| year of publication | ISBN | author(s) | title |
|---|
| 1971 | 978-0-85170-012-0 | David Meeker | Films on Offer |
| 1974 | 978-0-85170-038-0 | Gillian Barrett | British Film Institute Periodicals Holdings 1974 |
| 1977 | 978-0-85170-065-6 | Richard Dyer | Gays and Film |
| 1978 | 978-0-85170-072-4 | Caroline Heller | Broadcasting and Accountability |
| '' | 978-0-85170-086-1 | Ian Christie | Powell, Pressburger and Others |
| 1980 | 978-0-85170-094-6 | Stephen Neale | Genre |
| '' | 978-0-85170-097-7 | Dave Morley | "Nationwide" Audience (BFI television monograph) |
| '' | 978-0-85170-103-5 | Terry Lovell | Pictures of Reality: Aesthetics, Politics, Pleasure |
| 1982 | 978-0-85170-118-9 | Mary-Lou Jennings | Humphrey Jennings: Film-maker, Painter, Poet |
| '' | 978-0-85170-124-0 | Stephen Lambert | Channel 4: Television with a Difference? |
| 1986 | 978-0-85170-133-2 | John Hill | Sex, Class and Realism: British Cinema 1956-1963 (British Film Institute) |
| 1985 | 978-0-85170-144-8 | Pam Cook | The Cinema Book |
| 1986 | 978-0-85170-179-0 | Charles Barr | All Our Yesterdays: 90 Years of British Cinema (British Film Institute) |
| 1987 | 978-0-85170-200-1 | Christine Gledhill | Home is Where the Heart is: Studies in Melodrama and the Woman's Film |
| 1987 | 978-0-85170-210-0 | David Buckingham | Public Secrets: "Eastenders" and Its Audience |
| 1992 | 978-0-85170-211-7 | Sergei Eizenshtein · S M EISENSTEIN | Selected Works: Towards a Theory of Montage v. 2 |
| 1990 | 978-0-85170-230-8 | Jim Pines · Paul Willemen | Questions of Third Cinema |
| 2008 | 978-0-85170-242-1 | Brown/Aldridge | Common Touch, the |
| 1990 | 978-0-85170-245-2 | Thomas Elsaesser · Adam Barker | Early Cinema: Space, Frame, Narrative |
| '' | 978-0-85170-269-8 | John Corner | Popular Television in Britain: Studies in Cultural History |
| 1991 | 978-0-85170-271-1 | Chris Berry | Perspectives on Chinese Cinema |
| '' | 978-0-85170-276-6 | Roberta E. Pearson · William Uricchio | The Many Lives of the Batman: Critical Approaches to a Superhero and His Media |
| 1992 | 978-0-85170-298-8 | Richard Schickel | "Double Indemnity" (BFI Film Classics) |
| '' | 978-0-85170-299-5 | Edward Buscombe | "Stagecoach" (BFI Film Classics) |
| '' | 978-0-85170-300-8 | Salman Rushdie | The "Wizard of Oz" (BFI Film Classics) |
| 1992 | 978-0-85170-306-0 | Allen Eyles · David Meeker | Missing Believed Lost: The Great British Film Search |
| 1991 | 978-0-85170-316-9 | Derek Jarman | Queer Edward II |
| 1992 | 978-0-85170-318-3 | Penelope Houston | "Went the Day Well?" (BFI Film Classics) |
| '' | 978-0-85170-331-2 | Carol J. Clover | Men, Women and Chainsaws: Gender in the Modern Horror Film |
| '' | 978-0-85170-339-8 | Laura Mulvey | "Citizen Kane" (BFI Film Classics) |
| '' | 978-0-85170-341-1 | Taylor Downing | "Olympia" (BFI Film Classics) |
| '' | 978-0-85170-342-8 | Colin McArthur | The "Big Heat" (BFI Film Classics) |
| 1992 | 978-0-85170-351-0 | Peter Wollen | "Singin' in the Rain" (BFI Film Classics) |
| 2008 | 978-0-85170-361-9 | Shivas | Touch of Evil |
| 1993 | 978-0-85170-362-6 | Richard Dyer | "Brief Encounter" (BFI Film Classics) |
| 1997 | 978-0-85170-365-7 | Jill Forbes | "Enfants du Paradis" (BFI Film Classics) |
| 1994 | 978-0-85170-368-8 | Richard Corliss | "Lolita" (BFI Film Classics) |
| 2000 | 978-0-85170-370-1 | Anton Kaes | "M" (BFI Film Classics) |
| 1999 | 978-0-85170-373-2 | V.F. Perkins | The Magnificent Ambersons (BFI Film Classics) |
| 1993 | 978-0-85170-391-6 | Melvyn Bragg | The Seventh Seal (BFI Film Classics) |
| 2000 | 978-0-85170-393-0 | Amy Taubin | "Taxi Driver" (BFI Film Classics) |
| 1993 | 978-0-85170-396-1 | Derek Jarman · Terry Eagleton | "Wittgenstein": The Terry Eagleton Script/The Derek Jarman Film |
| '' | 978-0-85170-397-8 | Derek Jarman · Terry Eagleton | "Wittgenstein": The Terry Eagleton Script and the Derek Jarman Film |
| '' | 978-0-85170-404-3 | Pamela Church Gibson · Roma Gibson | Dirty Looks: Women, Pornography, Power |
| '' | 978-0-85170-411-1 | David Leafe · Jeremy Thomas | British Film Institute Film and Television Handbook 1994 (BFI Film Handbook) |
| 1988 | 978-0-85170-417-3 | Bfi Distribution | Sight and Sound: Film Review Volume May 1992 to December 1992 |
| 1993 | 978-0-85170-419-7 | Carol J. Clover | Men, Women and Chainsaws: Gender in the Modern Horror Film |
| 1994 | 978-0-85170-446-3 | Umberto Eco | Apocalypse Postponed (Perspectives) |
| '' | 978-0-85170-455-5 | Ashish Rajadhyaksha · Paul Willemen | Encyclopaedia of Indian Cinema |
| 1995 | 978-0-85170-456-2 | Michel Chion | David Lynch |
| 1995 | 978-0-85170-460-9 | Sergei Eizenshtein | S.M. Eisenstein: Selected Works: Beyond the Stars: The Memoirs of Sergei Eizenshtein v. 4 (Beyond the Stars - The Memoirs of Sergei Eisenstein Vol. IV) |
| '' | 978-0-85170-464-7 | Brian Winston | Claiming the Real: The Documentary Film Revisited |
| 1994 | 978-0-85170-467-8 | Richard Boston | "Boudu Saved from Drowning" (BFI Film Classics) |
| '' | 978-0-85170-472-2 | Simon Louvish | "It's a Gift" (BFI Film Classics) |
| 2000 | 978-0-85170-479-1 | Ian Christie | A "Matter of Life and Death" (BFI Film Classics) |
| 1995 | 978-0-85170-480-7 | Christopher Frayling · William Cameron Menzie · H. G. Wells | "Things to Come" (BFI Film Classics) |
| '' | 978-0-85170-481-4 | Philip French · Kersti French | "Wild Strawberries" (BFI Film Classics) |
| 1994 | 978-0-85170-486-9 | Luke McKernan · Olwen Terris | Walking Shadows: Shakespeare in the National Film and Television Archive |
| 1997 | 978-0-85170-494-4 | Phillip Drummond | "High Noon" (BFI Film Classics) |
| 2008 | 978-0-85170-497-5 | Bfi Distribution | Managing Your Business: Vol.1: an Open Learning Programme for Freelances and Independents: An Open Learning Programme for Freelances and Independents: Vol.1 |
| 1995 | 978-0-85170-508-8 | Mike Nielsen · Gene Mailes | Hollywood's Other Blacklist: Union Struggles in the Studio System |
| 1997 | 978-0-85170-514-9 | Stephen Teo | Hong Kong Cinema: The Extra Dimensions |
| 1995 | 978-0-85170-516-3 | Paulo Antonio Paranagua · Ana Lopez | Mexican Cinema |
| '' | 978-0-85170-521-7 | Lavinia Orton | Media Courses UK 1996 |
| 1997 | 978-0-85170-532-3 | Mick Eaton | "Chinatown" (BFI Film Classics) |
| 2008 | 978-0-85170-533-0 | Bfi Author Record | Rio Bravo |
| 1997 | 978-0-85170-534-7 | Geoffrey Nowell-Smith | L'avventura (BFI Film Classics) |
| 2008 | 978-0-85170-535-4 | Bfi Author Record | Laura |
| 1996 | 978-0-85170-539-2 | Stephen Herbert · Luke McKernan | Who's Who of Victorian Cinema: A Worldwide Survey |
| 1996 | 978-0-85170-540-8 | Peter William Evans | "Women on the Verge of a Nervous Breakdown" (BFI Modern Classics) |
| 1998 | 978-0-85170-544-6 | Adrian Martin | "Once Upon a Time in America" (BFI Modern Classics) |
| '' | 978-0-85170-545-3 | David Thompson | "Last Tango in Paris" (BFI Modern Classics) |
| 1996 | 978-0-85170-548-4 | Laura Mulvey | Fetishism and Curiosity (Perspectives) |
| '' | 978-0-85170-553-8 | Sean French | The "Terminator" (BFI Modern Classics) |
| 1997 | 978-0-85170-558-3 | Toby Miller | The "Avengers" |
| '' | 978-0-85170-559-0 | Michael Atkinson | "Blue Velvet" (BFI Modern Classics) |
| '' | 978-0-85170-568-2 | A.L. Kennedy | The Life and Death of Colonel Blimp (BFI Film Classics) |
| 1998 | 978-0-85170-569-9 | Geoff Andrew | The "Three Colours" Trilogy (BFI Modern Classics) |
| 1996 | 978-0-85170-572-9 | Mark Sanderson | "Don't Look Now" (BFI Modern Classics) |
| 1996 | 978-0-85170-574-3 | Pam Cook | Fashioning the Nation: Costume and Identity in British Cinema |
| 2008 | 978-0-85170-575-0 | Clover | Pulp Fiction |
| '' | 978-0-85170-576-7 | Darke | Passion |
| 1996 | 978-0-85170-579-8 | Jim Kitses | "Gun Crazy" (BFI Film Classics) |
| '' | 978-0-85170-580-4 | Peter Cowie | "Annie Hall": A Nervous Romance (BFI Film Classics) |
| '' | 978-0-85170-582-8 | Duncan J. Petrie | The British Cinematographer |
| '' | 978-0-85170-590-3 | Michael O'Pray | Derek Jarman: Dreams of England |
| 1997 | 978-0-85170-600-9 | Ann Pointon · Chris Davies · Paddy Masefield | Framed: Interrogating Disability in the Media |
| 1996 | 978-0-85170-602-3 | Brian Winston | Technologies of Seeing: Photography, Cinematography and Television |
| 1997 | 978-0-85170-608-5 | Alberto Manguel | "Bride of Frankenstein" (BFI Film Classics) |
| 1998 | 978-0-85170-614-6 | Peter Goodwin | Television Under the Tories: Broadcasting Policy 1979 - 1997 |
| 1992 | 978-0-85170-616-0 | Carol J. Clover | Men, Women and Chainsaws: Gender in the Modern Horror Film |
| 1997 | 978-0-85170-623-8 | Scott Bukatman | "Blade Runner" (BFI Modern Classics) |
| 1997 | 978-0-85170-624-5 | Tom Charity | The Right Stuff (BFI Modern Classics) |
| 2008 | 978-0-85170-625-2 | Diski | Alien, the Pb |
| 1997 | 978-0-85170-632-0 | David Thomson | The "Big Sleep" (BFI Film Classics) |
| '' | 978-0-85170-641-2 | Robert Murphy | The British Cinema Book |
| 1998 | 978-0-85170-643-6 | Richard Dyer · Paul McDonald | Stars |
| 1997 | 978-0-85170-645-0 | David Robinson | Das "Cabinet des Dr.Caligari" (BFI Film Classics) |
| '' | 978-0-85170-647-4 | Peter Wollen | Signs and Meaning in the Cinema |
| 1998 | 978-0-85170-648-1 | Richard Dyer · Paul McDonald | Stars |
| '' | 978-0-85170-651-1 | Camille Paglia | The Birds (BFI Film Classics) |
| '' | 978-0-85170-666-5 | E.Ann Kaplan | Women in Film Noir |
| 1998 | 978-0-85170-668-9 | Lucy Fischer | "Sunrise": A Song of Two Humans (BFI Film Classics) |
| 1999 | 978-0-85170-669-6 | Ashish Rajadhyaksha · Paul Willemen | Encyclopedia of Indian Cinema |
| 1998 | 978-0-85170-670-2 | Colin MacCabe | "Performance" (BFI Film Classics) |
| '' | 978-0-85170-671-9 | John Pym | The "Palm Beach Story" (BFI Film Classics) |
| '' | 978-0-85170-672-6 | Roger Crittenden | La Nuit Americaine - Day For Night (BFI Film Classics) |
| '' | 978-0-85170-675-7 | Sergei Eizenshtein | The Eisenstein Reader |
| '' | 978-0-85170-676-4 | '' | The Eisenstein Reader |
| 1998 | 978-0-85170-680-1 | Allen Eyles | The Granada Theatres |
| 1999 | 978-0-85170-681-8 | A.L. Rees | A History of Experimental Film and Video |
| '' | 978-0-85170-685-6 | David Buckingham · Hannah Davies · Ken Jones · Peter Kelley | Children's Television in Britain: History, Discourse and Policy |
| 978-0-85170-707-5 | Silent Pioneers (Momi Pack) Pk |
| 1999 | 978-0-85170-717-4 | Rick Altman | Film/Genre |
| '' | 978-0-85170-719-8 | Iain Sinclair | "Crash" (BFI Modern Classics) |
| '' | 978-0-85170-720-4 | Raymond Durgnat | "WR": Mysteries of the Organism (BFI Modern Classics) |
| '' | 978-0-85170-723-5 | Richard Dyer | "Seven" (BFI Modern Classics) |
| 1999 | 978-0-85170-724-2 | Leo Bersani · Ulysse Dutoit | "Caravaggio" (BFI Modern Classics) |
| '' | 978-0-85170-726-6 | Pam Cook | The Cinema Book |
| '' | 978-0-85170-729-7 | Pam Cook · Mieke Bernink | The Cinema Book |
| '' | 978-0-85170-732-7 | Edward Countryman · Evonne Von Heussen-Countryman | "Shane" (BFI Film Classics) |
| '' | 978-0-85170-733-4 | Kent Jones | "L'Argent" (BFI Modern Classics) |
| 2000 | 978-0-85170-743-3 | Tom Gunning | The Films of Fritz Lang: Allegories of Vision and Modernity (Distributed for British Film Institute) |
| 2000 | 978-0-85170-746-4 | Paolo Cherchi Usai | Silent Cinema, an Introduction (Distributed for the British Film Institute) |
| 2001 | 978-0-85170-754-9 | Slavoj Zizek | The Fright of Real Tears: Krzystof Kieslowski Between Theory and Post-Theory |
| 1999 | 978-0-85170-755-6 | Slavoj Zizek | The Fright of Real Tears: Krzystof Kieslowski Between Theory and Post-theory |
| 2000 | 978-0-85170-757-0 | Jose Arroyo | Action/Spectacle Cinema: A Sight and Sound Reader (BFI Sight & Sound Reader) |
| 2001 | 978-0-85170-758-7 | Jim Hillier | American Independent Cinema: A Sight and Sound Reader (BFI Sight & Sound Reader) |
| 2000 | 978-0-85170-759-4 | Jim Hillier | American Independent Cinema: A Sight and Sound Reader (BFI Sight & Sound Reader) |
| 1999 | 978-0-85170-760-0 | David M. Lubin | "Titanic" (BFI Modern Classics) |
| '' | 978-0-85170-762-4 | Robert Murphy | British Cinema of the 90s (Distributed for British Film Institute) |
| '' | 978-0-85170-773-0 | Brian Winston | "Fires Were Started" (BFI Film Classics) |
| 2000 | 978-0-85170-777-8 | Thomas Elsaesser | "Metropolis" (BFI Film Classics) |
| '' | 978-0-85170-785-3 | Duncan Petrie | Screening Scotland (Distributed for the British Film Institute) |
| 2001 | 978-0-85170-786-0 | Peter Kramer | The Big Picture: Hollywood Cinema from "Star Wars" to "Titanic" |
| '' | 978-0-85170-787-7 | Peter Kramer | The Big Picture: Hollywood Cinema from "Star Wars" to "Titanic" |
| 2000 | 978-0-85170-793-8 | Martin McLoone | Irish Film: The Emergence of a Contemporary Cinema |
| 2000 | 978-0-85170-795-2 | David Forgacs · Sarah Lutton · Geoffrey Nowell-Smith | Roberto Rossellini: Magician of the Real |
| '' | 978-0-85170-797-6 | Brian Winston | Lies, Damn Lies and Documentaries (Distributed for the British Film Institute) |
| 2001 | 978-0-85170-799-0 | Patrick Phillips | Understanding Film Texts: Meaning and Experience (Understanding the Moving Image) |
| 2000 | 978-0-85170-802-7 | Dan Harries | Film Parody (Distributed for the British Film Institute) |
| '' | 978-0-85170-804-1 | David Forgacs | "Rome Open City": ("Roma Citta Aperta") (BFI Film Classics): ("Roma Citta Aperta") |
| '' | 978-0-85170-806-5 | Jonathan Rosenbaum | "Dead Man" (BFI Modern Classics) |
| '' | 978-0-85170-807-2 | Gary Indiana | "Salo" (BFI Modern Classics) |
| 2000 | 978-0-85170-808-9 | Dana Polan | "Pulp Fiction" (BFI Modern Classics) |
| '' | 978-0-85170-809-6 | Marita Sturken | "Thelma and Louise" (BFI Modern Classics) |
| 2001 | 978-0-85170-810-2 | Melvyn Stokes · Richard Maltby | Hollywood Spectatorship: Changing Perceptions of Cinema Audiences |
| 2002 | 978-0-85170-813-3 | Allen Eyles | Odeon Cinemas: Oscar Deutsch Entertains Our Nation: 1 |
| '' | 978-0-85170-814-0 | Pam Cook | "I Know Where I'm Going!" (BFI Film Classics) |
| 2000 | 978-0-85170-815-7 | Dudley Andrew · Carole Cavanaugh | "Sansho Dayu" ("Sansho the Bailiff") (BFI Film Classics) |
| '' | 978-0-85170-816-4 | Lester D. Friedman | "Bonnie and Clyde" (BFI Film Classics) |
| 2001 | 978-0-85170-819-5 | Suzanne Liandrat-Guigues | "Red River" (BFI Film Classics) |
| 2000 | 978-0-85170-820-1 | Edward Buscombe | The "Searchers" (BFI Film Classics) |
| 2001 | 978-0-85170-821-8 | J-.L. Leutrat | "Last Year in Marienbad": ("L'annee Derniere a Marienbad") (BFI Film Classics) |
| 2000 | 978-0-85170-822-5 | Simon Callow | The "Night of the Hunter" (BFI Film Classics) |
| '' | 978-0-85170-823-2 | Michael Wood | "Belle de Jour" (BFI Film Classics) |
| 2002 | 978-0-85170-833-1 | Stephen Heath | "Cesar" (BFI Film Classics) |
| 2001 | 978-0-85170-834-8 | Yuri Tsivian | "Ivan the Terrible" (BFI Film Classics) |
| 2001 | 978-0-85170-835-5 | Raymond Carney | "Shadows" (BFI Film Classics) |
| '' | 978-0-85170-837-9 | Paolo Cherchi Usai | The Death of Cinema: History, Cultural Memory and the Digital Dark Age |
| '' | 978-0-85170-839-3 | Michel Chion | Kubrick's Cinema Odyssey |
| '' | 978-0-85170-840-9 | '' | Kubrick's Cinema Odyssey |
| '' | 978-0-85170-841-6 | Ginette Vincendeau | Film/Literature/Heritage: A Sight and Sound Reader (BFI Sight & Sound Reader) |
| 2001 | 978-0-85170-843-0 | Colin Stewart · Marc Lavelle · Adam Kowaltzke | Media and Meaning: An Introduction |
| '' | 978-0-85170-847-8 | Dina Iordanova | Cinema of Flames: Balkan Film, Culture and the Media |
| '' | 978-0-85170-849-2 | Glen Creeber · Toby Miller · John Tulloch | The Television Genre Book |
| 2002 | 978-0-85170-851-5 | Robert Murphy | The British Cinema Book (BFI Film Classics (Paperback)) |
| '' | 978-0-85170-852-2 | '' | The British Cinema Book |
| 2001 | 978-0-85170-856-0 | Dana Polan | Jane Campion (World Directors) |
| '' | 978-0-85170-858-4 | Ibrahim Fawal | Youssef Chahine (World Directors) |
| 2002 | 978-0-85170-864-5 | Martin Rieser · Andrea Zapp | New Screen Media: Cinema / Art / Narrative |
| 2001 | 978-0-85170-866-9 | Dick Fiddy | Missing Believed Wiped: Searching for the Lost Treasures of British Television (BFI Film Classics (Paperback)) |
| 2001 | 978-0-85170-868-3 | Ed Guerrero | Do the Right Thing (BFI Modern Classics) |
| '' | 978-0-85170-869-0 | Ernest Larson | The Usual Suspects (BFI Modern Classics) |
| 2002 | 978-0-85170-870-6 | Murray Smith | "Trainspotting" (BFI Modern Classics) |
| '' | 978-0-85170-871-3 | Yvonne Tasker | The Silence of the Lambs (BFI Modern Classics) |
| 2001 | 978-0-85170-873-7 | Malcolm Le Grice | Experimental Cinema in the Digital Age (BFI Film Classics (Paperback)) |
| 2002 | 978-0-85170-875-1 | Rachel Dwyer | Yash Chopra (World Directors) |
| 2003 | 978-0-85170-877-5 | Jonathan Romney | Atom Egoyan (World Directors) |
| '' | 978-0-85170-878-2 | Mark J. Docherty · Alistair D. McGown | The Hill and Beyond: Children's Television Drama - An Encyclopedia (BFI Modern Classics) |
| '' | 978-0-85170-879-9 | '' | The Hill and Beyond: Children's Television Drama - An Encyclopedia |
| 2003 | 978-0-85170-884-3 | Lez Cooke | British Television Drama: A History |
| 2003 | 978-0-85170-885-0 | Lez Cooke | British Television Drama: A History |
| 2002 | 978-0-85170-887-4 | Steve Neale | Genre and Contemporary Hollywood |
| 1995 | 978-0-85170-893-5 | Eileen Elsey · Andrew Kelly | In Short: A Guide to Short Film-Making in the Digital Age (BFI Modern Classics) |
| 2002 | 978-0-85170-895-9 | Toby Miller | Television Studies |
| '' | 978-0-85170-897-3 | Kim Newman | Science Fiction / Horror: A Sight and Sound Reader (BFI Sight & Sound Reader) |
| '' | 978-0-85170-898-0 | Dina Iordanova | Emir Kusturica (World Directors) |
| '' | 978-0-85170-899-7 | '' | Emir Kusturica (World Directors) |
| 2004 | 978-0-85170-901-7 | Adrian Martin | Terrence Malick (World Directors) |
| 2002 | 978-0-85170-903-1 | Jack Stevenson | Lars Von Trier (World Directors) |
| 2001 | 978-0-85170-904-8 | Eddie Dyja | The BFI Film and Television Handbook 2002 (BFI Film Handbook) |
| 2002 | 978-0-85170-907-9 | Sangeeta Datta | Shyam Benegal (World Directors) |
| '' | 978-0-85170-908-6 | '' | Shyam Benegal (World Directors) |
| 2002 | 978-0-85170-915-4 | Joan Mellen | "Seven Samurai" (BFI Film Classics) |
| '' | 978-0-85170-916-1 | Richard Taylor | "October" (BFI Film Classics) |
| '' | 978-0-85170-917-8 | Gayatri Chatterjee | "Mother India" (BFI Film Classics) |
| '' | 978-0-85170-918-5 | Charles Barr | "Vertigo" (BFI Film Classics) |
| '' | 978-0-85170-919-2 | Peter Barnes | "To be or Not to be" (BFI Film Classics) |
| 2002 | 978-0-85170-920-8 | Raymond Durgnat | A Long Hard Look at "Psycho" (BFI Film Classics (Paperback)) |
| '' | 978-0-85170-921-5 | '' | A Long Hard Look at "Psycho" (BFI Film Classics (Hardcover)) |
| '' | 978-0-85170-922-2 | Lalitha Gopalan | Cinema of Interruptions: Action Genres in Contemporary Indian Cinema |
| '' | 978-0-85170-925-3 | Dan Harries | The New Media Book |
| 2000 | 978-0-85170-927-7 | George O. Liber | Alexander Dovzhenko: A Life in Soviet Film |
| 2002 | 978-0-85170-929-1 | Antonia Quirke | "Jaws" (BFI Modern Classics) |
| '' | 978-0-85170-931-4 | Greil Marcus | The Manchurian Candidate (BFI Film Classics) |
| 2002 | 978-0-85170-932-1 | Michel Chion · Trista Selous (Translator) | Eyes Wide Shut (BFI Modern Classics) |
| '' | 978-0-85170-935-2 | S.S. Prawer | The "Blue Angel" (BFI Film Classics) |
| 2003 | 978-0-85170-936-9 | Henry Jenkins · Pamela Church Gibson | More Dirty Looks: Gender, Pornography and Power (Television, Media & Cultural Studies) |
| 2002 | 978-0-85170-937-6 | Vani K. Borooah | "Pather Panchali" (BFI Film Classics) |
| '' | 978-0-85170-938-3 | Nick James | "Heat" (BFI Modern Classics) |
| 2003 | 978-0-85170-939-0 | Henry Jenkins · Pamela Church Gibson | More Dirty Looks: Gender, Pornography and Power (Television, Media & Cultural Studies) |
| '' | 978-0-85170-940-6 | Mark Jancovich · James Lyons | Quality Popular Television: Cult TV, the Industry and Fans (BFI Modern Classics) |
| '' | 978-0-85170-941-3 | Mark Jancovich · James Lyons | Quality Popular Television: Cult TV, the Industry and Fans (BFI Modern Classics) |
| 2003 | 978-0-85170-944-4 | Manohla Dargis | "L.A. Confidential" (BFI Modern Classics) |
| 2002 | 978-0-85170-946-8 | Tim Bergfelder · Erica Carter · Deniz Gokturk | The German Cinema Book (BFI Modern Classics) |
| 2003 | 978-0-85170-949-9 | Ginette Vincendeau | Jean-Pierre Melville: An American in Paris |
| '' | 978-0-85170-951-2 | Mette Hjort · Scott Mackenzie | Purity and Provocation: Dogma '95 (BFI Modern Classics) |
| '' | 978-0-85170-952-9 | Mette Hjort · Scott Mackenzie | Purity and Provocation: Dogma '95 (BFI Modern Classics) |
| '' | 978-0-85170-955-0 | John Rockwell | The Idiots (BFI Modern Classics) |
| 2007 | 978-0-85170-956-7 | L Gopalan | "Bombay" (BFI Modern Classics) |
| 2003 | 978-0-85170-957-4 | Anupama Chopra | Dilwale Dulhania Le Jayenge ('The Brave-hearted Will Take the Bride') |
| '' | 978-0-85170-961-1 | Geoffrey Nowell-Smith | Luchino Visconti |
| 2003 | 978-0-85170-963-5 | Rob White | The "Third Man" (BFI Film Classics) |
| '' | 978-0-85170-964-2 | Michael Newton | "Kind Hearts and Coronets" (BFI Film Classics) |
| '' | 978-0-85170-965-9 | V.F. Perkins | La "Regle Du Jeu": "The Rules of the Game" (BFI Film Classics) |
| '' | 978-0-85170-966-6 | Robin Wood | "Rio Bravo" (BFI Film Classics) |
| '' | 978-0-85170-967-3 | Mark Kermode | The "Exorcist" (BFI Modern Classics) |
| 2003 | 978-0-85170-968-0 | Mark Kermode | The "Shawshank Redemption" (BFI Modern Classics) |
| '' | 978-0-85170-972-7 | Nicky Hamlyn | Film Art Phenomena |
| '' | 978-0-85170-973-4 | Paul Julian Smith | "Amores Perros" (BFI Modern Classics) |
| '' | 978-0-85170-974-1 | Mark Readman | Teaching Scriptwriting, Screenplays and Storyboards for Film and TV Production (Teaching Film and Media Studies) |
| '' | 978-0-85170-975-8 | James Baker | Teaching TV Sitcom (Teaching Film and Media Studies) |
| 2003 | 978-0-85170-977-2 | Pete Fraser · Barney Oram | Teaching Digital Video Production (Teaching Film and Media Studies Series) |
| 2004 | 978-0-85170-978-9 | Louise Alexander · Alison Cousens | Teaching TV Soaps (Teaching Film and Media Studies) |
| 2003 | 978-0-85170-979-6 | Eileen Lewis | Teaching TV News (Teaching Film and Media Studies) |
| '' | 978-0-85170-980-2 | Sarah Gilligan | Teaching Women and Film (Teaching Film and Media Studies) |
| 2005 | 978-0-85170-981-9 | David Wharton · Jeremy Grant | Teaching Analysis of Film Language (Teaching Film and Media Studies) |
| 2003 | 978-0-85170-984-0 | Jonathan Rosenbaum · Adrian Martin | Movie Mutations: The Changing Face of World Cinephilia (BFI Film Classics) |
| '' | 978-0-85170-986-4 | Chris Berry | Chinese Films in Focus: 25 New Takes (World film & television) |
| '' | 978-0-85170-988-8 | Michele Hilmes · Jason Jacobs | The Television History Book (Television, Media & Cultural Studies) |
| '' | 978-0-85170-990-1 | Eddie Dyja | BFI Film and Television Handbook 2004 |
| 2004 | 978-0-85170-997-0 | Kate Gamm | Teaching World Cinema (Teaching Film and Media Studies) |
| 2004 | 978-0-85170-999-4 | Glyn Davis · Kay Dickinson | Teen TV: Genre, Consumption and Identity |