| year of publication | ISBN | author(s) | title |
|---|
| 2002 | 978-0-8195-6508-2 | Dennis G. Waring | Manufacturing the Muse: Estey Organs and Consumer Culture in Victorian America (Music/Culture) |
| 2003 | 978-0-8195-6511-2 | Jules Verne | The Mighty Orinoco (Early Classics of Science Fiction) |
| '' | 978-0-8195-6514-3 | Rene T. A. Lysloff · Jr. Leslie C. Gay · Andrew Ross | Music and Technoculture (Music Culture) |
| 2004 | 978-0-8195-6517-4 | Paul D. Greene · Thomas Porcello | Wired for Sound: Engineering and Technologies in Sonic Cultures (Music /Culture) |
| 2002 | 978-0-8195-6520-4 | Anthony Shay | Choreographic Politics: State Folk Dance Companies, Representation and Power |
| 2001 | 978-0-8195-6525-9 | Juliana Spahr | Fuck You-Aloha-I Love You (Wesleyan Poetry Series) |
| 2002 | 978-0-8195-6527-3 | Justine Larbalestier | The Battle of the Sexes in Science Fiction (The Wesleyan Early Classics of Science Fiction Series) |
| '' | 978-0-8195-6528-0 | Brion Gysin | Back in No Time: The Brion Gysin Reader |
| '' | 978-0-8195-6529-7 | Brion Gysin | Back in No Time: The Brion Gysin Reader |
| 2001 | 978-0-8195-6531-0 | Michael Eigen | Ecstasy |
| 2002 | 978-0-8195-6536-5 | Annie Dillard | Tickets for a Prayer Wheel (Wesleyan Poetry Series) |
| 978-0-8195-6545-7 | Jules Verne · translated by Edward Baxter · edited by Arthur B. Evans · introduction and critical material by Arthur B. Evans | Invasion of the sea |
| 2002 | 978-0-8195-6547-1 | Claudia Rankine | American Women Poets in the 21st Century: Where Lyric Meets Language (Wesleyan Poetry) |
| '' | 978-0-8195-6551-8 | Susan Leigh Foster | Dances that Describe Themselves: The Improvised Choreography of Richard Bull |
| 2002 | 978-0-8195-6553-2 | Mark Franko | The Work of Dance: Labor, Movement, and Identity in the 1930s |
| 2007 | 978-0-8195-6558-7 | Jules Verne | Invasion of the Sea (The Wesleyan Early Classics of Science Fiction Series) |
| 2002 | 978-0-8195-6559-4 | '' | The Mysterious Island (Wesleyan Early Classics of Science Fiction Series) |
| '' | 978-0-8195-6560-0 | Ann Daly | Done into Dance: Isadora Duncan in America |
| '' | 978-0-8195-6566-2 | '' | Critical Gestures: Writings on Dance and Culture |
| '' | 978-0-8195-6567-9 | Camille Flammarion | Lumen (Early Classics of Science Fiction) |
| '' | 978-0-8195-6568-6 | Camille Flammarion | Lumen (Early Classics of Science Fiction) |
| 2007 | 978-0-8195-6571-6 | Michael Veal | Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) |
| 2007 | 978-0-8195-6572-3 | Michael Veal | Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music Culture) |
| 2002 | 978-0-8195-6586-0 | Michael Eigen | Rage (Disseminations, Psychoanalysis in Contexts) |
| '' | 978-0-8195-6592-1 | Allen S. Weiss | Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia |
| 2003 | 978-0-8195-6594-5 | Susana Salgado | The Teatro Solis: 150 Years of Opera, Concert and Ballet in Montevideo |
| 2002 | 978-0-8195-6596-9 | Barbara Guest | Miniatures and Other Poems (Wesleyan Poetry Series) |
| 2004 | 978-0-8195-6607-2 | Melissa Kwasny | Toward the Open Field: Poets on the Art of Poetry 1800-1950 (Wesleyan Poetry) |
| 2003 | 978-0-8195-6610-2 | Barrett Watten | The Constructivist Moment: From Material Text to Cultural Poetics |
| 2004 | 978-0-8195-6612-6 | Andre Lepecki | Of the Presence of the Body: Essays on dance and Performance Theory |
| '' | 978-0-8195-6615-7 | Emile Souvestre | The World as It Shall Be (Early Classics of Science Fiction) |
| 2007 | 978-0-8195-6616-4 | Emile Souvestre · I. F. Clarke · Margaret Clarke | The World As It Shall Be (The Wesleyan Early Classics of Science Fiction Series) |
| 2005 | 978-0-8195-6617-1 | Allan Marett | Songs, Dreamings, and Ghosts: The Wangga of North Australia (Music / Culture) |
| '' | 978-0-8195-6618-8 | '' | Songs, Dreamings, and Ghosts: The Wangga of North Australia (Music/Culture) |
| 2004 | 978-0-8195-6619-5 | Louis Zukofsky | Le Style Apollinaire: The Writing of Guillaume Apollinaire (The Wesleyan of the Complete Critical Writings of Louis Zukofsky, 5) |
| '' | 978-0-8195-6620-1 | Louis Zukofsky | Le Style Apollinaire: The Writing of Guillaume Apollinaire (Wesleyan Centennial Edition of the Complete Critical Writings of Louis Zukofsky) |
| 2003 | 978-0-8195-6623-2 | Jeanine Basinger · Jeremy Arnold | The World War II Combat Film: Anatomy of a Genre |
| 2006 | 978-0-8195-6630-0 | Amy Agigian | Baby Steps: How Lesbian Alternative Insemination Is Changing the World |
| 2003 | 978-0-8195-6634-8 | Andrea L. Bell · Yolanda Molina-Gavilan | Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (Early Classics of Science Fiction) |
| 2003 | 978-0-8195-6638-6 | Ian Maxwell | Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper (Music Culture) |
| '' | 978-0-8195-6642-3 | Ellyn Kestnbaum | Culture on Ice: Figure Skating & Cultural Meaning |
| '' | 978-0-8195-6647-8 | Ann Cooper Albright · David Gere | Taken by Surprise: A Dance Improvisation Reader |
| '' | 978-0-8195-6648-5 | Ann Cooper Albright · David Gere | Taken by Surprise: A Dance Improvisation Reader |
| '' | 978-0-8195-6652-2 | Marleen S. Barr | Envisioning the Future: Science Fiction and the Next Millennium |
| 2003 | 978-0-8195-6658-4 | Colette Chiland | Transsexualism: Illusion and Reality (Disseminations: Psychoanalysis in Contexts) |
| '' | 978-0-8195-6660-7 | Sydney Fowler Wright | Deluge (Wesleyan Early Classics of Science Fiction Series) |
| 2004 | 978-0-8195-6661-4 | Yayoi Uno Everett · Frederick Lau | Locating East Asia in Western Art Music (Music Culture) |
| '' | 978-0-8195-6662-1 | Yayoi Uno Everett · Frederick Lau | Locating East Asia in Western Art Music (Music Culture) |
| 2003 | 978-0-8195-6664-5 | Peter Gizzi | Some Values of Landscape and Weather (Wesleyan Poetry Series) |
| 2004 | 978-0-8195-6667-6 | Steven Taylor | False Prophet: Field Notes from the Punk Underground (Music Culture) |
| '' | 978-0-8195-6668-3 | Steven Taylor | False Prophet: Field Notes from the Punk Underground (Music Culture) |
| '' | 978-0-8195-6670-6 | Herbert Bruen | When Music Resists Meaning: The Major Writings of Herbert Bruen |
| 2005 | 978-0-8195-6674-4 | Lynn Garafola | Legacies of Twentieth-Century Dance |
| 2006 | 978-0-8195-6676-8 | Justine Larbalestier | Daughters of Earth: Feminist Science Fiction in the Twentieth Century |
| 2003 | 978-0-8195-6677-5 | Rockwell Kent | Salamina |
| 2004 | 978-0-8195-6678-2 | Vicente Huidobro | Altazor (Wesleyan Poetry) |
| 2004 | 978-0-8195-6680-5 | Albert Robida | The Twentieth Century (Early Classics of Science Fiction) |
| '' | 978-0-8195-6682-9 | Daniel Fischlin · Ajay Heble · Ingrid Monson | The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (Music Culture) |
| '' | 978-0-8195-6685-0 | Michael Eigen | The Sensitive Self |
| '' | 978-0-8195-6689-8 | Jeffrey Allen Tucker | A Sense of Wonder: Samuel R. Delany, Race, Identity, and Difference |
| '' | 978-0-8195-6691-1 | Guillaume Apollinaire | The Self-Dismembered Man: Selected Later Poems of Guillaume Apollinaire (Wesleyan Poetry) |
| 2004 | 978-0-8195-6692-8 | Olaf Stapledon | Star Maker (Early Classics of Science Fiction) |
| '' | 978-0-8195-6694-2 | Kazuo Ohno · Yoshito Ohno | Kazuo Ohno's World: from without & within |
| '' | 978-0-8195-6696-6 | Joseph G. Schloss | Making Beats: The Art of Sample-Based Hip-Hop (Music Culture) |
| '' | 978-0-8195-6698-0 | Rae Armantrout | Up to Speed (Wesleyan Poetry) |
| 2007 | 978-0-8195-6704-8 | Jules Verne | The Kip Brothers (Early Classics of Science Fiction) |
| 2004 | 978-0-8195-6712-3 | Jean Valentine | Door in the Mountain: New and Collected Poems, 1965-2003 (Wesleyan Poetry) |
| 2007 | 978-0-8195-6713-0 | Jean Valentine | Door in the Mountain: New and Collected Poems, 1965-2003 (Wesleyan Poetry) |
| 2004 | 978-0-8195-6714-7 | Samuel R. Delany | Stars in My Pocket Like Grains of Sand |
| 2006 | 978-0-8195-6716-1 | Samuel R. Delany | About Writing: Seven Essays, Four Letters, & Five Interviews |
| 2004 | 978-0-8195-6719-2 | Reviel Netz | Barbed Wire: An Ecology of Modernity |
| '' | 978-0-8195-6720-8 | Paul. Celan | Glottal Stop: 101 Poems by Paul Celan (Wesleyan Poetry) |
| 2004 | 978-0-8195-6721-5 | Colin Symes | Setting the Record Straight: A Material History of Classical Recording (Music/Culture) |
| '' | 978-0-8195-6725-3 | W. Warren Wagar | H.G. Wells: Traversing Time (Early Classics of Science Fiction) |
| 2007 | 978-0-8195-6728-4 | Claudia Rankine · Lisa Sewell | American Poets in the 21st Century: The New Poetics (Wesleyan Poetry) |
| 2006 | 978-0-8195-6729-1 | H.G Wells | Star Begotten: A Biological Fantasia (Early Classics of Science Fiction) |
| 2004 | 978-0-8195-6731-4 | Joan Acocella | Mark Morris |
| '' | 978-0-8195-6733-8 | Ananya Chatterjea | Butting Out: Reading Resistive Choreographies Through Works by Jawole Willa Jo Zollar and Chandralekha |
| 2007 | 978-0-8195-6735-2 | Edward Bulwer-Lytton | The Coming Race (Early Classics of Science Fiction) |
| '' | 978-0-8195-6736-9 | Peter Gizzi | The Outernationale (Wesleyan Poetry) |
| 2008 | 978-0-8195-6737-6 | '' | The Outernationale (Wesleyan Poetry) |
| 2004 | 978-0-8195-6739-0 | Yusef Komunyakaa | Pleasure Dome: New and Collected Poems (Wesleyan Poetry) |
| 2005 | 978-0-8195-6748-2 | Michel Deguy | Recumbents (Wesleyan Poetry) |
| '' | 978-0-8195-6749-9 | Edward Bulwer-Lytton | The Coming Race (Wesleyan Early Classics of Science Fiction) |
| 2005 | 978-0-8195-6750-5 | Barbara Guest | The Red Gaze (Wesleyan Poetry) |
| '' | 978-0-8195-6753-6 | Michael Eigen | Emotional Storm |
| 2005 | 978-0-8195-6754-3 | Michael Eigen | Emotional Storm |
| '' | 978-0-8195-6757-4 | Lorna Jowett | Sex and the Slayer: A Gender Studies Primer for the Buffy Fan: A Gender Studies Primer for the "Buffy" Fan |
| '' | 978-0-8195-6758-1 | '' | Sex and the Slayer: A Gender Studies Primer for the Buffy Fan |
| '' | 978-0-8195-6759-8 | Joanna Russ | We Who Are About To... |
| '' | 978-0-8195-6760-4 | Joanna Russ | The Two of Them |
| 2005 | 978-0-8195-6761-1 | Jim Cullen | Born in the U.S.A.: Bruce Springsteen and the American Tradition (Music/Culture) |
| '' | 978-0-8195-6765-9 | Louise Spence | Watching Daytime Soap Operas: The Power of Pleasure |
| '' | 978-0-8195-6766-6 | Georg G. Iggers | Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge |
| '' | 978-0-8195-6768-0 | Piotr Sommer | Continued (Wesleyan Poetry) |
| 2006 | 978-0-8195-6772-7 | Alice Notley | Grave of Light: New and Selected Poems, 1970-2005 (Wesleyan Poetry) |
| 2008 | 978-0-8195-6773-4 | Alice Notley | Grave of Light: New and Selected Poems, 1970-2005 (Wesleyan Poetry) |
| 2006 | 978-0-8195-6774-1 | Juliet McMains | Glamour Addiction: Inside the American Ballroom Dance Industry |
| 2005 | 978-0-8195-6780-2 | Jules Verne | The Mighty Orinoco (Early Classics of Science Fiction) |
| '' | 978-0-8195-6782-6 | Paul Austerlitz | Jazz Consciousness: Music, Race, and Humanity (Music Culture) |
| 2007 | 978-0-8195-6788-8 | Brenda Hillman | Pieces of Air in the Epic (Wesleyan Poetry) |
| 2005 | 978-0-8195-6789-5 | Mike Budd · Max H. Kirsch | Rethinking Disney: Private Control, Public Dimensions |
| 2005 | 978-0-8195-6790-1 | Mike Budd · Max H. Kirsch | Rethinking Disney: Private Control, Public Dimensions |
| 2006 | 978-0-8195-6791-8 | Ken Feil | Dying for a Laugh: Disaster Movies and the Camp Imagination |
| '' | 978-0-8195-6792-5 | '' | Dying for a Laugh: Disaster Movies and the Camp Imagination |
| 2005 | 978-0-8195-6793-2 | Peter Doyle | Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Music Culture) |
| '' | 978-0-8195-6794-9 | Peter Doyle | Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960 (Music Culture) |
| '' | 978-0-8195-6796-3 | Jules Verne | The Begum's Millions (Early Classics of Science Fiction) |
| 2006 | 978-0-8195-6797-0 | Daniele Chatelain · George Slusser · Honore Balzac | The Centenarian: Or, The Two Beringhelds (Early Classics of Science Fiction) |
| '' | 978-0-8195-6798-7 | Jonathan Shannon | Among the Jasmine Trees: Music and Modernity in Contemporary Syria (Music Culture) |
| 2007 | 978-0-8195-6801-4 | Eric Lichtenfeld | Action Speaks Louder: Violence, Spectacle, and the American Action Movie (Wesleyan Film) |
| 2006 | 978-0-8195-6807-6 | Barbara Fisher | In Balanchine's Company: A Dancer's Memoir |
| 2006 | 978-0-8195-6809-0 | Michael Eigen | Lust |
| '' | 978-0-8195-6811-3 | Wendy Fonarow | Empire of Dirt: The Aesthetics and Rituals of British Indie Music (Music Culture) |
| '' | 978-0-8195-6812-0 | Donald Cantor · Elizabeth Cantor · James C. Black · Campbell D. Barrett | Same-Sex Marriage: The Legal and Psychological Evolution in America |
| 2007 | 978-0-8195-6820-5 | Rae Armantrout | Next Life (Wesleyan Poetry) |
| '' | 978-0-8195-6821-2 | '' | Next Life (Wesleyan Poetry) |
| 2006 | 978-0-8195-6823-6 | Anne Danielsen | Presence and Pleasure: The Funk Grooves of James Brown and Parliament (Music Culture) |
| '' | 978-0-8195-6824-3 | Yusef Komunyakaa · Chad Gracia | Gilgamesh: A Verse Play (Wesleyan Poetry) |
| 2007 | 978-0-8195-6832-8 | Victor Segalen | Steles (Wesleyan Poetry) |
| 2007 | 978-0-8195-6833-5 | Victor Segalen | Steles (Wesleyan Poetry) |
| '' | 978-0-8195-6837-3 | Janet O'Shea | At Home in the World: Bharata Natyam on the Global Stage |
| '' | 978-0-8195-6841-0 | James Wright | The Branch Will Not Break: 50th Anniversary Edition |
| '' | 978-0-8195-6843-4 | Ann Cooper Albright | Traces of Light: Absence and Presence in the Work of Loie Fuller |
| '' | 978-0-8195-6844-1 | Kent Jones | Physical Evidence: Selected Film Criticism (Wesleyan Film) |
| 2007 | 978-0-8195-6845-8 | Jeanine Basinger | Anthony Mann (Wesleyan Film) |
| '' | 978-0-8195-6846-5 | Rachel Zucker | The Bad Wife Handbook (Wesleyan Poetry) |
| '' | 978-0-8195-6847-2 | Rudy J. Favretti | Jacob Weidenmann: Pioneer Landscape Architect |
| '' | 978-0-8195-6850-2 | Jean Valentine | Little Boat (Wesleyan Poetry) |
| '' | 978-0-8195-6852-6 | Deborah Kapchan | Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace (Music Culture) |
| 2007 | 978-0-8195-6853-3 | Ruth Finnegan | The Hidden Musicians: Music-Making in an English Town (Music Culture) |
| 2008 | 978-0-8195-6858-8 | Rebecca S. Miller | Carriacou String Band Serenade: Performing Identity in the Eastern Caribbean (Music Culture) |
| 2007 | 978-0-8195-6859-5 | Philip Whalen | The Collected Poems of Philip Whalen (Wesleyan Poetry) |
| 2008 | 978-0-8195-6860-1 | Barbara Guest | The Collected Poems of Barbara Guest (Wesleyan Poetry) |
| '' | 978-0-8195-6863-2 | Marianne Boruch | Grace, Fallen from (Wesleyan Poetry) |
| '' | 978-0-8195-6866-3 | Lisa Dombrowski | The Films of Samuel Fuller: If You Die, I'll Kill You (Wesleyan Film) |
| '' | 978-0-8195-6868-7 | Farah Mendlesohn | Rhetorics of Fantasy |
| '' | 978-0-8195-6872-4 | James Wright | A Wild Perfection: The Selected Letters of James Wright |
| 2008 | 978-0-8195-6874-8 | John Rieder | Colonialism and the Emergence of Science Fiction (Early Classics of Science Fiction) |
| '' | 978-0-8195-6876-2 | M. NourbeSe Philip | Zong! (Wesleyan Poetry) |
| 2009 | 978-0-8195-6879-3 | Rae Armantrout | Versed (Wesleyan Poetry) |
| 2008 | 978-0-8195-6880-9 | Rose Eichenbaum | The Dancer Within: Intimate Conversations with Great Dancers |
| '' | 978-0-8195-6882-3 | Mark Slobin | Global Soundtracks: Worlds of Film Music (Music / Culture) |
| 2009 | 978-0-8195-6883-0 | Samuel R. Delany | The Jewel-Hinged Jaw: Notes on the Language of Science Fiction |
| '' | 978-0-8195-6886-1 | Laurie Lisle | Westover: Giving Girls a Place of Their Own (Garnet Books) |
| 2008 | 978-0-8195-6887-8 | Jack Spicer | My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer (Wesleyan Poetry) |
| '' | 978-0-8195-6889-2 | Istvan Csicsery-Ronay Jr. | The Seven Beauties of Science Fiction |
| 2009 | 978-0-8195-6893-9 | Christine Becker | It's the Pictures That Got Small: Hollywood Film Stars on 1950s Television (Wesleyan Film) |
| 2009 | 978-0-8195-6894-6 | Christine Becker | It's the Pictures That Got Small: Hollywood Film Stars on 1950s Television (Wesleyan Film) |
| '' | 978-0-8195-6896-0 | James F. O'Gorman | Henry Austin: In Every Variety of Architectural Style (Garnet Books) |
| '' | 978-0-8195-6900-4 | Nicholas Ruddick | Fire in the Stone: Prehistoric Fiction from Charles Darwin to Jean M. Auel (The Wesleyan Early Classics of Science Fiction Series) |
| '' | 978-0-8195-6903-5 | John Luther Adams | The Place Where You Go to Listen: In Search of an Ecology of Music |
| 2010 | 978-0-8195-6911-0 | Katja Kolcio | Movable Pillars: Organizing Dance, 1956-1978 |
| 2009 | 978-0-8195-6912-7 | Mark Bould · China Mieville | Red Planets: Marxism and Science Fiction (Early Classics of Science Fiction) |
| '' | 978-0-8195-6913-4 | Mark Bould · China Mieville | Red Planets: Marxism and Science Fiction (Early Classics of Science Fiction) |
| 2009 | 978-0-8195-6915-8 | Sam Wasson | A Splurch in the Kisser: The Movies of Blake Edwards (Wesleyan Film) |