical Theory for Dancers |
| '' | 978-0-903102-93-3 | Daniel D. Arnheim | Dance Injuries: Their Prevention and Care |
| 2008 | 978-0-903102-94-0 | Theophile Gautier | Gautier on Dance |
| 1996 | 978-0-903102-95-7 | Nadezhda Bazarova · Varvara Mey | Alphabet of Classical Dance |
| 2008 | 978-0-903102-96-4 | Edwin Denby · Robert Cornfield · William MacKay | Dance Writings |
| '' | 978-0-903102-97-1 | Alexandra Danilova | Choura: The Memoirs of Alexandra Danilova |
| '' | 978-0-903102-98-8 | Knud Arne Jurgensen | The Bournonville Ballets: A Photographic Record, 1844-1933 |
| '' | 978-0-903102-99-5 | Gennaro Magri | Theoretical and Practical Treatise on Dancing |