| year of publication | ISBN | author(s) | title |
|---|
| 1977 | 978-0-8195-1013-6 | John Ashbery | The Tennis Court Oath: A Book of Poems (Wesleyan Poetry Classics) |
| 1962 | 978-0-8195-1015-0 | Robert Bly | Silence in the Snowy Fields: Poems (Wesleyan poetry program) |
| 1963 | 978-0-8195-1018-1 | James Wright | The Branch Will Not Break: Poems (Wesleyan Poetry Series) |
| 1982 | 978-0-8195-1038-9 | Philip Levine | Not This Pig: Poems (Wesleyan Poetry Program) |
| 1974 | 978-0-8195-1074-7 | James Nolan | Why I Live in the Forest (Wesleyan Poetry Program) |
| 1979 | 978-0-8195-1099-0 | James Nolan | What Moves Is Not the Wind (Wesleyan Poetry Program) |
| 1982 | 978-0-8195-1104-1 | Garrett Kaoru Hongo | Yellow Light: Poems (Wesleyan Poetry Series) |
| 1984 | 978-0-8195-1117-1 | Yusef Komunyakka | Copacetic (Wesleyan New Poets) |
| 1987 | 978-0-8195-1132-4 | Agha Shahid Ali | The Half-Inch Himalayas (Wesleyan Poetry Series) |
| 1988 | 978-0-8195-1138-6 | Jane Hirshfield | Of Gravity & Angels (Wesleyan Poetry Series) |
| '' | 978-0-8195-1151-5 | Mark Irwin | Against the Meanwhile: 3 Elegies (Wesleyan Poetry) |
| '' | 978-0-8195-1152-2 | Ivan V. Lalic | Roll Call of Mirrors: Selected Poems of Ivan V. Lalic. Tr. from the Serbian (Wesleyan Poetry) |
| 1989 | 978-0-8195-1158-4 | Michael A. Sells | Desert Tracings: Six Classic Arabian Odes by 'Alqama, Shanfara, Labid, 'Antara, Al-A'sha, and Dhu al-Rumma |
| 1988 | 978-0-8195-1164-5 | Yusef. Komunyakaa | Dien Cai Dau (Wesleyan Poetry) |
| 1990 | 978-0-8195-1177-5 | Adelia Prado | The Alphabet in the Park: Selected Poems (Wesleyan Poetry) |
| '' | 978-0-8195-1182-9 | Joy Harjo | In Mad Love and War (Wesleyan Poetry) |
| 1991 | 978-0-8195-1192-8 | James Tate | Selected Poems (Wesleyan Poetry) |
| 1990 | 978-0-8195-1194-2 | Susan Howe | Singularities (Wesleyan Poetry) |
| 1991 | 978-0-8195-1198-0 | Claire Bateman | The Bicycle Slow Race (Wesleyan New Poets) |
| '' | 978-0-8195-1201-7 | Charles Wright | Country Music: Selected Early Poems (Wesleyan Poetry) |
| 1992 | 978-0-8195-1202-4 | Brenda Hillman | Death Tractates (Wesleyan Poetry) |
| 1993 | 978-0-8195-1207-9 | Brenda Hillman | Bright Existence (Wesleyan Poetry) |
| 1992 | 978-0-8195-1208-6 | Yusef Komunyakaa | Magic City (Wesleyan Poetry) |
| 1993 | 978-0-8195-1210-9 | Tony Barnstone | Out of the Howling Storm: The New Chinese Poetry (Wesleyan Poetry) |
| 1993 | 978-0-8195-1211-6 | Yusef Komunyakaa | Neon Vernacular: New and Selected Poems (Wesleyan Poetry) |
| 1992 | 978-0-8195-1218-5 | James Dickey | The Whole Motion: Collected Poems, 1945-1992 (Wesleyan Poetry) |
| 1995 | 978-0-8195-1228-4 | Guillaume Apollinaire | Alcools: Poems (Wesleyan Poetry) |
| 1993 | 978-0-8195-2208-5 | Yusef Komunyakaa | Neon Vernacular: New and Selected Poems (Poetry Series) |
| 1997 | 978-0-8195-2243-6 | Brenda Hillman | Loose Sugar (Wesleyan Poetry) |
| '' | 978-0-8195-2245-0 | Kathleen Fraser | il cuore - the heart: Selected Poems, 1970-1995 (Wesleyan Poetry) |
| 1998 | 978-0-8195-2257-3 | Christopher Small | Musicking: The Meanings of Performing and Listening (Music/Culture) |
| 1999 | 978-0-8195-2258-0 | Richard Caddel · Peter Quartermain | Other: British and Irish Poetry since 1970 (Wesleyan Poetry) |
| 1971 | 978-0-8195-3024-0 | Anni Albers | On designing |
| 1968 | 978-0-8195-3094-3 | Walther R. Volbach | Adolphe Appia, Prophet of the Modern Theater: A Profile |
| 1970 | 978-0-8195-4023-2 | Frances Blanshard | Frank Aydelotte of Swarthmore |
| 1971 | 978-0-8195-4029-4 | Shirley S. Allen | Samuel Phelps and Sadler's Wells Theatre |
| 1980 | 978-0-8195-4045-4 | George Kubler | Portuguese Plain Architecture: Between Spices and Diamonds, 1521-1706 |
| 1972 | 978-0-8195-4047-8 | Oskar Schlemmer | The Letters and Diaries of Oskar Schlemmer |
| '' | 978-0-8195-4054-6 | Doris Humphrey | Doris Humphrey: an artist first: An autobiography, |
| 1973 | 978-0-8195-4055-3 | Richard Slotkin | Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 |
| '' | 978-0-8195-4057-7 | Charles Coleman Sellers | Dickinson College;: A history |
| 1975 | 978-0-8195-4079-9 | Mary Wigman | The Mary Wigman Book: Her Writings |
| 1976 | 978-0-8195-5001-9 | Charles Coleman Sellers | Patience Wright: American Artist and Spy in George III's London. |
| 1979 | 978-0-8195-5027-9 | Richard Slotkin | So Dreadful a Judgment: Puritan Responses to King Philip's War, 1676-77 |
| '' | 978-0-8195-5028-6 | Niall Fallon | The Armada in Ireland |
| 1979 | 978-0-8195-5031-6 | Charles H. Barnard | Marooned: Being a Narrative of the Sufferings and Adventures of Captain Charles H. Barnard, Embracing an Account of the Seizure of his Vessel at the Falkland Islands, &c., 1812-1816 |
| 1980 | 978-0-8195-5041-5 | Francis R. Kowsky | The Architecture of Frederick Clarke Withers and the Progress of the Gothic Revival after 1850 |
| '' | 978-0-8195-5042-2 | Alvin Lucier · Douglas Simmon | Chambers: Scores by Alvin Lucier |
| '' | 978-0-8195-5044-6 | Ronald Story | The Forging of an Aristocracy: Harvard and the Boston Upper Class, 1800-1870 |
| 1984 | 978-0-8195-5100-9 | Brand Blanshard | Four Reasonable Men: Marcus Aurelius, John Stuart Mill, Ernest Renan, Henry Sidgwick |
| 1988 | 978-0-8195-5128-3 | Michael G. Hall | The Last American Puritan: The Life of Increase Mather, 1639-1723 |
| 1986 | 978-0-8195-5144-3 | Yusef Komunyakka | I Apologize for the Eyes in My Head (Wesleyan Poetry) |
| 1988 | 978-0-8195-5161-0 | Richard C. Cortner | A Mob Intent on Death: The NAACP and the Arkansas Riot Cases |
| 1991 | 978-0-8195-5189-4 | Albert Camus | Between Hell and Reason: Essays from the Resistance Newspaper Combat, 1944-1947 |
| 1989 | 978-0-8195-5193-1 | Allen C. Guelzo | Edwards on the Will: A Century of American Theological Debate |
| '' | 978-0-8195-5203-7 | Donald. Meyer | The Protestant Search for Political Realism, 1919-1941. 2d ed. |
| '' | 978-0-8195-5206-8 | Priscilla Meyer | Find What the Sailor Has Hidden: Vladimir Nabokov's Pale Fire |
| 1989 | 978-0-8195-5233-4 | Owen Barfield | Owen Barfield on C. S. Lewis |
| 1992 | 978-0-8195-5250-1 | Ellen Willis | No More Nice Girls: Countercultural Essays |
| 1995 | 978-0-8195-5283-9 | Samuel R. Delany | Atlantis: Three Tales |
| 1996 | 978-0-8195-5285-3 | John Cage · Joan Retallack | MUSICAGE: CAGE MUSES on Words * Art * Music |
| '' | 978-0-8195-5292-1 | Rockwell Kent | N by E |
| '' | 978-0-8195-5293-8 | Rockwell Kent | Wilderness: A Journal of Quiet Adventure in Alaska--Including Extensive Hitherto Unpublished Passages from the Original Journal |
| 1997 | 978-0-8195-5304-1 | Gerald Vizenor | Hotline Healers: An Almost Browne Novel |
| 1998 | 978-0-8195-5308-9 | Lewis Ellingham · Kevin Killian | Poet Be Like God: Jack Spicer and the San Francisco Renaissance |
| 1967 | 978-0-8195-6002-5 | John Cage | A Year from Monday: New Lectures and Writings |
| 1966 | 978-0-8195-6003-2 | Selma Jeanne Cohen · Erick Hawkins | The Modern Dance: Seven Statements of Belief |
| 1992 | 978-0-8195-6016-2 | Bruce Catton | America Goes to War: The Civil War and Its Meaning in American Culture |
| 1997 | 978-0-8195-6023-0 | Elizabeth Bishop · Emanuel Brasil | An Anthology of Twentieth-Century Brazilian Poetry (Wesleyan Poetry Classics) |
| 1984 | 978-0-8195-6026-1 | Owen Barfield | Poetic Diction: A Study in Meaning (Wesleyan Paperback) |
| 1961 | 978-0-8195-6028-5 | John Cage | Silence: Lectures and Writings |
| 1973 | 978-0-8195-6029-2 | Mary Caroline Richards | The Crossing Point: Selected Talks and Writings |
| '' | 978-0-8195-6035-3 | John Cage | M: Writings '67-'72 |
| 2000 | 978-0-8195-6040-7 | Allen Ludwig | Graven Images: New England Stonecarving and its Symbols, 1650-1815 |
| 1999 | 978-0-8195-6058-2 | Richard Slotkin · James K. Folsom | So Dreadfull a Judgment: Puritan Responses to King Philip's War, 1676-1677 |
| 1980 | 978-0-8195-6062-9 | Mary Caroline Richards | Toward Wholeness: Rudolf Steiner Education in America |
| 1979 | 978-0-8195-6067-4 | John Cage | Empty Words: Writings '73-'78 |
| 1983 | 978-0-8195-6081-0 | Antonio Machado | Times Alone: Selected Poems of Antonio Machado (Wesleyan Poetry) |
| '' | 978-0-8195-6086-5 | Inge Scholl | The White Rose: Munich, 1942-1943 |
| 1983 | 978-0-8195-6098-8 | John Cage | X: Writings '79-'82 |
| 1985 | 978-0-8195-6109-1 | Faye E. Dudden | Serving Women: Household Service in Nineteenth-Century America |
| 1982 | 978-0-8195-6110-7 | Selma Jeanne Cohen | Next Week, Swan Lake: Reflections on Dance and Dances |
| 1987 | 978-0-8195-6111-4 | Maurice Isserman | Which Side Were You On?: The American Communist Party During the Second World War |
| '' | 978-0-8195-6133-6 | C.C. Goen | Revivalism and Separatism in New England, 1740-1800: Strict Congregationalists and Separate Baptists in the Great Awakening |
| 1985 | 978-0-8195-6144-2 | Norman O. Brown | Life Against Death: The Psychoanalytical Meaning of History |
| 1984 | 978-0-8195-6156-5 | Annie Dillard | Encounters with Chinese Writers |
| 1987 | 978-0-8195-6160-2 | Sally Banes | Terpsichore in Sneakers: Post-Modern Dance (Wesleyan Paperback) |
| 1988 | 978-0-8195-6167-1 | Dale T. Knobel | Paddy and the Republic: Ethnicity and Nationalty in the Antebellum America |
| 1987 | 978-0-8195-6188-6 | George M. Fredrickson | The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 |
| '' | 978-0-8195-6189-3 | Michael Berenbaum | The Vision of the Void: Theological Reflections on the Works of Elie Wiesel |
| 1989 | 978-0-8195-6200-5 | Mary Caroline Richards | Centering in Pottery, Poetry, and the Person |
| 1988 | 978-0-8195-6205-0 | Owen Barfield | Saving the Appearances: A Study in Idolatry. |
| '' | 978-0-8195-6208-1 | Eugene D. Genovese | The Political Economy of Slavery: Studies in the Economy and Society of the Slave South (Wesleyan Paperback) |
| 1989 | 978-0-8195-6211-1 | Richard Elphick · Hermann Giliomee | The Shaping of South African Society, 1652-1840. |
| 1988 | 978-0-8195-6217-3 | George M. Fredrickson | The Arrogance of Race: Historical Perspectives on Slavery, Racism, and Social Inequity |
| 1987 | 978-0-8195-6218-0 | Arnaldo Momigliano | On Pagans, Jews, and Christians |
| 1988 | 978-0-8195-6222-7 | H. Richard Niebuhr | The Kingdom of God in America |
| 1989 | 978-0-8195-6225-8 | Richard H. Pells | The Liberal Mind in a Conservative Age: American Intellectuals in the 1940s and 1950s |
| '' | 978-0-8195-6228-9 | Morris Rosenberg | Society and the Adolescent Self-Image. Rev. ed. (Wesleyan Paperback) |
| 1989 | 978-0-8195-6237-1 | Jacques Barzun | The Culture We Deserve: A Critique of Disenlightenment |
| 1990 | 978-0-8195-6244-9 | Thomas Farel Heffernan | Stove by a Whale: Owen Chase and the Essex |
| 1991 | 978-0-8195-6249-4 | Gerald Vizenor | The Heirs of Columbus |
| '' | 978-0-8195-6251-7 | Paul. Horgan | Great River: The Rio Grande in North American History. Vol. 1, Indians and Spain. Vol. 2, Mexico and the United States. 2 vols. in one |
| '' | 978-0-8195-6252-4 | Edmond Jabes | From the Book to the Book: An Edmond Jabes Reader |
| 1992 | 978-0-8195-6255-5 | Ellen Willis | Beginning to See the Light: Sex, Hope, and Rock-and-Roll |
| '' | 978-0-8195-6257-9 | Philip H. Ennis | The Seventh Stream: The Emergence of Rocknroll in American Popular Music |
| 1993 | 978-0-8195-6260-9 | Robert Walser | Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Music Culture) |
| '' | 978-0-8195-6261-6 | Mark Slobin | Subcultural Sounds: Micromusics of the West (Music/Culture) |
| 1993 | 978-0-8195-6262-3 | Stanley Aronowitz | Roll over Beethoven: The Return of Cultural Strife |
| '' | 978-0-8195-6263-0 | Susan Howe | The Birth-mark: unsettling the wilderness in American literary history |
| '' | 978-0-8195-6264-7 | Susan D. Crafts · Daniel Cavicchi · Charles Keil · Music in Daily Life Project | My Music: Explorations of Music in Daily Life (Music/Culture Series) |
| 1994 | 978-0-8195-6267-8 | Norman Bryson · Michael Ann Holly · Keith Moxey | Visual Culture: Images and Interpretations |
| '' | 978-0-8195-6268-5 | Sally Banes | Writing Dancing in the Age of Postmodernism |
| 1993 | 978-0-8195-6269-2 | C. Carr | On Edge: Performance at the End of the Twentieth Century |
| '' | 978-0-8195-6270-8 | Samuel R. 1 Delany | Tales of Neveryon |
| 1993 | 978-0-8195-6271-5 | Samuel R. 2 Delany | Neveryona, or: The Tale of Signs and Cities--Some Informal Remarks Towards the Modular Calculus, Part Four |
| 1994 | 978-0-8195-6275-3 | Tricia Rose | Black Noise: Rap Music and Black Culture in Contemporary America (Music/Culture) |
| '' | 978-0-8195-6276-0 | Barry Shank | Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas (Music Culture) |
| '' | 978-0-8195-6277-7 | Samuel R. Delany | Flight from Neveryon |
| '' | 978-0-8195-6278-4 | '' | Return to Neveryon (Return to Neveryon) |
| '' | 978-0-8195-6280-7 | '' | Silent Interviews: On Language, Race, Sex, Science Fiction, and Some Comics--A Collection of Written Interviews |
| 1994 | 978-0-8195-6282-1 | Elisabeth Young-Bruehl | Global Cultures: A Transnational Short Fiction Reader |
| 1992 | 978-0-8195-6284-5 | Ellen Willis | No More Nice Girls: Countercultural Essays |
| 1993 | 978-0-8195-6287-6 | Johnny Otis | Upside Your Head!: Rhythm and Blues on Central Avenue (Music/Culture) |
| 1994 | 978-0-8195-6289-0 | Alexandra Dundas Todd | Double Vision: An East-West Collaboration for Coping with Cancer |
| 1995 | 978-0-8195-6291-3 | Jeanine Basinger | A Woman's View: How Hollywood Spoke to Women, 1930-1960 |
| 1996 | 978-0-8195-6293-7 | Samuel R. Delany | Longer Views: Extended Essays |
| '' | 978-0-8195-6294-4 | Richard M. Ohmann | English in America: A Radical View of the Profession |
| '' | 978-0-8195-6295-1 | Leslie Scalapino | The Front Matter, Dead Souls (Wesleyan Poetry) |
| '' | 978-0-8195-6297-5 | Sarah Thornton | Club Cultures: Music, Media, and Subcultural Capital (Music/Culture) |
| '' | 978-0-8195-6298-2 | Samuel R. Delany | Trouble on Triton: An Ambiguous Heterotopia |
| 1996 | 978-0-8195-6299-9 | Samuel R. Delany | Dhalgren |
| '' | 978-0-8195-6300-2 | Annemarie Bean · James V. Hatch · Brooks McNamara · Mel Watkins | Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy |
| '' | 978-0-8195-6301-9 | Ray Carney | American Vision: The Films of Frank Capra |
| 2004 | 978-0-8195-6302-6 | Luisa Passerini | Autobiography of a Generation: Italy, 1968 |
| 1997 | 978-0-8195-6305-7 | Nicole Fermon | Domesticating Passions: Rousseau, Woman, and the Nation |
| '' | 978-0-8195-6306-4 | Georg G. Iggers | Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge |
| 1996 | 978-0-8195-6307-1 | Christopher Small | Music, Society, Education (Music/Culture) |
| 1998 | 978-0-8195-6308-8 | Frances R. Aparicio | Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Music/Culture) |
| 1997 | 978-0-8195-6309-5 | Paul Theberge | Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) |
| 1996 | 978-0-8195-6310-1 | Keith Negus | Popular Music in Theory: An Introduction (Music/Culture) |
| '' | 978-0-8195-6311-8 | John Cage · Joan Retallack | MUSICAGE: CAGE MUSES on Words * Art * Music |
| 1995 | 978-0-8195-6312-5 | Samuel R. Delany | Atlantis: Three Tales |
| 1997 | 978-0-8195-6313-2 | John Cage | I-VI: MethodStructureIntentionDisciplineNotationIndeterminacy InterpenetrationImitationDevotionCircumstancesVariableStructure NonunderstandingContingencyInconsistencyPerformance ... (Statistics for Industry and Technology) |
| 1997 | 978-0-8195-6319-4 | Edward Herbst | Voices in Bali: Energies and Perceptions in Vocal Music and Dance Theater (Music/Culture) |
| '' | 978-0-8195-6321-7 | Ann Cooper Albright | Choreographing Difference: The Body and Identity in Contemporary Dance |
| '' | 978-0-8195-6326-2 | Lynn Garafola | Rethinking the Sylph: New Perspectives on the Romantic Ballet (Studies in Dance History) |
| 2000 | 978-0-8195-6328-6 | Deborah Hay | My Body, The Buddhist |
| 1998 | 978-0-8195-6329-3 | Eric Greene | Planet of the Apes as American Myth: Race, Politics, and Popular Culture |
| '' | 978-0-8195-6334-7 | D. A. Powell | Tea (Wesleyan Poetry) |
| '' | 978-0-8195-6336-1 | Samuel R. Delany | The Einstein Intersection |
| 1998 | 978-0-8195-6338-5 | William W. Savage Jr. | Commies, Cowboys, and Jungle Queens: Comic Books and America, 1945-1954 |
| '' | 978-0-8195-6340-8 | Jack Spicer | The House That Jack Built: The Collected Lectures of Jack Spicer |
| 1999 | 978-0-8195-6346-0 | J. P. Telotte | A Distant Technology: Science Fiction Film and the Machine Age |
| '' | 978-0-8195-6348-4 | Margaret A. Lindauer | Devouring Frida: The Art History and Popular Celebrity of Frida Kahlo |
| '' | 978-0-8195-6357-6 | Christopher Small | Music of the Common Tongue: Survival and Celebration in African American Music (Music/Culture) |
| '' | 978-0-8195-6360-6 | David B. Potts | Wesleyan University, 1831-1910: Collegiate Enterprise in New England |
| 1999 | 978-0-8195-6361-3 | Owen A. Barfield | A Barfield Reader: Selections from the Writings of Owen Barfield |
| 1998 | 978-0-8195-6362-0 | Rockwell Kent | A Northern Christmas |
| 2000 | 978-0-8195-6369-9 | Samuel R. Delany | Shorter Views: Queer Thoughts & the Politics of the Paraliterary |
| 1999 | 978-0-8195-6370-5 | Mady Schutzman | The Real Thing: Performance, Hysteria, and Advertising |
| '' | 978-0-8195-6376-7 | Harris M. Berger | Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (Music Culture) |
| '' | 978-0-8195-6391-0 | Robert Santelli · Emily Davidson | Hard Travelin': The Life and Legacy of Woody Guthrie (American Music Masters) |
| 2002 | 978-0-8195-6397-2 | Murray Forman | The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (Music/Culture) |
| 2000 | 978-0-8195-6399-6 | Carl Freedman | Critical Theory and Science Fiction |
| '' | 978-0-8195-6401-6 | Angela J. Latham | Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s |
| '' | 978-0-8195-6404-7 | Kai Fikentscher | "You Better Work!" Underground Dance Music in New York City |
| 2000 | 978-0-8195-6405-4 | Jean Valentine | The Cradle of the Real Life (Wesleyan Poetry) |
| 2001 | 978-0-8195-6408-5 | David Rothenberg · Marta Ulvaeus | The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts (Music/Culture) |
| 2000 | 978-0-8195-6409-2 | Rockwell Kent | Voyaging: Southward from the Strait of Magellan |
| '' | 978-0-8195-6411-5 | James Buhler · Caryl Flinn · David Neumeyer | Music and Cinema (Music/Culture) |
| 2001 | 978-0-8195-6413-9 | Ann Dils · Ann Cooper Albright | Moving History/Dancing Cultures: A Dance History Reader |
| '' | 978-0-8195-6414-6 | Ann. Vickery | Leaving Lines of Gender: A Feminist Genealogy of Language Writing |
| 2000 | 978-0-8195-6415-3 | Frances Chung | Crazy Melon and Chinese Apple: The Poems of Frances Chung (Wesleyan Poetry) |
| '' | 978-0-8195-6418-4 | Peter Fryer | Rhythms of Resistance: African Musical Heritage in Brazil |
| '' | 978-0-8195-6421-4 | Cesar. Vallejo | Trilce (Wesleyan Poetry) |
| 1998 | 978-0-8195-6422-1 | Yusef Komunyakaa | Thieves of Paradise (Wesleyan Poetry) |
| 2000 | 978-0-8195-6424-5 | Rustom Bharucha | The Politics of Cultural Practice: Thinking through Theatre in an Age of Globalization |
| 2001 | 978-0-8195-6425-2 | Yusef Komunyakaa | Pleasure Dome: New and Collected Poems (Wesleyan Poetry) |
| 2000 | 978-0-8195-6427-6 | D. A. Powell | Lunch (Wesleyan Poetry) |
| 2000 | 978-0-8195-6437-5 | Agha Shahid Ali · Sarah Suleri Goodyear | Ravishing DisUnities: Real Ghazals in English (Wesleyan Poetry) |
| 2002 | 978-0-8195-6441-2 | Lise A. Waxer | The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia (Music/Culture) |
| '' | 978-0-8195-6442-9 | '' | The City of Musical Memory: Salsa, Record Grooves and Popular Culture in Cali, Colombia (Music/Culture) |
| 2001 | 978-0-8195-6447-4 | Anni Albers | Anni Albers: Selected Writings on Design |
| '' | 978-0-8195-6450-4 | Rae Armantrout | Veil: New and Selected Poems (Wesleyan Poetry Series) |
| 2000 | 978-0-8195-6451-1 | Jeanine Basinger | Silent Stars |
| 2001 | 978-0-8195-6452-8 | Aime Cesaire | Notebook of a Return to the Native Land (Wesleyan Poetry) |
| '' | 978-0-8195-6458-0 | Jean De LA Fontaine · David Schorr · John (Frw) Hollander · Norman R. Shapiro | Once Again, La Fontaine: 60 More Fables (Wesleyan Poetry with Audio CD) |
| '' | 978-0-8195-6464-1 | Naima Prevots | Dance for Export: Cultural Diplomacy and the Cold War |
| 2002 | 978-0-8195-6465-8 | Jules Verne | Invasion of the Sea (Early Classics of Science Fiction) |
| 2001 | 978-0-8195-6467-2 | Jill Dolan | Geographies of Learning: Theory and Practice, Activism and Performance |
| 2001 | 978-0-8195-6468-9 | Jill Dolan | Geographies of Learning: Theory and Practice, Activism and Performance |
| '' | 978-0-8195-6470-2 | Hubert Harrison | A Hubert Harrison Reader |
| 2002 | 978-0-8195-6488-7 | Charles Keil · Angeliki Vellou Keil | Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia |
| 2003 | 978-0-8195-6490-0 | William Carlos Williams · Louis Zukofsky | The Correspondence of William Carlos Williams and Louis Zukofsky |
| 2001 | 978-0-8195-6492-4 | Brenda Hillman | Cascadia (Wesleyan Poetry Series) |
| 2002 | 978-0-8195-6498-6 | Fiona Buckland | Impossible Dance: Club Culture and Queer World-Making |
| '' | 978-0-8195-6500-6 | Ron Emoff | Recollecting from the Past: Musical Practice and Spirit Possession on the East Coast of Madagascar (Music Culture) |
| '' | 978-0-8195-6502-0 | Tony Mitchell | Global Noise: Rap and Hip Hop Outside the USA (Music Culture) |
| 2001 | 978-0-8195-6505-1 | Jose Limon | Jose Limon: An Unfinished Memoir |