| year of publication | ISBN | author(s) | title |
| 1996 | 978-0-7190-4493-9 | Harold L. Smith | Britain in the Second World War: A Social History (Documents in Contemporary History) |
| 2002 | 978-0-7190-4506-6 | Jeffrey Richards | Imperialism and Music: Britain 1876-1953 (Studies in Imperialism) |
| 2000 | 978-0-7190-4541-7 | Christopher A. Whatley | Scottish Society, 1707-1830 |
| 1998 | 978-0-7190-4550-9 | Leonardo Sciascia | Il giorno della civetta (Italian Texts) |
| '' | 978-0-7190-4554-7 | Diana Holmes · Robert Ingram | Francois Truffaut (French Film Directors) |
| 1996 | 978-0-7190-4565-3 | Susan Hiller | Thinking About Art: Conversations with Susan Hiller |
| 1994 | 978-0-7190-4572-1 | Margaret Lucille Kekewich · etc. | Princes and Peoples, France and the British Isles, 1620-1714: Anthology of Primary Sources |
| '' | 978-0-7190-4573-8 | Margaret Lucille Kekewich · etc. | Princes and Peoples: Anthology of Primary Sources: France and the British Isles |
| 1995 | 978-0-7190-4578-3 | John M. MacKenzie | Orientalism: History, Theory and the Arts |
| 1997 | 978-0-7190-4584-4 | Cormac O Grada | Rocky Road: Irish Economy Since Independence (Insights from economic history) |
| 1996 | 978-0-7190-4596-7 | David Buckingham | Moving Images: Understanding Children's Emotional Responses to Television |
| 1995 | 978-0-7190-4598-1 | Trudi Tate | Women, Men and the Great War: An Anthology of Stories |
| 1996 | 978-0-7190-4611-7 | Guy Austin | Contemporary French Cinema: An Introduction |
| 1997 | 978-0-7190-4614-8 | Joanna Woodall | Portraiture: Facing the Subject (Critical Introductions to Art) |
| '' | 978-0-7190-4618-6 | Peter Dormer | The Culture of Craft: Status and Future (Studies in Design & Material Culture) |
| '' | 978-0-7190-4625-4 | Anthony B. Dawson | "Hamlet" (Shakespeare in Performance) |
| 1998 | 978-0-7190-4672-8 | Paul W. Doerr | British Foreign Policy, 1919-39 (Manchester Studies in Modern History) |
| 1995 | 978-0-7190-4678-0 | Tim Mowl · Brian Earnshaw | Architecture without Kings: Rise of Puritan Classicism Under Cromwell |
| 1995 | 978-0-7190-4679-7 | Tim Mowl · Brian Earnshaw | Architecture without Kings: Rise of Puritan Classicism Under Cromwell |
| 1996 | 978-0-7190-4687-2 | John Corner | The Art of Record: Critical Introduction to Documentary |
| 1995 | 978-0-7190-4693-3 | John Dumbrell | The Carter Presidency: A Re-evaluation |
| 1996 | 978-0-7190-4701-5 | Jon Stratton | The Desirable Body: Cultural Fetishism and the Erotics of Consumption |
| 1995 | 978-0-7190-4707-7 | Christian Bordes · Eric Girardin · Jacques Melitz | European Currency Crises and After |
| 1996 | 978-0-7190-4716-9 | Dan Fleming | Powerplay: Children, Toys and Popular Culture |
| 2000 | 978-0-7190-4724-4 | Christopher Christie | The British Country House in the Eighteenth Century (Studies in Design & Material Culture) |
| '' | 978-0-7190-4725-1 | '' | The British Country House in the Eighteenth Century (Studies in Design & Material Culture) |
| 1998 | 978-0-7190-4740-4 | R.C. Richardson | The Debate on the English Revolution (Issues in Historiography) |
| 2000 | 978-0-7190-4741-1 | Jeremy Crang | The British Army and the People's War, 1939-1945 |
| 1997 | 978-0-7190-4743-5 | Jeffrey Richards | Films and British National Identity: From Dickens to "Dad's Army" (Studies in Popular Culture) |
| 2000 | 978-0-7190-4751-0 | Elisabeth Maria Cornelia Van Houts | The Normans in Europe (Manchester Medieval Studies) |
| 1998 | 978-0-7190-4759-6 | Scott McCracken | Pulp: Reading Popular Fiction |
| 1996 | 978-0-7190-4763-3 | Maria Delgado · Paul Heritage | In Contact with the Gods?: Directors Talk Theatre |
| '' | 978-0-7190-4769-5 | Richard Woodfield | Gombrich on Art |
| '' | 978-0-7190-4777-0 | Robert JC Young | Torn Halves: Political Conflict in Literary and Cultural Theory |
| 1997 | 978-0-7190-4779-4 | John Baylis | Anglo-American Relations Since 1939: The Enduring Alliance (Documents in Contemporary History) |
| 1996 | 978-0-7190-4791-6 | Paul Fouracre · Richard A. Gerberding | Late Merovingian France: History and Hagiography, 640-720 (Manchester Medieval Studies) |
| 2000 | 978-0-7190-4803-6 | Edward Royle | Revolutionary Britannia?: Reflections on the Threat of Revolution in Britain, 1789-1848 |
| 1999 | 978-0-7190-4805-0 | Chloe Chard | Pleasure and Guilt on the Grand Tour: Travel Writing and Imaginative Geography, 1600-1830 |
| '' | 978-0-7190-4808-1 | Elisabeth Bronfen | Dorothy Richardson's Art of Memory: Space, Identity, Text |
| 1998 | 978-0-7190-4820-3 | Clare Midgley | Gender and Imperialism (Studies in imperialism) |
| 1997 | 978-0-7190-4827-2 | Nick Higham | The Convert Kings: Power and Religious Affiliation in Early Anglo-Saxon England |
| 1997 | 978-0-7190-4828-9 | Nick Higham | The Convert Kings: Power and Religious Affiliation in Early Anglo-Saxon England |
| 1998 | 978-0-7190-4832-6 | Frank McDonough | Neville Chamberlain, Appeasement and the British Road to War (New Frontiers in History) |
| 1997 | 978-0-7190-4833-3 | Martin Francis | Ideas and Policies Under Labour, 1945-51: Building a New Britain |
| '' | 978-0-7190-4867-8 | Eric John | Reassessing Anglo-Saxon England |
| 2008 | 978-0-7190-4874-6 | Octavio Paz | El Laberinto De La Soledad (Hispanic Texts) (Hispanic Texts) |
| 1997 | 978-0-7190-4893-7 | Richard Kilborn · John Izod | An Introduction To Television Documentary - Confronting Reality |
| 2005 | 978-0-7190-4896-8 | J.F. Merritt | The Social World of Early Modern Westminster: Abby, Court and Community, 1525 - 1640 (Politics, Culture & Society in Early Modern Britain): Abby, Court ... Culture & Society in Early Modern Britain) |
| 1997 | 978-0-7190-4900-2 | Joseph Farrell | Understanding the Mafia (Manchester Italian Texts) |
| 1999 | 978-0-7190-4912-5 | Marjorie Chibnall | The Debate on the Norman Conquest (Issues in Historiography) |
| '' | 978-0-7190-4913-2 | Marjorie Chibnall | The Debate on the Norman Conquest (Issues in Historiography) |
| 1996 | 978-0-7190-4923-1 | A.H. Robertson · J.G. Merrills | Human Rights in the World: An Introduction to the Study of the International Protection of Human Rights |
| 2001 | 978-0-7190-4926-2 | Thietmar of Merseburg | Ottonian Germany: The Chronicon of Thietmar of Merseburg (Manchester Medieval Studies) |
| 1997 | 978-0-7190-4930-9 | Torbjorn L. Knutsen | A History of International Relations Theory |
| 1998 | 978-0-7190-4935-4 | Richard Thomson | Framing France: Essays on the Representation of Landscape in France, 1870-1914 |
| 1999 | 978-0-7190-4938-5 | Hugh Tulloch | The Debate on the American Civil War Era (Issues in Historiography) |
| 1998 | 978-0-7190-4944-6 | Hilary Partridge | Italian Politics Today |
| 1999 | 978-0-7190-4946-0 | John Gibbons | Spanish Politics Today |
| 1997 | 978-0-7190-4951-4 | Mike French | Economic and Social History of the US Since 1945 |
| 2004 | 978-0-7190-4958-3 | Bill Jones | Dictionary of British Politics (Politics Today) (Politics Today) (Politics Today) (Politics Today) |
| 2000 | 978-0-7190-4961-3 | Geoffrey K. Roberts | German Politics Today |
| 1999 | 978-0-7190-4965-1 | Alexander Leggatt | Introduction to English Renaissance Comedy |
| 2000 | 978-0-7190-4976-7 | P.G. Maxwell-Stuart | Martin Del Rio: Investigations into Magic (Social & Cultural Values in Early Modern Europe) |
| 2004 | 978-0-7190-4979-8 | N. Woodward | The Management of the British Economy 1945-2001 (Manchester Studies in Modern History) |
| 2001 | 978-0-7190-4990-3 | Ken Hirschkop · David Shepherd | Bakhtin and Cultural Theory |
| 2004 | 978-0-7190-5003-9 | David Cottington | Cubism and Its Histories (Barber Institute's Critical Perspectives in Art History) |
| '' | 978-0-7190-5004-6 | David Cottington | Cubism and Its Histories (Barber Institute's Critical Perspectives in Art History) |
| 2000 | 978-0-7190-5016-9 | Michael Foley | The British Presidency |
| 1997 | 978-0-7190-5020-6 | John A. Walker | Visual Culture: An Introduction |
| 2001 | 978-0-7190-5022-0 | Steven King · Geoffrey Timmins | Making Sense of the Industrial Revolution: English Economy and Society 1700-1850 (Manchester Studies in Modern History) |
| 2000 | 978-0-7190-5023-7 | Thomas P. Linehan | British Fascism, 1918-1939: Parties, Ideology and Culture (Manchester Studies in Modern History) |
| '' | 978-0-7190-5024-4 | Thomas P. Linehan | British Fascism, 1918-1939: Parties, Ideology and Culture (Manchester Studies in Modern History) |
| 1998 | 978-0-7190-5036-7 | Derek Leslie | An Investigation of Racial Disadvantage (Issues in Environmental Politics) |
| 1997 | 978-0-7190-5053-4 | Eric John | Reassessing Anglo-Saxon England |
| 1998 | 978-0-7190-5056-5 | Ian Adams | Ideology and Politics in Britain Today (Politics Today) |
| 1998 | 978-0-7190-5061-9 | Alison Smith | Agnes Varda (French Film Directors) |
| 2000 | 978-0-7190-5063-3 | Martin O'Shaughnessy | Jean Renoir (French Film Directors) |
| '' | 978-0-7190-5073-2 | Angela Smith | Women's Writing of the First World War: An Anthology |
| 1998 | 978-0-7190-5076-3 | Susan Hayward | Luc Besson (French Film Directors) |
| '' | 978-0-7190-5082-4 | Katy Deepwell | Women and Modernism |
| 1999 | 978-0-7190-5083-1 | David Rossiter · etc. · Ron J. Johnston · Charles J. Pattie | The Boundary Commissions: Redrawing the UK's Map of Parliamentary Constituencies |
| 1998 | 978-0-7190-5105-0 | Robert W. Garner · Richard N. Kelly | British Political Parties Today (Politics Today) |
| 2002 | 978-0-7190-5110-4 | Malcolm Barber · Keith Bate | The Templars (Manchester Medieval Studies) |
| 1999 | 978-0-7190-5133-3 | David Arter | Scandinavian Politics Today |
| 1997 | 978-0-7190-5146-3 | Michael Swanton | Beowulf (Manchester medieval studies) |
| 2000 | 978-0-7190-5150-0 | Ben Jonson | Bartholomew Fair (Revels Plays Student Editions) |
| '' | 978-0-7190-5152-4 | Paul Griffiths · Mark S.R. Jenner | Londinopolis: Essays in the Cultural and Social History of Early Modern London C.1500-c.1750 (Politics & Culture in Early Modern Britain) |
| 1999 | 978-0-7190-5153-1 | Robert Stradling | The Irish and the Spanish Civil War, 1936-39 |
| 2000 | 978-0-7190-5170-8 | John K. Walton | The British Seaside: Holidays and Resorts in the Twentieth Century (Studies in Popular Culture) |
| 1997 | 978-0-7190-5171-5 | Joseph Farrell | Understanding the Mafia (Manchester Italian Texts) |
| '' | 978-0-7190-5176-0 | Sir Walter Raleigh · Sir Walter Ralegh | The Discoverie of the Large, Rich and Bewtiful Empyre of Guiana (Exploring Travel) |
| 2004 | 978-0-7190-5178-4 | Dave Russell | Looking North: Northern England and the National Imagination (Studies in Popular Culture) |
| 1997 | 978-0-7190-5180-7 | Christopher Marlowe | The Jew of Malta (Revels Student Editions) |
| 1999 | 978-0-7190-5182-1 | Ben Jonson | Volpone (Revels Student Editions) |
| 1997 | 978-0-7190-5184-5 | John Wolffe | Religion in Victorian Britain: Culture and Empire v. 5 |
| 1999 | 978-0-7190-5191-3 | David Andress | French Society in Revolution, 1789-99 (New Frontiers in History) |
| 2000 | 978-0-7190-5204-0 | Trevor Dean | The Towns of Italy in the Later Middle Ages (Manchester Medieval Studies) |
| 2000 | 978-0-7190-5209-5 | John McLeod | Beginning Postcolonialism (Beginnings) |
| 1999 | 978-0-7190-5210-1 | Tim Woods | Beginning Postmodernism (Beginnings) |
| '' | 978-0-7190-5211-8 | Tim Woods | Beginning Postmodernism (Beginnings) |
| 1997 | 978-0-7190-5213-2 | Colin Rogers | The Family Tree Detective: Tracing Your Ancestors in England and Wales |
| 2000 | 978-0-7190-5225-5 | Simon Barton · Richard Fletcher | The World of El Cid: Chronicles of the Spanish Reconquest (Manchester Medieval Studies) |
| '' | 978-0-7190-5226-2 | Simon Barton · Richard Fletcher | The World of El Cid: Chronicles of the Spanish Reconquest (Manchester Medieval Studies) |
| 2002 | 978-0-7190-5228-6 | Mark Bailey | The English Manor c.1200-c.1500 (Manchester Medieval Studies) |
| '' | 978-0-7190-5229-3 | Mark Bailey | The English Manor c.1200-c.1500 (Manchester Medieval Studies) |
| 1999 | 978-0-7190-5231-6 | Robert Giddings · Erica Sheen | The Classic Novel: From Page to Screen |
| 2006 | 978-0-7190-5239-2 | Alexandra Walsham | Charitable Hatred: Tolerance and Intolerance in England, 1500-1700 (Politics, Culture & Society in Early Modern Britain): Tolerance and Intolerance in ... Culture & Society in Early Modern Britain) |
| 1999 | 978-0-7190-5247-7 | Thomas Dekker · etc. · William Rowley · John Ford | The Witch of Edmonton (Revels Student Editions) |
| 1997 | 978-0-7190-5249-1 | Howard Barker | Arguments for a Theatre |
| 2000 | 978-0-7190-5251-4 | Julia Hallam · Margaret Marshment | Realism and Popular Cinema (Inside Popular Film) |
| 1999 | 978-0-7190-5255-2 | Anna Green · Kathleen Troup | The Houses of History: A Critical Reader in Twentieth-century History and Theory |
| 2000 | 978-0-7190-5257-6 | Matthew Hilton | Smoking in British Popular Culture (Studies in Popular Culture) |
| 1997 | 978-0-7190-5261-3 | Dave Russell | Popular Music in England, 1840-1914: A Social History (Music & Society) |
| 1999 | 978-0-7190-5267-5 | Alan Kidd · David Nicholls | Gender, Civic Culture and Consumerism: Middle Class Identity in Britain 1800-1940 |
| 2000 | 978-0-7190-5270-5 | Lance Pettitt | Screening Ireland: Film and Television Representation |
| 1999 | 978-0-7190-5272-9 | Guy Austin | Claude Chabrol (French Film Directors) |
| 2007 | 978-0-7190-5283-5 | Brian Maidment | Dusty Bob: A Cultural History of Dustmen, 1780-1870 |
| 1998 | 978-0-7190-5284-2 | Delia Jarrett-Macauley | The Life of Una Marson, 1905-65 |
| '' | 978-0-7190-5289-7 | Catherine King | Renaissance Women Patrons: Wives and Widows in Italy, c.1300-c.1550 |
| 2000 | 978-0-7190-5301-6 | Angela Smith | The Second Battlefield: Women, Modernism and the First World War |
| 1999 | 978-0-7190-5313-9 | Franz X. Eder · etc. · Lesley A. Hall · Gert Hekma | Sexual Cultures in Europe: National Histories v. 1 |
| 1998 | 978-0-7190-5316-0 | Aidan Day | Angela Carter: The Rational Glass |
| 1999 | 978-0-7190-5329-0 | Claudia Schnurmann · Elizabeth Wilson | Defining Dress: Dress as Object, Meaning and Identity (Studies in Design & Material Culture) |
| 1999 | 978-0-7190-5331-3 | Susanne Becker | Gothic Forms of Feminine Fiction |
| '' | 978-0-7190-5332-0 | Callum G. Brown | Up-helly-aa: Custom, Culture and Community in Shetland |
| 2003 | 978-0-7190-5346-7 | Raymond Hinnebusch | The International Politics of the Middle East (Regional International Politics Series) |
| 2001 | 978-0-7190-5364-1 | John Marston | The Malcontent: Student Edition (Revels Plays) |
| 2000 | 978-0-7190-5366-5 | Keith Reader | Robert Bresson (French Film Directors) |
| 2006 | 978-0-7190-5367-2 | John Fletcher | The Tamer Tamed; Or, the Woman's Prize (Revels Student Editions) |
| 2002 | 978-0-7190-5376-4 | Sir Philip Sidney | An Apology for Poetry (or the Defence of Poesy) |
| 2000 | 978-0-7190-5382-5 | James Procter | Writing Black Britain, 1948-98: An Interdisciplinary Anthology |
| '' | 978-0-7190-5396-2 | Elizabeth Ezra | Georges Melies (French Film Directors) |
| 1999 | 978-0-7190-5397-9 | Joseph McMinn | The Supreme Fictions of John Banville |
| '' | 978-0-7190-5406-8 | Elizabeth Prettejohn | After the Pre-Raphaelites: Art and Aestheticism in Victorian England (Barber Institute's Critical Perspectives in Art History) |
| 1998 | 978-0-7190-5412-9 | M. Buckle · John L. Thompson | The UK Financial System: Theory and Practice |
| 2000 | 978-0-7190-5419-8 | James Aulich · Marta Sylvestrova | Political Posters in Central and Eastern Europe, 1945-95 |
| 2003 | 978-0-7190-5420-4 | Geoffrey K. Roberts · Patricia Hogwood | The Politics Today Companion to West European Politics |
| 1998 | 978-0-7190-5425-9 | E.A.J. Honigmann | Shakespeare: The Lost Years |
| 2000 | 978-0-7190-5428-0 | Adrian G.V. Hyde-Price | Germany and European Order: Enlarging NATO and the EU (Issues in German Politics) |
| 1999 | 978-0-7190-5432-7 | Bill Jones | Political Issues in Britain Today (Politics Today) |
| 1998 | 978-0-7190-5436-5 | Christopher Marlowe | Tamburlaine (Revels Student Editions) |
| 2002 | 978-0-7190-5442-6 | Elaine Graham | Representations of the Posthuman: Aliens and Others in Popular Culture (Manchester Studies in Religion) |
| 1999 | 978-0-7190-5453-2 | Brandon Taylor | Art for the Nation: Exhibitions and the London Public, 1747-2001 (Barber Institute's Critical Perspectives in Art History) |
| 2001 | 978-0-7190-5454-9 | Michael Staunton | The Lives of Thomas Becket (Manchester Medieval Studies) |
| '' | 978-0-7190-5455-6 | Michael Staunton | The Lives of Thomas Becket (Manchester Medieval Studies) |
| 2000 | 978-0-7190-5462-4 | David Coates · Peter Augustine Lawler | New Labour into Power |
| 1999 | 978-0-7190-5464-8 | Edward Ashbee · Nigel Ashford | US Politics Today |
| 2002 | 978-0-7190-5473-0 | Michael Newton · Graham Shields | Studying and Working in Spain |
| 2000 | 978-0-7190-5477-8 | Alexandra Shepard · P. J. Withington | Communities in Early Modern England: Networks, Place, Rhetoric (Politics & Culture in Early Modern Britain) |
| 1999 | 978-0-7190-5482-2 | Colin Hay | The Political Economy of New Labour: Labouring Under False Pretences? |
| 2000 | 978-0-7190-5484-6 | Brian McFarlane | Lance Comfort (British Film Makers) |
| 2000 | 978-0-7190-5490-7 | Kevin Ruane | The Vietnam Wars (Documents in Contemporary History) |
| 2001 | 978-0-7190-5502-7 | Nicole Matthews | Comic Politics: Gender in Hollywood Comedy After the New Right (Inside Popular Film) |
| 2000 | 978-0-7190-5513-3 | Barry Lewis | Kazuo Ishiguro (Contemporary World Writers) |
| '' | 978-0-7190-5514-0 | Barry Lewis | Kazuo Ishiguro (Contemporary World Writers) |
| 1998 | 978-0-7190-5517-1 | W.R.J. Barron | Sir Gawain and the Green Knight (Manchester Medieval Studies) |
| 2000 | 978-0-7190-5520-1 | David Peters Corbett · Lara Perry | English Art, 1860-1914: Modernities and Identities (Barber Institute's Critical Perspectives in Art History) |
| 2006 | 978-0-7190-5523-2 | Morny Joy | Divine Love: Luce Irigaray, Women, Gender and Religion (Manchester Studies in Religion, Culture and Gender) |
| 2005 | 978-0-7190-5527-0 | Raymond Gillespie | Reading Ireland: Print, Reading and Social Change in Early Modern Ireland (Politics, Culture & Society in Early Modern Britain): Print, Reading and ... Culture & Society in Early Modern Britain) |
| 1998 | 978-0-7190-5530-0 | Laura Marcus | Auto/biographical Discourse: Criticism, Theory, Practice |
| 2001 | 978-0-7190-5533-1 | Phil Powrie | Jean-Jacques Beineix (French Film Directors) |
| '' | 978-0-7190-5535-5 | B.Moore- Gilbert | Hanif Kureishi (Contemporary World Writers) |
| 2002 | 978-0-7190-5539-3 | Giuliano Bonfante · Larissa Bonfante | The Etruscan Language: An Introduction |
| '' | 978-0-7190-5540-9 | Giuliano Bonfante · Larissa Bonfante | The Etruscan Language: An Introduction |
| 1998 | 978-0-7190-5549-2 | David Campbell | Writing Security: United States Foreign Policy and the Politics of Identity |
| 2006 | 978-0-7190-5553-9 | John Mullarkey | The New Bergson (Angelaki Humanities) |
| 2003 | 978-0-7190-5561-4 | Nicholas Royle | The Uncanny: An Introduction |
| 2000 | 978-0-7190-5601-7 | L.C. Green | The Contemporary Law of Armed Conflict (Melland Schill Studies in International Law) |
| '' | 978-0-7190-5604-8 | Robert A. Bickers · Christian Henriot | New Frontiers: Imperialism's New Communities in East Asia, 1842-1952 (Studies in Imperialism) |
| 2000 | 978-0-7190-5606-2 | John J.Parkinson- Bailey | Manchester: An Architectural History |
| 1998 | 978-0-7190-5612-3 | Steve Rigby | Marxism and History: A Critical Introduction |
| 1999 | 978-0-7190-5622-2 | Rachel Weil | Political Passions: Gender, the Family and Political Argument in England, 1680-1714 (Politics & Culture in Early Modern Britain) |
| 2002 | 978-0-7190-5637-6 | Peter Hutchings | Terence Fisher (British Film Makers) |
| 2001 | 978-0-7190-5639-0 | Stanislao G. Pugliese | Italian Fascism and Anti-fascism: A Critical Anthology (Italian Texts) |
| '' | 978-0-7190-5641-3 | Janet Roscoe · Craig Hight | Faking it: Mock-Documentary and the Subversion of Factuality |
| 1999 | 978-0-7190-5656-7 | Owen Davies | Witchcraft, Magic and Culture, 1736-1951 |
| 2007 | 978-0-7190-5657-4 | Louis Rawlings | The Ancient Greeks at War |
| 2000 | 978-0-7190-5664-2 | Ernesto Laclau · David R. Howarth · Aletta J. Norval · Yannis Stavrakakis | Discourse Theory and Political Analysis: Identities, Hegemonies and Social Change |
| 1998 | 978-0-7190-5669-7 | Brian Cox | Literacy Is Not Enough: Essays on the Importance of Reading |
| 2001 | 978-0-7190-5670-3 | Robert David | A History of the University of Manchester, 1951-1973 |
| 2007 | 978-0-7190-5671-0 | Graham Dawson | Making Peace with the Past?: Memories, Trauma and the Irish Troubles (Devolution S.) |
| 2003 | 978-0-7190-5681-9 | Richard Kilborn | Staging the Real: Factual TV Programming in the Age of "Big Brother" |
| '' | 978-0-7190-5682-6 | '' | Staging the Real: Factual TV Programming in the Age of "Big Brother" |
| 2000 | 978-0-7190-5689-5 | Judge Andrew Geddes | Immigration and European Integration: Towards Fortress Europe? (European Policy Research Unit Series) |
| 2005 | 978-0-7190-5691-8 | Rowland Wymer | Derek Jarman (British Film Makers) |
| 1999 | 978-0-7190-5697-0 | Robert A. Bickers | Britain in China: Community, Culture and Colonialism, 1900-49 (Studies in Imperialism) |
| 2000 | 978-0-7190-5700-7 | Lynton Robins · Bill Jones | Debates in British Politics Today |
| 1999 | 978-0-7190-5702-1 | Ben Jonson | Sejanus - His Fall (Revels Plays) |
| 2001 | 978-0-7190-5706-9 | Gertrudis Gomez de Avellaneda | Sab (Hispanic Texts) |
| 2003 | 978-0-7190-5709-0 | Lara Apps · Andrew Gow | Male Witches in Early Modern Europe |
| 2001 | 978-0-7190-5711-3 | Jonathan Phillips · Martin Hoch · Giles Constable | The Second Crusade: Scope and Consequences |
| '' | 978-0-7190-5721-2 | Peter Buse | Drama + Theory: Critical Approaches to Modern British Drama |
| '' | 978-0-7190-5722-9 | '' | Drama + Theory: Critical Approaches to Modern British Drama |
| 2003 | 978-0-7190-5724-3 | Charlotte Crofts | Anagrams of Desire: Angela Carter's Writing for Radio, Film and Television |
| 2002 | 978-0-7190-5729-8 | Mark Haugaard | Power: A Reader |
| 2002 | 978-0-7190-5732-8 | Peter J. Lambert | The Distribution and Redistribution of Income |
| 2003 | 978-0-7190-5738-0 | Andrew Bowie | Aesthetics and Subjectivity |
| 1999 | 978-0-7190-5740-3 | Sir Maurice Powicke | The Loss of Normandy, 1198-1204 (Studies in the History of the Angevin Empire) |
| 2002 | 978-0-7190-5744-1 | E.Beaumont Bissell | The Question of Literature: The Place of the Literary in Contemporary Theory (Angelaki Humanities) |
| 2000 | 978-0-7190-5751-9 | Joanne Morra | The Limits of Death: Between Philosophy and Psychoanalysis |